Who Will Run the Frog Hospital (18 page)

For LaRoue, I’d done nothing.

“I hope you don’t ever hold anything against me from when we were kids,” LaRoue said now. It shocked me.

“What things?” I asked.

“Oh, I don’t know. I look back, and it seems I was pretty mean to you and Claude.”

“You weren’t mean.”

“Well, thanks for saying that,” she said.

“No. I
mean
it.”

“You weren’t
mean
. I
mean
it,” she chanted, and started laughing nervously. “See that table over there? I had to vacuum under it this morning and guess what I found?”

“What?”

“Money,” she said, as if this were a secret I especially would appreciate.

“Good,” I said. “How much?”

“A five.”

“Great,” I said, though I wished for her sake it had been a twenty.

I ordered chicken salad, and she ordered soup and a soft muffin. We talked about my parents, about Claude doing so well with his computer business in Baltimore, about dogs and fillies and jockeys. We talked about Horsehearts and how the place was fifteen years ago. “You and Silsby Chaussée,” she said. “You guys were inseparable; it was the talk of the town.”

“It was?”

“Well, sort of. Now it would take a lot more than that to get the town talking.”

I smiled, tried to enjoy myself. “Yeah, like what?”

“Like a convention center,” she said, and we both laughed loudly.

When we finished eating, the check never came to the table. We waited, then got up, walked out of the dining room, and in the lobby she introduced me to the owner of the restaurant, a big, hale and hearty type who put his arm around LaRoue in an affectionate way. It seemed nice, the way he was
with her, and at that moment, for a split second, she seemed happy.

“You were up here for your class reunion?” he asked me.

“That, and to see LaRoue,” I said. I lied.

“Those can be something, those reunions,” he said.

“You’re on your hundredth,” LaRoue said, flirting with him in this provincial, teasing way.

“Hundred and fiftieth!” he exclaimed. “Reunions,” he mused. “They just keep coming at you, and what can you do?”

“That’s true,” I said. “What can you do?”

“Well, it was a pleasure to meet you,” he replied, and shook my hand. He patted LaRoue on the back. “Lunch is on me.” When he left, I could see that she was worried about something.

“Are you OK?” I asked.

“Yeah. Sure.”

I had three hundred miles of driving ahead. “It was good to see you, LaRoue,” I said. I kissed her, threw my arms around her, taking in the big, ugly helplessness of her. Then I got in the car.

“You take care,” she said. “You take care of yourself.”

Driving alone along the Northway, feeling more haunted than I really had the courage to be, I cried in the car the way one does when leaving someone in a bitter and unbearable way. I don’t know why I should have picked that time to grieve, to summon everything before me—my own monstrousness, my two-bit affections, three-bit, four. It could have been sooner, it could have been later, it could have been one of the hot, awkward funerals (my grandmother’s, LaRoue’s, my father who one morning in Vero Beach clutched his fiery arm and fell dead off his chair mouthing to my mother, “Help. Heart. I love you”—how every death makes the world a lonelier place), it could have been some other time when the sun
wasn’t so bright, and there was no news on the radio, and my arms were not laced in a bird’s nest on the steering wheel, my life going well, I believed, pretty well. It could have been any other time. But it was then: I cried for Sils and LaRoue, all that devotion and remorse, stars streaming light a million years after dying; I cried for the boyfriends I was no longer with, the people and places I no longer knew very well, for my parents and grandmother ailing and stuck in Florida, their tough, unchanging forms conjured only in memory: a jewel box kept in a medicine cabinet in the attic of a house on the moon; that’s where their unchanging forms were kept. I cried for everyone and for all the scrabbly, funny love one sent out into the world like some hit song that enters space and bounds off to another galaxy, a tune so pretty you think the words are true, you do! There was never any containing a song like that, keeping it. It went off and out, speeding out of earshot or imagining or any reach at all, like a rocket invented in sleep.

The next reunion, after that, five years later, Sils didn’t come, but sent flowers from Hawaii instead:
To the class of ’74.
Much love, Sils Chaussée
. And after that I, too, sent flowers, and a note, and didn’t show up anymore.

YOU CAN
wake from one dream only to find yourself plunged into yet another, like some endless rosary of the mind. When that happens, it is hard to glimpse what is not dream; the waking, undreamed world flies by you, in rushing flashes of light and air, in loud, quick, dangerous spaces like those between the cars of a train. There is nothing you can do. You walk in the sleep of yourself and wait. You wait for the train to pass.

Daniel believes he is working something out, wrestling with his heart, his work. He wants me to bear with him. He speaks in a coded way of all that is tempting and bewildering him, all issues of moral drunkenness. “It’s like I’m on a ride,” he says. “I go up, up, and up, and then
wheeeee
.”

“Except then the keys fall out of your pocket,” I say sternly. “And then you can’t get back into the house.”

He tries to look bemused. “I had a dream last night that I rounded a corner and someone lifted a gun and shot me, the bullet slamming straight through my sternum.” He pauses. “Do you think that’s bad luck?” He sighs, then begins to whisper. “I’m afraid of one day turning into my father. When he was my age, he left my mother for a woman twenty years younger.”

