Authors: David Vann
Last Day on Earth
LAST DAY ON EARTH
WINNER OF
THE ASSOCIATION OF WRITERS
AND WRITING PROGRAMS
AWARD FOR
CREATIVE NONFICTION
A PORTRAIT OF THE NIU SCHOOL SHOOTER
DAVID VANN
This is a work of creative nonfiction. It draws from primary source materials including police files and other documents, as well as many hours of interviews. The author has made every effort to reconstruct dialog, scenes, descriptions, and motivations as accurately as possible. Names and identifying characteristics of some persons have been changed to protect their privacy.
Published by the University of Georgia Press
Athens, Georgia 30602
© 2011 by David Vann
All rights reserved
Set in Scala
Printed and bound by Sheridan Books
The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources.
Printed in the United States of America
11 12 13 14 15 C 5 4 3 2 1
Library of Congress Cataloging-in-Publication Data
Vann, David.
Last day on earth : a portrait of the NIU school shooter / David Vann.
p. cm. — (Association of writers and writing programs award for creative nonfiction)
ISBN 978-0-8203-3839-2 (cloth : alk. paper)
1. Kazmierczak, Steve. 2. Mass murder—Illinois—De Kalb.
3. Youth and violence—Illinois—De Kalb. 4. School shootings—Illinois—De Kalb. 5. Campus violence—Illinois—De Kalb.
6. Northern Illinois University—Students. I. Title.
HV6534.D434V36 2011
364.152’34092—dc23
2011018019
Parts of this book originally appeared in
Esquire, Men’s Journal, Esquire UK
,
and the
Sunday Telegraph.
ISBN for this digital edition: 978-0-8203-4210-8
Nothing human is foreign to me.
TERENCE
(195–159 BC)
I tried to peer around the podium to get a look at him, but the minute I saw him, he turned and saw me. He turned and fired, and he pulled the trigger of the Glock multiple times. He just kept shooting me. I got hit right in the head. It felt like getting hit with a bat. As I fell to the floor face first, all I could think was, “I got shot and I’m dead.” I hit the floor with my eyes closed and a ringing sound in my ear, and I thought this was literally the sound of my dying, going into the darkness.
BRIAN KARPES,
survivor of the NIU school shooting,
February 14, 2008
LAST DAY ON EARTH
AFTER MY FATHER’S SUICIDE,
I inherited all his guns. I was thirteen. Late at night, I reached behind my mother’s coats in the hall closet for the barrel of my father’s .300 magnum rifle. It was cold and heavy, smelled of gun oil. I carried it down the hallway, through kitchen and pantry into the garage, where I turned on the light and gazed at it, a bear rifle with a scope, bought in Alaska for grizzlies. The world had been emptied, but this gun had a presence still, an undeniable power. My father had used it on deer. It sounded like artillery, would tear the entire shoulder off a deer hundreds of yards away. I pulled back the bolt, sighted in on a cardboard box across the garage. A box of track for an electric train, and one small rail sticking up filled the scope. I held my breath as my father had taught, squeezed carefully, slowly, heard a metallic click.
With a screwdriver, I separated stock from barrel. I put both pieces down the back of my jacket, cinched under my belt. They stuck out from my collar behind my head but were mostly hidden. I wheeled my bicycle, an old Schwinn Varsity ten-speed, out the back door and through a gate in our fence.
Our neighborhood was silent at 3:00 a.m. Cold still in early April, 1980, a light mist in the air. I huffed up a steep hill in low gear, hot in my father’s jacket, starting to sweat by the time I hit the top. Then coasted down the other side, my ears cold. Big houses, trim lawns, but several streetlights knocked out. Broken somehow, a few remaining shards of glass on the pavement below.
Up the next hill, I pulled off to the side, an undeveloped lot, tall grass and a few oak trees. I hid my bicycle behind one of them and hiked away from the houses until finally I hit a small clearing and had a view. Much of Hidden Valley, in Santa Rosa, California, lay before me.
