A People's Tragedy (155 page)

This nightmare Utopia was satirized by Zamyatin in his novel
We
(1924), which inspired Orwell's
1984.
Zamyatin depicted a future world of robot-like beings, the 'we', who are known by numbers instead of names and whose lives are programmed in every detail. The satire was dangerous enough for
We
to remain banned in the Soviet Union for over sixty years.

Gastev's vision of the mechanized society was no idle fantasy. He believed it was just around the corner.
The ABC of Communism,
written by Bukharin and Preobrazhensky in 1919, claimed that a 'new world' with 'new people and customs', in which everything was 'precisely calculated', would soon come into existence. The mechanistic motifs of Proletkult art were supposed to foster this new Machine World. There was even a League of Time, whose 25,000 members in 800 local branches by the time Zamyatin wote
We,
kept a 'chronocard' on which they recorded how they spent each minute of their day ('7.00 a.m. got out of bed; 7.01 a.m. went to the lavatory') so as to be more efficient in their use of time. The crusaders of this clockwork world wore oversized wristwatches (there is still a fashion for them in Russia today). As self-appointed 'Time Police', they went round factories and offices trying to stamp out 'Oblomovism', that very Russian habit of the wastage of time. Another one of their plans to save time consisted of replacing the long words and official titles of the Russian language with shorter ones or acronyms. Politicians were told to cut their verbose comments, and speakers at congresses to keep their speeches short.29

* * * The war against religion played a vital role in this battle for the people's soul. The Bolsheviks saw religion as a sign of backwardness (the 'opium of the masses') and the Church as a rival to their power. In particular, they saw the religion of the peasants as a fundamental cultural gulf between their own Enlightenment ideals and the 'dark' people of the countryside, a people they could neither understand nor ever really hope to convert to their cause. The war against religion was thus an aspect of their broader campaign to conquer the 'otherness' of the peasantry.

Until 1921 the war against religion was fought mainly by propaganda means. The Bolsheviks encouraged the popular wave of anti-clericalism that had swept away the Church lands in 1917. The Decree on the Separation of Church and State in January 1918 aimed to place the clergy at the mercy of the local population by taking away its rights to own property — church buildings were henceforth to be rented from the Soviets — or to charge for religious services. Religious instruction in schools was also outlawed. Bolshevik propaganda caricatured the clergy as fat parasites living off the backs of the peasantry and plotting for the return of the Tsar. Most provincial newspapers had regular columns on the 'counter-revolutionary' activities of the local priests, although in fact most of the parish clergy had either gone or been dragged along with the peasant revolution. Needless to say, the Cheka jails were full of priests.

The aim of Bolshevik propaganda was to replace the worship of God with veneration of the state, to substitute revolutionary icons for religious ones. Communism was the new religion, Lenin and Trotsky its new arch-priests. In this sense the Bolshevik war against religion went one step further than the

Jacobin dechristianization campaigns: its aim was not just to undermine religion but to appropriate its powers for the state.

On the one hand was the Bolsheviks' iconoclastic propaganda. Christian miracles were exposed as myths. Coffins said to hold the 'incorruptible' relics of Russian saints were opened up and found to contain bare skeletons or, in some cases, wax effigies. The celebrated 'weeping icons' were shown to be operated by rubber squeezers that produced

'tears' when an offering was made. The peasantry's attachment to religious and superstitious explanations was ridiculed as foolish: harvest failures and epidemics were to be avoided by agronomic and meteorological science rather than prayer and rituals in the fields. 'Godless acres' were farmed beside 'God's acres' — the former treated with chemical fertilizers, the latter with holy water — to drive home the point. Peasants were taken for rides by aeroplane so that they could see for themselves that there were no angels or gods in the sky. Most of the local press had special columns for this sort of

'scientific atheism'. Hundreds of atheistic pamphlets and stories were also published.

