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Authors: Howard L. Myers,edited by Eric Flint

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BOOK: The Creatures of Man
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Jonker returned. "Your room is ready, swordsman. I believe you will find the bed comfortable and . . ." he glanced at Suni " . . . large. But if the day has not left you too exhausted, perhaps you would honor me with an hour of conversation in my private quarters?"

Basdon nodded, smiled at Suni, and followed the innkeeper from the room. They passed along a dark hallway and down some stairs, the flickering lamp carried by Jonker revealing little more than the walls and the dusty night-light fixtures, which had not glowed since their operational spell had failed shortly before the god-warrior raiding began.

Having realized Jonker was more than he seemed, Basdon was not surprised to see subtle indications in the man's quarters that The Art was far from dead here. There was a general cleanliness in the appearance of the furnishings. The light from the lamp, which Jonker placed on a central table, seemed amplified by the brightness of the walls. A sense of ease that could not be attributed to the wine, the girl, and the good supper came over the swordsman as soon as they entered.

But he was determined not to be gulled into an overly relaxed condition, which he guessed was Jonker's intention. He took the offered chair, letting his right hand rest casually on the hilt of his weapon.

"I am curious about the god-warriors," said Jonker, seating himself comfortably on a lounging chair.

"Seemingly you know more of them than I," Basdon parried.

"In some respects, yes. But I have not lived among them, have not been one of them. I don't know how they respond, as individual men, to the geas of universal necromancy. Nor how they differ in particular personal traits from a man such as Jarno, for example."

"You think I can tell you that?" asked Basdon. "You are suggesting that I've been a god-warrior?"

Jonker shrugged. "You know what you've been, perhaps better than you know what you are now. And I know what I see in you, especially in your reddened eyes. Why deny it?"

Basdon grimaced. "Very well," he conceded. "But I paid dearly for the casting of a concealment over my mind, which should have protected my secrets from the gaze of a magician."

"Few casts and spells endure these days, and yours was probably done by a practitioner of mediocre skill," said Jonker.

For a moment Basdon considered his situation in silence. Jonker obviously knew him for what he was . . . an enemy. But, no, that was not what he really was. True he had been an enemy, a god-warrior, but no longer, and Jonker knew that as well. And the innkeeper had revealed nothing in the presence of the graingrowers, who among them could have easily done their will with a lone swordsman . . . So the magician had passed up the best opportunity to take vengeance on him.

Basdon frowned. He found it difficult to keep in mind that vengeance was seldom a motivation in Nenkunal. Only those, like himself, who had grown up in the new culture of religion rather than the old of magic tended to consider a man a lifelong enemy on the basis of one injury done. To Jonker, an enemy would be he who threatened future hurt, not one who had inflicted past hurt. So probably the innkeeper meant him no harm.

Without preamble, he answered the magician's question. "The god-warriors differ from a man like Jarno by being burdened with discontent. They differ among themselves in the things they are discontent about. Some worry about whether the gods attend their worship. Others are troubled because their fellows do not give them the positions and honors they feel they deserve. But most . . ." Basdon hesitated, then finished, " . . . most are troubled by women, either a woman who won't be theirs or a woman who is theirs but whose actions displease them."

"Ah," said the magician. "And the women?"

"They are much the same as the men," said Basdon. "Easily irked for reasons difficult to comprehend, seldom at ease with a man. The religion doubtless has something to do with that. It teaches that a woman's body is at the same time filthy and sacred. This must confuse them, but they seldom admit confusion."

"Then a girl of the worshippers would not be likely to entertain men in the manner that Suni entertained you and the graingrowers," mused Jonker.

"Some few might," Basdon replied uncertainly. "They would be those not convinced that their bodies were sacred, but who were sure they were filthy. I'm not sure that even those would couple while others watched. In the city of Vestim, for one example, a girl who behaved like Suni would be reviled by all, probably beaten to death by the other women."

With a glint of amusement, Jonker asked, "And how do you regard Suni?"

