A Season for the Dead (20 page)

“To America? You think it’s safe there? The FBI would meet you at the plane.”

“I’ve friends,” Denney reminded him. “People in Washington who can keep those hoods in their place. The FBI won’t even call. Don’t forget who I am, Brendan.”

“Who you were, Michael. These are changing times. I wish I could help. I’ve tried. Believe me.”

“Try harder.”

The Irishman held his big hands open. “With what?”

Denney recognized the move. “What are you asking for?”

“Leverage. Something I can bargain with.”

“Such as what?”

“The complete file on Fosse. Some information on his background. People he might turn to in Rome. I have most of that already, though I’m sure there are some details you can add. He worked for you, after all. They will want to know why you fired him. And what happened after that.”

Denney grimaced. “You think that’s going to work? I’ve paid close to two million bucks out of my own pocket in bribes these last six months. I’ve sweetened politicians to get my way out of here, I’ve done things I never thought I’d even consider. Some of them make my skin crawl. None of it worked. You think they’ll do this for a file?”

Hanrahan’s blue eyes flashed in anger. “Do you have a better idea? I’m looking for solutions. No one else is.”

“Sure, sure,” Denney grunted, trying to calm himself down. He didn’t have many friends left. He needed this unfeeling, slippery Irishman.

“The truth is,” Hanrahan continued, “I don’t know of any other options right now. Let me make it clear too that even if this succeeds I doubt you’ll get this open one-way ticket you fancy. The best we can hope for is that they’ll turn aside just long enough to get you out to the airport. That’s all I need.”

Denney stared at him, astonished. “Are you serious? You think I can just hop into the nearest cab? You heard Neri. That psychopath would probably do the job himself. You know the kind of people out there. They make Gino Fosse look like an amateur. It’s impossible. Get me some quiet escort all the way to the States. I don’t intend to walk naked beyond those walls.”

Hanrahan acted offended. “We’d have people to look after you to the airport. We’re not complete incompetents.”

“I never suggested you were.”

“No? Well, anyway . . . If you want the police to be your bodyguards, then think again.” Hanrahan cast his eyes around the apartment again, pausing at the paintings, which seemed to amuse him. “Consider your position, Michael. Think about what you’ve become. For that kind of treatment you need friends. You’ve none. Except me.”

“Thanks,” the Cardinal said with bitterness.

“I am trying to put this into some perspective. Nothing more.”

“No friends? We’ll see about that. Get Falcone in. He’ll still talk to me.”

Hanrahan scowled. “No. I’ve already spoken to Falcone. He won’t deal anymore, not in person. He won’t come anywhere near you unless he has a set of handcuffs ready. All the favors have been called in. All the phone calls go unreturned. Everyone can smell failure on you, Michael. Maybe they can smell death. No one wants to be touched by that stink.”

“Don’t try to make me the scapegoat here, Brendan. Don’t let your masters try that trick either. I wasn’t in this alone. I wouldn’t be the only one to suffer if they throw me to the wolves.”

Hanrahan took a deep breath, then issued a disappointed sigh. “Now, that, Your Eminence, is the kind of stupid talk I don’t ever want to hear. That is the kind of talk that makes me think I’m wasting my time with you, Michael. That perhaps I’d be better off leaving you to rot in this dump, just waiting for the day you can’t stand it any longer. Then what do you do? Put on an ‘I Love Rome’ T-shirt and hope you can mingle with the tourists until you get to Fiumicino? Is that
really
what you think? Because if it is, I have news. You’d be dead before you even got on the bus. Maybe it would be some of those people who think you owe them money. Maybe it would be Gino Fosse for whatever reasons he feels he has. Personally, I’d prefer the former. It’s just a gun, that’s all. Gino . . . well, he’s skinned a man, he’s drowned a man, he’s beheaded this woman you thought was in your pocket. What’s Fosse got saved for you, Michael? Is he going to nail you to a cross? Or has he been in that church just down the road from his apartment? You know, the round one with all those wonderful martyrdoms on the wall? He must have been there. Where else would he get these ideas?”

