William Shakespeare: The Complete Works 2nd Edition (324 page)

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Authors: William Shakespeare

Tags: #Drama, #Literary Criticism, #Shakespeare

BOOK: William Shakespeare: The Complete Works 2nd Edition
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KING CLAUDIUS
O, for two special reasons,
Which may to you perhaps seem much unsinewed,
And yet to me they’re strong. The Queen his mother
Lives almost by his looks; and for myself—
My virtue or my plague, be it either which—
She’s so conjunctive to my life and soul
That, as the star moves not but in his sphere,
I could not but by her. The other motive
Why to a public count I might not go
Is the great love the general gender bear him,
Who, dipping all his faults in their affection,
Would, like the spring that turneth wood to stone,
Convert his guilts to graces; so that my arrows,
Too slightly timbered for so loud a wind,
Would have reverted to my bow again,
And not where I had aimed them.
LAERTES
And so have I a noble father lost,
A sister driven into desp’rate terms,
Who has, if praises may go back again,
Stood challenger, on mount, of all the age
For her perfections. But my revenge will come.
KING CLAUDIUS
Break not your sleeps for that. You must not think
That we are made of stuff so flat and dull
That we can let our beard be shook with danger,
And think it pastime. You shortly shall hear more.
I loved your father, and we love ourself.
And that, I hope, will teach you to imagine—
Enter a Messenger with letters
How now? What news?
MESSENGER
Letters, my lord, from Hamlet.
This to your majesty; this to the Queen.
KING CLAUDIUS From Hamlet? Who brought them?
MESSENGER
Sailors, my lord, they say. I saw them not.
They were given me by Claudio. He received them.
KING CLAUDIUS
Laertes, you shall hear them.—Leave us.
Exit Messenger
(Reads) ‘High and mighty, you shall know I am set naked on your kingdom. Tomorrow shall I beg leave to see your kingly eyes, when I shall, first asking your pardon, thereunto recount th’occasions of my sudden and more strange return.
Hamlet.’
 
What should this mean? Are all the rest come back? Or is it some abuse, and no such thing?
LAERTES
Know you the hand?
KING CLAUDIUS
’Tis Hamlet’s character.
‘Naked’—and in a postscript here he says
‘Alone’. Can you advise me?
LAERTES
I’m lost in it, my lord. But let him come.
It warms the very sickness in my heart
That I shall live and tell him to his teeth,
‘Thus diddest thou’.
KING CLAUDIUS
If it be so, Laertes—
As how should it be so, how otherwise?—
Will you be ruled by me?
LAERTES
If so you’ll not o’errule me to a peace.
KING CLAUDIUS
To thine own peace. If he be now returned,
As checking at his voyage, and that he means
No more to undertake it, I will work him
To an exploit, now ripe in my device,
Under the which he shall not choose but fall;
And for his death no wind of blame shall breathe;
But even his mother shall uncharge the practice
And call it accident. Some two months since
Here was a gentleman of Normandy.
I’ve seen myself, and served against, the French,
And they can well on horseback; but this gallant
Had witchcraft in’t. He grew into his seat,
And to such wondrous doing brought his horse
As had he been incorpsed and demi-natured
With the brave beast. So far he passed my thought
That I in forgery of shapes and tricks
Come short of what he did.
LAERTES A Norman was’t?
KING CLAUDIUS A Norman.
LAERTES
Upon my life, Lamord.
KING CLAUDIUS
The very same.
LAERTES
I know him well. He is the brooch indeed,
And gem, of all the nation.
KING CLAUDIUS He made confession of you,
And gave you such a masterly report
For art and exercise in your defence,
And for your rapier most especially,
That he cried out ‘twould be a sight indeed
If one could match you. Sir, this report of his
Did Hamlet so envenom with his envy
That he could nothing do but wish and beg
Your sudden coming o’er to play with him.
Now, out of this—
LAERTES What out of this, my lord?
KING CLAUDIUS
Laertes, was your father dear to you?
Or are you like the painting of a sorrow,
A face without a heart?
LAERTES Why ask you this?
KING CLAUDIUS
Not that I think you did not love your father,
But that I know love is begun by time,
And that I see, in passages of proof,
Time qualifies the spark and fire of it.
Hamlet comes back. What would you undertake
To show yourself your father’s son in deed
More than in words?
LAERTES To cut his throat i’th’ church.
KING CLAUDIUS
No place indeed should murder sanctuarize.
Revenge should have no bounds. But, good Laertes,
Will you do this?—keep close within your chamber.
Hamlet returned shall know you are come home.
We’ll put on those shall praise your excellence,
And set a double varnish on the fame
The Frenchman gave you; bring you, in fine, together,
And wager on your heads. He, being remiss,
Most generous, and free from all contriving,
Will not peruse the foils; so that with ease,
Or with a little shuffling, you may choose
A sword unbated, and, in a pass of practice,
Requite him for your father.
LAERTES I will do’t,
And for that purpose I’ll anoint my sword.
I bought an unction of a mountebank
So mortal that, but dip a knife in it,
Where it draws blood no cataplasm so rare,
Collected from all simples that have virtue
Under the moon, can save the thing from death
That is but scratched withal. I’ll touch my point
With this contagion, that if I gall him slightly,
It may be death.
KING CLAUDIUS Let’s further think of this;
Weigh what convenience both of time and means
May fit us to our shape. If this should fail,
And that our drift look through our bad performance,
‘Twere better not essayed. Therefore this project
Should have a back or second that might hold
If this should blast in proof. Soft, let me see.
We’ll make a solemn wager on your cunnings ...
I ha’t! When in your motion you are hot and dry—
As make your bouts more violent to that end—
And that he calls for drink, I’ll have prepared him
A chalice for the nonce, whereon but sipping,
If he by chance escape your venomed stuck,
Our purpose may hold there.—
Enter Queen Gertrude
 
