Anecdotes of Destiny and Ehrengard (12 page)

When the time came for her and Arndt to say good-bye, Herr Soerensen took her hand, pressed it to the best of his ability and feebly whispered or wheezed to her: “Why, that’s my dainty Ariel! I shall miss thee!” At that Malli found her voice. “And I you!” she cried aloud, without remembering that there had been no talk of parting at all.

Herr Soerensen was left alone, and for several days remained deeply gripped and moved. He understood, or by glimpses caught, his young pupil’s attitude, and was impressed. Here was a mighty undertaking: the whole world, the everyday common life, lifted onto the stage and being made one with it. Thy will be done, William Shakespeare, as on the stage so also in the drawing room! Here in very reality his Ariel did spread out a pair of wings and did rise into the air straight before his eyes. Suddenly and strangely it was brought back to him how once, in the exuberance of heart of a young actor, he himself had dreamed of such an apotheosis. And it now also happened to him, for the first two or three nights after Malli’s visit, in regular dreams in the narrow bed of his lodging, to find himself a partner in her venture, one time as Prospero on a father-in-law visit to the young King and Queen of Naples, another time as the fool in the Hosewinckel house. But when again awake he dismissed the idea. In the course of a long life he had gained experience and insight, and to any person of experience and insight, indeed to anyone but a young actress in love, the project of lifting daily life onto the stage was paradoxical, and in its essence blasphemous. For it was more likely that
daily life would drag down the stage to its own level than that the stage would succeed in maintaining it so highly elevated; and the whole world-order might well end up pell-mell.

He next reflected that he was now to lose his Ariel, and that the great enterprise of his life would never materialize. At this he grieved. Why, he asked himself, must the hideous, wet tempest in Kvasefjord break right into the middle of his William’s
Tempest
? Could it be that it had been brought about by the will of that forceful, fearless, formidable child?

Yet as soon as the old director had to some extent regained the modulated register of his voice, he paid a return visit to the shipowner’s house. For the occasion he had purchased a pair of lavender-colored gloves, which stood out against his old frock coat and frayed top hat, but was in harmony with his carriage and tone of voice. His manner was so courteous and obliging that Fru Hosewinckel, who was not accustomed to such self-effacing men of the world, became almost bashful. He made a bow each minute and was untiring in his praise of everything in the rooms. If he had overlooked any single object, he hastened to make good the neglect, as if he were making the lofty mirrors between the windows or the view over the marketplace the humblest apologies for his forgetfulness.

He burst out: “What glorious, magnificent possessions—collected in old Europe at what cost! What treasures brought from China and the Indies! Oh, what extremely charming chandeliers—and brilliant paintings of majestic ships!”

Herr Soerensen and Malli for a moment were alone in the drawing room. Herr Soerensen put a finger to his lips, blew Malli a little kiss, and solemnly announced: “My girl, you are Dame Fortune’s favorite!” As Malli looked back at him in a clear, firm gaze, he himself looked aside, pulled an old silk
handkerchief out of his coat pocket, mopped his forehead, and finished up, somewhat subdued and more to himself than to her:

When he had again taken his leave in a series of sweet bows, Malli kept standing by the window, letting her eyes follow his figure as it strode proudly across the square, grew smaller and disappeared.

The thought or notion that Malli, instead of continuing the journey with Herr Soerensen and his company, might remain in the town and come to belong to it, first arose among the people who had cheered her when her boat came into the harbor. One might say that in the town community this thought or notion moved in a spiral; as its rings became narrower it constantly rose higher, both socially and emotionally. When in the end it reached those on whom it turned, it also reached its zenith of tension and destiny.

In a small community where not many things happen, as a rule there is much talk. There an engagement is the supreme topic of conversation and discussion, and the more interest beforehand existent in the young persons who are believed to become engaged, the more lively the talk. It may therefore be worth recording that in this case so little was said. Arndt
Hosewinckel was the town’s darling and its best match; Malli was its heroine. But as the two drew closer together and to the mind of the people became one, it was as if their figures eluded observation. A deep breath of comprehension passed through the town, but the names were spoken less often than before.

