A Killing in the Hills (44 page)

‘But Tommy, I’m better. They said I’m better. They said—’

‘No. No. No,’ he said testily, interrupting her. ‘You’re just in remission. Everybody knows the cancer is coming back. Cancer always comes back. You’re going to die, Ruthie.’

‘Tommy.’ Ruthie’s voice was a whisper now, and barely that.

Sheriff Fogelsong had heard enough. ‘Thomas Cox,’ he declared, ‘you’re under arrest for solicitation of capital murder. For possession of controlled substances with intent to distribute. You have the right to remain—’

‘Spare me the boilerplate,’ Tom countered, cutting him off impatiently. ‘None of that will be necessary, Nick.’ He switched his gaze from the sheriff to Bell, giving her a thoughtful frown, like a professor whose favorite pupil has disappointed him. ‘You know, Bell, I never really understood this little crusade of yours. You can’t possibly win. You must see that. You’re an intelligent woman. You know about Sisyphus. You surely understand that once I’m gone, there will be someone else to take my place. And someone else after that. You do know that, don’t you? We’re all doomed.’ He shook his head. ‘As doomed, really, as Ruthie here. We just don’t have a neat little medical diagnosis to make it official.’

‘Tom.’ Ruthie said his name once again. That was all. Simply his name, an ordinary word spoken with soft and beguiling anguish.

Her tone apparently touched some long-buried part of him, found some small pure space that had remained untainted by all that he had done. Because Tom Cox turned to his wife and suddenly there was just the two of them, sitting side by side, the way they’d sat a half a century ago when they first met, on a front porch on a summer’s day back in Beckley, West Virginia.

‘Ruthie,’ he said, ‘do you remember? “But I’ll undo the world by dying; because love dies too. Then all your beauties will be no more worth than gold in mines, where none doth draw it forth.”’

‘I remember, Tom,’ she said.

Only later would Bell appreciate just how meticulously he must’ve planned what happened next. He was an organized man, a methodical man. Ready for all contingencies. A man who would leave no loose ends, no dangling threads.

Tom, she realized, must have practiced retrieving the gun from deep in the couch, reaching down and drawing it out in a smooth and fluid arc, again and again and again, getting faster each time, more sure-handed, until finally he had it just right, until the gesture – which required, after all, a combination of strength and fine-motor skills and no small amount of sheer nerve – was completely natural.

Because when he performed it right now, the motion was swift and supple. And fast. There was no hesitation. No fumbling. No chance for the sheriff to react.

Bell saw the weapon in Tom’s hand. Her eyes jumped from the gun to his eyes, trying to find him, to reach him.

Tom fired.

54

1981

Shirley was sleeping. So Belfa saw him first.

Sometimes he went through spells when he bothered Shirley every night, night after night. ‘Bothering’ was Shirley’s word. Belfa knew what it meant. They had no other word for it. They didn’t need another word for it.

Belfa kept her eyes closed when he came to Shirley like that, pretending to be asleep, but her father knew she was awake. Belfa was sure he knew. He knew everything.

‘Bothering’ meant the times that he kneeled down in front of the couch and put his thick hand on Shirley’s back, patting, stroking, patting, stroking.

In bigger and bigger circles, circles moving downward, the bottom of each circle dipping slightly lower than the one just before it. The back of Shirley’s T-shirt gradually bunching and twisting from the persistence of the stroking, from the repetition.

With a finger, he’d play with the waistband of her underwear. Picking at it, twisting it. And then with a single hard yank he’d have her underwear down, down around her knees, and then she was really helpless.

His hand moved between Shirley’s legs, stroking, and at the same time, he took his other hand and he put it on top of Shirley’s hand and he pulled her hand over to his crotch, and they could hear his breathing; his breathing was harder now, almost painful-sounding, like an animal. Harder and faster.

After he cried out – it was a deep, guttural sound, and it arrived on the back of a tremendous shudder that rocked his whole body like a private earthquake – he would become instantly angry. He’d sputter and cough, still breathing hard, and usually he’d spit out a curse word. It was their fault. Had to be. Once, just after he’d finished, he slapped Shirley across the face. And then, before she could even react to the slap, he’d cupped her head between his huge splayed hands and muttered clumsy apologies –
Sorry baby Daddy’s so so sorry Oh baby So sorry Daddy didn’t mean nothing Daddy didn’t
– and after that, stroking her head. The stroking motion, though, seemed to excite him all over again.

