A Man's Head (2 page)

‘When I think they charge fifty francs a seat …'

It was a woman's voice.

‘Yes, but they have expenses …' came a man's voice.

The prisoner felt his way along the wall, stopped because his foot had encountered a stone, listened, so whey-faced, cutting such an odd figure with those interminable arms which dangled loosely, that if this had been happening anywhere else people
would just have assumed he was a drunk.

The small knot of men was waiting less than fifty metres from the invisible prisoner, in a recess of the wall, near a door on which was written:
Bursar's Office
.

Detective Chief Inspector Maigret had chosen not to lean against the blackened brick wall. With his hands thrust into the pockets of his overcoat, he was standing so squarely on his strong legs, so absolutely still, that he gave the impression of
lifeless bulk.

But at regular intervals there came the dragging sizzle of his pipe. His eyes were watchful, but he couldn't quite eradicate the apprehension in them.

A dozen times at least, he must have nudged the shoulder of Coméliau, the examining magistrate, who would not stay where he had been put.

Coméliau had come directly from a social engagement in evening dress, his thin moustache neatly trimmed and with more colour in his cheeks than usual.

Close to them, with a scowl on his face and the collar of his coat turned up, stood Monsieur Gassier, governor of the Santé, who was trying to distance himself from what was happening.

There was a slight chill in the air. The sentry by the gate stamped his feet, and his breath rose in the air like thin columns of steam.

The prisoner, who avoided areas that were lit, could not be seen. But however careful he was to make no noise, he could still be heard moving around, and the onlookers were able, after a fashion, to follow his every movement.

After ten minutes, the examining magistrate shuffled nearer to Maigret and opened his mouth to say something. But the inspector gripped his shoulder with such strength that the magistrate desisted, sighed and from a pocket mechanically took a
cigarette, which was snatched from his hands.

All three had understood. Number 11 did not know the way and at any moment might stumble into a patrol.

And they could do nothing about it! They could hardly lead him by the hand to the place at the foot of the wall where the parcel of clothes had been left for him and where a knotted rope dangled.

At intervals a vehicle drove past in the street outside. Sometimes there were also people talking, and their voices echoed in a particular way in the prison yard.

All the three men could do was to exchange glances. The look in the governor's eyes was bad-tempered, sarcastic, fierce. Coméliau, the examining magistrate, was aware of his own growing anxiety, and the apprehension too.

Maigret alone did not flinch, his strength of will ensuring that he remained confident. But if he had been standing in a strong light, his brow would have been observed to glisten with sweat.

When the half-hour struck, the man was still dithering, all at sea. But one second later, the three watching men were all startled and felt the same shock.

They had not heard the release of breath, they had rather sensed it, they could feel the feverish haste of their man who had just stumbled over the parcel of clothes and seen the rope.

The footsteps of the sentry continued to mark the rhythm of passing time. The magistrate took his opportunity and hissed:

‘You're sure he …?'

Maigret turned such a look on him that he fell silent. The rope twitched. They made out a lighter stain against the dark wall: the face of number 11, who was using his powerful wrists to haul himself up.

It took an age. It took ten, twenty times longer than they had anticipated. And when he reached the top, it looked as if he had given up, because he had completely stopped moving.

They could make him out now, or at least his silhouette, lying flat on the top of the wall.

Was he paralysed by vertigo? Was he hesitating about dropping down into the road? Were there passers-by or a courting couple crouching in some recess who were stopping him?

Coméliau snapped his fingers impatiently. The governor muttered:

‘I don't suppose you need me any more …'

The rope was hauled up so that it could be dropped down the other side. The man disappeared.

‘If I didn't have such confidence in you, detective chief inspector, I swear I'd never have let myself be mixed up in anything like this. All the same, I still think Heurtin is guilty. And what if he manages to get away from you?
What then?'

‘Will I see you tomorrow?' was all that Maigret asked.

‘I'll be in my office any time after ten.'

