A Drinking Life (19 page)
Reading Mauldin at thirteen, I felt an odd sense of merger; it was as if I had written these pages, as if I were saying these irreverent things about officers, right-wingers, war profiteers, conservative newspaper publishers, penthouse revolutionaries, professional veterans, and bigots and phonies of all stripes. I didn’t really understand some of what Mauldin was writing; but as I read and reread the book, the irreverent attitude felt natural to me. It was as if I’d picked up a glove, tried it on, and found a perfect fit.
None of what I was reading in the newspapers or in Mauldin’s book had anything to do with what I was learning in school. From Mauldin I learned that Japanese-Americans had been put in concentration camps during the war, their stores and homes and farms confiscated by white trash, and when the Nisei soldiers came back from fighting courageously in Italy, the whites who stole their property refused to give it up and the government did nothing. I learned how southern white bigots used the poll tax and other legal devices to prevent Negroes from voting. I learned the phrase anti-Semitism, the proper name for the bigotry that had caused Buchenwald. Mauldin confirmed and elaborated many of the lessons I’d absorbed from my mother.
But I heard nothing about such matters in school. Masturbation was a sin; but hatred? Hey, pay attention, young man. Mauldin’s world was not far away, in some distant country. Some of it was right there in the Neighborhood, where some people still called Jackie Robinson a nigger and others talked about kikes and yids.
If my mind was full of change, possibility, and notions of justice, other things remained the same. In November, there were great election-night bonfires on Twelfth Street after the voting ended. But the vote for president was very close; the counting went on all night, and some said that the hated Dewey had won. The following day, Truman was declared the winner. My mother wasn’t very happy about this. But my father headed for Rattigan’s, where the ward heelers were buying. Around midnight, two of their flunkies brought him home. He made it to the second-floor landing. He sat there for a while, crooning about the old country, until I went down and helped him up the last flight.
E
IGHTH GRADE
was a horror. Our teacher was a thick-necked Pole with a jutting jaw and a bent nose. His name was Brother Jan. In the seventh grade, we’d had a soft and saintly man named Brother Rembert as our teacher. We heard scary tales about Brother Jan, but nothing really prepared us for the reality of this snarling, vicious brute. On his desk, Brother Jan kept a thick eighteen-inch ruler called Elmer. He used it on someone every day. He used it if you were late. He used it if you didn’t finish your homework. He used it if you smiled or giggled. He used it if you talked back, or copied from another kid during an exam. I would watch him when he bent one of the boys over a front desk, and there was a tremble in his face, a fierce concentration, a sick look of enjoyment as he whacked Elmer on the ass of the chosen boy until the boy dissolved in tears and pain.
He picked on some kids over and over again: a funny guy named Bobby Connors; a slow, sweet boy named Shitty Collins, who lived up the block from me; a tall sly character named Boopie Conroy. Near the end of the first term, Brother Jan started picking on me. Somehow I infuriated him. Maybe it was because I got the highest grades in the class but after school spent my time with the harder kids. I shared my homework with Shitty Collins and some of the slower kids; when Brother Jan discovered this he didn’t see it as an act of Christian charity but as a case of subversion; he bent me over the front seat and whipped into me with Elmer. After the first time, he whipped me every week. He broke some other kids, reducing them to tears and humiliation; when he did that, his eyes seemed to recede under his brow and his lips curled into a knowing smile, as if he’d discovered the point at which he could destroy pride and will. I refused to cry. I would wait for the initial shock, then the cutting pain of the second blow, then wait for the next, and tighten my face, clamp my teeth together, feel it again, then again, still
again,
as many as fifteen times, thinking: Fuck you, and fuck you, and fuck you, and fuck you. And Brother Jan would swing again, grunting.
Then he’d be finished and I’d glance at him and sometimes he’d have a film of sweat on his face. And I’d think: You’re sick. I’d sit down in pain, and the other kids would look at me, and I would stare up at Brother Jan, thinking: Fuck you, fuck you, fuck you.
