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Authors: Cory Doctorow

Tags: #Novel, #Science Fiction, #Fiction, #Dystopian

Pirate Cinema (4 page)

BOOK: Pirate Cinema
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I stood at the edge of it for a moment, like a swimmer about to jump into a pool. Then, I jumped.

I just pushed my way in, bouncing back and forth like a rubber ball in a room that was all corners and trampolines. Someone handed me a spliff -- an older guy with eyes like a baboon's arse, horny fingernails yellow and thick -- and I sucked up a double lungful of fragrant skunk, the crackle of the paper somehow loud over the sound of a million conversations and raindrops. The end was soggy with the slobber of any number of strangers and I passed it on to a pair of girls in glittering pink bowler hats and angel wings, wearing huge "Hen Night" badges to one side of their deep cleavage. One kissed me on the cheek, drunken fumes and a bit of tongue, and I reeled away, drunk on glorious! London!

A film kicked out and spilled eight hundred more people into the night, holding huge cups of fizzy drink, wafting the smells of aftershave and perfume into the evenings. The tramps descended on them like flies, and they scattered coins like royalty before peasants. They were all talking films, films, films. The marquee said they'd been to see That Time We All Got Stupid and How Much Fun It Was, Wasn't It? (the latest and most extreme example of the ridiculous trend to extra-long film titles). I'd heard good things about it, downloaded the first twenty minutes after it played the festival circuit last year, and would have given
anything
to fall in alongside of those chattering people and join the chatter.

But it was a wet night, and they were hurrying for the road, hurrying to get in cabs and get out of the wet, and the next show let in, and soon the square was nearly empty -- just tramps, coppers, men with signboards...and me.

The opening credits had run, the big first scene had concluded, the camera was zooming in on our hero, and he was about to do something heroic and decisive, something that would take him on his first step to destiny.

Only I had no bloody clue what that step might be.

I didn't sleep at all that night. I made my way to Soho, where the clubs were still heaving and disgorging happy people, and I hung about on their periphery until 3:00 A.M. I ducked into a few all-night cafes to use the toilet and get warm, pretending to be part of larger groups so that no one asked me to buy anything. Then the Soho crowds fell away. I knew that somewhere in London there were all-night parties going on, but I had no idea how to find them. Without the crowds for camouflage, I felt like I was wearing a neon sign that read "I am new in town, underage, carrying cash, physically defenseless, and easily tricked. Please take advantage of me."

As I walked the streets, faces leered out of the dark at me, hissing offers of drugs or sex, or just hissing, "Come here, come here, see what I've got." I didn't want to see what they had. To be totally honest, I wanted my mum.

Finally, the sun came up, and morning joggers and dog-walkers began to appear on the pavements. Bleary-eyed dads pushed past me with prams that let out the cries of sleepless babies. I had a legless, drunken feeling as I walked down Oxford Street, heading west with the sun rising behind me and my shadow stretching before me as long as a pipe-cleaner man.

I found myself in Hyde Park at the Marble Arch end, and now there were more joggers, and cyclists, and little kids kicking around a football wearing trackies and shorts and puffing out clouds of condensation in the frigid morning. I sat down on the sidelines in the damp grass next to a little group of wary parents and watched the ball roll from kid to kid, listened to the happy sounds as they knackered themselves out. The sun got higher and warmed my face, and I made a pillow of my jacket and my pack and leaned back and let my eyes close and the warmth dry out the long night. My mind was whirling a thousand miles per hour, trying to figure out where I'd go and what I'd do now that I'd come to the big city. But sleep wouldn't be put off by panic, and my tired, tired body insisted on rest, and before I knew it, I'd gone to sleep.

It was a wonderful, sweet-scented sleep, broken up with the sounds of happy people passing by and playing, dogs barking and chasing balls, kids messing around in the grass, buses and taxis belching in the distance. And when I woke, I just lay there basking in the wonder and beauty of it all. I was in London, I was young, I was no longer a danger to my family. I was on the adventure of my life. It was all going to be all right.

And that's when I noticed that someone had stolen my rucksack out from under my head while I slept, taking my laptop, my spare clothes, my toothbrush -- everything.

