Jemez Spring (38 page)

Love? Yes, for as young men these viejitos of el norte had scoured the mountains and the valleys, from Gallina to Tierra Amarilla to San Ysidro to Cabezon and Bernalillo, down to Belen and Socorro, after a hard week's work they rode their horses or drove their old model-T's to the country dances in the most out-of-the-way villages where they courted young women as beautiful as Helen, but more virtuous, brown-eyed Mejicanitas and Inditas who lived in those mountains and whose mestizo heritage engendered them with a beauty born of the earth and sky. Ah, las Inditas de los Pueblos, the way they danced and lifted their skirts to show their ankles made a young man's mouth water. Chicanitas as succulent as a bowl of warm chicharrones.

That's why New Mexican kids came in all colors, some with red hair and blue eyes, some morenitos and dark as the earth, because at this crossroads, at the heart of the quincunx, the bloods had mixed, creating a larger-than-life familia, nature's way of fulfilling her secret destiny.

Yes, Sonny, those elders would say. Goddamnit que sí! You're as good as those who fought at ill-fated Troy. Puro Chicano, you gave it your best shot. Y mañana is another day. And you've got your Rita of the dancing eyes, deep brown eyes whose irises radiate the sacred light of the Zia Sun. It may be you will find the Zia Stone, then again time may scar and humble you and even unto your death you will still be searching. But you gotta keep fighting those cabrones who deny the message of the Sun Stone! You gotta believe the earth is worth saving!

Surprise was too mild a word for the strange looks that crossed the faces of the suitors who all day had argued with each other as to who would drive Rita home. Frowns mixed with gazes of gratitude, scowls because they knew Rita would have no other man at her side, smiles because he was alive, and after all, he was a friend they had known for many years.

Rita turned to look at her Chicano Ulysses home from the war. He sure looked banged up, dressed in his colorful jacket but splattered and reeking of the strange and regenerative blood of the pig, and his boots and pants were caked with mud that smelled of the ooze of the river. He stoutly held the dreamcatcher at his side, the one don Eliseo and the old men of Sandia Pueblo had made for him.

She stood immobile behind the counter, as beautiful after a long day's work as she had been in the morning when he last kissed her and whispered he'd be back. She felt a tremor, her heart suddenly romping to a new beat, a frozen cry in her throat.

Sonny! Gracias a Dios, you're home. Virgen de Guadalupe, gracias. San Judas, gracias.

Perhaps beautiful was too cheap a word to describe her, for those who have felt love deep in their souls know the beloved is like a prism that reflects the soul of the lover, a beacon in the dark that guides home the most weary seaman.

If, as the poet says, the eyes are windows of the soul then the bond between the lover and the beloved is a golden cord that cannot be cut; not even the third fate's final scissor snip can separate the two.

Even those blinded by life, those whose sight has been clouded over by the gods so they may experience with their other senses a deeper essence of life, feel this cord of light, and their love is expressed in touch.

Don Eliseo said: If you shrink from human touch, then you are the lost one. Go forth and touch those you love, a smile, a friendly wave, cómo estás, órale, good to see you, a handshake, a high five, a squeeze, a bear hug, un abrazo.

The caress of the soul is as profound as the orgasm of the flesh.

“Sonny!” Rita cried. I knew, of course I knew.

She started forward, but his look told her to pause and await the outcome of the homecoming.

Chica didn't wait, she jumped from Sonny's arms and dashed to Rita, a bullet whizzing across the floor that Rita caught and held close, feeling in her throbbing heart the dread she and Sonny had been through.

For a long time it seemed as if nobody spoke, then the guy nearest Sonny stood and faced him. The carpenter with his carpenter's belt strapped so it hung low on his waist, like the gun belt Shane strapped on in the movie when he finally had to take up the pistol and face the bad guys.

Okay, he thought, let's get this over with.

He walked up to Sonny and stared him in the eyes, every move guarded, as if measuring his next move.

Then he smiled, and said, “Hey, Sonny, you're back. Good to see you, bro.”

Hesitantly he stepped forward and jabbed Sonny on the shoulder. “Hey, you did good, ese. It's in the news. Everything's back to normal.”

These were the men of normalcy, and they knew in their hearts, they were no match for Sonny.

