Adam's Rib (5 page)

“That doesn't make any sense at all,” said Fumagalli, “and so?”

“So it must mean there was someone there with her. Whoever it was must have lowered the blinds after she hanged herself. Jesus fucking Christ!” Rocco cursed through clenched teeth.

“And listen,” Fumagalli said, “as long as you're here, I have something else to point out. Look at this.” He pointed to the victim's fair skin.

They walked over to the corpse, which Deruta and Rispoli had lowered to the parquet floor. “The cable is too thin
to leave a bruise like that. You see it?” Alberto Fumagalli pointed to the purple stripe on Esther's neck. It was a couple of finger widths wide. “When the cable dug into the flesh, it just left a narrow stripe; you see it? In other words, it wasn't this cable that strangled her. That much is clear. And did you get a good look at her face?”

Rocco sank into the leather armchair in the den. “Of course. She was beaten up. Do you know what that means?”

Fumagalli said nothing.

The deputy police chief continued with a low rattle, from the chest, a distant sinister gurgle like a rumble of thunder, warning of an oncoming storm. “That means this isn't a suicide. It means I'm going to have to deal with this thing, and it also means a series of pains in the ass unlike anything you can even imagine!”

Fumagalli nodded. “So now I'm going to take this poor creature to my autopsy room. And you'd probably better call the judge and the forensic squad.”

Rocco suddenly jumped out of his chair. His mood had shifted as quickly as a wind at high elevation suddenly bringing black rain-heavy storm clouds where minutes before the sun had been shining.

As he left the room Rocco glanced at Deruta and Caterina. “Rispoli, call the forensic squad in Turin. Deruta, go do what I told you and D'Intino to do this morning.”

“But we're supposed to do the stakeouts at night,” the cop shot back.

“Then go get some rest, go make bread with your wife, just get the hell out of my hair!”

Like a kicked dog, Deruta shot out of the apartment. Caterina asked no questions. Unlike Officer Deruta, she had learned that when the deputy police chief's mood turned sharply black, the best thing was to shut up and obey.

“Pierron!” Rocco shouted, and Italo's face appeared immediately at the door to the living room.

“Yes, Dottore.”

“Scatter the people who are rubbernecking out in the street. I want the names of the Russian woman who was the first to enter the apartment and that half-dead warrant officer. Tell Casella to get busy and make sure nothing comes out in the newspapers. Question all the neighbors, and have someone call the district attorney's office. This is another pain in the ass of the tenth degree, Rispoli, you understand?” And though he had used her name, he was no longer speaking to the unfortunate inspector who was busy talking on the phone to someone in Turin. Right now Rocco was talking to everyone and to no one, waving his hands as if he were perched on the edge of a cliff and trying desperately to regain his balance. “This is definitely a pain in the ass of the tenth degree, no doubt about it!”

Italo nodded, sharing his boss's opinion wholeheartedly. In fact, he knew that the deputy police chief had cataloged the sources of annoyance or pains in the ass in life by degrees, or levels. From level six on up.

In Rocco's own personal hierarchy of values, the sixth level of pains in the ass included children yelling in restaurants, children yelling at swimming pools, children yelling in stores, and just in general, children yelling. Then there
were salespeople calling with special offers of convenient bundled contracts for water, gas, and cell phone, blankets that come untucked from under the mattress leaving your feet to freeze on winter nights, and the
apericena
—Italy's latest trend in dining, a blend of aperitif and dinner. The seventh level of pain in the ass included restaurants with slow service, wine connoisseurs, and colleagues at the office with garlic on their breath from dinner the night before. The eighth level included shows that went longer than an hour and fifteen minutes, giving or receiving gifts, video poker machines, and the Roman Catholic radio station, Radio Maria. At the ninth level were wedding invitations, baptism invitations, First Communion invitations, or even just party invitations. Husbands complaining about wives, wives complaining about husbands. But the tenth level, the highest ranking of all possible pains in the ass, the very maximum degree of annoyance that life—that old bastard—could possibly stick him with to ruin his day and his week, towered high above the rest, unequaled: an unsolved case of murder. And Esther Baudo's death had just turned into one, right before his eyes. Hence the sudden mood shift. For anyone who knew him, this was a mood swing to be expected; for anyone who didn't, it was an overblown reaction. It was a case of homicide, and it sat there, useless and relentless, wordlessly demanding a solution that only he could provide, asking a mute question that he and no one else would have to answer. To get that answer he'd have to delve into a filthy well of horrors, plunge down into the abyss of human idiocy, scrabble around in the squalor of some diseased mind. At
times like this, when a case had just blossomed like a flower of sickness among the underbrush of his life, in those very first few minutes, if Rocco had chanced to lay hands on the guilty party, he would have gladly and ruthlessly canceled him from the face of the earth.

