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Authors: Iris Murdoch

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BOOK: The Bell
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‘You will remember that last week James spoke to us about innocence. I would add this to what he so excellently said. We have been told to be, not only as harmless as doves, but also as wise as serpents. To live in innocence, or having fallen to return to the way, we need all the strength that we can muster - and to use our strength we must know where it lies. We must not, for instance, perform an act because abstractly it seems to be a good act if in fact it is so contrary to our instinctive apprehensions of spiritual reality that we cannot carry it through, that is, cannot really perform it. Each one of us apprehends a certain kind and degree of reality and from this springs our power to live as spiritual beings: and by using and enjoying what we already know we can hope to know more. Self-knowledge will lead us to avoid occasions of temptation rather than to rely on naked strength to overcome them. We must not arrogate to ourselves actions which belong to those whose spiritual vision is higher or other than ours. From this attempt, only disaster will come, and we shall find that the action which we have performed is after all not the high action which we intended, but something else.
‘I would use here, again following the example of James, the image of the bell. The bell is subject to the force of gravity. The swing that takes it down must also take it up. So we too must learn to understand the mechanism of our spiritual energy, and find out where, for us, are the hiding places of our strength. This is what I meant by saying that it is the positive thing that saves. We must work, from inside outwards, through our strength, and by understanding and using exactly that energy which we have, acquire more. This is the wisdom of the serpent. This is the struggle, pleasing surely in the sight of God, to become more fully and deeply the person that we are; and by exploring and hallowing every corner of our being, to bring into existence that one and perfect individual which God in creating us entrusted to our care.'
Michael returned to his seat, his eyes glazed, feeling like a sleepwalker in the alarming silence which followed his words. He fell on his knees with the others and prayed the prayer for quietness of mind, which was at such moments all that he could compass. Laboriously he followed the petitions of Father Bob Joyce; and when the service was over he slipped quickly out of the Long Room and took temporary refuge in his office. He wondered how obvious it had been that he was saying the exact opposite of what James had been saying last week. This led him to reflect on how little, in all the drama of the previous days, he had dwelt upon the simple fact of having broken a rule. He recalled James's words: sodomy is not deplorable, it is forbidden. Michael knew that for himself it was just the how and why of it being deplorable that engaged his attention. He did not in fact believe that it was
just
forbidden. God had created men and women with these tendencies, and made these tendencies to run so deep that they were, in many cases, the very core of the personality. Whether in some other, and possibly better, society it could ever be morally permissible to have homosexual relations was, Michael felt, no business of his. He felt pretty sure that in any world in which he would live he would judge it, for various reasons, to be wrong. But this did not make him feel that he could sweep, as James did, the whole subject aside. It was complicated. For himself, God had made him so and he did not think that God had made him a monster.
It was complicated; it was
interesting:
and there was the rub. He realized that in this matter, as in many others, he was always engaged in performing what James had called the second best act: the act which goes with exploring one's personality and estimating the consequences rather than austerely following the rules. And indeed his sermon this very day had been a commendation of the second best act. But the danger here was the very danger which James had pointed out: that if one departs from a simple apprehension of certain definite commandments one may become absorbed in the excitement of a spiritual drama for its own sake.
Michael looked at his watch. He remembered now that he had arranged to see Catherine before lunch, having nerved himself at last to make the appointment. It was already time to go and find her. He knew that he must endeavour now to say something to her about Nick, to ask her to give him definite advice on how to make her brother participate more in the activities of the community. He did not look forward to raising this topic, or indeed to seeing Catherine at all, but at least it was something ordinary and patently sensible to do. He found himself hoping that Catherine might strongly advise the removal of Nick from the Lodge. He descended the stairs and glanced round the hall and put his head into the common-room.
Catherine was not to be seen; nor was she on the balcony or the terrace. Mark Strafford was sunning himself on the steps. Michael called ‘Seen Catherine anywhere?'