The carpenter looked at the dreamcatcher, then back at the other men lined up along the counter and those at the tables.

“Hey, I gotta hit the road. Work tomorrow,” he said, threw some bills on the counter to pay his fare, then with head bowed he walked past Sonny and out the door.

“Let's hear it for Sonny,” a second man said, a young buck at twenty-five, but tough from construction work, who was always daring Sonny to arm wrestle, trying to beat him in front of Rita and the other vatos, but to date he hadn't.

All clapped and cheered, then one by one they tossed bills on the tables to pay for the pies and coffee, and they began to file out, carrying the tools of their respective professions, each one acknowledging Sonny's presence.

The schoolteacher coughed and made an excuse. “I have to get up early. Kids to teach, gotta grade papers, you know. They might cancel classes because of the governor. Who knows?”

“Governor or no governor, tomorrow's another day,” the electrician said. “Gotta wire that new parking lot the city's building. Good night, Rita,” he called, secretly cursing his luck, as they all did.

“I gotta help my primo with his roof,” the roofer said.

One by one they went out.

“Órale. Ay te wacho.”

“Take care, bro. Good to see you. You're the man!”

“Hey, Rita, your lover man's back,” one joked, and laughed.

“Did Chica have any dreams today?” another asked. Subdued laughter again.

“How'djuget the black eye? Looks bad.”

“Yeah, take care of it.”

“He's got his curandera,” one answered, glancing back at Rita, sighing, and walking out.

“Better fix that dreamcatcher, or you won't catch any dreams,” one said, trying to be cute, touching the tattered totem as a defrocked priest might touch one last time the chalice on the altar.

Sonny acknowledged all with a nod, as a triumphant warrior might look at those beaten in battle, equals in the fray but diminished in the loss.

Perhaps it was the thin smile on Sonny's lips that disconcerted them, for the cars pulling out of the parking lot squealed and burned rubber as the aspirants of the day headed home to one more night of bachelorhood, sadly aware that Rita would rest in Sonny's arms.

Sonny's gaze had never left Rita. Let his friends leave, yes, tomorrow was another day and they'd be back for breakfast, Rita's huevos rancheros, red chile con carne, huevos con chorizo, and homemade tortillas were to die for, manna from heaven, hearty meals to satisfy a man during the long day's work, and her image was one to take away in the heart and compare to other women the lonely bachelors might meet during the day.

“God, Sonny, you're the luckiest guy in the world,” the last to exit whispered, glancing furtively at Rita, then ducking out.

A peaceful silence settled into the café; the only sound was the refrigerator's hum, the same mysterious hummmm that had bugged the people of Taos many summers past.

Rita placed Chica on the floor and ran across the room to be gathered in Sonny's arms and held close, both feeling relief from the troubled day, feeling the separation had been too long, longer than the cotidal day, which speeding around the sun had turned into spring. The first day of spring.

“Sonny, Sonny, I'm so glad.… Lorenza told me what happened.”

She touched the bruise above his eye. “Raven?”

He nodded.

“I'll take care of it,” she whispered, and touched her honeyed lips to his, tasting him tenderly, as if for the first time, acknowledging the enormous need they had for each other, an embrace that only the poets of India can describe adequately, for the kiss opened a door into each other's flesh and spirit, and why shouldn't the flesh be rewarded after such a long absence from the lover? Why shouldn't every cell burst forth with all the hormones the body can muster, adding adrenaline for spice, surging in the blood and pounding heart, tingling the nerves, renewing marrow?

Fundamentalists beware! The flesh will outlast you! The cells contain circuits of memory eons long, fibers enclosed in blood as ancient as the earliest stories from India or Mesopotamia, each cell sloshing with the salty water of a cosmic sea in which primordial images float.

He felt Rita's body tremble as she held him tight, the first movement of an orgasm that would evolve into a rainbow of joy, tremors that would last long into the night, blooming colors from the prism of love, a bridge from this world to the next, an arc on which one walked into paradise, the reward of the flesh to the tired soul.

Complete and fulfilling fruition, in whispered moans asking after the first orgasm to be fulfilled again, such is the way of lovers.

