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Authors: Lynne Reid Banks

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BOOK: The Mystery of the Cupboard
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On the way again, Omri asked, “Who did you inherit this house from?”

“Some cousin I never knew existed. An old, old man who died recently without leaving a will. It seems I'm his nearest relative. The lawyers contacted me and said I was to have the house. Bit of luck, eh?”

“Let's wait till we've seen it,” said Gillon, never one to see the bright side until he was forced to.

The house was outside a village in deepest Dorset. It took four hours to get there, and find it. After passing through a mysterious dark tunnel they drew up at last beside a big gate in a lane. There was no sign of the house, which was screened from the road by a high hedge of mixed wild trees and shrubs, not like London
hedges, which tended all to be made of the same thing.

They entered through another gate, a small one, and went up a path. The first thing that struck them was how incredibly different it all was from London. The boys could hardly grasp the fact that they were actually going to live in a place like this, surrounded by open countryside, with no other houses in sight. They felt weird about it, as if they were on another planet.

The details in the lawyers' letter had talked about ‘an acre of land, outbuildings, a paddock, and a small wood running down to a river that borders the property'. They stood on the overgrown lawn and stared round them in wonderment. In the distance were rounded hills, some with trees crowning them, and nearer were sloping fields. It was indeed ‘a big green place with lots of trees'.

“We're in the Hidden Valley,” murmured their mother. “Isn't it absolutely magical?”

“How much of all this is ours?” asked Gillon.

“Just this bit, stupid,” said Adiel. “Up to the fence.”

“No,” said their mother, consulting a sort of map the lawyers had sent. “More than that. That big field is ours — that's the paddock. Down to those trees down there. That's the river. And there's more across the lane.”


More
?” The garden at home, which they had considered vast, dwindled by comparison to tablecloth-size.

Their mother led them across the lane to the big gate. Beyond it was a yard with buildings on three sides. One
was a big workshop, and their father headed for that like an arrow. Another was three open bays under a corrugated iron roof. A third looked like an old barn and had several doors.

“That's the pigsty and stable,” their mother said. “Long disused. And a couple of rooms for feed and stuff. And somewhere there are henhouses.”

“Long disused, too, I suppose,” said Adiel.

“No, as a matter of fact, there are hens. Some old party from the village has been coming in to look after them occasionally and collect the eggs. It should be round the back there somewhere.”

The boys belted round behind the pigsty and found about a dozen hens, one of them with five tiny chicks running around squeaking. There was a handsome cockerel, too, who obliged with a regal crow as soon as they appeared.

“Hey, check this out, Dad!” called Adiel, bending over a long box. “Fresh eggs!” He emerged holding two in each hand.

“And fresh chicken!” said Gillon.

“If you can kill them,” said their mother.

“Anyone would kill a chicken to get a roast one,” said Gillon, who'd never killed anything in his life.

“Well, never mind the livestock now. Let's go and look over the house!” said their mother excitedly. “My very own house! I can't wait!”

The two-storey house was made of stone, with a
thatched roof. It was a funny shape, long and thin, with a sort of bend or wave in the middle.

“It's a real Dorset longhouse!” enthused their father.

“A
longhouse!”
Omri almost shouted.

They all looked at him curiously.

“Yes… That's what these long one-room-deep stone houses are called around here.”

The rooms were fairly small, but there were eight main ones altogether — four bedrooms in a row above four little linked living rooms. No corridors. Two flights of stairs, one at each end, so the two middle bedrooms led off the two outer ones. The bathroom had been added in modern times, built out at the back over the kitchen. From every window there were beautiful views.

The garden was neglected and the thatched roof gave Omri's father pause.

“It's all very well,” he said, while they all rushed about getting enthusiastic. “I love the place, it's perfect, that workshop! My dream of a studio! But have you any idea what it costs to rethatch a thatched roof? And we'd have to, almost right away. Look, it's rotten.” He reached out through one of the tiny windows upstairs and pulled a handful of thatch out of the deep eaves. It was black with age and damp and it had a musty smell.

From below, Omri called in an odd tone, “Come and see this!”

The others went outside and round to the gable end of the house, nearest the road. Up under the sloping
thatch was a plaque, inset into the stone. It was engraved in very worn old-fashioned writing. Omri couldn't read it, but their mother, with difficulty, made it out:

Blessed the man
who fearing God
buildeth for
posterity. LB. 1704

When she'd finished reading, they all stood for a moment. Then Gillon said, “What's posterity?”

“It means your bottom,” said Adiel.

The older two burst out laughing. Only Omri didn't — he wasn't listening.

“Don't be fatuous, boys,” said their father. “Not ‘posterior'! ‘For posterity' means ‘for those who'll come after you'.”

Gillon and Adiel were still choking down their mirth when Omri said quietly, “We're definitely going to like living here.” They all looked at him.

“How do you know?” said Gillon with a bit of jeer in his voice.

“It's a longhouse,” said Omri mysteriously. ‘And - LB.”

“What?”

“Someone with the initials LB built this house.”

“Big deal. So what?”

“LBs are lucky for me,” said Omri quietly.

2
Kitsa Goes Missing

T
hey moved in in August.

It hadn't been so hard, after all, to leave the old house in Hovel Road. Omri had secretly been quite glad to, in the end. After all, his room had been totally wrecked by the Big Storm. For months he'd slept on a mattress on the floor, and done his homework at an ordinary old table, and thought about all his things that the storm had demolished or blown away. His market-bought chest had been destroyed, along with his Japanese table, his desk, his collections, and all his other stuff, his links with childhood. It was time for a new start.