Basdon frowned, and shook his head. "Well, I know she's a fine, loving lass, but what I
feel
doesn't quite fit with what I know. I can't respect her, though I should."

"Fundamentally, then, sex is dirty," said the magician.

"It comes down to that," Basdon nodded.

"And what of your own woman?"

Pain bit at Basdon's mind, and he rubbed his burning eyes. "She is . . . she's one of those who considers her body very sacred. The last words I spoke to her, and angry words they were, was that she thought herself too good for any man, that only a god would be worthy of her."

"But this woman was not your only source of discontent," said Jonker. "If that were the case, you could hardly have enjoyed Suni with such enthusiasm, and so openly."

"That's true, perhaps," agreed the swordsman. "I think my real problem is that I don't quite believe in the gods."

The magician laughed. "Or that you don't quite disbelieve in them."

"Yes."

"You were one of the legion of god-warriors who engaged in the battle at Narrowneck five years ago," stated Jonker.

Basdon lowered his head and nodded. "The Art enables you to read that in me?"

"Partly. But mostly I guessed it through ordinary reasoning. You found the graves under the chestnut roots. No god-warrior is sufficiently free of universal necromancy to do that by snouting. You had to know those bodies were buried there."

"I helped cut the holes," said Basdon, his eyes clenched shut. "Then last year, when I saw at last that my desire for the woman—she is called Belissa—when I saw it was fruitless, I deserted the warriors and set out to retrace the route my legion had followed. I hoped that, here and there, along the way, I might be able to make some amend of the harm we had wrought. As I did today at Narrowneck."

The magician shrugged. "It matters little now whether bodies are burned or buried. The necromancers out there"—he pointed a thumb toward the sky—"will see to it that all souls meet the same fate. Your pilgrimage is honorable, but futile."

Basdon leaped to his feet to pace the room angrily. "Then why do you keep on living, magician, since to you
everything
seems hopeless?" he shouted. "You say the age of magic is dead, that the sickness of religion is going to overwhelm us all, that fighting back is useless! Then what keeps you going, magician?"

"Perhaps I would keep my spirit free a few years longer, as long as this body holds together," Jonker replied softly. "Also, there is still something needful of being done."

"What can be done, if all is lost?" Basdon demanded.

"You may recall that I said, while you were dining, that the age of religion would endure twenty thousand years, before man would begin to pull free of the tiring necromancers and a new era of magic would start its growth. My greatest ability in The Art is to see such distant matters with some clarity, if one considers twenty thousand years distant. It really is little more than a moment in the total span of a soul's existence.

"In any event, there will come a moment, in the advance of the new era of magic, when The New Art will be imperiled by its own incompleteness. Men will have learned many important but elementary traits of gross matter and motion. Such as being able to mark out with great precision the path that a thrown object will follow—trivialities no present-day magician would concern himself with.

"The demi-magicians of the future will interest themselves almost exclusively in such pursuits, because the lingering necromancy will block what few efforts are made to examine the nature and abilities of the human spirit. Those who look will usually see nothing but a peculiar obsession with sex—which, as you and I know, will be no basic trait of the spirit, but merely the result of a necromantic geas.

"However, this will allow the continued one-sided growth of The New Art, dealing generally with purely physical matters, while the old religious superstitions will remain accepted in psychical matters. I can't adequately describe to you the weirdness of such a mingling, or the absurdly unbelievable conflicts that will result."

Basdon said, "I think I can imagine a little of it. Having been a god-warrior, and now being . . . whatever I am, I know something of mental conflicts."

"So you do," nodded the magician.

"But you have told nothing of what you said needs to be done," the swordsman reminded him.

"I was getting to that. The age of The New Art will have to surmount its unbalanced development, or destroy itself. To win through the crisis, man will need nothing less than a favoring destiny."

"Favoring destiny?" Basdon asked, puzzled.

"That's good luck in layman's terms," explained the magician. "It was the last great development of The Art, before the decline began a century ago when universal necromancy began to shadow the earth and negate our work. A potent talisman of destinic adjustment still exists amid the ruins of Oliber-by-Midsea. It is powerless now, and defenseless."