The spring sun would blossom into summer, and why stop at one season when the lover and beloved are meant to bond for life? They would nurture each other in the heat of the New Mexico summer, drive together in autumn to Jemez to pick the apples that have grown a delicious yellow and red, wander through the brilliant gold of river cottonwoods and hike up into the aspen groves that dot the green mountainside, then ease into winter's quiet pleasures with fat logs burning in the stove and the first snow of November blanketing the Jemez River Canyon. Those are nights when life stirred again in the womb to awaken in a coming season, such is the way of the birth cycles.

After all, the rhythms of the seasons are the rhythms of love.

“Shakti,” he whispered.

“I'm Rita,” she said, smiling.

“Shakti means ‘my beloved.' I found it in the dictionary.”

“You and your books. Think you'll go back to teaching?”

“Maybe. In the meantime—”

“Stay with me.”

“Yes.”

“Say it again.”

“Mi amor. My shakti.”

“I love you Sonny Baca.”

“I love you Rita de mi corazon.”

“Oh—”

“Que?”

“A letter came. You forgot to renew your PI license. They cancelled you today.”

“So all day I haven't been a PI?”

“Not according to their rules.”

“And I'm not a tragic hero. I'm just me, Sonny Baca. I know the face in the mirror.”

His mirror was the shining lapis stone hung on a chain around her neck, the philosopher's stone, perhaps the very Zia Stone he had sought in vain. Could it be the sought-after, transforming Zia Stone?

“You're not tragic at all,” she whispered, “but you are my hero.”

Sonny nodded then laughed, a hearty laugh that only a man who truly enjoys arriving home can laugh, a man who truly loves the breadth and width of his beloved, whatever the size, whatever the radiance of her, enjoying every aroma that emanates from her body. Rita laughed with him.

I'm sure I'll have my critics, he thought, holding her and looking into her eyes, his blood boiling with a joy that couldn't be bottled. This is just too good to be true, they'll say. Too sweet, too romantic at heart. If they only knew his beating heart resonated to hers. But who cares! Lead on McDuff!

“Ready to go home?”

“Hummm, am I ready,” she murmured in his ear, the song of a honey bee echoing in the flower's open petals, the sweet nectar flowing, pollen and wetness on her lips, the probing proboscis, the need to get home to a bed they both knew well, where the mattress sinks and rises to contours of love and the feel of feather pillows eases the tired head to sleep. The luxury of clean sheets waiting to caress the returning warrior.

“It doesn't get any better,” Sonny whispered.

“It will,” she said.

“Vamos.”

“Wait.” She picked up a menu and with a lipstick from her apron pocket she penciled in dark red erotic letters: CLOSED FOR THE DAY.

“You're going to close tomorrow,” he said. Rita's Cocina was only closed for Christmas, New Years, and Easter. She served comida de cuaresma on Good Friday.

“I'm going to be busy,” she answered, her smile tempting enough to launch a thousand ships.

“Órale!” he exclaimed.

She placed the sign on the window and with Chica under her arm they hurried out to Sonny's truck.

She held his hand as they drove, feeling the electric current that flowed from her to him. She looked out the window at a moon that dripped honey, miel virgin, the stuff bees suck from the flower's yoni as they gather the pollen that sticks to their probing, wet tongues, a gooey mixture that needs no cloning, no in-vitro pollinating, just nature working as she always has with her alchemical transformations, making from the sex of the flower the fruit of the table.

In the warmth of the truck she looked at him and squeezed his hand.

“It's a beautiful night,” she said. “You're home.”

She turned the flame burning in her to low, so as not to rush, enjoying the heat of her sex as they drove into the night. She could wait, because she knew she had to cleanse his bruised eye and feed him. When his ablutions were done they would slowly undress, let fall the grape leaves of Eden, for this is how they allowed their love to grow, unhurried, mature in each others' ways, caressing each other as doors of light opened unto a holy path, illuminations of a lost heaven where once Adam and Eve cavorted.

Their loving would last long into the cotidal night, bringing in spring the way the ancient Druid priests must have celebrated, with orgiastic, dome-shaped pleasures in the light of the moon. Here, the granite face of Sandia Mountain looked down and blessed the lovers, as the giant monoliths of Stonehenge blessed the ritual dances of the Druids long ago, a celebration of love lasting all night and into the new day.