They shook hands without saying anything more. The governor held out a hand grudgingly and, as he left, muttered a few indistinct words.

Maigret remained close to the wall for a few moments longer and did not move off towards the gate until he had heard someone running off as fast as he could. He gave a wave to the guard on duty, looked up and down the empty street and walked along
it and then into Rue Jean-Dolent.

‘Did he get away?' he asked a dark figure which hugged the wall.

‘Headed towards Boulevard Arago. Dufour and Janvier are on his tail.'

‘You can go home now.'

Maigret, his mind elsewhere, shook the officer's hand, moved off with his stolid tread, head down, lighting his pipe as he went.

It was four in the morning when he pushed open the door of his office on Quai des Orfèvres. With a sigh he took off his overcoat, swallowed half the contents of a glass of warm beer which had been left among his papers and sat heavily into his
chair.

In front of him was a fat manila file on which a police clerk had written in a flowery hand:
Heurtin Case
.

He waited for three hours. The bare electric bulb was surrounded by a cloud of smoke, which stirred at the slightest movement of air. From time to time, Maigret got up to poke the stove then returned to his seat but not before removing first his
jacket, then his collar and finally his waistcoat.

The phone was within easy reach, and at around seven o'clock he lifted the receiver just to make sure that they had not forgotten to give him an outside line.

The buff-coloured file was open. Reports, newspaper cuttings, witness-statements and photographs had spilled out on to the desk, and Maigret stared at them distantly, sometimes reaching for a document not so much to read it as to confirm a train of
thought.

The whole collection was topped by a newspaper cutting with a forceful headline spread over two newspaper columns:

Joseph Heurtin, killer of Madame Henderson and her maid, sentenced to death this morning.

Maigret was smoking continuously, keeping an anxious eye on the telephone, which remained obstinately silent.

At ten past six, it rang, but it was a wrong number.

From where he sat, the inspector could read parts of various documents, though he now knew them by heart.

Joseph Jean-Marie Heurtin, 27, born Melun, a delivery man for Monsieur Gérardier, a florist in Rue de Sèvres …

The man's photograph was visible. It had been taken a year before in a fairground booth at Neuilly. A big man with unusually long arms, triangular-shaped head, washed-out complexion and clothes which denoted a vulgar dress sense.

Brutal Killing at Saint-Cloud

Rich American stabbed to death along with her maid

It had happened in July.

Maigret pushed away the gruesome shots from Criminal Records: both corpses, seen from different angles, blood everywhere, faces convulsed, night clothes disordered, stained, torn …

Detective Chief Inspector Maigret of the Police Judiciaire has cleared up the Saint-Cloud tragedy. The murderer is behind bars.

He ruffled through the papers spread out in front of him and found the cutting, which was dated ten days earlier:

Joseph Heurtin, killer of Madame Henderson and her maid, sentenced to death this morning …

In the courtyard of the Préfecture, a police van was disembarking the previous night's haul, who were mostly women. The first footsteps of the day could be heard in the corridors, and the mist above the Seine was dispersing.

‘That you, Dufour?'

‘Yes, sir.'

‘Well?'

‘Nothing … That is … If you want, I'll go down there myself … But for the moment, Janvier can manage on his own …'

‘Where is he?'

‘At the Citanguette.'

‘Say again, the what?'

‘A bistro, not far from Issy-les-Moulineaux. I'll get a taxi and join you so I can put you in the picture.'

Maigret paced up and down, sent out an office junior to order coffee and croissants for him at the Brasserie Dauphine.

He had just begun to eat when Inspector Dufour, a small man neatly turned out in his grey suit and very high, very stiff detachable collar, came in with his usual air of mystery.

‘First thing: what's this Citanguette?' growled Maigret. ‘Sit down.'

‘A bistro used by boatmen on the bank of the Seine between Grenelle and Issy-les-Moulineaux.'

‘Did he make straight for it?'