He found himself sitting at the center of the living room. In the adjoining room, Alberto Fumagalli was working silently on the victim. The other officers had melted away like snow under bright sunlight, each to carry out specific instructions. He rubbed his face and got to his feet.

“All right, Rocco,” he said in an undertone, “let's see what we have here.”

He pulled on the leather gloves he had in his pocket and ran his eye around the apartment. A chilly, impersonal eye.

The mess in the living room was, all things considered, the ordinary mess of everyday life. Magazines lay scattered, sofa cushions shoved aside, a low table across from the television set covered with kibble of all sorts—cigarette lighters, bills to pay, even two African carved wooden giraffes. What didn't add up, on the other hand, was the unholy disarray in the kitchen. If there actually had been burglars in the apartment, what would they have been looking for in the kitchen? What valuables do people keep in the kitchen? The cabinet doors had all been thrown open. All except the doors under the sink. The deputy police chief pulled those doors open. There were three receptacles for sorted waste: garbage, metal, and paper. He peeked inside. The garbage was full; so was the bin for metal cans. But the container for paper and cardboard was
almost empty. There was only an empty egg carton, a flyer for a trip to Medjugorje with a special offer on pots and pans, and a fancy black shopping bag with rope handles. At the center of the bag was a sort of heraldic crest. Laurel leaves surrounding a surname, “Tomei.” Rocco thought he remembered a shop by that name in the center of town. Inside the bag was a gift card. “Best wishes, Esther.”

On the well next to the fridge was a flyer from the city government. It was a map listing trash days. Rocco took a look at it. They picked up paper recycling on that street on Thursdays. The day before. That's why the bin was half-empty.

The deputy police chief shifted his attention to the cell phone that he himself had placed on the marble countertop. That was another question mark. Who did it belong to? Was it the victim's? And why had it been shattered? Where was the SIM card?

The bedroom looked like it had been gone over with a fine-toothed comb. The burglars had concentrated here, working carefully. While the kitchen looked like the aftermath of an earthquake, in the bedroom you could see the careful hand of someone conducting a surgical investigation. Only the sheets had been tossed roughly aside and, to the attentive eye, it was clear that the mattress had been shoved a couple of inches over from the box spring beneath. The front doors of the armoire swung open, but the dresser and side tables were undisturbed. Under the window, half-hidden behind the floor-length curtains, was a dark blue velvet box. Rocco picked it up. It was empty. He left it on the dresser,
next to another framed photograph of the couple. In this one, they were sitting at a table and embracing. Rocco stared at the woman's face. And he silently promised her that he'd catch the son of a bitch. She thanked him, responding with a halfhearted smile.