How now, sweet Queen?
QUEEN GERTRUDE
One woe doth tread upon another’s heel,
So fast they follow. Your sister’s drowned, Laertes.
LAERTES Drowned? O, where?
QUEEN GERTRUDE
There is a willow grows aslant a brook
That shows his hoar leaves in the glassy stream.
Therewith fantastic garlands did she make
Of crow-flowers, nettles, daisies, and long purples,
That liberal shepherds give a grosser name,
But our cold maids do dead men’s fingers call them.
There on the pendent boughs her crownet weeds
Clamb’ring to hang, an envious sliver broke,
When down the weedy trophies and herself
Fell in the weeping brook. Her clothes spread wide,
And mermaid-like a while they bore her up;
Which time she chanted snatches of old tunes,
As one incapable of her own distress,
Or like a creature native and endued
Unto that element. But long it could not be
Till that her garments, heavy with their drink,
Pulled the poor wretch from her melodious lay
To muddy death.
LAERTES Alas, then is she drowned.
QUEEN GERTRUDE Drowned, drowned.
LAERTES
Too much of water hast thou, poor Ophelia,
And therefore I forbid my tears. But yet
It is our trick; nature her custom holds,
Let shame say what it will.
He weeps
 
When these are gone,
The woman will be out. Adieu, my lord.
I have a speech of fire that fain would blaze,
But that this folly douts it.
Exit
KING CLAUDIUS
Let’s follow, Gertrude.
How much I had to do to calm his rage!
Now fear I this will give it start again;
Therefore let’s follow.
Exeunt
5.1
Enter two Clowns

carrying a spade and a pickaxe

 
FIRST CLOWN Is she to be buried in Christian burial that wilfully seeks her own salvation?
SECOND CLOWN I tell thee she is, and therefore make her grave straight. The coroner hath sat on her, and finds it Christian burial.
FIRST CLOWN How can that be unless she drowned herself in her own defence?
SECOND CLOWN Why, ’tis found so.
FIRST CLOWN It must be
se offendendo,
it cannot be else; for here lies the point: if I drown myself wittingly, it argues an act; and an act hath three branches: it is to act, to do, and to perform. Argal she drowned herself wittingly.
SECOND CLOWN Nay, but hear you, Goodman Delver.
FIRST CLOWN Give me leave. Here lies the water—good. Here stands the man—good. If the man go to this water and drown himself, it is, will he nill he, he goes. Mark you that. But if the water come to him and drown him, he drowns not himself; argal he that is not guilty of his own death shortens not his own life.
SECOND CLOWN But is this law?
FIRST CLOWN Ay, marry, is’t: coroner’s quest law.
SECOND CLOWN Will you ha’ the truth on’t? If this had not been a gentlewoman, she should have been buried out o’ Christian burial.
FIRST CLOWN Why, there thou sayst, and the more pity that great folk should have count’nance in this world to drown or hang themselves more than their even Christian. Come, my spade. There is no ancient gentlemen but gardeners, ditchers, and gravemakers; they hold up Adam’s profession.

First Clown digs

 
SECOND CLOWN Was he a gentleman?
FIRST CLOWN A was the first that ever bore arms.
SECOND CLOWN Why, he had none.
FIRST CLOWN What, art a heathen? How dost thou understand the Scripture? The Scripture says Adam digged. Could he dig without arms? I’ll put another question to thee. If thou answerest me not to the purpose, confess thyself—
SECOND CLOWN Go to.
FIRST CLOWN What is he that builds stronger than either the mason, the shipwright, or the carpenter?
SECOND CLOWN The gallows-maker; for that frame outlives a thousand tenants.
FIRST CLOWN I like thy wit well, in good faith. The gallows does well. But how does it well? It does well to those that do ill. Now thou dost ill to say the gallows is built stronger than the church, argal the gallows may do well to thee. To’t again, come.
SECOND CLOWN ‘Who builds stronger than a mason, a shipwright, or a carpenter?’
FIRST CLOWN Ay, tell me that, and unyoke.
SECOND CLOWN Marry, now I can tell.
FIRST CLOWN To’t.
SECOND CLOWN Mass, I cannot tell.
Enter Prince Hamlet and Horatio afar off
 
FIRST CLOWN Cudgel thy brains no more about it, for your dull ass will not mend his pace with beating; and when you are asked this question next, say ‘a grave-maker’; the houses that he makes lasts till doomsday. Go, get thee to Johan. Fetch me a stoup of liquor.
Exit Second Clown
(
Sings
)
In youth when I did love, did love,
Methought it was very sweet
To contract-O-the time for-a-my behove,
O methought there-a-was nothing-a-meet.
 
HAMLET Has this fellow no feeling of his business that a sings at grave-making?
HORATIO Custom hath made it in him a property of easiness.
HAMLET ‘Tis e’en so; the hand of little employment hath the daintier sense.
FIRST CLOWN (
sings
)
But age with his stealing steps
Hath caught me in his clutch,
And hath shipped me intil the land,
As if I had never been such.

He throws up a skull

 

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