A Merry Dance Around the World With Eric Newby (29 page)

BOOK: A Merry Dance Around the World With Eric Newby
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On along the Molo, the furthest point pirates ever reached when attacking Venice, back in the ninth century when it was young, past the forest of piles where the gondolas were moored, now, in this weather, all covered with tarpaulins, as they would be in the Bacino Orseolo, the basin behind the Piazza San Marco where there is another big fleet of them moored. For no one on a day like this would have used a gondola, unless they were
sposi
, newly married, or were dead and being conveyed in a funeral gondola to Isola San Michele from one of the undertakers’ establishments on the Fondamenta Nuove. In fact, today, scarcely anyone goes to the cemetery in one of the old funeral gondolas, which were picturesquely decorated with a pair of St Mark’s lions in polished brass; now the undertakers’ boats are almost all big, powered vessels.

Then we turned right into Piazzetta San Marco, with the Palazzo Ducale on one hand and the Mint and the Library designed by Jacopo Sansovino on the other, passing between the feet of the two immense grey and red granite columns that someone had brought here from Syria or Constantinople. Somewhere overhead, invisible in the fog, the grey column supported the bronze lion, really a chimera, a fire-breathing monster with the head of a lion, the body of a goat and the tail of a serpent, whether Etruscan, Persian or Chinese no one really knows, to which some inspired innovator has added wings.

All that was visible of this wonder of the world on this particular night in January were the enfilades of lights which hang in elegant glass globes under the arches of the long arcades of the
procuratie
, once the offices and residences of the Procurators of Venice, who were the most important dignitaries after the Doge, vanishing away into the fog towards the far western end of the Piazza where the wing known as the Ala Napoleonica, built to replace a church torn down by his orders, was completely invisible. Beneath the arcades there were some amorphous, will-o’-the-wispish smudges of light, which emanated from the windows of expensive shops and cafés. There were also some blurs of light from the elegant lamp standards in the Piazzetta di San Marco, where the fog was even thicker. All that could be seen of the Basilica were the outlines of a couple of bronze doors, one of them sixth-century Byzantine work: nothing at all of the great quadriga of bronze horses overhead in front of the magnificent west window, copies of those looted from the Hippodrome at Constantinople by Doge Dandolo after he had taken the city, plunging ever onwards, stripped of their bridles by the Venetians as a symbol of liberty, on their endless journey from their first known setting-off place, the Island of Chios, through what were now the ruins of the world in which they had been created.

Now the giants on top of the Torre dell’Orologio began banging away with their hammers on the big bell, as they had done ever since they were cast by a man named Ambrosio dalle Anchore in 1494, some 489 years ago, the year Columbus discovered Jamaica, a slice of the action the Venetians would like to have been in on, the year Savonarola restored popular government in Florence, something they themselves were already badly in need of. They made things to last in those days. No question of replacing the unit if something went wrong.

It was five o’clock. Soon, if it was not raining, or snowing, or there was no
acqua alta
to turn it into a paddling pool, and there was none of this damn fog, the better-off inhabitants, those who wanted to be thought better-off and those who really were badly-off but looked almost as well-dressed as the rest, which is what you aim at if you are a Venetian, having changed out of their working clothes would begin that ritual of the Christian Mediterranean lands, something that you will not see in a devout, Muslim one, the
passeggiata
, the evening promenade, in Piazza San Marco and in the Piazzetta, in pairs and groups, young and old, the old usually in pairs, the young ones often giving up promenading after a bit and congregating on the shallow steps that lead up from the Piazza into the arcades, the ones that in summer have long drapes hanging in them to keep off the sun, which gives them a dim, pleasantly mysterious air. So the Venetians add themselves to the visitors who swarm in the Piazza at every season of the year, costing one another’s clothes, casting beady, impassive eyes on the often unsuitable clothes of the visitors, as their predecessors must have done on various stray Lombards and other barbarians down on a visit, and on the uncouth Slavs and Albanians who came ashore at the Riva degli Schiavoni. Those on whom they had not looked so impassively had been the Austrians who filled the Piazza in the years between 1815 and 1866, the period when, apart from a few months of brave but abortive revolution in the winter of 1848–49, the Venetian States were under the domination of Austria, to whom they had originally been sold by Napoleon in 1797. (He got them back again in 1805, only to lose them when Austria received them yet again at the Congress of Vienna, a couple of months before Waterloo.) In those years the Austrian flag flew in the Piazza in place of what had been that of the Republic of St Mark, an Austrian band played, which it is said no true Venetians opened their ears to, let alone applauded, and one of the two fashionable cafés that still face one another across its width, the one which was frequented by Austrians, was left to them.

