End Day (3 page)

The concrete corridor opened onto an expansive room lined with comp stations in cramped little cubicles. Ryan had seen such setups before, and they always reminded him of chicken coops—without the stink. The low ceiling had collapsed in places, raining squares of acoustic tile on desktops and floor. There were no bodies, no skeletons, just row after row of gray office furniture coated with a century-thick layer of dust.

The floor-plan map of the redoubt was screwed to the wall, behind a sheet of Plexiglas, beside another bank of elevators.

Mildred swept the plastic clean with her palm. “There,” she said, tapping the cover with a fingernail. “The mat-trans is four levels down and on the far side of the redoubt.”

At a dead run, they retraced their route, and once they reached the staircase, they took the steps two at a time.

The footprints were petering out, but drips of enforcer sweat glistened on the metal front edges of the treads. They looked like sprinkled raindrops—but, to the companions, smelled like scalie piss mixed with wag fuel.

Through the door four levels down, Jak took point with his .357 Magnum Colt Python, following the sweat trail like a bird dog. It led them through a long, straight corridor to another sec check, this one more daunting than the first. A short section of the corridor was bracketed at either end by steel-barred and armaglass gates, which stood half open. Between the gates was a designated kill zone. Machine-blaster posts were staggered on either side of the hall: get past the first, get nailed by the second. Cameras looked down from all four corners of the ceiling. On the wall to the left was a lone, armored window with a small microphone speaker and a metal sliding bin beneath. The sign beside it read:

NO UNAUTHORIZED PERSONNEL
BEYOND THIS POINT

NO WEAPONS

PLACE SECURITY CARD IN TRAY
OBEY ALL COMMANDS

ENTRANTS SUBJECT TO CAVITY SEARCH

As he read the sign, Ryan could feel the vibration of the generators through the soles of his boots. His skin crawled with static electricity. To send that kind of charge through hundreds of thousands of tons of concrete required an unimaginable amount of power.

An unpleasant thought occurred to him. If Magus knew they were in pursuit, this could be a trap. If a nuclear bomb was involved, if its countdown mechanism had already been activated, there was no escaping back the way they'd come. If Magus intended to jump away at the last second before detonation, their only hope was to do the same.

With Jak ahead of him and Krysty close behind, Ryan moved past a pair of elevator doors in the wall on the left. As Ricky, Mildred and Doc followed, a cheerful chime rang out:
ding-ding
. The sound stopped all the companions in their tracks. The elevator doors rolled back smoothly.

Backlit by the car's ceiling bulb was a lone enforcer. It was so wide it seemed to fill the entire doorway. The surface of its skin was covered with an array of ridges and knobs, like a crocodile's. Sweat beaded and then oozed down its wide belly and dripped steadily off the underside of its pot roast–size scrotum, pooling on the floor between massive, bandy legs.

Throwing back its head, it let loose an earsplitting roar of outrage.

The cry was answered a fraction of a second later by tens of thousands of foot-pounds of concentrated blasterfire. Five different calibers of bullets and shotgun rounds knocked the creature onto its heels and slammed it into the back of the car. Wild ricochets pocked the floor and sidewalls with holes and slashes, as the din of firing continued. Chunks of the enforcer's thick hide were blown away, revealing shiny blue bone beneath. The point-blank volley seemingly had no other effect. The slugs weren't through and through; there was no blood—red, blue, green or yellow.

One by one, their blasters came up empty; the shooting dwindled. Before they could all reload and resume fire, the enforcer had recovered. As the elevator doors began to slide closed, it lunged through the haze of trapped blaster smoke. The four-inch-long amber talons on its thumbs held the doors' leading edges apart, and it stuck its lumpy head through the gap. Yellow eyes slitted, wide, toothy maw grinning in anticipation, it took in seven defenseless victims, all within easy reach.

Mildred yanked the pin from a red canister, paused, then gently rolled the cylinder underhand onto the elevator floor. Fountaining white sparks, like a roman candle, the thermite gren sputtered between the enforcer's thighs, directly under its prominent gonads.

A very different kind of howl erupted from its throat when a second later the gren fully ignited and took the puddled chemical sweat with it. The resulting blast of four-thousand-degree heat sent Ryan and the others staggering away, shielding their faces with their forearms. Even though the enforcer was engulfed in fire, head to foot, it crumpled the edges of the elevator doors trying to pull itself free.

There was no escape.

In seconds the car's thin steels walls began to melt around it. The enforcer reeled back from the doorway, arms thrashing. Flames roared upward, burning through the roof of the car, as though it was made of candle wax, and sucking the air in the corridor into the elevator shaft, as if it were a giant chimney. As the enforcer collapsed, the car broke free of its cables and plummeted downward.

