All Days Are Night (5 page)

She went to the bathroom and opened her side of the medicine cabinet, which was stuffed with over-the-counter remedies and personal hygiene products. The woman who lived here was evidently terrified of bad breath, she gulped vitamins, presumably because she had a poor diet, she suffered from chronic headaches and an acid stomach. She was afraid of getting old and of cracked fingernails. A working woman who had more money than time, who bought expensive olive oil soaps in little boutiques and didn’t get around to using them, and new toothbrushes before she threw away her old ones. It occurred to her that
at last she would have enough room for all her stuff. Somehow she couldn’t feel properly sad about Matthias. Sometimes she cried and cried without stopping. At other times she completely forgot that he was gone. They were always spending a day or two apart, being alone wasn’t an effort. Gillian hadn’t even been to his funeral, how could she know he was really dead?

She took off her blouse and bra. Looking down herself, it was easy to imagine nothing had happened. The accident had left her with a couple of bruises on her torso and some stitches on one leg, but other than that there were no signs on her body. Then she raised her head and looked at her face. In the hospital all she had seen were the wounds. What she saw now, over an almost intact body, took all her strength away. Her stomach knotted, and she crumpled to the floor. She crawled to the bedroom on all fours and flopped into bed. She felt her naked body, belly, waist, hips.

In the middle of the night Gillian awoke and couldn’t go back to sleep. She got up and hobbled over to her office. She turned on the computer and went through her e-mails. She had more than three hundred items in her in-box. She quickly scanned the subject lines. Get well. Recovery. Sympathies. Forthcoming meetings and, days later, summaries of what had been said at them. She deleted all the messages. The in-box of her other address, the alias under which she had corresponded with Hubert, was empty. She Googled her name. Apart from a few short news reports about the accident, she found mentions of her TV show, a couple of articles
that had appeared about her, a Wikipedia entry that some fan of hers must have posted, which was surprisingly accurate. She wondered how much longer you lived on in the Internet after you were dead. In a blog she came across a longish analysis of her work as a host. The blogger seemed to have a deep loathing for her. Her first thought was that it had to have been written by a man, but as she read on she saw that it was certainly the work of a woman. It sounded as though the author had met her personally, perhaps she was an artist or an arts worker Gillian had interviewed. When someone laid into her in the press, she at least knew who it was. Now she had the feeling of listening at the door of a room where she was being talked about. You won’t please everyone, Matthias said sometimes when she had been criticized, but that wasn’t it. She had never learned to keep a distinction between her work and herself, whoever criticized what she did attacked her as a person. At the bottom of the blog, comments were solicited. There were a couple of brief entries, broadly in agreement with the blogger, semiliterate statements full of misspellings and obscenities. Gillian briefly wondered whether to write something herself but decided against. She turned off the computer and opened the top drawer of her desk. The envelope containing the photographs was still there where she had left it.

Gillian hadn’t met Hubert until immediately before the interview in the studio. In their initial conversation, he had laid into television for ruining his pictures, and eyed her shamelessly. Under the lights he asked her if she fancied having a drink with him afterward, and she declined.

Don’t worry, he said with a mocking smile, I’m not thinking of painting you. It sounded like an insult.

By the time the recording was in the can, Hubert was already gone, and even though he had irked Gillian, she still felt disappointed. As Tania was cleaning off her makeup, she showed Gillian a little sketch he’d done of her, nothing wonderful, but Gillian was still annoyed about it.

Matthias wasn’t home, so she fixed herself a sandwich and went into her office. She clicked on Hubert’s website. The only entry under “News” was something about a group exhibition two years ago. Under “Who am I?” she found a photo of Hubert no bigger than a postage stamp, and a short biography. He had done an apprenticeship as a sign painter and then gone back to school. There followed a series of obscure grants and scholarships and group shows he had taken part in. Gillian clicked on “Gallery.” There were five pictures of unoccupied rooms: an office, a bedroom, a living room, a kitchen, and a bathroom. In all the pictures it was nighttime, and the rooms were dimly lit. Although not much could be seen, Gillian still had the sense that there was someone in all the rooms, hiding in a corner or else behind the onlooker. Under the pictures it said they were crayon on paper, and their dimensions were fifteen by twenty-one centimeters. They seemed to be older than the series of nudes. Under “Contact,” she found an e-mail address.