Meanwhile other, less elegant but equally ritualistic
passeggiate
would be taking place in the principal
calli, campi
and
salizzadi
, in other parts of the city, and there the younger ones would probably flock to some monument and drape themselves around the base of it. There would also be crowds in the Merceria dell’Orologio,
merceria
being a haberdashery, which is still, as it always was, filled with rich stuffs which the Veneziani love, a narrow street which leads from the clock tower into Merceria di San Giuliano and from that into Merceria di San Salvatore, once the shortest route from San Marco to the other most important centre of the city, the Rialto. This was the way the Procurators and other important officials used to follow on their way in procession to enter the Basilica, and the one followed by persons on their way from the Rialto to be publicly flogged.

Then, quite suddenly, after an hour or so, except at weekends or on days of festa, old and young suddenly disappear indoors, many of them having to get up what is in winter horribly early in order to get to work on the terra firma, leaving the Piazza and other places of
passeggio
to visitors and to those making a living by catering to their needs.

Tonight the
passeggiata
was definitely off. The pigeons had long since given up and gone to bed – that is if they had ever bothered to get up in the first place, and the only other people on view were a few dark figures with mufflers wrapped round their mouths, hurrying presumably homewards, some of them coughing as they went. The only people, besides ourselves, who were not on the move were a lunatic who was sitting at the feet of the Campanile gabbling away happily to himself, and a pretty young girl, dressed in a smart, bright red skiing outfit, to which even the Venetians could not have taken exception, and those après-ski boots with the hair on the outside, that make the occupants look as if they have forgotten to shave their legs. She was leaning against a pile of the duckboards the municipality puts down in various parts of the city when an
acquo alta
is expected, listening in on her earphones and reading
Fodor’s Guide
with the aid of a pocket torch.

‘Hi!’ she said, removing her earphones and switching off, at the same time displaying a mouthful of pearly white teeth that had not been near a capper’s. ‘Would you mind repeating that? I didn’t get it.’

‘We said, “Good evening, it’s a rotten night.”’

‘Yes, it certainly is a lousy night. This is my first time in Venice. What an introductory offer! My sister and I came down this afternoon from Cortina. The son of the guy who runs our hotel there gave us a lift but once we got out of the mountains we couldn’t see a thing, not even Treviso. It was like being out in the boondocks. It’s brilliant in Cortina. My sister’s back where we’re staying, not feeling so good. I guess we should have checked out on the weather. We’ve got to go back tomorrow. Maybe it’ll be better tomorrow. I haven’t even seen a gondola yet.’

‘There are some over there,’ I said, ‘moored by the Molo. But you have to watch your step. We nearly fell in.’

‘I’ll check on the gondolas on the way back to the hotel,’ she said. ‘I was just boning up on the Piazza San Marco, about it being beautiful at all times of day and night and all seasons of the year, one of the only great squares which retains a feeling of animation when there are very few people in it. Personally, I don’t think this Fodor person was ever here in a fog. He says bring plenty of colour films. What a laugh! Personally, I think it’s kinda spooky, what with that poor old guy over there hollering away to himself and that bell going on all the time out on the water. Why, it wouldn’t surprise me if we saw some old Doge.’

IN AND OUT OF A PYRAMID

Although not technically speaking on the Mediterranean, the Pyramids are not objects to which travellers around its shores are likely to give a miss: and we were no exceptions.

As no one at the El Nil Hotel, one of the less expensive caravanserais, seemed to have any idea what time rosy-fingered dawn occurs over Cairo in mid-January, we settled for a 4.45 a.m. departure to get us to the Pyramids in time to witness it.