“From living,” Denney grumbled. “From being a part of this nightmare.”

“Now, that I don’t believe,” Hanrahan replied quietly. “Or perhaps . . .” He considered the question carefully. “Perhaps that’s what Gino Fosse is trying to tell us. That by appreciating our mortality we inform these brief lives with a little perspective. It’s an interesting intellectual point, I agree, but I’d rather avoid a direct involvement in the rhetoric. Fosse makes his case in a such a forceful way. Besides”—he paused over his words, determined to express himself precisely—“rain or shine it’s always a season for the dead, isn’t it? Only a fool forgets that. I’ve no time for fools, Michael. Nor have you.”

In the stifling air of the tiny apartment, Denney shivered. He was scared, Hanrahan could see that. But what the Irishman didn’t know was that there were much bigger things to be frightened of. Denney was still a Catholic at heart. The faith had never deserted him entirely. There was a judgment coming, one in which his transgressions would no longer be hidden. He had to escape. In America it was possible he could find the courage to open his heart fully in the confessional. In America he could become another person.

“What do you want me to do?”

“Meet one of Falcone’s colleagues. A junior one, who thinks very highly of himself, with very little reason. Talk to him. Offer the files on Fosse. Then leave the rest to me. I will try to negotiate a price that gets you out of here. Then keep your head down and pray.”

Denney nodded. “If that’s what you want. I suppose I have no choice.”

“None,” Hanrahan agreed.

“Tell me, Brendan. How many more names are on his list?”

The question surprised Hanrahan. “A few, or so I’ve heard. Sara Farnese seems to have been an active woman, if that’s the right word. You won’t see her again, will you? That would make my life too difficult. I can’t protect you against yourself.”

“No,” he agreed softly. “I won’t.”

“Good. This is an opportunity. We mustn’t waste it. I don’t know if another will arise.”

Denney looked up at him, desperate. “The police have these names from her? They’ll warn them. The others. I don’t want any more deaths on my conscience.”

Hanrahan glowered at him from the chair opposite. He made no effort to disguise his contempt.

“I’ve warned the ones who want to listen myself. For what it’s worth.”

Denney felt like shrieking. “It has to be worth something, Brendan. For pity’s sake.”

Hanrahan got up, stretched lazily and cast him one last, backward glance. “Spare me your concern, please. We both know this is about you. If you run, Michael, it all comes to an end in any case. Can’t you see that’s what he’s doing? He’s sending you a message. He’s saying he’ll go on killing until you flee and give him a chance to kill you. If he finds you on the way, then that’s okay with him. If you manage to escape, then it’s finished anyway. He has no more reason to do what he’s doing. Either the police catch him or he saves up for the fare to Boston or wherever you plan to run and hide. End of story. And no more corpses in Rome.”

Denney closed his eyes, wishing he couldn’t hear any of this.

“Don’t talk to me about your conscience. Don’t even dare.” Hanrahan’s voice rang off the walls of the meager apartment. There was a kind of judgment there, one which Denney found hard to bear. “This is not about conscience. It’s about courage. It could be ended so easily. So would you care to take a walk with me now, Your Eminence? It’s a fair day, a hot one, true, but I wouldn’t be anywhere else except Rome on an August morning like this. There’re not so many tourists. There’s a breeze coming down the Tiber. We could get out from behind these walls. We could stand in the shadow of the castle. We could sit on the street and take coffee. I could buy you lunch in that old restaurant in Trastevere, the one where we used to sit in the garden, the one where the lamb’s so good you just pick it up and eat it with your fingers. Then we could walk, anywhere we felt like, and wait to see what happens.”

Denney heard the Irishman cross the room, felt his hand on his shoulder.

“Well, Michael,” Hanrahan demanded, “will you be coming out with me or won’t you?”

“Get the hell out of here,” Denney snarled.

“I’ll arrange for this kid to call at four.” He patted Denney on the head, hard. “I take it you have no conflicting appointments?”

Denney said nothing.

