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Authors: Amy Hempel and Rick Moody

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BOOK: The Collected Stories of Amy Hempel
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A Filipino nurse tiptoed in and gave her an injection. The nurse removed the pile of Popsicle sticks from the nightstand—enough to splint a small animal.

The injection made us both sleepy. We slept.

I dreamed she was a decorator, come to furnish my house. She worked in secret, singing to herself. When she finished, she guided me proudly to the door. “How do you like it?” she asked, easing me inside.

Every beam and sill and shelf and knob was draped in gay bunting, with streamers of pastel crepe looped around bright mirrors.

 

“I have to go home,” I said when she woke up.

She thought I meant home to her house in the canyon, and I had to say No,
home
home. I twisted my hands in the time-honored fashion of people in pain. I was supposed to offer something. The Best Friend. I could not even offer to come back.

I felt weak and small and failed.

Also exhilarated.

I had a convertible in the parking lot. Once out of that room, I would drive it too fast down the Coast highway through the crab-smelling air. A stop in Malibu for sangria. The music in the place would be sexy and loud. They’d serve papaya and shrimp and watermelon ice. After dinner I would shimmer with lust, buzz with heat, vibrate with life, and stay up all night.

 

Without a word, she yanked off her mask and threw it on the floor. She kicked at the blankets and moved to the door. She must have hated having to pause for breath and balance before slamming out of Isolation, and out of the second room, the one where you scrub and tie on the white masks.

A voice shouted her name in alarm, and people ran down the corridor. The Good Doctor was paged over the intercom. I opened the door and the nurses at the station stared hard, as if this flight had been my idea.

“Where is she?” I asked, and they nodded to the supply closet.

I looked in. Two nurses were kneeling beside her on the floor, talking to her in low voices. One held a mask over her nose and mouth, the other rubbed her back in slow circles. The nurses glanced up to see if I was the doctor—and when I wasn’t, they went back to what they were doing.

“There, there, honey,” they cooed.

 

On the morning she was moved to the cemetery, the one where Al Jolson is buried, I enrolled in a “Fear of Flying” class. “What is your worst fear?” the instructor asked, and I answered, “That I will finish this course and still be afraid.”

 

I sleep with a glass of water on the nightstand so I can see by its level if the coastal earth is trembling or if the shaking is still me.

 

What do I remember?

I remember only the useless things I hear—that Bob Dylan’s mother invented Wite-Out, that twenty-three people must be in a room before there is a fifty-fifty chance two will have the same birthday. Who cares whether or not it’s true? In my head there are bath towels swaddling this stuff. Nothing else seeps through.

I review those things that will figure in the retelling: a kiss through surgical gauze, the pale hand correcting the position of the wig. I noted these gestures as they happened, not in any retrospect—though I don’t know why looking back should show us more than looking
at.

It is just possible I will say I stayed the night.

And who is there that can say that I did not?

I think of the chimp, the one with the talking hands.

In the course of the experiment, that chimp had a baby. Imagine how her trainers must have thrilled when the mother, without prompting, began to sign to her newborn.

Baby, drink milk.

Baby, play ball.

And when the baby died, the mother stood over the body, her wrinkled hands moving with animal grace, forming again and again the words: Baby, come hug, Baby, come hug, fluent now in the language of grief.

for Jessica Wolfson

Beg, Sl Tog, Inc, Cont, Rep

The mohair was scratchy, the stria too bulky, but the homespun tweed was right for a small frame. I bought slate-blue skeins softened with flecks of pink, and size-10 needles for a sweater that was warm but light. The pattern I chose was a two-tone
V
-neck with an optional six-stitch cable up the front. Pullovers mess the hair, but I did not want to buttonhole the first time out.

From a needlework book, I learned to cast on. In the test piece, I got the gauge and correct tension. Knit and purl came naturally, as though my fingers had been rubbed in spider-webs at birth. The sliding of the needles was as rhythmic as water.

Learning to knit was the obvious thing. The separation of tangled threads, the working-together of raveled ends into something tangible and whole—this
mending
was as confounding as the groom who drives into a stop sign on the way to his wedding. Because symptoms mean just what they are. What about the woman whose empty hand won’t close because she cannot grasp that her child is gone?