Shirley
, Belfa wanted to say,
What’s wrong
? because Shirley now was choking, shivering, as he put his big hands on the back of her small head and pushed, pushed hard, pushing pushing, and Belfa, feeling the vibration, hearing his grunts, closed her eyes again, as tight as they’d go, pinching them shut. She wanted to help her sister but she remembered what Shirley had told her many times before, fiercely, all in a rush
Be quiet Don’t help me Don’t move You can’t help It isn’t really happening Pretend you’re asleep Maybe he’ll forget you Maybe

Sometimes there were long spells when he didn’t come to the couch at night, when he paid no attention to them at all. A lull. It was confusing. Was there something they did to set him off? Rile him? Belfa wished she knew.

Because if they knew what it was, they could stop doing it.

At night the trailer was always dark. There weren’t any streetlights out this far. And no neighbors, for God’s sake. It was way, way too far back from the road for any car lights to sweep past. Nothing could penetrate the thick climbing woods. Out here, night fell hard and black and absolute. Morning, with the return of that golden light, always felt like a surprise to the girls. Like a tiny miracle. Each time.

All night long they would lay on the couch that way, side by side, she and Shirley hooked together like two pieces of a jigsaw puzzle. Edge pieces, the kind you could do without if you had to, the kind you wouldn’t miss too much if you lost them. The rest of the picture would be just fine. They didn’t matter.

They had to sleep that way, folded into rhyming curves. Shirley was always on the outside. If one of them stretched or moved or changed her position, the other one had to move, too.

It was late, but Belfa was still awake. She could hear Shirley’s breathing – shallow but steady, regular – and she wondered if her sister was dreaming, and what she might be dreaming about. Or were her dreams like so many other things in their lives, just a blank space where the dreams were supposed to be?

It was him.

At first, the shape across the room looked like a shadow. Then the shadow detached itself from the other shadows and came forward. Came toward the couch. Said a word. A whispered word.

Belfa
.

This time, instead of stopping at the edge of the couch and kneeling down to stroke Shirley, he reached across Shirley.

Belfa felt his big hand. He patted her shoulder. Then he rubbed it, making a small circle with his hand.

Suddenly, Shirley sat up and lurched off the couch, almost knocking him over. He fell back a few steps, fighting to keep his balance.

Shirley was kicking him. Screaming at him. She’d fallen down but then she’d scrambled right back up again, and she was wild, fists flying, bare feet punching, jabbing.

This had never happened before. Before, when he came toward her on the couch, Shirley had stayed very still. She’d let him do what he wanted to do, because it never lasted very long, and you could put up with anything, right? If you knew it would be over soon?

Belfa was crying. She was pulling at Shirley’s T-shirt, trying to get her to stop fighting him. It was better to give in. Better to ‘ride it out,’ as Shirley had put it to Belfa. If you fought back, you just made things harder for yourself later.

Because he remembered. He made you pay. You always paid.

It was better, Shirley had told her, to go along, better to keep quiet, better to let him bother you and then just forget about it. Go back to sleep.

Shirley had always said that. So why, Belfa thought, was Shirley fighting now? Belfa kept reaching out with both hands for her sister’s thin shirt, grabbing tiny fistfuls of it and then losing it again, trying to get her to stop. Their father was roaring and yelling. Bellowing, like an elephant. That was what it sounded like to Belfa, like an elephant she’d seen on a nature film at school.

Back when she was going to school regularly.

Shirley was yelling at him
Not her! Not her!
but it didn’t make sense to Belfa, the words were crazy. Belfa stopped pulling at Shirley’s T-shirt and fell back on the couch, confused and exhausted, and she closed her eyes, because she didn’t want to see. Pinched them shut. She could hear his terrible breathing. Then Belfa heard the animal noise again, as if he was in pain, but not exactly like pain, either. Something else. And the grunting.

Shirley did not cry.

When he was finished with Shirley, he left the living room and went into the kitchen. He did that a lot. He’d fall asleep in a chair in the kitchen. He didn’t go back to his own bedroom; he’d eat something in the kitchen and then fall into a deep quivering slumber in the dinette chair, shirt undone, hands in his lap, head rolled to one side, lips twitching with each big blubbery breath.