“Good. And I’ll call beforehand. You’ll say what I tell you to. Nothing more, nothing less. I’m putting in a lot of work on your behalf, Your Eminence. I’d hate to see it fucked up just because you can’t remember your lines.”

33

Nic Costa didn’t know where to begin. Teresa Lupo was on her hands and knees, scrutinizing the sprawling bloodstain which marked a good yard or more of the grubby carpet. Falcone and some detectives he only half recognized were on the far side of the octagonal chamber carefully going through the drawers of a small desk, studying every piece of paper it contained.

On the ceiling and upper walls were scores of black and white photographs, badly developed, roughly cut and taped to the crumbling plasterwork. Whatever other talents Gino Fosse possessed, he was a dedicated and skillful peeping tom. The pictures were taken through half-open curtains, with a long telephoto lens. They were grainy, squalid, intrusive. Most of the people in them were unknown to Nic. But—Rinaldi was there, in three sets of shots, each with a different, unidentifiable woman. The other cast members were only half-seen: a woman bent over the spread-eagle legs of a bored-looking hooker with blowsy hair; a fat, whalelike man whose mountain of white flesh tumbled onto the skin of the figure slumped beneath him. The pictures could have come from some porn magazine touted in the sex shops around Termini Station. The missionary position was largely absent. Several photos showed women gagged, hands bound behind their back, eyes staring blankly at the white shape heaving over them. Fosse had taken his time, photographing from every angle he could find.

Then Nic moved along the wall and saw what he knew, with some dread, was bound to be there. She was naked, on her back, legs wide open, waiting for a man who was only just visible, sliding toward her across the floor. It could have been the fat man in the other picture. The location looked like an expensive apartment. A hotel maybe, since the bed had that just-made look that spoke of housemaids and room service. It was the first in a series. In others she was crouched in a vulgar sexual position, looking over her shoulder as if inviting the unseen viewer. There were grainy close-ups of her breasts and her abdomen: gross, invasive pictures, clinical in their detail.

It was important, Nic thought, to scrutinize these images closely in order to understand what they had to say. There was no question of prurience. He found it impossible to look at them without feeling he was living on the edge of some waking nightmare, a world in which all the normal rules of human behavior counted for nothing. He examined those in which her face was visible. She seemed detached, somehow, perhaps even drugged. Sara may have gone to this place willingly but she did not wish to be a party to these games. Or was he being naÏve? Her life was alien to him. Perhaps he really was, like his father, simply out-of-date. Perhaps it was not so unusual to meet a stranger, decide casually to have sex, and then play these bizarre, dark games in front of the prying camera. Terror and ecstasy sometimes walked hand in hand. Nic Costa was lost for answers.

He was still staring at the photographs when a hand touched his arm. It was Teresa Lupo, who looked a little less crazy each time he saw her. She was tugging off her gloves. She seemed concerned.

“What do you say, Nic?”

“Nothing. It’s beyond me. Rinaldi I recognize. The rest . . .”

She nodded at the body bag. “The woman’s over there. Most of her anyway. You know what I find most interesting? These aren’t pictures of the protagonists. He’s not trying to capture them at all. What he wants is the partner. The hooker. Or whatever they were.”

Teresa threw the gloves into a plastic bag, sniffed, then let down her black hair, which was tied in a rough, childlike pigtail. The act made Luca Rossi glance covetously at her from across the room.

“He kept plenty of souvenirs too.” She pointed at a couple of the photographs which showed Sara’s clothes on the floor beside her naked body: flowered pants, a bra and a loose, flowing dress. “Look.”

She pointed to what was an untidy pile of underwear thrown into the corner of the room, so much it must have come from several different sources. “He’s a collector. I just took a quick look but you can match some of those things with the photographs. This is a very tactile man. He needs some physical evidence to remind him of what he’s been up to. Maybe he creeps in and steals them. Maybe he’s best friends with some nut at the laundry.”

Nic couldn’t stop looking at the photographs. “He’s insane.”

“Never mind him. Think of the women. At least the one woman we know. Look at the facts,” Teresa said, pointing at a series of overlapping prints. They showed Sara lying on the floor, neck uncomfortably upright, face to the distant camera, staring toward the lens. The man was scarcely in the frame. “What do you see?”

“A naked woman in an uncomfortable position. I don’t get it. I don’t understand what motivates Fosse.”

“It turns him on, I imagine. But look at the woman. Some answers are there. What message is she sending out?”

“She just seems . . . passive. As if it’s happening to someone else.”

Crazy Teresa groaned. “You call yourself a detective? Are there any signs of arousal? Are her nipples erect? Is she opening her legs for whoever she’s about to screw?”

He pulled down the clearest of the prints and peered at it. “No. Like I said, she looks passive.”

“You’ve got to extract as much as you can from this. You get erect nipples for a variety of reasons. Arousal’s just one of them. Cold. Fear. Think about it. This woman isn’t feeling any of those. What does that mean?” She waited. He said nothing. “It means she’s naked, possibly with a stranger, and she’s not that bothered. She’s not even half afraid. If I were a detective, what would that make me think? Why would a woman behave like that?
She knows this game.
Maybe she’s played it before. She’s practiced.”

“That can’t be true.”

“Look at it, Nic. Dispassionately.” She stared at the pictures again. “I could almost convince myself she
knows
the camera’s there. But I guess that’s going too far.”

It was. It had to be. He was unconvinced by what she said and that was not simply because he didn’t want to believe it.

Teresa Lupo’s big hand patted his good shoulder. “Alternatively, dear boy, she’s just very comfortable with strangers. I give up. Now excuse me. I need to write up some notes.”

Luca Rossi wandered over, discreetly touched her backside, then went to stand by him. “How are you feeling, kid?”

“Fine.”

“I heard the woman’s still going to stay with you. Is that wise?”

“Why should it be unwise?” Costa snapped.

“Hey. Will you stop biting my head off? Someone tried to kill you this morning because of her. In case you forgot.”

Costa cursed himself. It was unlike him to take out his unhappiness on others. “Apologies again. But why shouldn’t Sara stay with me? You people know how to guard the place now. I promise I won’t play hooky anymore. Besides, I think she’s still got things to tell us. In her own time. When she feels she can trust someone.”

The big man grimaced. “I’ll take your word on that.” He nodded at the body bag. “You hear who this is?”

Costa shook his head.

“Semifamous lady. Alicia Vaccarini. Parliamentary deputy for Bologna. She hit the headlines when she turned out to be a dyke and the party bosses disowned her. Remember?”

“Vaguely,” he lied. Reading the papers was never one of his strong points.

Rossi eyed Falcone, who was sifting through a new pile of photographs found under the desk. “And he thinks he’s got an idea why she was on the list too. Come on. Let’s join the fun.”

Falcone shuffled through the set of prints someone had found in a tiny darkroom downstairs, built into an alcove. Unlike the ones in the room above, these weren’t peeping-tom shots. They were taken in the tower, of women who’d received personal attention from Gino Fosse. In the pictures all were bound, exposed for the lens in a variety of sexual positions. Most looked scared, and two showed signs of violence: bruised eyes, cuts on the mouth and nose. None of them, however, was deemed worthy of display in the small octagonal room in the tower above, which seemed odd. As if Fosse drew more inspiration from the stolen images than the ones in which he was directly involved.

“He raped them,” Rossi observed.

“Really?” Falcone wondered. “So why didn’t any of them complain? We don’t have anything on this man.”

“Who is he?” Costa asked.

One of the detectives he didn’t know said, “Gino Fosse. Priest at the hospital up the road for the last month. Before that he worked in the Vatican. This place is a church property. They leased it to him at a peppercorn rent. We’re talking to the Diocese but they say they just got handed him by someone from on high. Got told to put him in here, look after him, get him a nice quiet job, keep him out of trouble.”

Falcone glanced uneasily at the pictures. “He had bad habits. Perhaps they were trying to hide him away for some reason. Perhaps he’d done this before.”