Around this time I first sensed that I was my own version of Jekyll and Hyde. In my head, the Good Boy was constantly warring with the Bad Guy. I wanted to be a Bad Guy, tough, physical, a prince of the streets; at the same time, I was driven to be a Good Boy: hardworking, loyal, honorable, a protector of my brothers, an earner of money for the family. The Bad Guy cursed, growled, repeated dirty jokes and resisted Brother Jan; the Good Boy served Mass in the mornings and read novels in bed at night. The Bad Guy practiced walking like one of the Tigers, stole silverware from the Factory, and jerked off; the Good Boy delivered groceries to old ladies who couldn’t come down the stairs, memorized poems, and drew cartoons at the kitchen table on cold or rainy evenings. It seems clear to me now that the Bad Guy was demanding respect from my father, the Good Boy acknowledging love from my mother. It wasn’t at all clear when I was in my early teens.
There were times when the existence of the Good Boy forced the appearance of the Bad Guy. In the final three years of grammar school at Holy Name, I always finished at the top of the class in grades, averaging 98 or 99, was placed on the honor roll and granted awards for general excellence. But there was an assumption that if you got good grades you must be soft, a sissy, or an AK — an ass kisser. This was part of the most sickening aspect of Irish-American life in those days: the assumption that if you rose above an acceptable level of mediocrity, you were guilty of the sin of pride. You were to accept your place and stay in it for the rest of your life; the true rewards would be given you in heaven, after you were dead. There was ferocious pressure to conform, to avoid breaking out of the pack; self-denial was the supreme virtue. It was the perfect mentality for an infantryman, a civil servant, or a priest. And it added some very honorable lives to the world. But too often, it discouraged kids who aspired to something different. The boy who chose another road was accused of being Full of Himself; he was isolated, assigned a place outside the tribe. Be ordinary, was the message; maintain anonymity; tamp down desires or wild dreams. Some boys withered. And the girls were smothered worse than the boys. They could be nuns or wives, brides of Christ or mothers of us all. There were almost no other possibilities.
But the Bad Guy in me resisted the demand for conformity that was so seductive to the Good Boy. I hated being called an AK. For one thing, it wasn’t true. I polished no apples, sought no favors. But worse, to say that I was an AK was to imply that what I had actually done was a fraud. I knew that I got those grades by doing the homework, reading the books, and above all, by paying attention; I didn’t get them by kissing ass. So, after a while, whenever I was called an AK, I struck back: punching and hurting my accusers. The Bad Guy shoved the Good Boy out of the way and went to work. By the time I was subjected to Brother Jan’s sick furies, nobody again called me an AK. And I’d acquired a vague notion in my head that I could be like Sugar Ray Robinson: a boxer
and
a puncher, smart
and
tough.
By the spring of 1949, seething with anger at Brother Jan, I started hanging out in a different part of the neighborhood, two blocks from Holy Name. In a way, it was a matter of choosing my own place, rather than having it chosen by my parents; they had moved to Seventh Avenue but I didn’t have to hang around there. There was another aspect to it too; my brother Tommy was eleven and I was thirteen; eight and ten are somehow much closer than eleven and thirteen; so I was moving away from Tommy too.
The place I chose was called Bartel-Pritchard Square, and it was more a circle than a square. Three different trolley lines converged here, turning around a center island before heading off to Coney Island, Mill Basin, or Smith Street. Off the square on one side were the two tall Corinthian columns that marked the entrance to Prospect Park; we called them the Totem Poles, or the Totes. They rose from cleanly carved granite bases, and in the evenings that spring, after work at the grocery store and after finishing my homework, I would walk up from Seventh Avenue and see the others and we’d gather around the bases, sitting on them, looking at girls, cursing, smoking, making jokes, and drinking beer. First, the Good Boy attended to his chores; then the Bad Guy went out into the evening.
That was when I really started drinking. There were a lot of us hanging around the Totes that spring and summer: Boopie Conroy, Shitty Collins, Mickey Horan, Vito Pinto, Jack McAlevy. Among my friends was a thin, handsome guy named Richie Kelly. He was smart and tough but he always seemed cautious about drinking. Later in the summer, I learned why. His father, Jabbo Kelly, was one of the public rummies, a small group of men who’d been thrown out of their homes and lived on the streets. They slept in the park, or in the subways. They were filthy and panhandled for wine money. There was no way that Richie could avoid seeing Jabbo, because the rummies were always around the park, but I never saw them talk. I admired the way Richie handled a fact of his life that would have shamed others. He was cool and indifferent. For a while, we were close. I thought that with any kind of bad luck, my father could join Jabbo Kelly on his aimless wanderings.