Literature and music deemed to be religious were suppressed. The works of Plato, Kant, Schopenhauer, Nietzsche and Tolstoy were all banned on these grounds, as was Mozart's Requiem, nearly all of Bach and the Vespers of Rachmaninov. There was also an atheist art — one especially blasphemous poster showed the Virgin Mary with a pregnant belly longing for a Soviet abortion — and an equally iconoclastic theatre and cinema of the Godless. Then there were study groups and evening classes in this

'science' of atheism (a good grounding in it was essential for advancement in the party-state). A Union of the Militant Godless was established in 1921 with its own national newspaper and hundreds of local branches which held 'debates' with the clergy on the question: 'Does God Exist?' These debates usually involved the staged conversion of at least one priest, who would suddenly announce that he had been convinced that God did not exist, and would call on the Soviet authorities to forgive him his error. Most of these priests must have been tortured in the Cheka jails, or else threatened with imprisonment, in order to make them confess in this way. Even so, the victory of the Godless was by no means assured. In one debate the priest asked the Godless who had made the natural world. When they replied that Nature had made itself through evolution there were hoots of laughter from the peasant audience, to whom such a proposition seemed quite ridiculous, and a victory for the priest was declared.30

On the other hand was the Bolshevik propaganda which held up Communism as the new religion. The festivals, rituals and symbols of the Communist state were consciously modelled on their Christian equivalents — which they sought to replace.

Soviet festivals were scheduled on the same days as the old religious holidays: there was a Komsomol Christmas and Easter; Electric Day fell on Elijah Day; Forest Day (a throwback to the peasant-pagan

past) on Trinity Sunday. May Day and Revolution Day were heavily overladen with religious symbolism: the armed march past the Kremlin, the religious centre of Orthodox Russia, was clearly reminiscent of the old religious procession, only with rifles instead of crosses. The cult of Lenin, which flourished in the civil war, gave him the status of a god. The very symbol of the Communist state, the Red Star, was steeped in religious and messianic meaning deeply rooted in Russian folklore.

A Red Army leaflet of 1918 explained to the servicemen why the Red Star appeared on the Soviet flag and their uniforms. There was once a beautiful maiden named
Pravda
(Truth) who had a burning red star on her forehead which lit up the whole world and brought it truth, justice and happiness. One day the red star was stolen by
Krivda
(Falsehood) who wanted to bring darkness and evil to the world. Thus began the rule of
Krivda.
Meanwhile,
Pravda
called on the people to retrieve her star and 'return the light of truth to the world'. A good youth conquered
Krivda
and her forces and returned the red star to
Pravda,
whereupon the evil forces ran away from the light like owls and bats', and 'once again the people lived by truth'. The leaflet made the parable clear: 'So the Red Star of the Red Army is the star of
Pravda.
And the Red Army servicemen are the brave lads who are fighting
Krivda
and her evil supporters so that truth should rule the world and so that all those oppressed and wronged by
Krivda,
all the poor peasants and workers, should live well and in freedom.'31

In private life, as in public, religious rituals were Bolshevized. Instead of baptisms children were 'Octobered'. The parents at these ceremonies, which boomed in the early 1920s, promised to bring up their children in the spirit of Communism; portraits of the infant Lenin were given as gifts; and the Internationale was sung. The names chosen for these Octobered children — and indeed for adults who also changed their names —

were drawn from the annals of the revolution: Marx; Engelina; Rosa (after Rosa Luxemburg); Vladlen, Ninel, Ilich and Ilina (acronyms, nicknames or anagrams for Lenin); Marlen (for Marx and Lenin); Melor (for Marx, Engels, Lenin and October Revolution); Pravda; Barrikada; Fevral (February); Oktiabrina (October); Revoliutsiia (Revolution); Parizhkommuna (Paris Commune); Molot (hammer); Serpina (sickle); Dazmir (Long Live the World Revolution); Diktatura (Dictatorship); and Terrora (Terror). Sometimes the names were chosen on the basis of a misunderstanding or simply because they were foreign sounding and were thus associated with the revolution: Traviata, Markiza, Embryo and Vinaigrette. Red weddings were another Bolshevik ritual, popular among the Komsomol youth. They were usually held in a factory or some local club. Instead of the altar the couple faced a portrait of Lenin. They made their vows of loyalty both to each other and to the principles of Communism. In his satirical novel
Dog's Wedding
(1925), Brykin reproduced such a vow. 'Do you promise', asks the officiator, 'to follow the path