What was she going to say to Hubert? Why didn’t he want to paint her? She spent a long time staring out the window, then she selected as sender Miss Julie, an account she had acquired in order to send anonymous e-mails. Each time she used it, she felt she really was someone else,
as though she was back to playing the part of the irresponsible and yet determined character in Strindberg’s play. She remembered the graduation show at drama school, and even some of her lines. When I really feel like dancing, I want someone who knows how to lead. There had been a lot of applause. When it was over she felt she could do anything. Looking at photographs of the production later, she saw a scrawny-looking girl with a silly face and staring eyes.

Not thinking anymore, she wrote to Hubert that she admired his work and was sorry not to see any newer pictures of his posted on his home page. After a brief hesitation she wrote: And as I’ve just seen, you’re good-looking as well. She signed herself Julie, and pressed Send.

When she went to bed, Matthias still wasn’t home. She woke at five and saw him lying beside her. She thought of Hubert and imagined meeting him in his studio. She knocked, he opened the door and showed her in. Without taking off her raincoat, she walked through the room and looked around. The studio looked like something from an old Hollywood film, with high windows, a potbellied stove, and a big easel. Hubert watched her with the blunt curiosity that had struck her in the course of their interview, and pointed to an old leather sofa. She ignored him and stepped up to the window through which she could see the rooftops of the city, and away in the distance, the Eiffel Tower. There were dark rain clouds in the sky, but at the horizon the cloud cover was broken and the sun shone through and illuminated the pale gray roofs of the city with its dazzling light. Gillian heard Hubert walk up behind her. Finally she turned around and took off her
raincoat. Underneath she had on a simple black dress. He smiled, took her coat, and tossed it over a chair back. Then he picked up a notebook and a charcoal crayon from a low table, and started drawing. Gillian shut her eyes. She heard the scratch of charcoal over the paper.

Matthias turned over. Gillian quietly got up and went out onto the balcony. Although it was cold, she didn’t feel it. It was daybreak, the birds were rowing, it all sounded as though she was in a glass bowl. In the distance she heard the occasional sounds of sparse traffic and the shunting of locomotives.

Before long, Hubert and Gillian were writing to each other every day. Matthias wondered why she was checking her e-mail all the time. She shrugged. Under cover of her pseudonym, Gillian asked Hubert why he wanted his models to undress when he claimed their bodies didn’t interest him. He answered in almost identical words to those he had used at the interview, so she didn’t believe him. He wrote about the encounter as part of the process, of the right moment, of the impossibility of planning. He asked her for her picture. Gillian wrote back that she didn’t have any photographs of herself.

Have we ever met?

Gillian didn’t see his e-mail till the next morning. She had to go to Hamburg for a couple of days to record a feature about an elderly writer who had produced a kind of autobiography. Her flight didn’t leave until midday, and she was still in bed when Matthias left for work. He kissed her goodbye.

She had slept badly and felt depressed without knowing why. Even before her first cup of coffee, she sat down at the computer. She told Hubert that she didn’t want to model for him. She had imagined him taking her photograph in her apartment and it hadn’t felt right. Not the nudity, but his presence in her apartment, his looking around and making a picture of her life. No hard feelings.

She drank her coffee and smoked a cigarette. While she showered, she imagined Hubert painting her portrait. She looked around his studio. He pointed to an old leather sofa. Without taking off her coat, she sat down. He took a chair, sat down facing her, and started sketching her. After a time he put down his sketchbook and appeared irresolute. At last he said, very softly so that she barely understood, she could change behind the partition.