The plain people of the town took pleasure in the idea that Arndt Hosewinckel and Mamzell Ross might become a pair. It was once again the happy ending, both surprising and foreseen, to the old tale in which Cinderella marries the Prince. Their town in reward for a handsome deed handsomely gave the best it had to give. That the yellow house in the marketplace should come to open its door to a poor daughter-in-law, a drowned skipper’s child, rejoiced and moved the sailors’ wives, and there was in their joy no kind of malice toward the shipowner or his lady. For had it not been proclaimed in the very harbor that the bride was a treasure? Inasmuch as she symbolized the sea, the breadwinner and the fate of all, she united, even as the sea itself, the town’s humble folk with its richest citizen.

The thought or notion climbed its spiral path to a higher and narrower circle and gained access to the houses of the best society. Then Malli’s good name for a day or two trembled on the brink of an abyss. For up here one asked oneself whether the heroine was not in reality an adventuress gambling on the town’s admiration and gratitude in order to make a match above her station. But something in the picture of the girl herself almost immediately tipped the balance in her favor. The old gentlemen of the ball were the first to acquit her. Their wives, who were honest folk and who had often trembled for ships and crews, examined Malli’s behavior in the night of the storm and acknowledged that nothing in it could be interpreted as calculation.

Possibly each single one of the young burghers’ daughters, to whose dancing Malli had sung, reasoned that if she could not herself have Arndt Hosewinckel, the girl from the wreck was the one to whom she could easiest renounce him. Or perhaps those girls, who had known one another from their days of curved combs and pantalets, knew too much of one another’s shortcomings. Of one young beauty, who was specially admired for her small feet, they knew that she had her shoes made yet a size smaller and so had acquired a corn. Of another charmer they knew that her shining golden tresses did not all grow on her own head. Of the stranger the fair young girls knew that she was poor, badly dressed and too big to be elegant, and that she could not dance. But there was in her special shy manner so much trust in, and so much recognition of, all beauty round her that in her presence everyone thought herself more beautiful. It also happened that they suddenly felt the girl from the sea to have in her a laughter different from their own. It had rung out through a storm, or had accompanied it.

The thought or notion reached the house on the square. It found a foothold in the servants’ hall before it rose to the first floor and was here felt to be of extreme importance. The servants’ hall finished by accepting Malli; it even silently closed a ring round the house’s young lady-to-be, who owned only one frock and three shifts, and who sang so sweetly.

The thought or notion came up the stairs and into the drawing room of the paintings of majestic ships, and filled it with pregnant silence. It had reached high in its course; in here it was the future itself.

It found the atmosphere in the drawing room prepared or expectant, like the tuned instrument for the melody. The old master of the house at this time was in high spirits, with a delicate pink in the cheeks; he put on chokers and brought
home presents of lace for his lady and sugarplums for Malli. With his ship’s miraculous rescue in the night of the storm something romantic and heroic had come into his precisely regulated life—a gale’s breath, the song of the wind in the sails. It was very fitting that he himself as father-in-law should in the end be taken by storm by a heroine. It may be considered a dangerous thing to extend one’s enthusiasm for a heroic deed to everyday life, and the experienced shipowner might well have been somewhat uneasy about a heroic daughter-in-law—had she been the Maid of Orleans herself—whose exploits had been carried out ashore. But Malli’s halo had been won at sea, amid salt breakers and surf spray. Jochum Hosewinckel as a very young man had suffered shipwreck on one of his father’s ships. He would not mind a daughter-in-law in whose presence he would once more be eighteen years.

