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Authors: Otto Penzler

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BOOK: Mark Twain's Medieval Romance
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For my part, I was watching the candles. They were so thin that I knew it would not be long before they burned down to their bases. Also I was mighty nervous—I will admit that—but at the same time intensely exhilarated, almost to the point of drunkenness. Every time I heard Janet’s voice or caught sight of her face shadowed in the light of the candles, a little ball of excitement exploded inside me and I felt the fire of it running under my skin.

They were eating their strawberries when at last I decided the time had come. I took a deep breath and in a loud voice I said, “I’m afraid we’ll have to have the lights on now. The candles are nearly finished. Mary,” I called, “Oh Mary, switch on the lights will you please.”

There was a moment of silence after my announcement. I heard the maid walking over to the door, then the gentle click of the switch and the room was flooded with a blaze of light. They all screwed up their eyes, opened them again, gazed about them.

At that point I got up from my chair and slid quietly from the room, but as I went I saw a sight that I shall never forget as long as I live. It was Janet, with both hands in mid-air, stopped, frozen rigid, caught in the act of gesticulating toward someone across the table. Her mouth had dropped open two inches and she wore the surprised, not-quite-understanding look of a person who precisely one second before has been shot dead right through the heart.

In the hall outside I paused and listened to the beginning of the uproar, the shrill cries of the ladies and the outraged unbelieving exclamations of the men; and soon there was a great hum of noise with everybody talking or shouting at the same time. Then—and this was the sweetest moment of all—I heard Lord Mulherrin’s voice, roaring above the rest, “Here! Someone! Hurry! Give her some water quick!”

Out in the street the chauffeur helped me into my car, and soon we were away from London and bowling merrily along the Great North Road toward this, my other house, which is only ninety-five miles from Town anyway.

The next two days I spent in gloating. I mooned around in a dream of ecstasy, half drowned in my own complacency and filled with a sense of pleasure so great that it constantly gave me pins and needles all along the lower parts of my legs. It wasn’t until this morning when Gladys Ponsonby called me on the phone that I suddenly came to my senses and realized I was not a hero at all but an outcast. She informed me—with what I thought was just a trace of relish—that everybody was up in arms, that all of them, all my old and loving friends were saying the most terrible things about me and had sworn never never to speak to me again. Except her, she kept saying. Everybody except her. And didn’t I think it would be rather cosy, she asked, if she were to come down and stay with me a few days to cheer me up?

I’m afraid I was too upset by that time even to answer her politely. I put the phone down and went away to weep.

Then at noon today came the final crushing blow. The post arrived, and with it—I can hardly bring myself to write about it, I am so ashamed—came a letter, the sweetest, most tender little note imaginable from none other than Janet de Pelagia herself. She forgave me completely, she wrote, for everything I had done. She knew it was only a joke and I must not listen to the horrid things other people were saying about me. She loved me as she always had and always would to her dying day.

Oh, what a cad, what a brute I felt when I read this! The more so when I found that she had actually sent me by the same post a small present as an added sign of her affection—a half pound jar of my favorite food of all, fresh caviar.

I can never under any circumstances resist good caviar. It is perhaps my greatest weakness. So although I naturally had no appetite whatsoever for food at dinner-time this evening, I must confess I took a few spoonfuls of the stuff in an effort to console myself in my misery. It is even possible that I took a shade too much, because I haven’t been feeling any too chipper this last hour or so. Perhaps I ought to go up right away and get myself some bicarbonate of soda. I can easily come back and finish this later, when I’m in better trim.

You know—now I come to think of it, I really do feel rather ill all of a sudden.

THE LADY, OR THE TIGER?

F
RANK
S
TOCKTON

A writer of children’s books and popular fiction, Frank Stockton (1834–1902) is remembered almost exclusively today for “The Lady, or the Tiger?”

This most famous of all riddle stories was originally titled “The King’s Arena” when Stockton read it aloud at a party. It drew such enthusiastic response that he expanded it, changed the title, and sold it to
Century Magazine
(November 1882). Two years later, it became the title story of his most successful collection of short stories.