When Gillian reappeared, naked, from behind the partition, Hubert was just loading film into a big camera. Not looking up, he asked her to lie on the sofa with a book. He peered into the camera’s viewfinder, she couldn’t see his eyes, but sensed his cold, prying look.

Gillian packed her traveling bag. She still had time, and checked her e-mails. Hubert had written back already. He wrote that if she didn’t want to be photographed in her apartment, they could meet at his studio. You’re giving yourself away, she thought, you’re changing the rules as you’re going along.

Their e-mails were batted back and forth in double-quick time.

Are you alone?

You wish.

So you are.

Now you’re taking advantage of me.

How so?

You’re imagining me.

What alternative do I have if you refuse to show yourself to me?

Why do you only paint women? And why naked?

This time it took longer for an answer to come. His answer disappointed Gillian. She thought a moment, typed a question, deleted it. Wrote it again.

Do you sleep with your models?

When she fired off the e-mail, there was another one from Hubert. He wrote that the model’s nakedness created upset, disturbance, erotic tension. Art was the harnessing of this energy in a painting.

Gillian regretted her question now. Again, Hubert’s answer took a while.

Shall we meet?

That’s unprofessional.

Shall we meet?

You’re repeating yourself.

Life is repetition.

No.

Then what do you want?

Gillian thought. She typed her answer, read it back, and smiled as she pressed Send. She didn’t wait for his reply and switched off the computer. The sound of the ventilator ceased, and the apartment became very quiet.

In Hamburg it was raining. Gillian took a taxi from the airport to the author’s apartment. The film team was already
there, and the author was getting annoyed because the cameraman wanted to rearrange his living room. He also refused makeup, even though he had probably worn it hundreds of times. Gillian explained that it was to allow him to look his most natural. He seemed at least to like her, and over time he unwound, and even started flirting with her a bit. They filmed him sitting at his desk and in front of his bookshelves, out walking along the waterfront, in a smart café he would never dream of going to, as he explained. Gillian asked him to write something down for her, but it turned out he had nothing to write on. She lent him her black Moleskine, and he scribbled something in there. Then they trooped back to his house to film the interview. Gillian sat beside the camera. When she opened the notebook to review her questions, she saw what he had written: This engenders such a clichéd view of the writer: television is the pits. She didn’t flinch and asked her first question.

The author seemed offended that he was getting more critical attention, and more readers, for his autobiography than for his ambitious experimental oeuvre.

Even though this book is just as fictitious, he said.

And what is reality?

If it’s reality you want, I suggest you look out the window.

Then why write?

He looked at her with a pitying smile. For professional reasons, a colleague of mine used to say. And another said it was lust, greed, and vanity that motivated him. In my own case, it’s presumably …

The soundman said he had picked up a noise in the
background, could he possibly repeat the last few sentences, but this the author refused to do.

That’s the thing with reality, he said, you can’t repeat it to order, you can’t correct it. Perhaps we should read more books.

Would you do something else if you had your time again? Gillian asked.

The writer was suddenly angry and said he was tired, and gave monosyllabic replies to her remaining questions. At the end of four hours, Gillian said goodbye. She would manage to knock her material into a four-minute feature, but it would have even less to do with reality than the three hundred and fifty pages of the autobiography (not really) under discussion.

While in Hamburg, she didn’t check Miss Julie’s e-mail. She no longer felt comfortable with her part in the correspondence.

When she got home four days later, though, she did. Hubert had written to her twice, once immediately, moments after she had turned off her own computer, and then the next day. In the first he offered a detailed description of how he would kiss her. He had assembled a pretty accurate picture of her, and wrote about her cropped hair and slender waist. In the second e-mail he apologized for the first. He said he had allowed himself to be carried away and was sorry. Gillian didn’t know which of the e-mails to be more upset about. She decided she would meet Hubert. She wrote that she didn’t want him to paint her or kiss her, but she would agree to have a drink with him. As a
venue she suggested a café in an outer suburb where she had once met a curator. She looked at the time.