At 4.15 a.m., rather like a
corps-de-ballet
all taking off on the same foot, everything began to happen at once. The alarm clock went off. The telephone waking system jangled into action, operated by the night porter who a few seconds later – we were five floors up – was thundering on the door with what sounded like an obsidian sledgehammer, announcing, ‘Your limousine, Mister!’ I opened it a couple of inches to tell him that we had got his message and would he kindly desist, and a chambermaid the shape of a scarab beetle slipped in through this chink and began dusting my hat. She was followed by three humble but dogged-looking men, the sort I imagined who had been forced to build the Pyramids. They began shutting our bags, apparently under the impression that we had already had enough of Cairo and were on our way to the exit, although we had not checked in until midnight, having come straight from a party that was probably still going on. In the face of all this, still dressed in pyjamas, I felt my reason going.

‘Ma fish bakshish.’
(‘There is no baksheesh.’) ‘Try again Monday,’ I said, the last bit in English, when we were finally ready to go.

‘Mas es-Salama!’
‘Go with safety,’ they said, hoping that I would be preserved that long, raising some sickly grins.

Take plenty of baksheesh, ladies and gentlemen, when visiting Egypt under your own steam, unprotected by couriers. Wonderful how it softens the hardest Muslim or Coptic heart, better than any nutcrackers. And do not begrudge it; most people, even those quite far up the social scale, are poorer than it is possible for most of us to imagine.

Then in the limousine, an immense, black, air-conditioned Mercedes, we howled up the road to the Pyramids, the six-mile-long, dead straight Shari el-Ahram, built by the Khedive Ismail for the visit of the Empress Eugénie of France on the occasion of the opening of the Suez Canal in 1869. Then, having traversed it at more than a mile a minute, we climbed on to the escarpment on which the Pyramids would have long since been descried if it hadn’t still been pitch black night with a sandstorm in progress.

After a bit we stopped and the driver, a distinguished-looking Egyptian of fifty-odd on whom constant intercourse with the limousine-using classes had conferred the manners of a Firbankean cardinal, assisted us out of the vehicle by the elbows as if we were antiques.

‘Good place, Sir,’ he said.

‘Good place for what?’ Apart from a small segment of flying sand, illuminated by the headlights, one could see nothing. The only thing it seemed adapted for was a witches’ coven.

‘Good place for seeing Pyramids,’ he said, gently, as if humouring a couple of loonies, which I suppose, thinking about it in retrospect, was what we were. ‘From up there,’ pointing into the murk. ‘Up there, where there are weruins, broken buildings in the desert, Sir.’

‘Is it safe?’ I asked. ‘I mean for my wife and I to be here alone? It’s horribly dark.’

‘Safe, Sir, safe? What is safe?’

‘I mean are there any bad people?’

‘No bad peoples, all good peoples here,’ he said, raising his hands in an expansive gesture, as if embracing the teeming inhabitants of the Valley and all those scattered over the three million-square-mile expanse of the Sahara Desert, then dropping them and entering his vehicle.

‘Here, I say,’ I said, genuinely alarmed at the thought of being left alone in such a spot. ‘What time’s dawn, actually?’

‘Dawn, Sir, actually? About dawn, Sir, actually, I do not know. Will that be all, Sir? Thank
you
, Sir, Madam!’ receiving from me a generous helping of closely folded baksheesh which a lifetime of experience told him was an ample sufficiency without actually counting it. And he drove away.

It was now 5.15 a.m. and bloody cold with the wind that was raising the sand around us coming off the snowbound High Atlas in Morocco, 2500 miles to the west, with nothing in between to slow it down as it droned over the debased ‘weruins’ up to which we climbed. Underfoot they felt like what they were (I had forgotten to bring a torch), a bulldozed brick barrack block with sheaves of those metal rods that are used to keep reinforced concrete together protruding from them, and lots of broken glass, all of which made it impossible to walk or even run about in order to keep warm. We tried running on the spot but it was exhausting. Then we tried slapping one another, but I did it too hard and we had a row.

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