of Communism as bravely as you are now opposing the church and the old peoples customs? Are you going to make your children serve as Young Pioneers [the Komsomol organization for younger children], educate them, introduce scientific farming methods, and fight for the world revolution? Then in the name of our leader, Comrade Vladimir Ilich Lenin, I declare the Red Marriage completed.' Finally, there was the Red Funeral, mainly reserved for Bolshevik heroes, which drew on the funereal traditions of the revolutionary movement — with its guard of honour, the coffin set high on a bier draped in red, the dirgelike hymn 'You Fell Victim', the graveside orations and the gunfire salute — originally used at Bauman's burial, that first martyred Bolshevik, in 1905.32

From 1921 the war against religion moved from words and rituals to the closure of churches and the shooting of priests. Lenin instigated this totally gratuitous reign of terror. Apart from the Academy of Sciences, the Church was the only remaining national institution outside the control of the party. Three years of propaganda had not undermined it — in many ways the civil war had made people turn to religion even more — so Lenin sought to attack it directly. The famine of I92I-2 gave him the pretext he needed. Although the Church had actively joined in the famine relief campaign, offering to sell some of its non-consecrated valuables to buy foodstuffs from abroad, Lenin found a strategy that enabled him to accuse it of selfishly turning its back on the crisis. He ordered the Church to hand over its consecrated valuables for sale as well, even though he must have known that it was obliged to disobey the order (the secular use of consecrated items was sacrilegious). This provocation would make the Church appear as it was charged — as an 'enemy of the people'. To rally the public against it the press called hysterically for all the Church's valuables to be sold for the famine victims:

'Turn Gold into Bread!' was the emotive slogan. In a last desperate effort to prevent the pillage of his churches, Patriarch Tikhon offered to raise money equivalent to the value of the consecrated items through voluntary subscriptions and the sale of other property; but his offer was refused. Lenin was not interested in the money; he wanted a pretext to assault the Church.

On 26 February 1922 a decree was sent out to the local Soviets instructing them to remove from the churches all precious items, including those used for religious worship.

The decree claimed that their sale was necessary to help the famine victims; but little of the money raised was used for this purpose. Armed bands gutted the local churches, carrying away the icons and crosses, the chalices and mitres, even the iconostases in bits. In many places angry crowds took up arms to defend their local church. In some places they were led by their priests, at others they fought spontaneously. The records tell of 1,414 bloody clashes during 1922—3. Most of these were utterly one-sided.

Troops with machine-guns fought against old men and women armed with pitch forks and

rusty rifles: 7,100 clergy were killed, including nearly 3,500 nuns, but only a handful of Soviet troops. One such clash in the textile town of Shuya, 200 miles north-east of Moscow, in March 1922, prompted Lenin to issue a secret order for the extermination of the clergy. The event was typical enough: on Sunday 12 March worshippers fought off Soviet officials when they came to raid the local church; when the officials returned three days later with troops and machine-guns there was some fighting with several people killed. The Politburo, in Lenin's absence, voted to suspend further confiscations.

But Lenin, hearing of the events in Shuya, dictated contrary orders over the phone from his country residence at Gorki with strict instructions of top secrecy. This memorandum, first published in full by a Soviet publication in 1990, reveals the cruel streak in Lenin's nature. It undermines the 'soft' image of Lenin in his final years previously favoured by left-wing historians in the West who would have us believe that the 1920s were a hopeful period of 'Soviet democracy' before the onset of Stalinism.

Lenin argued that the events in Shuya should be exploited to link the clergy with the Black Hundreds, to destroy the Church 'for many decades', and to 'assure ourselves of capital worth several hundred million gold roubles ... to carry out governmental work in general and in particular economic reconstruction'. It was 'only now', in the context of the famine, that the hungry peasants would 'either be for us or at any rate neutral' in this

'ferocious' war against the Church; later on we will not succeed.' For this reason, continued Lenin: