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Authors: Charles D'Ambrosio

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BOOK: The Dead Fish Museum
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Inside, Drummond snipped the twine on a new bundle of shop rags and began drying the boy off. He wiped his hair and ran the rag down his neck. He unbuttoned his shirt and toweled off his arms and chest, surprised, as always, to see the boy so hirsute. Drummond used to bathe him as an infant in the kitchen sink, and he remembered the yellow curtains Theresa had sewn, and the steamed window and the sill with the glossy green leaves of potted ivy. Drummond tried to bring back the feeling of those early winter twilights at the sink, he and the boy reflected in the window. He piled the wet rags, one after another, on the workbench, and when the boy was dry he said, “We’re going to close up.”

Pete nodded.

“Today’s not working out,” Drummond said. “Some days don’t.”

“My glasses,” the boy said.

“Okay,” Drummond said. “Okay.” He sat the boy in the recliner and went out to the sidewalk. Someone had stepped on the glasses. Drummond stared, mystified, at the empty gold frames glinting in the rain. The lenses had popped out. Back at his workbench, he tweaked the bridge of the glasses until it returned to its symmetrical curve and then he gently pressured the right earpiece down so that it was again parallel with the left. He ran a bead of glue around the frames and inserted the lenses, wiping them clean with a cloth diaper. “That’ll do you,” he said, handing them to Pete. Drummond pulled out a pocket comb and neatly parted the boy’s thinning hair and swept it back from his face. When the boy looked up at his father, faint stars of fluorescent light reflected off the glasses.

“Do your job now,” Drummond said.

“I think I’ll go outside,” the boy said.

“Please,” Drummond said under his breath. “Do your job first.”

Pete began pulling the old paper from the typewriters. He stacked the sheets in a pile, squaring the edges with a couple of sharp taps against the counter. Then he fed blank sheets of paper into the platens, returned the carriages, and hit the tab buttons for the proper indentation, ready for a new paragraph, ready for the next day.

Drummond was nearly done with the Olivetti. He found the nameplate he needed—“Olivetti Lettera 32”—and glued it in place. He squeezed a daub of car wax on the cloth diaper and wiped down the case, drawing luster out of the old enamel. He called the bookstore and told the kid that he was closing shop but his typewriter was ready.

While Drummond waited, he straightened up his workbench. The blank letter to his wife lay there. He crumpled the empty sheet and tossed it into the wastebasket.

When the kid came over, he could hardly believe it was the same machine. He typed the words everyone typed: “now is the time for all good men to come to the aid of their—”

“Is it ‘country’ or ‘party’?” he asked.

“I see it both ways,” Drummond said.

He wrote up a sales slip while the kid tapped the keys a couple of times more and looked down doubtfully at the machine. There was something off in its rightness and precision, an old and familiar antagonism gone, a testiness his fingers wanted to feel. He missed the adversity of typing across a platen pitted like a minefield, the resistance of the querulous keys that would bunch and clog. Drummond had seen this before. The kid wasn’t ready to say it yet, but half of him wanted the jalopy touch of his broken Olivetti back.

“It’s different,” he said.

“What’s the plot of your novel?” Drummond said.

“It’s hard to explain,” the kid said.

“Well, is it sci-fi?” he asked. “Romance? Detective thriller?”

Somewhat snobbily, the kid said, “It doesn’t really fit any of those categories.”

Pete laughed. Drummond felt the entire length of the day settle in his bones. He said, “Take the machine back and monkey with it. See how it feels. Give yourself some time to get used to it.”

“I don’t know,” the kid said.

“Look,” Drummond said. “I kept all the old parts. I could restore it back to broken in ten minutes. Or if you don’t like the way it works just throw it on the floor a few times. But first give it a fair chance.” He pushed the handwritten bill across the counter.

“Can I pay you tomorrow? It’s been a slow day.”

“Sure,” Drummond said. “Tomorrow.”

 

 

Drummond and the boy boarded the bus and took their usual seats on the bench in back. Drummond wore an old snap-brim hat with a red feather in the band and a beige overcoat belted at the waist. He pulled a packet of salted nuts from the pocket, sharing them with the boy as the bus made its way slowly through the rush hour. His wife had taken their old green Fiat wagon, and Drummond sometimes wondered if he was supposed to feel foolish, letting her keep it. But he didn’t really mind riding the bus, and during the past few months he and the boy had settled into a routine. They ate a snack and read what people had written during the day, and then, as they crossed the West Seattle Bridge, the boy would time the rest of the trip home, praying and telling the decades of his rosary.

“You want some?” Drummond asked, holding out the sort of small red box of raisins the boy liked. The boy shook his head indifferently, and Drummond slipped the box back into his pocket.

The boy pulled out the sheets of paper he’d taken from the typewriters. For the most part the sentences were nonsensical, the random crashing of keys, or the repetitive phrases people remembered from typing classes. But some were more interesting, when people typed tantalizing bits of autobiography or quoted a passage of meaningful philosophy. The boy slumped against the window and shuffled through the fluttering sheets while Drummond, looking over his shoulder, followed along.

“Now is the time for all good men.”

“The quick brown fox jumped over.”

“God is Dead.”

“zrtiENsoina;ldu?/ng;’a!”

“Tony chief Tony Tony.”

“Now is the time now.”

“Jaclyn was here.”

“???????????!!!!!!!”

“That interview didn’t work out so great,” Drummond said. The bus rose, crossing over the Duwamish River. A ferry on the Sound, its windows as bright as ingots of gold, seemed to be carting a load of light out of the city, making for the dark headlands of Bainbridge island. Drummond wondered if the boy would like a boat ride for his birthday, or maybe even to go fishing. His father had kept his tackle as meticulously as he had kept his typewriters, and it was still stored with his cane rod in the hall closet. After a trip to Westport or a day on the Sound, his father had sharpened his barbs with a hand file and dried and waxed the spoons and aught-six treble hooks until they shone as brightly as silverware. Nobody Drummond had ever known did that. Even now, a year after the old man’s death, his gear showed no sign of rusting.