I say nothing. I melt a whiskey truffle on my tongue. In my vision there are lines running through everything; even the fabric of the drapes and upholstery seem to be raining, like the clothes in a portrait by van Gogh.

Daniel looks sad, draws his large man’s hand down across his face; his voice constricts with sorrow. “My mother, of course, took it with the great good humor with which it was intended.”

“She lost her mind,” I say.

“Yes,” he says. “She lost her mind.”

Eating brains—their spongy circuitry reabsorbed—we pretend is an ecological act. But perhaps it is more like monsters in a science fiction movie. Brains! Brains! Brains! As if we have run out of our own. So far in our marriage we’ve fought fear with ineptitude, indifference with indifference; the world blows up here and there, and our lives feel staked out in the embers, pitched and huddled in tents. We course through the hairpin turns of denials and shouts—it’s the end, it can’t be the end—we are in the loveliest city in the world: the expensive coffees, the red chemical sunset, the
bateaux mouches
flashing by each sooty church, lighting it up like a stage. In
salons de thé
the waiters set the crêpes aflame with
Bic Flics pulled brusquely from their shirt pockets. The gendarmes hassle the African men in the
métro;
the poodles defecate with impunity on the walks. You can’t name your child anything not on a national list—and this is the most civilized city on earth! The city of spring and songs and other compositions of the heart. We feel ourselves moving so minusculely against some process, some momentum, that we become inadvertently a part. We feel too small to fight. Desperation, laziness, horror—they all resemble one another in their flickering movements within us, the same thrashing shorthand.
Ma chérie, is this our stop?
We feel enslaved—is that what it is?—in some turning: of milk to rot to dirt and winds and then to what—to sleep? to stars? Time for another constellation!

My husband has that look again, the look of how difficult the world is, life is, how sometimes you just want to go back to your house with the bushes around it and stay inside.

“Home,” he says. The idea of it: its lovely cheat and evasion; its capitulation to longing and rest. “Home, home, home.”

Where, though I harbor secret wishes of its burning, our life in flames, the crazy, wicked freedom of it, our chipping house will still be standing, safe and whole, the previous owner’s rubber bands still wrapped around the doorknobs. The animals we’ve sealed in, in mending and patching—the mice and larks—will wake and cry within the walls, then go still. The season will be spring, but the squirrels will have eaten and rearranged the bulbs, so that only one lone daffodil—a trumpet solo!—will be shivering in the yard, the flowering quince not flowering, the ground still too muddy for grass but on a sunny day ticking with hatching flies. At the Citgo station around the corner the sparrows will once
again build their nest in the paper towel dispenser. “Don’t you feel, you must, like going home?” Daniel asks in a voice of such ailing homesickness it makes me smile.

Everywhere life is full of heroism
.

I lean warmly toward him, try to get closer, in empathy and companionship, to study his face, so moist and young in these rains, to match or approximate it. “Don’t be lorn, don’t be blue, it’s only morn, and I’m with you.” I sing this, but he stiffens, then tries not to stiffen, forces a smile but moves too quickly away. He does this often now. Something, someone, keeps him, is kept, in some other corner of his life. I can’t follow him there—where that is, a place of woundedness, we are too without each other. To meet there would be to step into the strange dark rage of strangers. But I’ve accrued a kind of patience, I believe, loosely like change. I can feel the jangle and money of it. I will wait for him, I think: let him go and sicken himself, confuse himself, dash through the bad woods of himself.
Love is perennial as the grass!
I’ll wait for him, my heart in epilogue, knit and reknit, perhaps as it always has been. I’ll wait until I just can’t wait anymore.

As far as possible, without surrender, be on good terms with all persons
.

————

THERE WAS
an April afternoon, when I was in the tenth grade, that the Girls’ Choir had to meet for its final rehearsal before the spring concert. The sun was pouring in through the gym windows, and when we took our places on the bleachers we were standing in it, like something celestial lowered in. Our director, Miss Field, began to wave her arms
at us, and a strange spell came over our throats. Our nerves tightened and all the bones of our ears fell in line. It was Miss Field’s own arrangement of a Schubert rhapsody, and the notes, for once, took flight. I didn’t, couldn’t, catch Sils’s eye—she was standing over with the sopranos—but it didn’t matter, I didn’t have to, because this wasn’t personal, this singing, this light, this was girls, after weeks of rehearsal, celebrating the ethereal work of their voices, the bell-like, birdlike, child-sound they could still make so strongly in unison. Strung along the same wire of song, we lost ourselves; out of separate rose and lavender mouths we formed a single living thing, like a hyacinth. It seemed even then a valedictory chorus to our childhood and struck us deep in the brain and low in the spine, like a call, and in its wave and swell lifted us, I swear, to the ceiling in astonishment and bliss, we sounded that beautiful. All of us could hear it, aloft in the midst of it, no boys, no parents in the room, no one else to tell us, though we never managed to sound that beautiful again. In all my life as a woman—which began soon after and not unrichly—I have never known such a moment. Though sometimes in my brain I go back to that afternoon, to relive it, sail up there again toward the acoustic panels, the basketball hoops, and the old oak clock, the careful harmonies set loose from our voices so pure and exact and light we wondered later, packing up to leave, how high and fast and far they had gone.