The small rectangle on the front of the stove gave the time in perky digital numbers: 2:34
A.M.
You couldn’t see the moon in the small window over the sink, but a little bit of its light made it in, a milky white stripe that crossed the room, illuminating things.

He was sitting in the chair. Asleep.

Shirley took a few steps toward the sink. She had left the knife there. The knife she’d used a few days ago, to cut off the top of the detergent bottle. Nobody ever did anything at the sink except Shirley.

She picked up the knife. She looked at Belfa, then she looked at their father, spread out in the chair, head back, snores bubbling up out of him. His throat looked white and exposed in the frail light, puffed out with fat layers and stippled with black bristles but still somehow tender, soft, a strip of pure vulnerability.

This was it.

Belfa knew that, without Shirley having to say anything, without a word being exchanged. This was their chance. They’d had other chances before – but this was the right one.

The one they’d been waiting for. The one that had been waiting for them.

Shirley moved closer until she was standing next to him. The knife was in her right hand. She lifted it.

He stirred, sloshing his tongue around in his mouth, smacking his lips. His body jerked. Shirley jumped back. Belfa, too, twitched, and she felt a warm trickle of pee leaking into her underpants. Belfa was more frightened than she’d ever been before in her life. If he woke up now and found them here, he’d kill them. He hated being looked at when he wasn’t in charge, when he didn’t have the upper hand.

False alarm. He was still asleep.

Shirley looked at her sister. Shirley’s face looked different now than it did by daylight. The sharpness was gone. Moonlight made her features soft, dreamy. Her eyes shifted in the direction of the living room. The meaning was clear.

Leave this room. Go. Go now
.

Belfa followed her sister’s silent instruction. She never saw what happened in the kitchen that night, but she had a clear vision of it, anyway. She could imagine it. She could taste the moment on her tongue, feel it on her flesh. Because they’d wanted it so long, both of them. They’d envisioned it. Longed for it.

The knife was lifted until it was poised over his throat. The knife descended twice, in two fierce chopping motions, followed by a horizontal slash. He barely had time to clutch at his torn throat, to buck once, twice, in his chair, watery eyes fastening on the face of his older daughter
.

Her eyes were blank. Not triumphant. Not superior. Blank
.

And then, in the kitchen of the trailer on Comer Creek, the monster died
.

They splashed gasoline on the couch, the chairs, the walls. He always kept a filled-up gasoline can under the front stoop of the trailer, in case he needed to top off his truck. Shirley had remembered that.

‘Faster,’ she said to Belfa.

They took turns with the gasoline can. Pitching it toward the kitchen cabinets, the stacks of trash. Sloshing the smelly stuff on their father’s body. The blood was terrible – there was so much of it, it looked like the blood from three or four people, not just one – and they had to be careful not to slip. The kitchen floor was slick with their father’s blood. Soon it was slick with a second liquid, too: gasoline.

When it was Belfa’s turn with the can, she tilted it forward, trying to fling the gasoline the way Shirley did, with a series of quick confident heaves. But the can was too heavy for her small hands, so she was clumsy with it, awkward.

It was Shirley’s idea to burn the trailer. No matter what, she said, they needed to burn the place down, to leave no mark. To erase it from the earth.

‘Belfa,’ Shirley said.

They were standing in front of the trailer now. The smell of gasoline was sharp and tangy, a sweetish odor that didn’t seem too bad at first but that quickly turned awful, sickening. A minute ago, before they left the house, Shirley had used the phone to call 911. ‘I need to report a fire,’ she told the operator in a calm voice. ‘And a death.’ The operator had tried to ask questions, but Shirley interrupted her to say, ‘I’m sorry,’ and hung up. She knew they would trace the call and be on their way immediately.

In another minute, Belfa realized, Shirley would set the trailer on fire.

‘Belfa,’ her sister said. ‘Listen to me. I did this. Okay? Not you.’ She reached down and touched the top of Belfa’s head. ‘I want you,’ Shirley said, ‘to get away from here, okay? You’re smart, Belfa. You’re a smart girl. You have a good chance. Forget about this place, okay? Go live your life. You’re free now.’