The rifle went together quickly, and I pulled three shells from my pocket. So much powder packed into the brass. Magnum means too
much powder, a bullet sent at much higher speed. I pushed all three shells into the magazine, pulled back the bolt, clicked off the safety. Sat back against the hillside with my feet planted wide, elbows on my knees, forming a base.
Through the scope, I traced houses. Went along their bedroom windows, held crosshairs on their front doors, on taillights of cars in their driveways. Finally zeroed in on a streetlight, rounded and smooth and bright, large in the scope. I could see the bulb inside. Never closer than 100 yards, most of the time two or three times that far, and most of the time, I didn’t pull the trigger. It was enough simply to imagine. But sometimes that wasn’t enough. Sometimes I wanted more. On those nights, I felt the blood in my temples, a pounding my father had called buck fever when we hunted deer, my breath gone, my heart become hard as a fist. I tried to steady, squeezed slowly, and felt afraid of the shock to come.
When I fired, the rifle kicked so hard it sometimes blew me flat on my back. I’d had a .30-.30 since I was nine, was used to rifles, but the .300 magnum was outrageous. If I was lucky, I’d hit my target and also stay upright. Nothing was more beautiful to me than the blue-white explosion of a streetlight seen through crosshairs. The sound of it—the pop that was almost a roar, then silence, then glass rain—came only after each fragment and shard had sailed off or twisted glittering in the air like mist.
Dogs would bark, lights come on. And if anyone in my field of view parted their curtains to look out, I pulled back the bolt to put a new shell in the chamber, sighted in. A man’s face, centered in the crosshairs, lit from his bedside lamp, the safety off and my finger held to the side, just above the trigger. I had done this with my father. When he spotted poachers—hunters trespassing on our land—he would have me look at them through the scope.
These were not my darkest moments that year. I imagined many things, even shooting my classmates at school. I lived a double life. A straight-A student who would become valedictorian. In student government, band, sports, etc. No one would have guessed.
So when I read about Steve Kazmierczak, a Deans’ Award winner who killed five students and himself at Northern Illinois University on Valentine’s Day 2008 and wounded eighteen others, I wondered. He was an A student. His friends and professors couldn’t make any sense of what had happened. This wasn’t the Steve they knew. I had never been interested in mass murderers before and couldn’t have imagined reading a book about one, much less writing one, but I wondered whether Steve might offer a view into why it is that sometimes the worst part of us wins out. Why had I not ended up hurting anyone? How had I escaped, and why hadn’t he?
As I investigated Steve for
Esquire
, as I gained access to the full fifteen-hundred-page police file that had been withheld from all others—from the
New York Times, Chicago Tribune, Washington Post
, CNN—I found the story of someone who really did almost escape, who almost managed to avoid becoming a mass murderer, someone trying to make something of himself after a wretched childhood and mental health history, someone attempting the American Dream, which is not only about money but about the remaking of self. His life had been far more terrible than mine, his successes a far greater triumph, but through him I could understand, finally, the most frightening moments of my own life and also what I find most frightening about America.
STEVE GREW UP WATCHING HORROR MOVIES
with his mother. Fleshy, enormous, laid out beside him on the couch. Middle of the day, and all shades are drawn. Dark. She’s protective, doesn’t want Steve to go outside. Won’t let him play much with other children. She’s not mentally right, according to Steve’s godfather, but what can he do? A family feud.
Horror movies and the Bible, those are what animate this living room, those are Steve’s inheritance. A close fit, the plagues, the tortures of Job. God’s sadistic games, teaching his flock to appreciate the value and meaning of their lives. The flesh of no consequence. Late night, his mother can’t sleep. An insomniac with anxiety problems. His father playing out a family history of depression, Steve’s grandfather an alcoholic. So they continue on, still watching.