Ricky's dark eyes widened in disbelief. During the brief, one-sided firefight, his De Lisle carbine had been stuck firmly at port arms. “Were you shooting it in the head?”

“Shit, yeah,” Jak said, dumping six smoking hulls from his Python.

J.B. clapped a hand on the youth's shoulder and said, “Those knobby, sweaty bastards die triple hard. Don't worry, kid. You'll get used to it—mebbe you'll even get a shot off next time.”

Ricky shrugged. “Next time I'll know where to aim.”

The muffled crash of the elevator car rolled up the shaft. It was a long fall to the bottom.

Ryan heard more bellows of fury—seemingly coming from all directions at once. It sounded like three hours past feeding time in a mutie zoo.

Retreat was definitely no longer an option.

“We've got to reach the mat-trans,” he said. “Don't waste ammo. Use the grens to clear a path. Let's go!”

With that, he and Jak led the full-out charge down the corridor. One hundred feet ahead was an intersection with another corridor. As they neared it, Ryan waved for Jak to slow down. They stopped and peered around the corners as the others stormed past. In the dim overhead light, way down the corridor on the right, he could see lumpy heads bobbing toward them. It was the same story when he looked in the opposite direction.

He and Jak rolled incendies both ways, then without waiting to see the effect, chased after the others. Ryan knew the thermite grens would keep the enforcers back, but only the first wave, and only temporarily.

In front of them, Krysty, Mildred, J.B., Doc and Ricky disappeared into a doorway on the left. Then the floor jolted violently under Ryan's boots, sending him slamming shoulder first into the wall. Concrete dust rained down from the ceiling. Dozens of levels below, the generator's whine died away, like a falling artillery shell, and the corridor lights winked out.

For an instant it was so dark Ryan couldn't see the end of his nose. Pitch-black, but not quiet. Over the pounding of his heart, he heard what sounded like dozens of bare feet slapping the floor. The generator recovered after only a second or two, starting the climb to peak power, and then the lights came back on.

When Ryan looked behind them, he saw a corridor filled wall to wall with wide bodies, and they were bearing down fast. “Run, Jak! Run!” he shouted.

The entrance to the mat-trans unit's control room stood open. Ryan was the last across the threshold. He spun around, located the keypad and, desperately hoping that the usual codes worked in this redoubt, punched in the one that would close the door. It worked. Breathing a sigh of relief, he quickly entered another to lock out access.

“We're too late,” Krysty said as he turned. “We just missed them.”

He'd already guessed that. In a single go, something had drained the tremendous power load to zero.

Ryan rushed past panels of blinking, multicolored lights and the madly chattering, predark machinery, into the anteroom. The door to this mat-trans had a porthole, and he could see the tendrils of jump fog slowly lifting. Though his view was obscured, there were no feet below the mist and no slumped bodies on the floorplates near the door—just shiny smears of sweat.

There was no way to tell where or how many of their quarry had gone. Or even if Magus had jumped with them.

A resounding boom from a foot or fist against the outside of the control room's door put an end to that train of thought. More banging followed, and under the rain of blows, the barrier began to bulge inward. Amber thumb hooks poked between the edge of the door and its frame, bending back the double-walled steel as if it was pot metal.

It wasn't going to hold.

Krysty pulled out a red canister.

“No!” he said, catching her hand by the wrist. “If we use incendies in here, we'll end up cooking ourselves and the mat-trans.”

Behind them, a knobby arm reached through the gap, a hand flailing clumsily toward its prey

“Into the chamber!” Ryan ordered as the anteroom entry was pried open.

The companions piled through ahead of him. Once inside, he shut the door, which didn't have the usual lever for a handle. He dogged it with the locking wheel—just in time. On the far side of the porthole, inches from his face, enforcers tore madly at the hatch. The locking cams of vanadium steel were too strong for them, but the tips of their amber talons scored the glass, crosshatching it.

Ryan knew he had only seconds before the automatic cycle started. He lunged for the unit's Last Destination button.

At almost the same instant, Doc shouted from the rear of the chamber, “Wait, Ryan! Do not press—!”

But the button had already clicked under his thumb.

“By the Three Kennedys, look here. Look at this!”

The floorplates beneath his boots throbbing with pulses of light, Ryan pushed past the others and glimpsed what he hadn't been able to see before: a second porthole door, the mirror image of the one they had entered through. He pressed his face to the armaglass and saw nothing. What was on the other side was not only devoid of light, it swallowed light, like a bottomless hole.

Gray fog materialized near the chamber's ceiling. As Ryan breathed in the stinging mist, his head began to spin, then his knees gave way. He crumpled to his back on the floorplates. Beside him, Krysty and the others were already down, writhing and screaming. Jumping had never hurt before—the fog had always produced a merciful blackout. Mat-trans units never had two doors. Mind racing, he tried to make sense of it.