Born in Philadelphia, Stockton began writing at an early age, starting with children’s stories and sketches, then continuing with popular stories and novels of humor, notably
The Rudder Grangers Abroad
(1891). His other contributions to the mystery genre include
The Stories of Three Burglars
(1890),
The Captain’s Toll Gate
(1893),
The Adventures of Captain Horn
(1895), and several short stories.

The most significant of these stories is “The Discourager of Hesitancy. A Continuation of ‘The Lady, or the Tiger?’” which was first published in book form in
The Christmas Wreck and Other Stories
(1886). It is the next story in this collection, so you will see that it is as frustrating as the original tale that inspired it.

THE LADY, OR THE TIGER?

BY
F
RANK
R. S
TOCKTON

I
N THE VERY OLDEN TIME
there lived a semi-barbaric king, a man of exuberant fancy, and of an authority so irresistible that, at his will, he turned his varied fancies into facts. He was greatly given to self-communing; and, when he and himself agreed upon anything, the thing was done. When his domestic and political systems moved smoothly, his nature was bland and genial; but whenever there was a little hitch, he was blander and more genial still, for nothing pleased him so much as to make the crooked straight, and crush down uneven places—as in the public arena, by exhibitions of manly and beastly valor. The arena of the king, with its encircling galleries, its mysterious vaults, and its unseen passages, was an agent of poetic justice, in which crime was punished, or virtue rewarded, by the decrees of an impartial and incorruptible chance.

When a subject was accused of a crime of sufficient importance to interest the king, public notice was given that on an appointed day the fate of the accused person would be decided in the king’s arena. When all the people had assembled in the galleries, and the king, surrounded by his court, high up on his throne of royal state on one side of the arena, he gave a signal, a door beneath him opened, and the accused subject stepped out into the amphitheater. Directly opposite him, on the other side of the enclosed space, were two doors, exactly alike and side by side. It was the duty and the privilege of the person on trial, to walk directly to these doors and open one of them. He could open either door he pleased: he was subject to no guidance or influence but that of impartial and incorruptible chance.

If he opened the one, there came out of it a hungry tiger, the fiercest and most cruel that could be procured, which immediately sprang upon him, and tore him to pieces, as a punishment for his guilt. The moment that the case of the criminal was thus decided, doleful iron bells were clanged, great wails went up from the hired mourners posted on she outer rim of the arena, and the vast audience, with bowed heads and downcast hearts, wended slowly their homeward way, mourning greatly that one so young and fair, or old and respected, should have merited so dire a fate.

But, if the accused person opened the other door, there came forth from it a lady, the most suitable to his years and station that his majesty could select among his fair subjects; and to this lady he was immediately married, as a reward of his innocence. It mattered not that he might already possess a wife and family, or that his affections might be engaged upon an object of his own selection: the king allowed no such subordinate arrangements to interfere with his great scheme of retribution and reward. The exercises took place immediately, and in the arena. Another door opened beneath the king, and a priest, followed by a band of choristers, and dancing maidens blowing joyous airs on golden horns, advanced to where the pair stood, side by side; and the wedding was promptly and cheerily solemnized. Then the gay brass bells rang forth their merry peals, the people shouted glad hurrahs, and the innocent man, preceded by children strewing flowers on his path, led his bride to his home.

This was the king’s semi-barbaric method of administering justice. Its perfect fairness is obvious. The criminal could not know out of which door would come the lady: he opened either he pleased, without having the slightest idea whether, in the next instant, he was to be devoured or married. On some occasions the tiger came out of one door, and on some out of the other. The decisions of this tribunal were not only fair, they were positively determinate: the accused person was instantly punished if he found himself guilty; and, if innocent, he was rewarded on the spot, whether he liked it or not.

There was no escape from the judgments of the king’s arena.

The institution was a very popular one. When the people gathered together on one of the great trial days, they never knew whether they were to witness a bloody slaughter or a hilarious wedding. This element of uncertainty lent an interest to the occasion which it could not otherwise have attained. Thus, the masses were entertained and pleased, and the thinking part of the community could bring no charge of unfairness against this plan; for did not the accused person have the whole matter in his own hands?