“Would you get me a Dr Pep, gal, and would you turn up the a-c?”

I put down my knitting. In the kitchen I found some sugar-free, and took it, with ice, to Dale Anne. It was August. Air-conditioning lifted her hair as she pressed the button on the Niagara bed. Dr. Diamond insisted she have it the last month. She was also renting a swivel TV table and a vibrating chaise—the Niagara adjustable home.

When the angle was right, she popped a Vitamin E and rubbed the oil where the stretch marks would be.

I could be doing this, too. But I had had the procedure instead. That was after the father had asked me, Was I sure? To his credit, he meant—sure that I
was,
not sure was it he. He said he had never made a girl pregnant before. He said that he had never even made a girl late.

I moved in with Dale Anne to help her near the end. Her husband is often away—in a clinic or in a lab. He studies the mind. He is not a doctor yet, but we call him one by way of encouragement.

I had picked up a hank of yarn and was winding it into a ball when the air conditioner choked to a stop.

Dale Anne sighed. “I will
cook
in this robe. Would you get me that flowered top in the second drawer?”

While I looked for the top, Dale Anne twisted her hair and held it tight against her head. She took one of my double-pointed six-inch needles and wove it in and out of her hair, securing the twist against her scalp. With the hair off her face, she looked wholesome and very young—“the person you would most like to go camping with if you couldn’t have sex,” is how she put it.

I turned my back while Dale Anne changed. She was as modest as I was. If the house caught fire one night, we would both die struggling to hook brassieres beneath our gowns.

I went back to my chair, and as I did, a sensational cramp snapped me over until I was nearly on the floor.

“Easy, gal—what’s the trouble?” Dale Anne started out of bed to come see.

I said it sometimes happens since the procedure, and Dale Anne said, “Let’s not talk about that for at
least
ten years.”

I could not think of what to say to that. But I didn’t have to. The front door opened, earlier than it usually did. It was Dr. Diamond, home from the world of spooks and ghosts and loony bins and Ouija boards. I knew that a lack of concern for others was a hallmark of mental illness, so I straightened up and said, after he’d kissed his pregnant wife, “You look hot, Dr. Diamond. Can I get you a drink?”

 

I buy my materials at a place in the residential section. The owner’s name is Ingrid. She is a large Norwegian woman who spells needles “kneedles.” She wears sample knits she makes up for the class demonstrations. The vest she wore the day before will be hanging in the window.

There are always four or five women at Ingrid’s round oak table, knitting through a stretch they would not risk alone.

Often I go there when I don’t need a thing. In the small back room that is stacked high with pattern books, I can sift for hours. I scan the instructions abbreviated like musical notation:
K10, sl 1, K2 tog, psso, sl I, K10 to end.
I feel I could
sing
these instructions. It is compression of language into code; your ability to decipher it makes you privy to the secrets shared by Ingrid and the women at the round oak table.

In the other room, Ingrid tells a customer she used to knit two hundred stitches a minute.

I scan the French and English catalogs, noting the longer length of coat. There is so much to absorb on each visit.

Mary had a little lamb,
I am humming when I leave the shop.
Its feet were—its fleece was white as wool.

 

Dale Anne wanted a nap, so Dr. Diamond and I went out for margaritas. At La Rondalla, the colored lights on the Virgin tell you every day is Christmas. The food arrives on manhole covers and mariachis fill the bar. Dr. Diamond said that in Guadalajara there is a mariachi college that turns out mariachis by the classful. But I could tell that these were not graduates of even mariachi high school.

I shooed the serenaders away, but Dr. Diamond said they meant well.

Dr. Diamond likes for people to mean well. He could be president of the Well-Meaning Club. He has had a buoyant feeling of fate since he learned Freud died the day he was born.

He was the person to talk to, all right, so I brought up the stomach pains I was having for no bodily reason that I could think of.

“You know how I think,” he said. “What is it you can’t stomach?”

I knew what he was asking.

“Have you thought about how you will feel when Dale Anne has the baby?” he asked.

