A Spool of Blue Thread (45 page)

BOOK: A Spool of Blue Thread
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She said nothing.

“What’re you up to?” he asked finally.

“I’m trying to get ready for Sandy.”

“Who’s Sandy?”


What
is Sandy, idiot. Sandy the hurricane; where have you been?”

“Ah.”

“On the news they’re showing people laying sandbags across their doorways, but where on earth do you buy those?”

“I’ll see to that,” he told her. “I’m already on the train.”

Another pause, during which he held very still. But in the end, all she said was “Denny.”

“What.”

“I have not said yes to that yet.”

“I realize you haven’t,” he said. He said it a bit too quickly, so she wouldn’t retract the word “yet.” “But I’m hoping that the sight of my irresistible self will work its magic.”

“Is that right,” she said flatly.

He squinched his eyes almost shut, and waited.

“We’ve already talked about this,” she told him. “Nothing’s changed. No way am I going to let things go on like they were before.”

“I know that.”

“I’m tired. I’m worn out. I’m thirty-three years old.”

The conductor was standing over him. Denny sat up straight and thrust his ticket at him blindly.

“I need somebody I can depend on,” she said. “I need a guy who won’t change jobs more often than most people change gym
memberships, or take off on a road trip without any notice, or sit around all day in sweat pants smoking weed. And most of all, someone who’s not moody, moody, moody. Just moody for no reason! Moody!”

Denny leaned forward again.

“Listen,” he said. “Allie. You’re always asking what on earth is wrong with me, but don’t you think I wonder too? I’ve been asking it all my life; I wake up in the middle of the night and I ask, ‘What’s the
matter
with me? How could I screw up like this?’ I look at how I act sometimes and I just can’t explain it.”

The silence at the other end was so profound that he wondered if she had hung up. He said, “Al?”

“What.”

“Are you there?”

“I’m here.”

He said, “My dad says he remembers my mom’s gone even while he’s asleep.”

“That’s sad,” Allie said after a moment.

“But I do, too,” he said. “I remember
you’re
gone, every second I’ve been away.”

All he heard was silence.

“So I want to come back,” he said. “I want to do things differently this time.”

More silence.

“Allie?”

“Well,” she said, “we could take it day by day, I guess.”

He let out his breath. He said, “You won’t regret it.”

“I probably will, in fact.”

“You won’t, I swear to God.”

“But this is a trial run, understand? You’re only here on approval.”

“Absolutely. No question,” he said. “You can kick me out the first mistake I make.”

“Oh, Lord. I don’t know why I’m such a pushover.”

He said, “Are my things still in your garage?”

“They were the last time I looked.”

“So … I can move them back into the house?”

When she didn’t answer immediately, he took a tighter grip on the phone. “I’m not saying I have to,” he said. “I mean, if you tell me I have to live above the garage again, just to start with, I would understand.”

Allie said, “Well, I don’t know that we would need to go
that
far.”

He relaxed his grip on the phone.

The two young girls just behind him could not stop laughing. They kept dissolving in cascades of giggles, sputtering and squeaking. What did girls that age find so funny? The other passengers were reading, or listening to their music, or typing away on their computers, but these two were saying “Oh, oh, oh” and gasping for breath and then going off in more gales of laughter.

Denny glanced toward his seatmate, half expecting to exchange a look of bafflement, but to his horror, he discovered that the boy was crying. He wasn’t just teary; he was shaking with sobs, his mouth stretched wide in agony, his hands convulsively clutching his kneecaps. Denny couldn’t think what to do. Offer sympathy? Ignore him? But ignoring him seemed callous. And when someone showed his grief so openly, wasn’t he asking for help? Denny looked around, but none of the other passengers seemed aware of the situation. He transferred his gaze to the seat back in front of him and willed the moment to pass.

It was like when Stem first came to stay, when he slept in Denny’s room and cried himself to sleep every night and Denny lay silent and rigid, staring up at the dark, trying not to hear.

Or like when he himself, years later in boarding school, longed all day for bedtime just so he could let the tears slide secretly down the sides of his face to his pillow, although not for any good reason, because God knows he was glad to get away from his family and
they were glad to see him go. Thank heaven the other boys never realized.

It was this last thought that told him what to do about his seatmate: nothing. Pretend not to notice. Look past him out the rain-spattered window. Focus purely on the scenery, which had changed to open countryside now, leaving behind the blighted row houses, leaving behind the station under its weight of roiling dark clouds, and the empty city streets around it, and the narrower streets farther north with the trees turning inside out in the wind, and the house on Bouton Road where the filmy-skirted ghosts frolicked and danced on the porch with nobody left to watch.