‘She's in the stable yard with her delightful twin,' said Mark. ‘Brother Nick has at last decided to mend the lorry.
Deo gratias.
‘
Michael disliked this information. He was a little tempted to postpone the interview, but decided quickly that he must not do so. Catherine might be waiting for him to, as it were, release her from Nick; and since he had at last, and with such difficulty, made up his mind to talk to her about her brother he had better not let his decision become stale. It would be a relief, anyway, to get that talk over, not least because he could then feel that, to some wretchedly small degree, he had ‘done something' about Nick. He set off for the stable yard.
The big gates that led onto the drive were shut. Michael noticed gloomily, and not for the first time, that they needed a coat of paint and one gate post was rotting. He entered by a little gate in the wall. The yard, one of William Kent's minor triumphs, was composed on three sides of loose boxes surmounted by a second story lit by alternate circular and rectangular windows under a dentil cornice. It gave somewhat the impression of a small residential square. The stone-tiled roof was surmounted opposite the gates by a slender clock tower. The clock no longer went. On the right side a part of the building had been gutted by fire, and corrugated iron, contributed by Michael's grandfather, still filled the gaping holes in the lower story. The yard sloped markedly towards the lake and was divided from the drive by a high wall. Now, in the heat of the day, it was enclosed, dusty, stifling, rather dazzling in the sunshine. It reminded Michael of an arena.
The fifteen-hundredweight lorry was standing in the middle of the yard just beyond the shadow of the wall, its nose towards the lake. The bonnet was open and from underneath the vehicle a pair of feet could be seen sticking out. Nearby, regardless of the dust, Catherine Fawley was sitting on the ground. Her skirt was hitched up towards her waist and her two long legs, crossed at the ankle, were exposed almost completely to the sun. Michael was surprised to see her in this pose and surprised too that she did not, on seeing him, get up, or at least pull her skirt down. Instead she looked up at him without smiling. Michael, for the first time since he had met her, conjectured that she might positively dislike him.
Nick came edging out from underneath the lorry, his feet disappearing on one side, his head appearing on the other. He lay supine, half emerged, his head resting in the dust. He swivelled his eyes back towards Michael who, from where he was standing, saw his face upside down. He seemed to be smiling, but his inverted face looked so odd it was hard to tell.
‘The big chief,' said Nick.
‘Hello,' said Michael. ‘Very good of you to fix the lorry. Will it be all right?'
‘What drivel,' said Nick. ‘It's not very good of me to fix the lorry. It's shocking of me not to have done it earlier. Why don't you say what you mean? It was only a blocked petrol feed. It should be all right now.' He continued to lie there, his strange face of a bearded demon looking up at Michael.
Michael, still conscious of Catherine's stare, fumbled for words. ‘I was just looking for your sister,' he said.
‘I was just talking to my sister,' said Nick. ‘We were discussing our childhood. We spent our childhood together, you know.'
‘Ah,' said Michael idiotically. Somehow, he could not deal with both of them, and it occurred to him that this was one of the very few occasions when he had seen them together.
‘I know it's wicked to chat and reminisce,' said Nick, ‘but you must forgive us two, since it's our last chance. Isn't it, Cathie?'
Catherine said nothing.
Michael mumbled, ‘Well, I'll be off. I can easily see Catherine another time.'
‘All shall be well and all shall be well and all manner of bloody thing shall be well,' said Nick. ‘Isn't that so, Cathie?'
Michael realized he was a bit drunk. He turned to go.
‘Wait a minute,' said Nick. ‘You're always “off”, confound you, like the bloody milk by the time it reaches me at the Lodge. If you want all manner of thing to be well there's a little service you could perform for me. Will you?'
‘Certainly,' said Michael. ‘What is it?'
‘Just get into the lorry and put the gear lever in neutral and release the hand-brake.'
Michael, moving instinctively toward the vehicle, checked himself. ‘Nick,' he said, ‘don't be an imbecile, that's not funny. And do get out from under that thing. You know the slope makes it dangerous, anyway. You ought to have put the lorry sideways.'