At school, Steve is an average student. “Steve appears very impulsive and does not want to go back and check his work, therefore there are a lot of errors. At our conference we can discuss ways to help Steve work up to his potential,” writes his third-grade teacher, Ms. Moser. A few years later, Iowa test score fifty-eighth percentile. By now he’s looking for places to hide, tries to find something like the living room, finds it at last in the band practice rooms of Grove Junior High. Plays tenor sax, has a friend, Adam Holzer, skinny and geeky with a nervous smile and round glasses far too large for his face. Long straight hair hanging slack, parted in the middle. Steve no looker himself. Face too skinny at the bottom, almost no mouth or chin, and whenever he focuses on work, he forgets himself. The back of his wrist against his forehead, hand hanging out limply. His mouth open, a piece of food always caught in a gap between his lower front teeth. Other kids call him fag because of the hand. He and Adam get notes to leave class as often as possible, especially gym class, whenever a concert or performance of any kind is on the
schedule. One of the rooms is small and has no windows. Here they can talk, eat candy, hide away.
After school, they go home to Steve’s, 758 Penrith, Elk Grove Village, Illinois. A small tract home, one story, three small bedrooms. If it weren’t for the living room extending a few extra feet, the house would be a perfect rectangle, same as a double-wide. His mother is a secretary, his father a letter carrier. They won’t be home for hours.
A bedroom community, four variations on this tract house, and Steve’s butts up against a major road, four lanes. Only a chain-link fence between the small back lawn and the cars.
Steve goes straight for the pellet gun, walks outside to the shed, perfect cover. He pumps the gun, building up air pressure, slides in a small pellet, and closes the bolt.
He can hear his dog breathing, though, up close. A pug with breathing problems. So he picks it up by its hind legs and hurls it, hard, with both hands, against the wall.
Now he can focus. The cars are going fast, and they’re only in view for a couple car lengths. And the pellet is slow. So he has to hold the gun aimed to the right, and the moment a car flashes in from the left, he pulls the trigger. The gun spits, the sound of air released, and then he and Adam hang for a moment in concentration, in hope, waiting for the sound of a pellet hitting metal.
They squeal if they hear it, their joy as compressed as the air in the gun. Wait and watch as drivers try to come back, try to pinpoint them. Not easy to do on a busy, fast-moving street. A few times, drivers circle around through the neighborhood, even figure out the right house. The doorbell or loud knocking, but the door is locked, the lights out. The joy so complete, it’s nearly impossible to keep quiet.
Even better than the pellet gun, though, is Pete Rachowsky. A kid in Steve’s grade who carries the materials for a Drano bomb in his backpack. Plastic bottle, Drano or Works toilet cleaner, aluminum foil. Simple. He teaches more than a dozen kids how to make the bombs. Steve and one of his few friends, Joe Russo, decide to make one. Maybe it’s a way to cement the friendship with Joe. Steve is very protective of his friends, realizes there aren’t many who will have him.
They wait until after dinner on February 5, 1994. A Saturday night, eighth grade. Joe meets him at the corner and they walk to Jewel supermarket, only a couple blocks away. Steve has a two-liter plastic bottle in his backpack. They buy Works toilet cleaner and aluminum foil, worry about getting caught. Steve comes in here all the time with Adam to eat candy out of the bulk bins. He’s used to feeling nervous here. He’s ready to say his mother asked him to buy these things, but the checker doesn’t ask.
They walk along Arlington Heights, the busy street behind Steve’s house. They take a left on Cosman and walk the strip of houses that face the forest preserve. At the corner, they pass the barn and cottage of the preserve and keep going. This is the way to Joe’s house, so they can say they’re just going home. The houses here look across the street at a hundred feet of lawn and then trees. Easy to disappear anywhere along here, and there’s not much traffic.
They find a house that’s dark, no one home, no cars in the driveway. 235 Cosman, a two-story with an indented porch. They sneak up to this porch, tiptoeing, and crouch down. Steve pulls out the bottle, and they stuff aluminum foil into it. A lot of foil, and then Steve worries it’s too much, but they pour in the Works, cap it, and run across the street to hide in the trees.