This semi-barbaric king had a daughter as blooming as his most florid fancies, and with a soul as fervent and imperious as his own. As is usual in such cases, she was the apple of his eye, and loved by him above all humanity. Among his courtiers was a young man of that fineness of blood and lowness of station common to the conventional heroes of romance who love royal maidens. This royal maiden was well satisfied with her lover, for he was handsome and brave to a degree unsurpassed in all this kingdom; and she loved him with an ardor that had enough of barbarism in it to make it exceedingly warm and strong.

This love affair moved on happily for many months, until one day the king happened to discover its existence. He did not hesitate nor waver in regard to his duty in the premises. The youth was immediately cast into prison, and a day was appointed for his trial in the king’s arena. This, of course, was an especially important occasion; and his majesty, as well as all the people, was greatly interested in the workings and development of this trial. Never before had such a case occurred; never before had a subject dared to love the daughter of a king.

The tiger-cages of the kingdom were searched for the most savage and relentless beasts, from which the fiercest monster might be selected for the arena; and the ranks of maiden youth and beauty throughout the land were carefully surveyed by competent judges, in order that the young man might have a fitting bride in case fate did not determine for him a different destiny. Of course, everybody knew that the deed with which the accused was charged had been done. He had loved the princess, and neither he, she, nor anyone else thought of denying the fact. But the king would not think of allowing any fact of this kind to interfere with the workings of the tribunal, in which he took such great delight and satisfaction. No matter how the affair turned out, the youth would be disposed of; and the king would take an esthetic pleasure in watching the course of events, which would determine whether or not the young man had done wrong in allowing himself to love the princess.

The appointed day arrived. From far and near the people gathered, and thronged the great galleries of the arena; and crowds, unable to gain admittance, massed themselves against its outside walls. The king and his court were in their places, opposite the twin doors—those fateful portals, so terrible in their similarity. All was ready. The signal was given.

A door beneath the royal party opened, and the lover of the princess walked into the arena. Tall, beautiful, fair, his appearance was greeted with a low hum of admiration and anxiety. Half the audience had not known so grand a youth had lived among them. No wonder the princess loved him! What a terrible thing for him to be there!

As the youth advanced into the arena, he turned, as the custom was, to bow to the king. But he did not think at all of that royal personage—his eyes were fixed upon the princess, who sat to the right of her father.

Had it not been for the barbarism in her nature, it is probable that lady would not have been there; but her intense and fervid soul would not allow her to be absent on an occasion in which she was so terribly interested. From the moment that the decree had gone forth, that her lover should decide his fate in the king’s arena, she had thought of nothing, night or day, but this great event and the various subjects connected with it. Possessed of more power, influence, and force of character than anyone who had ever before been interested in such a case, she had done what no other person had done—she had possessed herself of the secret of the doors. She knew in which of the two rooms, that lay behind those doors, stood the cage of the tiger, with its open front, and in which waited the lady. Through these thick doors, heavily curtained with skins on the inside, it was impossible that any noise or suggestion should come from within to the person who should approach to raise the latch of one of them; but gold, and the power of a woman’s will, had brought the secret to the princess.

And not only did she know in which room stood the lady ready to emerge, all blushing and radiant, should her door be opened, but she knew who the lady was. It was one of the fairest and loveliest of the damsels of the court who had been selected as the reward of the accused youth, should he be proved innocent of the crime of aspiring to one so far above him; and the princess hated her. Often had she seen, or imagined that she had seen, this fair creature throwing glances of admiration upon the person of her lover, and sometimes she thought these glances were perceived and even returned. Now and then she had seen them talking together. It was but for a moment or two, but much can be said in a brief space; it may have been on most unimportant topics, but how could she know that? The girl was lovely, but she had dared to raise her eyes to the loved one of the princess; and, with all the intensity of the savage blood transmitted to her through long lines of wholly barbaric ancestors, she hated the woman who blushed and trembled behind that silent door.

BOOK: Mark Twain's Medieval Romance
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