Nick pulled himself slowly out and stood up, dusting his clothes and grinning. Seeing him now in overalls and apparently doing a job of work Michael saw how much thinner and tougher he looked than when he had arrived: handsomer too, and considerably more alert. Michael also realized that these words were the first real words which he had addressed to Nick since the day of his arrival. Nick, who had obviously angled for them, was looking pleased.
Michael was about to utter some excuse and go when the wooden door from the drive was heard creaking open once again. They all turned. It was Toby. He stood blinking at the enclosed scene, Catherine still sitting bare-legged and Michael and Nick close to each other beside the lorry. He hesitated with the air of one interrupting an intimate talk, and then since retreat was obviously impossible, came on into the yard and closed the door. Michael's immediate thought was that Toby was looking for him. He felt as if he were blushing.
‘Why, here's my understudy,' said Nick. ‘You might have had a lesson. But it's all over now.' Then turning his back on Toby he said to Catherine, ‘Cathie, would you mind starting her up?'
To Michael's surprise, who had never associated her with engines of any kind, Catherine got up slowly, shook out her skirts, and climbed into the lorry. Watching her he had the feeling, which he had never had before, that she was acting a part. She started the engine. Nick, peering into the bonnet, surveyed the results. They seemed satisfactory. He closed the bonnet and stood for a moment grinning at Michael. Then he said, raising his voice in the continuing din of the engine, ‘I think we'll take her for a little spin to make sure she's all right. Catherine shall drive. Come along, Toby.'
Toby, who had been standing uneasily near the gate, looked startled and came forward.
‘Come along, quickly,' said Nick, holding open the door of the driving cabin, ‘you're coming too.'
Toby got in.
‘How about you, Michael?' said Nick. ‘It would be rather a squeeze, but I expect someone could sit on someone's knee.'
Michael shook his head.
‘Then would you mind opening the gates for us?' said Nick. He was sitting in the middle between Toby and Catherine, his arms spread out along the back of the seat so that he embraced the boy and his sister.
As in a dream Michael went to the big wooden gates and dragged them open. Catherine let in the clutch smoothly and the lorry swept past him in a cloud of dust and disappeared into the drive. A few moments later, as he still stood exasperated and wretched in the empty yard, he saw it reappear far off on the other side of the lake, roar up towards the Lodge, and vanish onto the main road.
CHAPTER 17
TOBY ROSE FROM HIS BED and picked up his shoes. He had not undressed, and had not dared to go to sleep for fear of oversleeping. His rendezvous with Dora was for two-thirty a.m. It was now just after two. He opened the door of his room and listened. The door of Nick's room was open, but snores could be heard from within. Toby glided down the stairs and reached the outer door. A movement behind him gave him a momentary shock, but it was only Murphy who had evidently followed him downstairs. The dog snuffled against his trouser leg, looking up at him interrogatively. He patted him, half guiltily, and slipped out of the door alone, closing it firmly behind him. On this particular expedition even Murphy was not to be trusted.
This was the night when Toby and Dora were to attempt to raise the bell. Since its apparently crazy inception this plan had grown in substance and complication; and Toby who had at first regarded it as a dream, had now become its business-like and enthusiastic manager. Just why Dora was so keen on something so dotty had not at first been clear to Toby. It was still not clear to him, but now he no longer troubled about anything except to please Dora: and also to overcome certain technical problems whose fascination had become evident to his mechanical mind.
On the day after his first conversation with Dora about the bell he had gone for another solitary swim. He had dived a large number of times investigating the shape and position of the object in detail. He had now no doubts, fired by Dora's certainty and confirmed by his own findings, that this was indeed
the
bell. Two colossal problems now faced him. The first was how to get the bell out of the water, and the second was how to effect the substitution of the old bell for the new which was to constitute Dora's miracle: both these tasks to be performed undiscovered and with no helper but Dora. It was a tall order.
BOOK: The Bell
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