Commercial interlude III: the reckoning

Poor Trent! What's he going to do? What would
you
do?

You know what I'd do? I'd buy a book. March
right down to my local indie bookseller
and warm myself by the shelves, browsing, until I found just the perfect book to soothe my panic. Or get online -- relying on my resourcefulness to manage the trick without a laptop -- and have a copy shipped to a handy safe-house. And once I was back on my feet, I'd
donate a copy
to a school or library.

USA:

Amazon Kindle
(DRM-free)
Barnes and Noble Nook
(DRM-free)
Google Books
(DRM-free)
Apple iBooks
(DRM-free)
Kobo
(DRM-free)
Amazon
Booksense
(will locate a store near you!)
Barnes and Noble
Powells
Booksamillion

Canada:

Audiobook:

Chapter 1: Alone no more/The Jammie Dodgers/Posh digs/Abstraction of Electricity

My "adventure" wasn't much fun after that. I was smart enough to find a shelter for runaways run by a church in Shoreditch, and I checked myself in that night, lying and saying I was eighteen. I was worried that they'd send me home if I said I was sixteen. I'm pretty sure the old dear behind the counter knew that I was lying, but she didn't seem to mind. She had a strong Yorkshire accent that managed to be stern and affectionate at the same time.

My bedfellows in the shelter -- all boys, girls were kept in a separate place -- ranged from terrifying to terrified. Some were proper hard men, all gangster talk about knives and beatings and that. Some were even younger looking than me, with haunted eyes and quick flinches whenever anyone spoke too loud. We slept eight to a room, in bunk beds that were barely wide enough to contain my skinny shoulders, and the next day, another old dear let me pick out some clothes and a backpack from mountains of donated stuff. The clothes were actually pretty good. Better, in fact, than the clothes I'd arrived in London wearing; Bradford was a good five years behind the bleeding edge of fashion you saw on the streets of Shoreditch, so these last-year's castoffs were smarter than anything I'd ever owned.

They fed me a tasteless but filling breakfast of porridge and greasy bacon that sat in my stomach like a rock after they kicked me out into the streets. It was 8:00 A.M. and everyone was marching for the tube to go to work, or queuing up for the buses, and it seemed like I was the only one with nowhere to go. I still had about forty pounds in my pocket, but that wouldn't go very far in the posh coffee bars of Shoreditch, where even a black coffee cost three quid. And I didn't have a laptop anymore (every time I thought of my lost video, never to be uploaded to a youtube, gone forever, my heart cramped up in my chest).

I watched the people streaming down into Old Street Station, clattering down the stairs, dodging the men trying to hand them free newspapers (I got one of each to read later), and stepping around the tramps who rattled their cups at them, striving to puncture the goggled, headphoned solitude and impinge upon their consciousness. They were largely unsuccessful.

I thought dismally that I would probably have to join them soon. I had never had a real job and I didn't think the nice people with the posh film companies in Soho were looking to hire a plucky, underage video editor with a thick northern accent and someone else's clothes on his back. How the crapping hell did all those tramps earn a living? Hundreds of people had gone by and not a one of them had given a penny, as far as I could tell.

Then, without warning, they scattered, melting into the crowds and vanishing into the streets. A moment later, a flock of Community Support Police Officers in bright yellow high-visibility vests swaggered out of each of the station's exits, each swiveling slowly so that the cameras around their bodies got a good look at the street.

I sighed and slumped. Begging was hard enough to contemplate. But begging
and
being on the run from the cops all the time? It was too miserable to even think about.

The PCSOs disappeared into the distance, ducking into the Starbucks or getting on buses, and the tramps trickled back from their hidey holes. A new lad stationed himself at the bottom of the stairwell where I was standing, a huge grin plastered on his face, framed by a three-day beard that was somehow rakish instead of sad. He had a sign drawn on a large sheet of white cardboard, with several things glued or duct-taped to it: a box of kleenex, a pump-handled hand-sanitizer, a tray of breath-mints with a little single-serving lever that dropped one into your hand. Above them was written, in big, friendly graffiti letters, FREE TISSUE/SANITIZER/MINTS -- HELP THE HOMELESS -- FANKS, GUV!, and next to that, a cup that rattled from all the pound coins in it.

