A Man's Value to Society (11 page)

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Authors: Newell Dwight Hillis

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To patriot and parent, to reformer and teacher, comes the inspiring thought that God garners in His memory every helpful act. No good influence is lost out of life. Are David and Dante dead? Are not Tennyson and Milton a thousandfold more alive to-day than when they walked this earth? Death does but multiply the single voice and strengthen it. God causes each life to fulfill the legend of the Grecian traveler, who, bearing homeward a sack of corn, sorrowed because some had been lost out through a tiny hole; but, years afterward, fleeing before his enemies along that way, he found that the seed had sprung up and multiplied into harvests for his hunger. Thus yesterday feeds in each pilgrim heart the faith that goodness shall triumph. For memory that is little in man is large in God. The Infinite One forgets nothing save human frailty and sin. Remembering the great mind, the eloquent tongue, the large purse, God remembers also the cup of cold water, and causes the humblest deed to follow its doer unto the heavenly shores.

THE IMAGINATION AS THE ARCHITECT OF MANHOOD

"Imagination rules the world."--
Napoleon.

"The imagination is the very secret and marrow of civilization. It is the very eye of faith. The soul without imagination is what an observatory would be without a telescope."--
Beecher.

"In such natures the imagination seems to spire up like a Gothic cathedral over a prodigiously solid crypt of common sense, so that its lightness stands secure on the consciousness of an immovable basis."--
Lowell.

"Man's reason is overhung by the imagination. It rains rich treasures for fertilizing the barren soul."--
Anon.

"By faith Abraham went forth, not knowing whither he went."--
Hebrews.

VII

THE IMAGINATION AS THE ARCHITECT OF MANHOOD

Measured by whatsoever standard, Moses was the one colossal man of antiquity. It may be doubted whether nature has ever produced a greater mind. When we consider that law, government and education took their rise in his single brain; when we remember that the commonwealths of to-day rest upon foundations reared by this jurist of the desert; when we recall his poetic and literary skill, Moses stands forth clothed with the proportions and grandeur of an all-comprehending genius. His intellect seems the more titanic by reason of the obstacles and romantic contrasts in his career. He was born in the hut of a slave, but so strikingly did his genius flame forth that he won the approbation of the great, and passed swiftly from the slave market to the splendor of Pharaoh's palace.

Fortunately, his youth was not without the refinements and accomplishments of the schools. For then Egypt was the one radiant spot upon earth. At a time when Greece was a den of robbers and Rome was unheard of, Memphis was gloriously attractive. Schools of art and science stood along the banks of the Nile. From Thebes Pythagoras carried mathematics into Greece. From Memphis Solon derived his wise political precepts. In Luxor, architecture and sculpture took their rise. From Cleopatra's kingdom men stole the obelisks now in New York and London. Moses' opportunities were fully equaled by his energy and ambition to excel. Even in his youth he must have been renowned for his administrative genius.

But his moral grandeur exceeded his mentality. When events compelled a choice between the luxury of the court and the love of his own people, he did not hesitate, for he was every inch a hero. In that crisis he forsook the palace, allied himself with his enslaved brethren, and went forth an exile of the desert. Nor could any event be more dramatic than the manner of his return to Pharaoh's palace. Single-handed, he undertook the emancipation of a nation. Our leaders, through vast armies, achieved the freedom of our slaves; this soldier, single-handed, freed three millions of bondsmen. Other generals, with cannon, have captured castles; this man beat castles down with his naked fists. And when he had achieved freedom for his people he led them into the desert, and taught the crude and servile slaves the principles of law, liberty and government. Under his guidance the mob became an army; the slaves became patriots and citizens; the savages were clothed with customs and institutions. His mind became a university for millions. And from that day until now the columns of society have followed the name of Moses, as of old the pilgrims followed the pillar of cloud by day and the pillar of fire by night. Greater name history does not hold, save only the Name that is above every name.