Then something incredibly powerful seized his wrists and ankles and stretched them in opposite directions. He roared in pain, certain that every tendon and joint would break under the accelerating pressure, but they didn't—instead, the opposing forces pulled his body thinner and thinner, as if it were made of rubber.

He couldn't make it stop; he couldn't even slow it down.

Chapter One

Once again Veronica Currant found her attention wandering across the luxuriously appointed dining room, past the dark leather booths, crystal chandeliers and liveried waitstaff. It came to rest on the TV above the Manhattan restaurant's bar. Because the presidential inauguration was less than a day away, media was replaying the whole “lost ballot” business in excruciating detail: the characters in the Florida GOP implicated in the computer tampering conspiracy, and the Supreme Court decision that had ultimately determined the outcome of the election. The country was sick of hearing about it, and so was she. She just wanted it over with. After all, there were checks and balances built into the system, no matter who was elected. The Republicans had had three successive terms in the White House since 1980. How bad could a Democratic President be?

The tall, gaunt man on the other side of the table tapped his water goblet with a silver spoon to get her attention. “We were discussing terms on a multibook deal,” Noah Prentiss reminded her.

It took an effort of will on her part not to stare at the swollen red knob of his nose and the constellations of tiny starbursts on his cheeks.

Prentiss was an alcoholic, low-rung literary agent. His low-rung client—a small pudgy man who bit his nails—sat to his left. They had turned their half of the white linen tablecloth into a veritable Jackson Pollack of red-wine spills, meat juice and grease spots, bits of discarded gristle, drips of Caesar dressing, shreds of romaine and escaped bread crumbs.

“Kyle and I have discussed the matter at length,” Prentiss went on, “and feel a raise in advance is appropriate on the next Clanker contract.”

Clanker was one of the eight-book series Veronica edited for a New York City paperback house. The central character of the same name was a steampunk cyborg—coal and wood fired.

“No one writes Clanky as good as me,” Kyle Arthur Levinson boasted, somewhat thickly after four martinis and a half bottle of cabernet.

Veronica looked from one man to the other but did not reply. Silence in answer to a question was a negotiating technique she had learned from the five-foot-two pulp-fiction publisher, cigar-smoking entrepreneur and renowned tightwad who was her boss. It was a strategy that put the opposition at an immediate disadvantage.

If she had chosen to, she could have listed many reasons why Mr. Levinson didn't deserve more book contracts, let alone a raise in pay. He never turned in his assignments on time. Despite the advance outlines to the contrary, he wrote the same story over and over. Clanker aways ran short on energy at a crucial moment in the plot and broke up some chairs or bookshelves to burn in his brass firebox, thus saving the day. Levinson cannibalized action and sex scenes word for word from his own books. He never researched or fact-checked his work. He never read books by the other ghosts in the series, which created conflicts with canon. None of these issues set him apart from the rest of the stable—to one degree or another, all the writers were guilty of the same offenses. So why should he get more money?

Prentiss had an answer for that.

“Remember,” the agent said, “Kyle's been on this series from the start. He helped build its current global audience.”

“I'm the one who invented ol' Clanky's catch phrase, ‘Stoke me!'”

That was hardly something Veronica could forget. Levinson used that tag line at least fifty times in every book, and she had to go through the manuscript and personally remove forty-five of them. Truth be told, “his” catch phrase for Clanker was stolen from “Stalk me!”—the catch phrase from another of the company's series, Slaughter Realms. Which in turn had been lifted from “Stake me!”—the catch phrase of the house's vampire line, Blood City.

Sometimes in the middle of an excruciating edit of one of his Clankers, she caught herself wishing he'd write “Choke me!” so she could strangle him with a clear conscience.

“We have come up with some numbers we'd like to run by you,” Prentiss said, holding out a slip of paper.

Veronica took it and put it in her purse without looking at it. “A decision like this has to come from the top,” she said. “I'm sure you understand...”

“Of course,” Prentiss said. “I understand completely. Now, how about a little something sweet?”

Levinson was already scanning the dessert menu with keen interest.

Half an hour later Veronica was starting to feel hungry. She'd had only sparkling water to drink, a seafood risotto and an undressed green salad. Not wanting to prolong the ordeal by ordering more food, she paid the tab with a company credit card and left agent and client happily nursing their third brandies. She knew her boss wouldn't grouse about the bill. A $300 lunch was peanuts compared to actually giving Levinson a raise. Effective stalling cost money but paid off big time down the road when the writer became desperate. And sooner or later, writers always became desperate.

Outside the restaurant, the January temperature was in the high thirties; it felt colder because it was so damp. She thought about walking the five blocks back to the office but changed her mind. She had a big pile of manuscripts to edit at home, and she wanted to get out of her high heels and into a pair of comfy slippers. After hailing a passing taxi and getting in, she gave the driver the address of her apartment in the East Village.