As commuters pelted out of the station and headed for the stairs, they'd stop and read his sign, laugh, drop a pound in his cup, take a squirt of sanitizer or a kleenex or a mint (he'd urge them to do if it seemed they were in danger of passing by without helping themselves), laugh again, and head upstairs.

I thought I was being subtle and nearly invisible, skulking at the top of the stairwell and watching, but at the next break in the commuter traffic, he looked square at me and gave me a "Come here" gesture. Caught, I made my way to him. He stuck his hand out.

"Jem," he said. "Gentleman of leisure and lover of fine food and laughter. Pleased to make your acquaintance, guv." He said it in a broad, comic cockney accent and even tugged at an invisible cap brim as he said it. I laughed.

"Trent McCauley," I said. I tried to think of something as cool as "gentleman of leisure" to add, but all I came up with was "Cinema aficionado and inveterate pirate," which sounded a lot better in my head than it did in the London air, but he smiled back at me.

"Trent," he said. "Saw you at the shelter last night. Let me guess. First night, yeah?"

"In the shelter? Yeah."

"In the
world
, son. Forgive me for saying so, but you have the look of someone who's just got off a bus from the arse end of East Shitshire with a hat full of dreams, a pocketful of hope, and a head full of strawberry jam. Have I got that right?"

I felt a little jet of resentment, but I had to concede the point. "Technically I've been here for
two
days," I said. "Last night was my first night in the shelter."

He winked. "Spent the first night wandering the glittering streets of London, didn't ya?"

I shook my head. "You certainly seem to know a lot about me."

"Mate," he said, and he lost the cockney accent and came across pure north, like he'd been raised on the next estate. "I
am
you. I
was
you, anyway. A few years ago. Now I'm the Jammie Dodger, Prince of the London Byways, Count of the Canalsides, Squire of the Squat, and so on and so on."

Another train had come in, and more people were coming out of the station. He shooed me off to one side and began his smiling come-ons to the new arrivals. A minute later, he'd collected another twelve quid and he waved me back over.

"Now, Master McCauley, you may be wondering why I called you over here."

I found his chirpy mode of speech impossible to resist, so I went with it. "Indeed I am, Mr. Dodger. Wondering that very thing, I was."

He nodded encouragement, pleased that I was going along with the wheeze. "Right. Well, you saw all the other sorry sods holding up signs in this station, I take it?"

I nodded.

"None of 'em is making a penny. None of 'em know
how
to make a penny. That's cos most of the people who end up here get here because something awful's gone wrong with them and they don't have the cunning and fortitude to roll with it. Mostly, people end up holding a sign and shaking a cup because someone's done them over terribly -- raped them, beat them up, given them awful head-drugs -- and they don't have the education, skills or sanity to work out how to do any better.

"Now, me, I'm here because I am a gentleman of leisure, as I believe I have informed you already. Whatever happened in my past, I was clever and quick and tricksy enough to deal with it. So when I landed up holding a sign in a tube station hoping for the average Londoner to open his wallet and his heart to buy my supper, I didn't just find any old sheet of brown cardboard box, scrawl a pathetic message on it, and hope for the best.

"No. I went out and bought all different kinds of card -- bright yellow, pink, blue, plain white -- and tested each one. See?" He reached into the back pocket of his jeans and drew out a small, worn notebook. He opened it to the first page and stuck it under my nose. It was headed "Colors: (HELP THE HOMELESS)" and there were two columns running its length, one listing different colored cardboards, the other showing different amounts.

"Look at that, would you? See how poorly brown performs? It's the bottom of the barrel. People just don't want to open their wallets to a man holding a sign that looks like it was made out of an old cardboard box. You'd think they would, right? Appearance of deserving thrift an' all? But they don't. They like practically any color
except
brown. And the best one, well, it's good old white." He rattled his sign. "Lots of contrast, looks clean. I buy a new one every day down at the art supply shop in Shoreditch High Street. The punters like a man what takes
pride
in his sign."