Richie was also our liaison to the older guys, who owned the benches in the center of the traffic island, across the street from the Totes. They played football together as the Raiders and fought occasional gang battles in Coney Island or in the park. Richie’s older brother, Tommy, was one of the Raiders. He was built like a safe and was a ferocious puncher but never went out of his way to fight. I never saw him talk to Jabbo either.
I don’t know who bought the beer, but it was around, in cardboard containers or quart bottles. At first I didn’t join in the drinking. It was as if I knew I would be crossing a line in some permanent way. But I didn’t make a big deal out of this; I just shrugged and passed on the offered bottle. Then one evening, all of us laughing and joking, a guy named Johnny Rose handed me a container, casually, easily, and I took a sip.
The first swallow triggered a vague remembrance of the beer I’d sipped when I was a little boy, and was accompanied by a yeasty smell I associated with Gallagher’s. I didn’t like the taste; unlike the sweet wine I’d drunk in the woods at Fox Lair Camp, the beer had a sourness to it. I passed the container to Boopie Conroy, who took a long swallow. After a while, it came back to me, I took another sip, and this time I picked up a repulsive odor that reminded me of my father’s breath when he was sleeping late on weekend mornings.
But as the beer kept coming around to me, I felt oddly proud of myself. The taste and smell didn’t matter as much as the act. I was doing something I wasn’t supposed to do — drinking under the legal age of eighteen. Just by drinking beer, I was a certified Bad Guy. If the police saw us, and caught us, we’d be in trouble. We stayed on the side of the Totes that faced the park, safe from the scrutiny of passing cars. But several times, I wandered out under the streetlight with my container in my hand. That spring night, and on later evenings in summer, when I had graduated from Holy Name, I
wanted
to be seen. I wanted to be seen by one person: Brother Jan. I wanted him to come over to me. I wanted him to try to stop me from drinking. And then I would crash into him, I’d beat and batter him, I’d stomp him and kick his balls out his ass. He was bigger than I was, heavier, with a fullback’s neck; I didn’t care. I wanted to hurt him back. On my turf. On the street.
For the first time I began to experience a transformation that would later become familiar: the violent images grew larger in my head and everything else got smaller. It was as if the beer were editing the world, eliminating other elements, such as weather, light, form, beauty. I could hear talk bubbling around me from the others, random words colliding in my head, then a tightening of focus, the faces closest to me having the most solid reality. A few of us talked about Brother Jan and how we’d like to give him a good beating. But all sorts of other talk flew around the beer-tingling air: the Dodgers, the gangs, girls, prizefighters, the songs we heard on the radio.
There were no transistors yet, only clumsy portables, and nobody had one of them. We learned the songs at home, on WNEW’s “Make Believe Ballroom,” and a nighttime show called “Your Hit Parade.” Record sales were smaller then, songs remained in the top ten for months, and the words drilled themselves into memory. Most of the songs were junk. But I can still sing “Slow Boat to China” or “A (You’re Adorable)” or “Red Roses for a Blue Lady.” On summer evenings, we’d take turns singing the new tunes, even imitating the singers. I could do a pretty fair Nat “King” Cole on “Nature Boy” and what I thought was a smashing Ray Bolger on “Once in Love with Amy” (right down to the arch laugh). I tried to do Billy Eckstine on “I Apologize” and failed; my voice just wasn’t deep enough. Above all others, we loved Frankie Laine; each of us could shout every verse of “Mule Train” and we worked hard to sound smoky, sultry, and knowing on “That’s My Desire.”
Up on the Totes, even while I was learning to like the taste of beer, I never mentioned cartooning. I never tried to discuss the books I was reading. I never let the Good Boy get in the way of the apprentice Bad Guy.
At first, I didn’t get drunk. Atleast I didn’t think I was getting drunk. I was always conscious of where I was. I always walked home and didn’t stagger (chewing gum or Sen-Sen so that my mother couldn’t smell the beer on my breath). I didn’t fall down inside the park to sleep, the way some of the others did. But I knew I was being changed. I talked more, postured as badly as all the others, tried on different attitudes as if they were suits. I watched the Raiders — we called them the Big Guys — and the way they dressed (in T-shirts and chino pants, in contrast to the pegged pants of Seventh Avenue) and the way they wore their hair (in crisp crew cuts, instead of the pompadours and sideburns of the Tigers and the South Brooklyn Boys), and I tried to look like that too. I liked the way they held their containers of beer, casually, firmly, passing them around in an open generous style.