A NOTE ABOUT THE AUTHOR

Anne Tyler was born in Minneapolis, Minnesota, in 1941 and grew up in Raleigh, North Carolina. She graduated at nineteen from Duke University and went on to do graduate work in Russian studies at Columbia University. This is Anne Tyler’s twentieth novel; her eleventh,
Breathing Lessons
, was awarded the Pulitzer Prize in 1988. She is a member of the American Academy of Arts and Letters. She lives in Baltimore, Maryland.

An. A.A. Knopf Reading Group Guide
A Spool of Blue Thread
by Anne Tyler

The questions, discussion topics, and reading list that follow are intended to enhance your reading group’s discussion of
A Spool of Blue-Thread
, the enthralling twentieth novel from Anne Tyler, one of America’s most celebrated authors.

Discussion Questions

1.  What are the main themes of the novel? Which did you find most thought-provoking?

2.  The novel opens and closes with Denny. Do you think he’s the main character? If not, who is?

3.  We don’t learn the full significance of the title until nearly the end of the novel (on
this page
). How did this delay make the metaphor more powerful? What is the metaphor?

4.  On
this page
, Tyler writes, “Well, of course they did hear from him again. The Whitshanks weren’t a
melodramatic
family.” What type of family are they? Compare the way you see them with the way they see themselves.

5.  Chapter 2 begins with the Whitshank family stories: “These stories were viewed as quintessential—as
defining
, in some way—and every family member, including Stem’s three-year-old, had heard them told and retold and embroidered and conjectured upon any number of times.” (
this page
) Why are these two stories so important? Why is the story of Red’s sister important to Red’s family?

6.  “Patience, in fact, was what the Whitshanks imagined to be the theme of their two stories—patiently lying in wait for what they believed should come to them.” (
this page
) Others might say it was envy or disappointment. Which interpretation makes the most sense to you? Can you think of another linking theme?

7.  How does Abby’s story about the day she fell in love with Red fit into the Whitshank family history? Why isn’t it one of the family’s two defining stories?

8.  Much is made of Abby’s “orphans,” which we learn also include Stem. What does her welcoming of strangers into her home say about her character? How do the others’ responses set up a subtle contrast?

9.  Discuss the character Denny. Why is he so resentful of Stem? Why is he so secretive about his life?

10.  Do Red and Abby have favorite children and grandchildren? Who do you think each one favors?

11.  On
this page
, Tyler writes about Abby: “She had always assumed that when she was old, she would have total confidence, finally. But look at her: still uncertain.” Do you think Abby’s family sees her as uncertain or lacking in confidence? Why?

12.  Abby dies suddenly in an accident, just like Red’s parents did. When it came to his parents, “Red was of the opinion that instantaneous death was a mercy …” (
this page
) Do you think he felt the same way after Abby’s death?

13.  Why didn’t Abby tell Red about Stem’s mother? Why didn’t Denny tell Stem? And why, after they learn the truth, does Stem make Red and Denny promise not to tell anyone else?

14.  At Abby’s funeral, Reverend Alban speculates that heaven may be “a vast consciousness that the dead return to,” bringing their memories with them. (
this page
) What do you think of his theory? What do you imagine Abby would say about it?

15.  Why did Red’s pausing to count the rings on the felled poplar make Abby fall in love with him?

16.  The novel isn’t structured chronologically. How does Tyler use shifts in time to reveal character and change the reader’s perception?

17.  What is the significance of the porch swing? What does it tell us about Linnie Mae and Junior?

18.  After reading their story, how did your opinion of Linnie Mae change?

19.  The Whitshank house, built by Junior and maintained by Red, is practically a character in the novel. What does it mean to the Whit shank family? Why, in the end, does it seem easy for Red to leave?

20.  On the train at the end of the novel, Denny sits next to a teenage boy who cries quietly. What is the significance of this scene?

Suggested Reading

Alice McDermott,
Someone

Elizabeth Graver,
The End of the Point

Ann Patchett,
This Is the Story of a Happy Marriage

Jane Smiley,
Some Luck

Matthew Thomas,
We Are Not Ourselves

BOOK: A Spool of Blue Thread
10.05Mb size Format: txt, pdf, ePub
ads

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