Another tubeload of passengers came up, and he shooed me off again, making another twenty-some pounds in just a few minutes. "Now, as to wording, just have a look." He showed me the subsequent pages of his book. Each had a different header: HOMELESS - HELP. HUNGRY - HELP. HELP THE HUNGRY. HELP THE HOMELESS. DESPERATE. DESPERATE - HELP. "What I noticed was, people really
respond
to a call for action. It's not enough to say, 'homeless, miserable, starving' and so on. You need to cap it off with a request of some kind, so they know what you're after. HELP THE HOMELESS outperforms everything else I've tried. Simple, to the point."

He flipped more pages, and now I was looking at charts showing all the different things he'd given away with his signboard, and the combinations he'd tried. "You gave away
liverwurst
?" I stared at the page.

"Well, no," he said. "But I tried. Turns out no one wants to accept a cracker and liver-paste from a tramp in a tube station." He shrugged. "It wasn't a great idea. I ended up eating liverwurst for three days. But it didn't cost me much to try and fail. If you want to double your success rate, triple your failure rate. That's what I always say. And sometimes, you've just got to be crazy about it. Every time I go into a shop, I'm on the lookout for something else I can do. See this?" He held up a tiny screwdriver. "Eyeglass tightener. You wait until sunglasses season, I'm going to be
minted
. FREE DIY SPECTACLE REPAIR. HELP THE HOMELESS."

"Why are you telling me all this?"

He shrugged again. "I tell anyone who'll listen, to be honest. Breaks my heart to see those poor sods going hungry. And you seemed like you were fresh off the boat, like you probably needed a little help."

"So you think I should go make a sign like yours?"

He nodded. "Why not? But this is just a way to get a little ready cash when I need it." He carefully rolled up the signboard, emptying his cup into his front pocket, which bulged from the serious weight of an unthinkable quantity of pound and two-pound coins. "Hop it, I'll buy you a coffee."

He walked us past the Starbucks and up Old Street to Shoreditch High Street, then down a small alley, to a tiny espresso stand set in the doorway of an office building. The man who ran it was ancient, with arthritic, knobby fingers and knuckles like walnuts. He accepted two pound coins from Jem and set about making us two lattes, pulling the espresso shots from a tarnished machine that looked even older than he did. The espresso ran out of the basket and into the paper cup in a golden stream and he frothed the milk with a kind of even, unconscious swirling gesture, then combined the two with a steady hand. He handed them to us, wordlessly, then shooed us off.

"Fyodor makes the best espresso in east London," Jem said, as he brought his cup to his lips and sipped. He closed his eyes for a second, then swallowed and opened them, wiping at the foam on his lip with the back of his hand. "Had his own shop years ago, went into retirement, got bored, set up that stand. Likes to keep his hand in. Practically no one knows about him. He's kind of a secret. So don't go telling all your mates, all right? Once
Vice
gets wind of that place, it'll be mobbed with awful Shoreditch fashion-victims. I've seen it happen. Fyodor wouldn't be able to take it. It'd kill him. Promise me."

"I promise." I was really starting to enjoy his overblown, dramatic way of speaking. "On my life I doth swear it," I said. I didn't mention that the only coffee I'd ever drunk was Nescafé.

"You're overdoing it," he said. "You were doing okay until you got to 'doth.'"

"Noted," I said. Personally, I liked 'doth.'

"Here's the thing," he said. "Most of the poor bastards who end up on the street never really think it through. It's not a surprise, really. Like I said, people usually get here as the result of some awful trauma, and once they're on the road, it's hard to catch your breath and get some perspective. So nothing against them, but there's a smart way to be homeless and a stupid way. Do you want to learn about the smart way?"

I had a pang of suspicion just then. I didn't know this person. I hadn't even noticed him in the shelter (but then, I'd spent my time there trying not to inadvertently provoke any of the boys with eye contact, especially the ones talking about their knives and fights). Everything I knew about being homeless I'd learned from lurid
Daily Mail
cover stories about poor tramps and runaway kids who'd been cut up, fouled, and left in pieces in rubbish bins all over England.

BOOK: Pirate Cinema
2.68Mb size Format: txt, pdf, ePub
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