With my eyes, I wove strands of tinsel over the Blessed Virgin. That was the great thing about knitting, I thought—everything was fiber, the world a world of natural resource.

“I thought I would burn that bridge when I come to it,” I said, and when he didn’t say anything to that, I said, “I guess I will think that there is a mother who
kept
hers.”

“One
of hers might be more accurate,” Dr. Diamond said.

 

I arrived at the yarn shop as Ingrid turned over the
CLOSED
sign to
OPEN
. I had come to buy Shetland wool for a Fair Isle sweater. I felt nothing would engage my full attention more than a pattern of ancient Scottish symbols and alternate bands of delicate design. Every stitch in every color is related to the one above, below, and to either side.

I chose the natural colors of Shetland sheep—the chalky brown of the Moorit, the blackish brown of the black sheep, fawn, gray, and pinky beige from a mixture of Moorit and white. I held the wool to my nose, but Ingrid said it was fifty years since the women of Fair Isle dressed the yarn with fish oil.

She said the yarn came from Sheep Rock, the best pasture on Fair Isle. It is a ten-acre plot that is four hundred feet up a cliff, Ingrid said. “Think what a man has to go through to harvest the wool.”

I was willing to feel an obligation to the yarn, and to the hardy Scots who supplied it. There was heritage there, and I could keep it alive with my hands.

 

Dale Anne patted capers into a mound of raw beef, and spread some onto toast. It was not a pretty sight. She offered some to me, and I said not a chance. I told her Johnny Carson is someone else who won’t go near that. I said, “Johnny says he won’t eat steak tartare because he has seen things hurt worse than that get better.”

“Johnny was never pregnant,” Dale Anne said.

When the contractions began, I left a message with the hospital and with Dr. Diamond’s lab. I turned off the air conditioner and called for a cab.

“Look at you,” Dale Anne said.

I told her I couldn’t help it. I get rational when I panic.

The taxi came in minutes.

“Hold on,” the driver said. “I know every bump in these roads, and I’ve never been able to miss one of them.”

Dale Anne tried to squeeze my wrist, but her touch was weightless, as porous as wet silk.

“When this is over…” Dale Anne said.

 

When the baby was born, I did not go far. I sublet a place on the other side of town. I filled it with patterns and needles and yarn. It was what I did in the day. On a good day, I made a front and two sleeves. On a bad day, I ripped out stitches from neck to hem. For variety, I made socks. The best ones I made had beer steins on the sides, and the tops spilled over with white angora foam.

I did not like to work with sound in the room, not even the sound of a fan. Music slowed me down, and there was a great deal to do. I planned to knit myself a mailbox and a car, perhaps even a dog and a lead to walk him.

 

I blocked the finished pieces and folded them in drawers.

Dr. Diamond urged me to exercise. He called from time to time, looking in. He said exercise would set me straight, and why not have some fun with it? Why not, for example, tap-dancing lessons?

I told him it would be embarrassing because the rest of the class would be doing it right. And with all the knitting, there wasn’t time to dance.

Dale Anne did not look in. She had a pretty good reason not to.

The day I went to see her in the hospital, I stopped at the nursery first. I saw the baby lying facedown. He wore yellow duck-print flannels. I saw that he was there—and then I went straight home.

That night the dreams began. A giant lizard ate people from the feet upward, swallowing the argyles on the first bite, then drifting into obscurity like a ranger of forgotten death. I woke up remembering and, like a chameleon, assumed every shade of blame.

Asleep at night, I went to an elegant ball. In the center of the dance floor was a giant aquarium. Hundreds of goldfish swam inside. At a sign from the bandleader, the tank was overturned. Until someone tried to dance on the fish, the floor was aswirl with gold glory.

 

Dr. Diamond told a story about the young daughter of a friend. The little girl had found a frog in the yard. The frog appeared to be dead, so her parents let her prepare a burial site—a little hole surrounded by pebbles. But at the moment of the lowering, the frog, which had only been stunned, kicked its legs and came to.

“Kill him!” the girl had shrieked.

BOOK: The Collected Stories of Amy Hempel
11.01Mb size Format: txt, pdf, ePub
ads

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