Drummond opened the bottle of lotion and squeezed a dollop into his palm. The lotion was cold, and he massaged it between his hands until it warmed to the touch.

“Give me your hand,” he said to the boy.

He rubbed the boy’s hands, smoothing the dry, dead skin between his fingers, feeling the flaking scales soften between his own hands.

“Your birthday’s Monday,” Drummond said.

Pete laughed.

“Any idea what you’d like?”

“No,” the boy said.

Theresa would probably call home on Pete’s birthday. She’d always been good that way, calling or writing nice thank-you notes to people. For months Drummond had expected his wife to have a realization, although he was never sure what she’d realize. When they had eloped during his senior year—her sophomore—she was six months pregnant and beginning to show. She had never had a real honeymoon or even, she had told him bitterly, a real life. The boy had been a tremendous, bewildering amount of work for a girl of sixteen. Drummond supposed that at forty-one she was still a young woman. Now that she was gone, he found most of his social life at church. He was in charge of the coffee urn, and he picked up pastries from a bakery on California Avenue whose owner was an old crony of his father’s. He enjoyed the hour of fellowship after Mass, mingling with people he’d known all his life, people in whose aging faces he still recognized the shortstop from Catholic Youth ball or the remnant of a former May Day queen’s smile. There was one particular lady he thought he might consider asking out on a possible date when the time was right.

The rain falling against the roof of the bus and the warm amber light inside were familiar. Drummond capped the lotion and put the bottle away. He turned down the brim of his hat anxiously and, checking his watch, realized it was still early. He wanted to stop by the corner store before it closed; he needed to pick up a frozen pizza and some pop and ice cream for dinner. As the bus wound around Alki Point, he looked again at his watch, a Hamilton pocket model, railroad grade, which he wore on a silver fob slipped through his belt. Resting in his palm, it had that satisfying heft well-made things often have, the weight falling just right. It had been his father’s, and before that had belonged to his grandfather, an engineer for the old Great Northern. They’d never had to change the initials on the case, and the center wheel traveled four thousand miles, round and round, in the course of a year. His grandfather had told him that, and now Drummond often saw the image of the elderly frail man as he wound the stem in the morning.

“Tomorrow’s Saturday,” he said. “I’ve got some catching up to do.

“But Monday,” he said, “I’ll take the day off. How’d you like that? We’ll do something, just me and you.

“You’ll be twenty-five years old.

“Twenty-five years,” he said.

Almost by way of acknowledgment the boy nudged his glasses up the bridge of his nose. Drummond fitted his old snap-brim hat on the boy’s head and looked at him. But his face, reflected in the yellow glass, had already faded into its cryptic and strange cloister. His heavy purple lips were shaping the words to a prayer and the rosary was ticking in his lap as the maroon beads, one by one, slipped through his fingers.

“I love you,” Drummond said, expecting the boy to laugh, but he only rested his head against the seat and looked out the window at the gray city going by.

 

 

 
 

 
 

Screenwriter

 

How was I supposed to know that any mention of suicide to the phalanx of doctors making Friday rounds would warrant the loss of not only weekend-pass privileges but also the liberty to take a leak in private? My first suicidal ideations occurred to me when I was ten, eleven, twelve, something like that, and by now I was habituated to them and dreams of hurting myself (in the parlance of those places) formed a kind of lullaby I often used to rock myself to bed at night. I got into trouble when I told my p-doc I couldn’t fall asleep until I’d made myself comfortable by drawing the blankets over my head and imagining I was closing the lid of my coffin. In confessing to him, I was only trying to be honest and accurate, a good patient, deserving. But no dice: the head p-doc put me on Maximum Observation and immediately I was being trailed around by a sober ex-athlete who, introducing himself, put a fatherly hand on my shoulder and squeezed and told me not to worry, he was a screenwriter, too—not as successful or rich as me, sure, but a screenwriter nonetheless. He said that his name was Bob and he let it be known that he’d taken this position on the mental ward only to gather material for his next script. Half the reason I was in the ward was to get away from the movies, but my whole time with Bob I kept wondering, Is this, or that, or this or that, or this, or this, or this going to be in a
movie
? Everywhere I went, he went, creeping along a few sedate paces back in soft-soled shoes, a shadow that gave off a disturbing susurrus like the maddening sibilance settling dust must make to the ears of ants.

One morning I was lying on my mattress, flipping through women’s magazines, but after a while Bob started scratching his ankle, so I got up and went to the bathroom. Bob stood right behind me and in my state of excited self-consciousness the splashing of piss against the urinal cake was deafening, a cataract so loud it was like I’d managed, somehow, to urinate directly into my own ear. After that I watched a television show about a guy with massive arms but no legs climbing a mountain; with a system of pulleys and ropes he managed to belay himself up the slope like a load of bananas. He planted an American flag on the summit. This ruined man’s struggle and eventual triumph moved me; in fact I began to cry. To calm myself I listened to the languorous
pick-pock
of two heavily medicated patients thwacking a Ping-Pong ball in the rec room, but there was a final
phut
and then that unnerving nothing, nothing at all, and finally an attack of the fantods drove me out to the patio. Where I sat, Bob sat, and pretty soon the patio started making me crazy, too. Sitting still—just sitting!—was like an equestrian feat. But if I stood up, if I walked in circles, then Bob would have to stand up and walk in circles with me.

BOOK: The Dead Fish Museum
2.94Mb size Format: txt, pdf, ePub
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