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Authors: Richard Rayner

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BOOK: A Bright and Guilty Place: Murder, Corruption, and L.A.'s Scandalous Coming of Age
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Chapter 22: The Ballad of Dave Clark

Robinson’s
Lawyers of Los Angeles
has good detail on prosecutor Joe Ford. Geoffrey Cowan’s “
People v. Clarence Darrow
” discussed Ford’s earlier career and his involvement in the jury-tampering prosecutions of Clarence Darrow following the bombing of the
Times
building in 1910.

Chapter 23: They Can Hang You

Here I relied on the trial transcript and my newspaper timeline. Interestingly, each of the major papers had, along with their chief reporters (like Coughlin), another reporter who sat in court and made a transcript of what was said during the most important moments of testimony. Human accuracy being what it is, these supposedly exact records differ in terms of nuance and how dialogue is recorded. There’s no real reason to suppose that the court stenographer was necessarily more accurate than these newspaper professionals—but when a discrepancy appears glaring, I’ve gone with the dialogue as in the trial transcript.

Chapter 24: Telling It All

Bob Shuler’s
The Strange Death of Charlie Crawford
is, as they say in the antiquarian trade, “a tough book”—in other words very difficult to find. UCLA’s copy has been stolen, likewise that belonging to USC. The Los Angeles Public Library’s copy was destroyed in a fire. I consulted the one at the California State Library in Sacramento.

Chapter 25: Verdicts

Again, I’ve relied here on the trial transcripts and the timeline I made from the press coverage.

Chapter 26: A Hooker’s Tale

Much here is drawn from White’s diaries and
Me, Detective
. The Love Mart trial received extensive coverage in the
Times
, the
Examiner
, and the other papers. “Brick” Garrigues’s swashbuckling pamphlet “So They Indicted Fitts!” was also useful here. George Creel’s piece “Unholy City” appeared in
Collier’s
(September 2, 1939).

Chapter 27: Music of the City

I first came across the phrase “a bright and guilty place” in
The Cinema of Orson Welles
, a 1961 book by Peter Bogdanovich. I was lucky enough to meet Welles in London back in 1983. When asked about Los Angeles, he merely roared with laughter. More of Leslie White’s writing deserves to find its way back into print. Copies of
Me, Detective
are tough to find, and expensive.

Chapter 28: Black Mask Merry-Go-Round

This chapter is indebted to the Chandler sources detailed above. To the best of my knowledge, nobody has ever before spotted the connection between his early story “Spanish Blood” and the Spencer/Crawford killings. In his essay “Cracking the Cassidy Case” (a Chandler fictional case), Robert Moss drew the parallel between
The High Window
and the Doheny affair. The history of
Black Mask
is well recorded by both William F. Nolan and Otto Penzler. Horace McCoy’s papers are at UCLA.

Chapter 29: Sad Song

That Dave Clark’s wanderings and misbehavings should continue to be the subject of reportage not only in Los Angeles but in New York, too, is a mark of the huge impact those trials made in 1931. His end is haunting, and Nancy Clark’s descendants attest that she loved him to the end.

Chapter 30: Lives Go On

In tracing the future histories of my characters, I relied on interviews, newspaper obituaries, and the mentioned biographical sources. The surface of Los Angeles evolves by the moment, and there is something in the flatness of the customary daytime light that dissuades the viewer from contemplating the city’s past. But it’s there, if you look long enough.

Chapter 31: A Personal Note

Bill Buford, back in the days when he was editing
Granta
, called me when the Rodney King riots kicked off and demanded that I hit the streets and do some reporting. I suggested to him that he wanted me to get myself killed. Bill paused before replying: “No. Injured would be good.” The piece I wrote prompted Kyle Crichton, then an editor on the
New York Times Magazine
, to ask me to write about the LAPD and whether, in the wake of everything that had happened, the department could be fixed. A simple magazine assignment turned into months of work and a 40,000-word first draft delivering a simple enough answer: probably not. The photographer, Joe Rodriguez, and I became so obsessed that we just disappeared into the story. We got to know the guys at the Rampart precinct so well we were simply showing up at the bunker-like car park and jumping in the back of squad cars. For the public relations department of the LAPD, this was no doubt a nightmare, but for Joe and me it was a transformative eye-opener. We saw bad cops, dumb cops, violent cops, and great cops too. The city came alive for me, and the story, which appeared on the cover of the
New York Times Magazine
, prompted an ACLU investigation. It was David Ulin who switched me on to Myron Brinnig’s extraordinary novel in which, at a moment of ultimate climax, Los Angeles simply slides into the Pacific. It probably won’t happen, but then in L.A. you never can tell.

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BOOK: A Bright and Guilty Place: Murder, Corruption, and L.A.'s Scandalous Coming of Age
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