“Dad,” he asked at one stage when they were packing up, “will you have the same bank?”

“A different branch, but yes,” said his father, puzzled. But then he understood. “Ah, your mysterious package that you asked me to have them put in their vaults. Don't worry, Omri. They'll keep it safe.”

“But will they move it to the bank near our new house?” Omri persisted anxiously.

“I'll make sure they do,” said his father.

Omri wrote to Patrick, his friend and the sharer of his greatest secret, on the day before moving day.

Dear Patrick,

We're moving to the country tomorrow. Wish it was near you but it's the other way. We'll be further apart than ever. I'll write the new address at the end. Keep in touch.

Dad says IT will come to the new place with us, to the new bank. I hope you're keeping Boone safe. I'm taking Little Bull and Twin Stars with me, and Matron and Fickits. I mean I'm carrying them. I'll find somewhere safe for them in my new room. I just wanted you to know. I'm taking all my other plastic figures too. Not that we'll do anything about them.

Hope you're okay and that your mum has planted a new orchard after the storm. You must come and visit us in the new house. It's quite fun, lots of old barns and stuff, and there's hens that the last owner (he died, he was very old, Mum says he was my removed cousin or something) left. Their eggs have very orange yolks, like almost red. A neighbour's been looking after
them and Dad wants to keep them. And there's a wood and a river and the sea quite close. And Mum says we might have a pony!!

Bye. Omri.

P.S. I'm dreading starting at a new school. It's the local comp, of course. I went to meet the head, it's a woman. Her name's Mrs Everest. She wears a wig that looks just like a big tea cosy.

Two days after the move — two frantic, chaotic days, which followed a frantic, chaotic fortnight packing up — Omri was standing out in the lane that ran alongside their longhouse.

Both his parents and his brothers were indoors trying to make some kind of order in the various rooms, which were still so jammed with a mass of unsorted furniture and crates that you could hardly move around.

The reason Omri wasn't with them was because he was desperately hunting for Kitsa.

She had come from London in the moving van, in a cat basket. Too near to this (as it turned out) had been a large silk lampshade. When they arrived, the lampshade was found to be in shreds, ripped by Kitsa's resentful claws, reached through the bars of the cat basket.

The moment Omri had let her out, Omri's mother, who was at the end of her rope, shouted at her, “You wicked animal, you've ruined my best lamp!” and made
a swipe at her. Kitsa had fled, and Omri hadn't seen her since.

“She'll be back,” his mother — who, when things calmed down, felt awful about her — tried to comfort him. But he was frantic with worry. How could she find her way back when she didn't know this was now her home?

He had already searched the whole property: the henhouse, the pigsty, the workshop, the barn, as well as the paddock and the wood, which ran down to a little river. He'd called her till he was hoarse.

He was miserable, absolutely miserable. Nobody could cheer him up, though even Gillon tried.

“She'll come back,” he said. “She's just giving us a hammering because we moved her.”

Now as Omri stood in the lane and called her, without much hope, up the lane came, not Kitsa, alas, but a red postal van, which stopped at their gate. The postman leant out.

“Mistle Hay Farmhouse?” he asked.

Omri said it was.

“Long time since there were any post for here,” he said. “You moved in, I'spect, bin empty a good while and the old man never got no letters to speak of, real recluse he was. Well, this be for you by looks of it, kid's writin'.” And he handed Omri a letter. It was addressed to him, and it was from Patrick. Omri read it at once, standing in the lane.

Dear Omri,

Thanks for the letter. I looked on the map. Blimey, you're a long way off. Too bad. Don't know when we'll get a chance to meet. I'll work on my mum to go on holiday near you but I bet she won't, she likes going over to Calais on the ferry to shop every chance she gets. Dead boring except the boat trip. She spends every minute in the French supermarket buying stuff we can easily get in Safeway at home. Crazy.

I've been thinking. I wish you hadn't put IT in the bank. I know why you did, but still. Every time I look at Boone, I get lonely for him and wonder how he's getting on. I sometimes imagine I'm in Texas, or that Boone comes back here and I talk to him. Don't laugh, YOU PILLOCK. I bet you feel the same about Little Bull.

Guess what, my aunt came to visit and brought Emma. (Tamsin was at summer ski-camp - yeah!) It was great. We talked and talked about Them. She'd brought Ruby Lou and we played with them and pretended they were alive, only we had to stop cos Em started crying. She's okay though really. She said the same as me, that she wished you hadn't put IT in the bank. She said you should have asked us first.

You couldn't change your mind, could you?

Good luck with your new school and the Tea Cosy. Maybe she's bald underneath it. You'll have to try to make it fall off and see. My school's a real toilet. See ya.

Patrick.

P.S. Em and Tamsin are still at the old school. Em told me
Mr Johnson fell off his bicycle into some prickly bushes. She says he's never been the same since the day of the storm. Keeps talking to himself, there's a rumour he's gone a bit irregular.

This letter at least took Omri's mind off Kitsa for a while. After reading it, he went up to his room.

He'd chosen one of the ‘inner' bedrooms so that he would be the one who had to pass through Gillon's room to get to the stairs, and not the other way round. It was not a perfect arrangement, but better than Gillon having right-of-way through
his
room. He'd made Gillon - who had been desperate for the outside bedroom - promise always to knock, if he did need to come in, which was unlikely. Omri was a very private person. He planned to put a bolt on the door, like his old room had.

BOOK: The Mystery of the Cupboard
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