Malli’s obscure origin might have cast a shadow over her young figure as it moved about the house. But since the sea had once shown itself to be the girl’s ally, it was taken for granted that the harmony between the two was perfect, and that Alexander Ross had gone down with his ship an honorable man. Indeed his daughter’s steadfastness on the
Sofie Hosewinckel
in some mystic way became a proof of this fact. Jochum Hosewinckel called to mind the name of an old Swedish Commander Ross, a friend of his father’s, who had also been of Scotch origin, and about whose figure some mystery had also rested. The Commander could well have been a relative of the lost ship’s captain, and one might well here have to do with a family of heroes.

Fru Wencke Hosewinckel, ever a woman of few words, in silence wondered at the quickness with which all men seemed able to take up a standpoint in face of life’s events. She watched her son’s face, listened to his voice, and bided her time.

The thought or notion finally reached its close and its summit with the two young people themselves who were to be the happy pair. It took them both by surprise like an amazing, brilliant idea from an outside world which they had forgotten. For some weeks they had dwelt among immortal powers. As now the mortal world too gave them its blessing, they happily accepted that too, and from now on their eternity could become their everyday.

For Malli this came to be the completion and perfection of her own mighty rise. She had once been given wings; they had grown miraculously and had been able to carry her, ever upward, to this unspeakable glory. She stood on a dizzying height, but she could fearlessly cast herself out from it anywhere, because anywhere Arndt’s arms would catch her and bear her. Now she was also to become his wife, to have his name and make his house her home, she was to

She had tremblingly dreamt of playing Juliet, now life had given her a role as fine as Juliet’s. And she was the maid of Arendal who would not consent to be anybody’s prize!

Arndt’s happiness was of a different kind. Promises of long ago, which his own mind had rejected, now rose again and were fulfilled. The world had been restless, disorganized and empty. A young girl looked at it, and under her eyes it became united, became a cosmos.

He had received, at the harbor, the penniless, valiant girl who had saved one of his house’s ships. Such a young maiden was the last human being he wanted to make unhappy; he was not going to become her destiny. He had kissed her, and to make up for the kiss had at first in his parents’ house kept
away from her. But one day Malli had looked at him with bright, candid eyes, openly enough to make him feel that neither he nor anyone else in the world could make this young lass unhappy. This struck the rich youth as a jest on the part of Fate; he looked back at the girl, approached her and spoke to her. And behold, he himself then had a destiny—clear-eyed, generous, without
arrière-pensées
.

Ay, she was a heroine, a lion-hearted maiden, as they all said. But she was so in a manner other than they knew of. She had no need to fear, for where she was, danger was not. There were still shipwrecks, distress and misfortune. But shipwrecks, distress and misfortune were changed, and became evidence of God’s omnipotence and mercy.

Later in the night he saw, strangely, the picture of himself as he had been before she came. He thought: “She has power to wake the dead.”

Just before daybreak came also the picture of Guro, of whom he had not thought for many years. And he remembered that they had been friends and happy together, rich in desire and tenderness in spring nights, in such nights as this one. He understood that in the very last spring night the sea had taken Guro in a mighty embrace wherein there was power and love, forgiveness and forgetfulness.

“And sweet sprites, the burden bear!” echoed around him in the dim house.

It is reasonable to assume that Arndt asked Malli to become his wife in a completely ordinary suitor’s fashion and that she answered “yes” in the manner of an ordinary girl. But the question was put and answered as if it was to decide his and her eternal salvation.

They stood closely embraced, borne and elevated on the same wave. But they did not kiss; a kiss did not fit into this instant of eternity.

A while later as they were sitting together on the sofa by the window, she asked him lowly and gravely: “Are you happy?” He answered her slowly: “Yes, I am happy. But it is not happiness that you are, Malli. It is life. I was not sure that life was to be found anywhere in the world. People said: ‘That is a matter of life and death,’ and I thought: ‘What a small matter it is.’ I thought of myself that I knew about everything, and that I portended ruin. Oh, Malli, today I am an enigma to myself, and a harbinger of joy to the world.”