Wise men will ask, where were the hidings of this man's power? Whence came his herculean strength? Moses was the father of a race of giants. He was the representative of brave men in every age, who have laid foundations upon which others have builded; he was the prototype of noble leaders who have scattered everywhere the seeds of civilization, and left others to reap the harvests; he was the forerunner of innumerable reformers and inventors, to whom it was never given to enter into the fruit of their labors; of soldiers and heroes who perished on the scaffold that others might be emancipated; of men like Huss and Cranmer, whose overthrow and defeat paved the way for others' victories. Dying, no other man has left behind influences that have wrought so powerfully or so continuously through the centuries. But when we search out the springs of his power we are amazed at his secret. We are told that he endured his tremendous burdens and achieved the impossible through the sight of the invisible. The sense of future victory sustained him in present defeat. Through the right use of the vision faculty he conquered.

Imagination was the telescope by which he saw victory afar off. Imagination was the tool with which he digged and quarried his foundations. Imagination was the castle and tower under which he found refuge from the storms, attacks and afflictions of life. No wing ever had such power for lifting, no spring ever had such tides for assuaging thirst. He bore with savages, because afar off he saw the slaves clothed with the qualities of patriots. He endured the desert, because imagination revealed a fruitful land flowing with milk and honey. He survived lawlessness, because he foresaw the day of law and liberty. He bore up under weight of cares, discouragements and responsibilities heavy enough to have crushed a score of men, because he foresaw the day of final triumph. Of old, when that legendary hero was in the thick of his fight against his enemies, an invisible friend hovered above the warrior, handing forth spear and sword as they were needed. So for the great jurist imagination reached up even into the heavenly armory and plucked such weapons as the hero needed.

Our intellectual tread will be firmer if we define the imagination and consider its uses. The soul is a city; and the external senses are gateways through which sweep all the caravans of truth and beauty. Through the eye gate pass all faces, cities and landscapes. Through the ear gate pass all sweet sounds. But when the facts of land and sea and sky have reported themselves to the soul, reason sweeps these intellectual harvests into the granary of memory for future sowing. But these harvests must be arranged. In the Orient the merchant who keeps a general store puts the swords and spears upon one shelf; the tapestries and rugs upon another; the books and manuscripts upon a third; and each thing has its own shelf and drawer. So judgment comes in to sort knowledges, and puts things useful into one intellectual shelf, things beautiful upon another shelf, and puts things true apart by themselves.

Afterward when the under-servant, called reason, has accumulated the materials, when memory has taken care of them, and judgment has classified all, then the constructive imagination comes in to create new objects. Working in iron and steel, the imagination of Watt organizes an engine; working midst the colors beautiful, the imagination paints pictures; working upon marble it carves statues; working in wood and stone it rears cathedrals; working in sound it creates symphonies; working with ideas it fashions intellectual systems; working in morals it constructs ethical principles; working toward immortality, it bids all cooling streams, fruitful trees, sweet sounds, all noble friendships, report themselves beyond the grave. For faith itself is but the imagination allied with confidence that God is able to realize man's highest ideals. Imagination therefore is a prophet. It is a seer for the soul. It toils as artist and architect and creator. It plants hard problems as seeds, rears these germs into trees, and from them garners the ripe fruit. It wins victory before battles are fought. Without it, civilization would be impossible. What we call progress is but society following after and realizing the visions, plans and patterns of the imagination.

Now our busy, bustling age is inclined to under-estimate the imagination. Men cavil at castle-building. The pragmatist jeers at reveries. Men believe in stores, and goods in them; in factories, and wealth by them; men believe in houses and horses, but not in ideals. Nevertheless, thoughts and dreams are the stuff out of which towns and cities are builded. We may despise the silent dreamer, but in the last analysis he appears the real architect of states! Immeasurable the practical power of the vision faculty! The heroes of yesterday have all been sustained--not by swords and guns, but by the sight of the invisible!

Here is the old hero in his dungeon in Florence. While he dozed, the night before he was to be burned, the jailer saw a rare, sweet smile upon his face. "What is it?" the guard asked. "I hear the sounds of falling chains, and their clangor is like sweet music in my ears." Then, with smiling face he went to his martyrdom. And here is Michael Angelo. Grown old and blind, he gropes his way into the gallery of the Vatican, where with uplifted face his fingers feel their way over the torso of Phidias. Lingering by him one day the Cardinal Farnese heard the old sculptor say: "Great is this marble; greater still the hand that carved it; greatest of all, the God who fashioned the sculptor. I still learn! I still learn!" And he too went forward sustained by his vision of perfect beauty.