The detective shrugged. “If he did, I doubt we’re going to find out about it. I’ve put in the calls. No one’s ringing back. I’ll tell you one thing, though, this guy likes jazz. The place is full of CDs. He had one track on loop when we turned up. Sense of humor, huh? It must have been on when he did it.”

The man held out the case: a picture of a dapper violinist sitting in a gorilla’s open palm, and the title,
King Kong, Jean-Luc Ponty Plays the Music of Frank Zappa.

“The track in particular,” he said, “is called ‘How Would You Like to Have a Head Like That?’ ”

The morgue team heaved the body bag onto a gurney and lugged it to the narrow stairs. “Alicia Vaccarini,” Falcone mused. “I met her once. She was on a couple of police committees. Cold bitch.” He looked at Costa. “Why her, do you think?”

It couldn’t be avoided. “Sara Farnese slept with her,” Nic replied. “A one-night stand just like this Fosse character. Which is why she never mentioned either of them.”

Luca Rossi whistled. “Jesus. How many other things has that woman got hidden inside her?”

“She says there were others like that. No names. She never knew them.”

Falcone put a hand to his silver beard and stared out the slitted window. “At least we know where Fosse is getting some of his information from. Peeping through windows, following the Farnese woman around.”

“Not just her,” Costa objected. “There must be ten, twelve different women in these pictures.”

“Right. Let’s show their pictures to people. Specially to Vice. See if anyone knows them. Let’s see if we can identify any of the men too. They might appreciate the warning. Look for some link between Fosse and Denney too. It has to be there. Vaccarini certainly had one.”

Alicia Vaccarini was, Falcone told them, a player in political circles, with no small amount of influence. Earlier in the year she was on the committee that looked at changing some of the diplomatic-immunity rules for the Vatican. The same one that Rinaldi testified before. Interesting or what? If that vote had gone the right way, Cardinal Denney could have walked onto the first plane home unimpeded by the authorities, ready to vanish. Was this coincidence? Or was this the fundamental reason behind the murders? In either case, how was Sara Farnese involved?

The detectives looked at each other. They knew when a case was slipping away from them. There were too many loose ends, too many roads to nowhere.

“This is turning bad,” Falcone said, glowering at Rossi. “We missed our chance this morning. You . . .” He looked at Costa. “You’re fit to be here?”

“No problem.”

“Go back and see your friend Hanrahan. He’s been on the phone hinting that maybe Cardinal Denney will let you into his apartment for a talk. Could be they have something else to bargain with. And Sara Farnese. You still think she should stay at your father’s house?”

“If that’s what she wants.”

“To hell with what she wants,” Falcone snarled. “Get something out of that woman. She’s running rings around us, you in particular. Find out what the hell she’s been dabbling in because this is more than just some nasty by-product of casual sex. She’s been screwing the wrong people. Maybe someone with a cardinal’s cap, for all I know—”

“She denies knowing Denney,” Costa interjected, weary of the man’s relentless badgering.

Rossi wrinkled his fleshy nose in distaste. “She denied having any other lovers until one turned up without a head.”

“Just talk to her,” Falcone ordered. “Don’t stop until she says something. And here’s a question for all of you: Just where does a runaway priest hide in Rome, for God’s sake?”

“Somewhere we can’t touch him,” Rossi said. “
That
place.”

“Don’t be ridiculous,” Falcone sneered. “This Fosse character is just like Denney now. They gave him some kind of chance. He threw it away. They won’t want him near them. He’s not in the Vatican. He’s here. In the city. Someone knows. Someone can tell us. Get the papers on to it. Is there a photograph of him among these?”

“Nothing,” someone said. “We’ve got fingerprints. That’s all.”

“We need more. Costa can give a description to our police artist.”

Rossi scribbled out a note and gave it to one of the junior cops.

Teresa Lupo bumped into the gathering, gave them all a schoolgirl smile, fluttered her copious eyelids and said sweetly, “I’ve got DNA. If anyone’s interested.”