‘Not at all. And it was a miracle he didn't manage to give Janvier and me the slip.'

‘Have you had breakfast?'

‘Yes, at the Citanguette.'

‘Very well, tell me what happened.'

‘You saw him get away, didn't you? At first he ran as if he was scared of being recaptured. He didn't stop being jittery until he got to the Lion de Belfort. He halted and stared at it. He seemed bewildered.'

‘Did he know he was being tailed?'

‘Definitely not! He never turned round once.'

‘And then?'

‘I think a blind man, or somebody who'd never been to Paris before, would have behaved just as he did. He suddenly turned into the avenue that runs through Montparnasse cemetery. I forget what it's called. There wasn't a
soul about. It was pretty gloomy just there. He couldn't have known where he was because when he walked through the iron gates and saw the tombstones he started running again.'

‘Go on.'

Maigret, his mouth full, seemed more relaxed.

‘We got to Montparnasse. The big cafés were closed, but a few clubs were still open. I remember that he stopped at one of them. There was the sound of jazz coming from inside. Then this little street-seller went up to him with her basket of
flowers, and he ran off again.'

‘Which way did he go?'

‘No particular way, really. He went down Boulevard Raspail. Then he doubled back down a side street and came out again outside the entrance to Montparnasse station.'

‘How did he seem?'

‘He didn't seem like anything. The same as when he was being investigated, as when he was in court. Very pale. And a scared, unfocused look in his eyes. Half an hour later, we were at Les Halles.'

‘And no one had tried to speak to him?'

‘No one.'

‘And did he post anything in a letterbox?'

‘I'm positive he didn't. Janvier was following him on one side of the road, and I was on the other. We didn't miss a thing he did. Wait! He did stop for a moment at a stand selling hot sausages and fries. He hesitated and
then he was off again, perhaps because he'd caught sight of a uniformed officer.'

‘Did you get the impression he was looking for a particular address?'

‘I didn't. You'd have thought he was a drunk who goes in whatever direction God points him. Then we were back at the Seine, at Place de la Concorde. He decided he was going to walk along the riverbank. He stopped and sat down two
or three times.'

‘Sat on what?'

‘Once on the stone parapet and another time on a bench. I couldn't swear to it but I think the second time he was crying. Anyway, he was holding his head in both hands.'

‘No one else on the bench?'

‘Nobody. Then we walked some more. Imagine how far, all the way to Moulineaux! Now and then he'd stop and look down at the water. The tugs were beginning to move around. Then the factory workers started filling the streets. He still
kept going, like a man who has no idea what he's going to do next.'

‘Anything else?'

‘That's about it. Oh, one thing. When he got to Pont Mirabeau, he put both hands in his pockets and took something out of them …'

‘Five-franc notes.'

‘That's what Janvier and I both thought we saw. At that point, he started looking round him for something. Obviously a bistro! But nothing was open on the Right Bank. He crossed over. He went into a small bar full of stokers and ordered
a coffee and a tot of rum.'

‘The Citanguette?'

‘Not yet. Janvier and I had legs like jelly. And unlike him we couldn't buy a drink to warm us up! Off he went again. He led us this way and that. Janvier, who took a note of all the streets, will give you a full report … In
the end, we got back to the river, came out near a large factory. Down that way, it's pretty deserted.

‘There are a few bushes and grass like in the country among all the heaps of spoil. Barges are moored up near a crane. Maybe twenty of them.

‘The Citanguette is an inn you wouldn't expect to find there. A small bistro where they serve food. On the right is an extension with a mechanical piano and a sign saying: “Dancing Saturdays and Sundays”.

‘Our man drank another coffee and more rum. They brought him a plate of sausages after making him wait a long time for it. He spoke to the landlord, and a quarter of an hour later we saw them both disappear upstairs.

‘When the landlord came back, I went in. I asked him point-blank if he had let any rooms.

‘He said: “Why? Has
he
been up to something?”