"What power did it
ever
have?" Basdon asked sharply. "I would say the people of earth have seen little good luck during the past century!"

"In answer, I can only say that, bad though our condition is, it could have been worse by far," replied the magician. "The fate we were able to compromise ourselves out of, because of the strength of our favoring destiny, was . . . well, it's best left unhinted at. Even a spirit such as yours, swordsman, with the strength to struggle as you are doing against the geas of the necromancy, might fail if faced, unprepared, by such knowledge."

Basdon nodded acceptance of that, having little curiosity for horrible might-have-beens. "Then you hope to forward this favoring destiny to the next age of magic," he surmised.

"Yes, I wish to recover the talisman of Oliber-by-Midsea and conceal it where it will keep safely. Then, when the universal geas loses its potency, the talisman will begin functioning once more."

"May you fare well in this undertaking," said Basdon. "For myself, I care little for what happens twenty thousand years from now."

This remark appeared to depress the magician. "It is doubtless true that the geas occludes from you all knowledge of the human spirit's infinite survival," he mumbled. "The concept that you will live many lifetimes in many bodies, both during and after the age of religion, has no real meaning for you. Thus, you are not too concerned about future conditions. I regret that. Your help would have been useful in my quest."

Basdon blinked. He should have guessed that all this talk was leading up to something. "You want me to go with you to Oliber?"

The magician nodded. "I will need two with me. First, a guide to the ruined city and to the proper place in it. And second, a man of arms who is familiar with the ways of the god-warriors, as the worshippers of Vishan are now sovereign in the Midsea region. She who will guide is not far away, waiting, as I have been, for the proper third member of our party."

Basdon considered in silence. Finally he spoke. "You said it matters not if bodies be buried or burned. Why is that?"

"Because in either case the universal geas seizes the spirit immediately upon the body's death. Unlike our own piddling black-spellers, those from beyond earth do not need unburnt remains from which to trace and capture the departed soul. They seize all spirits, degrade them into worshippers, and return them to earth to seek new-conceived bodies for new lives as god-warriors and god-women. It saddens me to think the child near birthing by Jarno's wife will, as a near certainty, prove afflicted by the geas."

"Then there is little point in my pilgrimage along the legion's route, if that is true," said Basdon.

"It is true," Jonker assured him. "Although it is not a truth to be told to such good and simple men as Jarno. It is better to let them find comfort in freeing bodies from the earth—and freeing earth from bodies."

Basdon made his decision. "Very well, magician, we will seek Oliber-by-Midsea together. I have little concern for your purpose, but . . . but I have nothing better to do."

Jonker rose and extended his hand to touch Basdon's forehead, the swordsman returning the gesture to seal the pact.

"You will be welcome on those terms," said the magician, "and may the journey be more rewarding than you expect."

 

 

2

It was ten days later, after Jonker had settled a substitute keeper in his inn and had dealt with various other matters, when they set out.

Jonker took the lead on his big spotted mare along a trail that led northeast over the fertile rolling countryside of Nenkunal. The packhorse, reined to the magician's saddle, followed, and Basdon rode in the rear.

"The highwitch Haslil," Jonker said over his shoulder, "lives some nine leagues away. She will know we are coming, as she sees minds at a distance, and will probably be ready to join the journey with no delay. Unless, that is, she has had difficulty finding suitable fosters for her small granddaughter."

"She is a woman of some age, then," said Basdon, who had hoped the sorceress who was to be their guide would be youthful, and as like as possible to Suni.

"Haslil is a crone," Jonker replied. "So much so that she's becoming frail. If protected from harm she will endure for the journey to the ruined city; but I don't think she will see Nenkunal afterward."

"Does The Art tell you as much?" asked the swordsman.

"The Art tells me almost nothing of matters in which I am immediately concerned. Only in the distance do events take on clarity. And that is to the good. No man should know of his own death, or, more important, whether an undertaking such as ours will succeed or fail."

BOOK: The Creatures of Man
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