And here is John Huss, looking between the iron bars of his prison upon an army of pikes and spears, massed before his jail; but the martyr endured his danger by the foresight of the day when the swords then wielded for repression of liberty of thought would flash for its emancipation. And here is Walter Scott ruined by the failure of his publishers, just at the hour when nature whispered that he had fulfilled his task and earned his respite. But he girded himself anew for the battle, and sustained his grievous loss through the foresight of the hour when the last debt would be paid and his again would be a spotless name. And here is that youth, Emerson, looking out upon a world full of noise and strife, full of the cries of slaves and the warfare of zealots. He was sustained by the foresight of a day when God would breathe peace o'er all the scene. With hope shining in his face, he began to "take down men's idols with such reverence that it seemed an act of worship." And what shall we more say? By the sight of the invisible, Dante endured his scaffold; the heroes, hunted like partridges upon the mountains, endured their caves and the winter's cold; martyrs endured the scourge and fagot. In every age, the great, by the sight of the invisible, have been lifted into the realms of tranquillity. Outwardly, there may have been the roar and boom of guns, but inwardly men were lutes with singing harps. As the householder sitting by his blazing hearth thinks not of the sleet and hail falling on the roof of slate, so the soul abides in peace over which has been reared the castle and covert of God's presence.

How signal a place does the imagination hold in the realm of science and invention! Reason itself is only an under-servant. It has no creative skill. Memory makes no discoveries. But the imagination is a wonder-worker. One day, chancing upon a large bone of the mammoth in the Black Forest, Oken, the German naturalist, exclaimed: "This is a part of a spinal column." The eyes of the scientist saw only one of the vertebræ, but to that one bone his imagination added frame, limb and head, then clothed the skeleton with skin, and saw the giant of animals moving through the forest. In that hour the imagination wrought a revolution in the science of anatomy. Similarly, this creative faculty in Göethe gave botany a new scientific basis. Sitting in his favorite seat near the castle of Heidelberg one day, the great poet was picking in pieces an oak leaf. Suddenly his imagination transformed the leaf. Under its touch the central stalk lifted itself up and became the trunk of the tree; the veins of the leaf were extended and became boughs and branches; each filament became a leaf and spray; the imagination revealed each petal and stamen and pistil, as after the leaf type, and gave a new philosophy to the science of herbs and shrubs. When a pistachio tree in Paris with only female blossoms suddenly bore nuts, the mind of a scientist suggested that some other rich man had imported a tree with male flowers, and careful search revealed that tree many miles away.

And in every department of science this faculty bridges over chasms between discovered truths. Even Newton's discovery was the gift of imagination. When the eyes of the scientist saw the falling apple it was his vision faculty that leaped through space and saw the falling moon. When the western trade winds, blowing for weeks, had cast the drift wood upon the shores of Spain, Columbus' eyes fell not only upon the strange wood but also upon a pebble caught in the crevice. But his imagination leaped from the pebble to the Western continent of which the stone was a part, and from the tree to the forest in which it grew.

This faculty has performed a similar work in the realm of mechanics. Watt tells us that his engine worked in his mind years before it worked in his shop. In his biography, Milton recognizes the beauty of the trees and flowers he culled from earth's landscapes and gardens, but in his "Paradise Lost," his imagination beheld an Eden fairer than any scene ever found on earth. Napoleon believed that every battle was won by the imagination. While his soldiers slept, the great Corsican marshaled his troops, hurled them against the enemy, and won the victory in his mind the night before the battle was fought. Even the orator like Webster must be described as one who sees his argument in the air before he writes it upon the page, just as Handel thought he heard the music falling from the sky more rapidly than his hand could fasten the notes upon the musical bars. Thus every new tool and picture, every new temple or law or reform, has been the imagination's gift to man.

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