THE DEPUTY POLICE CHIEF HAD DECIDED TO HEAD
home on foot, in defiance of the wind that had started to buffet the powdery snow off the roofs and tree branches, kicking it up in small whirlwinds off the blacktop of the streets. He strode briskly, his hands buried in the pockets of his light loden overcoat, which did little to keep him warm in that chilly weather. He looked up, but heavy dark clouds had covered both mountains and sky. Looking past the apartment buildings, all he could see were fields covered with snow or dark with mud. The last thing he wanted was to head straight back to police headquarters: he didn't want to talk to the chief of police, much less explain to the judge exactly what they'd found, partly because he didn't actually know. People on the sidewalk went past him without a glance, absorbed in their own affairs. He was the only one out without a hat. The wind's icy fingers massaged his scalp. He was bound to pay for this walk with a sinus infection and a backache. The air was a blend of wood smoke from the chimneys and carbon monoxide from the tailpipes. He walked briskly into the street at crosswalks, defying death. In Rome, someone would have certainly run him over, crushing him to jelly on the asphalt. But this was Aosta, and the cars screeched
to an unprotesting halt. He thought about what awaited him, what lay ahead of him. Aside from the Fiat 500 that stood patiently waiting for him to cross, nothing but work. And life in a city that was alien and distant. There was nothing here for him, and there never would be, even if he stayed for the next ten years. He'd never be able to bring himself to chat with old men in the bars about the high points of the local wines or the upcoming soccer draft picks. And for that matter his hesitant, wavering efforts to construct an affair with Nora looked thinner than a piece of onionskin typing paper. He missed his friends. He knew that at a time like this they'd rally to his support, and help him get over that intolerable pain in the ass. He thought of Seba, who had at least come up to see him. Furio, Brizio. Where were they now? Were they still out on the street, or had his colleagues in the Rome police sent them for an extended stay at the Hotel Roma, as the Regina Coeli prison was called? He'd have given a frostbitten finger of his hand for an ordinary Trastevere pizza, a good old cigarette at night, high atop the Janiculum Hill, or a game of poker at Stampella. Suddenly he found himself at the Porta Pretoria. At least the wind couldn't gust so freely through those ancient Roman gates. How had he wound up there? It was on the far side of town from police headquarters. Now he'd have to retrace his steps to Piazza Chanoux and continue straight from there. He decided that he'd stop in the bar on the piazza. He slowed his pace, now that he had a destination. Then he heard Beethoven's “Ode to Joy” issuing from his overcoat pocket. It was the ringtone he'd put on his cell phone for personal calls.

“Who is it?”

“Darling, it's me, Nora. Bad time?”

“Yes.”

“So am I bothering you?”

“Why do you insist on asking questions that practically demand a rude answer?” he asked.

“What's going on? Something wrong?”

“You want to know? Then I'll tell you. I've got a murder on my fucking hands. Satisfied?”

Nora paused for a moment. “Why on earth would you take it out on me?”

“I take it out on everyone. First and foremost myself. I'm heading back to the office. Hold on half an hour, and I'll call you back from there.”

“No, you'll forget to call anyway. Listen, I just want to tell you that I've arranged a party at my place. A few friends are coming over.”

“Why?” Rocco asked. The recent events in Via Brocherel had run over the blackboard of his memory like an eraser.

“What do you mean, why?” asked Nora, her voice getting louder.

The deputy police chief simply couldn't remember.

“It's my birthday today, Rocco!”

Oh, shit, the gift, was the thought that flashed through his brain. “What time?” he asked.

“Seven thirty. Can you make it?”

“I will if I can. That's a promise.”

“Do what you like. See you later. If you can make it.”
Nora hung up. The woman's closing words had been colder than the sidewalk around Piazza Chanoux.

It's a chore to maintain human relations. It takes commitment, determination, and willingness: you have to face life with a smile. None of these things were in Rocco Schiavone's toolkit. Life dragged him rudely from one day to the next, yanking him by the hair, and whatever it was that drove him to live from one day to the next, it was probably the same force that was making him put his left foot, shod in Clarks desert boots, in front of his right foot, similarly shod. One step, another step, as the Italian Alpini used to say to themselves as they marched through the Ukraine in temperatures of 40 degrees below zero in the long-ago winter of 1943. One step, another step, Deputy Police Chief Rocco Schiavone kept saying to himself—he'd been saying those words ever since that day, that distant July 7, 2007, the day his life had been snapped in half once and for all, when the boat had overturned, and he had been forced to change course.

A hot, sticky Roman day in July, the seventh of July. A day that took Marina away from him forever. And with her, everything that was good in Rocco Schiavone. He'd spend the rest of his life with nothing to guide him but his instinct for survival.

THE MAN WALKED UP TO THE FRONT DOOR OF THE
apartment building on Via Brocherel. Streamlined helmet
and high-impact sunglasses, pink and blue skintight bike shorts and jersey in power Lycra, covered with advertising slogans, white calf-length socks, and shoes with the toe higher than the heel, making him walk like a circus clown.