Her thoughts returned to the Levinson problem.

That there were always worse writers out there had been pounded into her by painful experience. “Better the bad writer you know” was the company's longstanding philosophy. To overcome the failings of the stable, failings all too apparent to readers of the various series, and to keep her job, she'd had to master the relevant facts and skills herself. She had learned about weapons, tactics, martial arts, survival, engineering, astrophysics; the list went on and on. Despite the fact that she was only twenty-six, she was a mother figure to the writers she herded—a dispenser of sustenance, corrector of embarrassing mistakes, protector and defender. They were babies, all of them. Some white-haired or hairless, some toothless with age, but still helpless, whining babies.

The cab pulled up in front of her brownstone on a street lined wall-to-wall with similar narrow, multistory houses, all of the same, roughly 1850, vintage. Sickly, leafless trees grew out of spike-ringed holes in the sidewalk.

After paying the cabbie, she climbed the steep front stairs, unlocked the door and stepped into the small foyer. As she started up to her second-floor apartment, she considered blowing off work, putting her feet up and reading a good book for a change. A rumble from the floor above startled her. It sounded like a stampede of elephants. Looking up, she saw huge, dark figures lumbering down from the landing. They were as wide bodied as NFL players. The marble staircase shook under their combined weight. She flattened her back against the wall to keep from being trampled.

As they poured past, she saw there were eight or nine of them, all dressed in a kind of uniform: royal-purple satin hoodies and black satin jogging pants. She couldn't get a clear look at their faces because of the hoods and because they were moving so fast. She did see and recognize the skeletonized buttstocks of AKS-74U “Krinkovs,” some of them slung under the hoodies, the abbreviated autorifles looking like children's toys. In the middle of the pack, apparently being guarded by the others, was a spindly, frail individual.

Was that Bob Dylan? she thought, turning to look as they crossed the foyer below and trooped out the front door. A rumor had started going around the block that morning that the famous balladeer had bought the brownstone next to this one, but no one had actually seen him yet. What was Bob Dylan doing in
her
building? The odd smell left in their wake made her wrinkle her nose.

When she peered over the second-floor landing, her heart sank. Her apartment door was standing wide open. Without thinking, she crossed the hall and rushed inside. The place had been trashed—furniture overturned, lamps broken, pictures knocked off the walls as if a whirlwind had struck. The television, stereo and computer were untouched. It smelled like a meth lab.

“Talu, Petey!” she called. “Lucy!”

The cats didn't come.

She found all three hiding, wide-eyed, in a corner under the bed. Much to her relief, they were unhurt.

Nothing seemed to be missing from the bedroom; everything was just as she had left it. The autographed black-and-white photo of a bearded, smiling Robertson Davies sat atop her dresser.

Oh crap, the Eagle! She jumped up and tore open her closet door. Behind cartons of neatly packed summer clothes on the top shelf, the lock box was still there. She opened it with the keypad and looked down with relief at the Bengal tiger–striped .44 Magnum Desert Eagle snug in its fitted foam case. It had been a strange gift from an even stranger man—restraining-order strange.

Robert Marx, in addition to being bipolar and a con man, had authored a few books for the company's Western soft-core-porn line, Ramrod—that series' catch phrase was both obvious and literal. Veronica had never dated Marx, never saw him once outside the company offices, but he had become so enamored of her that out of the blue, he'd given her this $2,500, illegal-in-NYC pistol—the world's most powerful handgun, in fact. Something Marx thought incredibly funny.

Primarily to defend herself against him—and people like him—Veronica had learned at a range in Connecticut to shoot the monstrous thing. She'd initially had serious problems with muzzle control because of the weapon's weight—four-and-a-half pounds, fully loaded—and its tremendous recoil. To master it, she'd had to strengthen her wrists and forearms with dumbbell finger curls.

A loud, sudden noise from the living room made her stiffen. It sounded like something heavy had fallen. Maybe one of her floor-to-ceiling bookshelves had crashed to the floor.

They're back! was her only thought.

Veronica kicked off her heels. With the ease of much practice—and without chipping a nail—she slapped home the pistol's loaded magazine and chambered the first fat wadcutter round in the stack. Snatching the custom-molded earplugs from the case, she thumbed them into place as she moved to the bedroom door. When she burst into the living room with the autopistol in a two-handed grip, ready to fire, there was no one there. Above the toppled chairs and scattered manuscript pages, a weird gray mist swirled in the air.

Something terrible was about to happen. She could feel it in the pit of her stomach.

Firmly planting her feet, she aimed the Eagle at the churning, expanding cloud. As she stared over the iron sights, it occurred to her that she had finally and completely lost her mind.