Angels & Demons (23 page)

Brilliant
.

Glick couldn’t believe the BBC still sent reporters into the field to cover this schlock.
You don’t see the
American networks here tonight
.
Hell no!
That was because the big boys did it right. They watched CNN, synopsized it, and then filmed their “live” report in front of a blue screen, superimposing stock video for a realistic backdrop. MSNBC even used in-studio wind and rain machines to give that on-the-scene authenticity. Viewers didn’t want truth anymore; they wanted entertainment. Glick gazed out through the windshield and felt more and more depressed by the minute. The imperial mountain of Vatican City rose before him as a dismal reminder of what men could accomplish when they put their minds to it.

“What have I accomplished in my life?” he wondered aloud. “Nothing.”

“So give up,” a woman’s voice said from behind him.

Glick jumped. He had almost forgotten he was not alone. He turned to the back seat, where his camerawoman, Chinita Macri, sat silently polishing her glasses. She was always polishing her glasses. Chinita was black, although she preferred African American, a little heavy, and smart as hell. She wouldn’t let you forget it either. She was an odd bird, but Glick liked her. And Glick could sure as hell use the company.

“What’s the problem, Gunth?” Chinita asked.

“What are we doing here?”

She kept polishing. “Witnessing an exciting event.”

“Old men locked in the dark is exciting?”

“You
do
know you’re going to hell, don’t you?”

“Already there.”

“Talk to me.” She sounded like his mother.

“I just feel like I want to leave my mark.”

“You wrote for the
British Tattler.”

“Yeah, but nothing with any resonance.”

“Oh, come on, I heard you did a groundbreaking article on the queen’s secret sex life with aliens.”

“Thanks.”

“Hey, things are looking up. Tonight you make your first fifteen seconds of TV history.”

Glick groaned. He could hear the news anchor already. “Thanks Gunther, great report.” Then the anchor would roll his eyes and move on to the weather. “I should have tried for an anchor spot.”

Macri laughed. “With no experience? And
that
beard? Forget it.”

Glick ran his hands through the reddish gob of hair on his chin. “I think it makes me look clever.”

The van’s cell phone rang, mercifully interrupting yet another one of Glick’s failures. “Maybe that’s editorial,” he said, suddenly hopeful. “You think they want a live update?”

“On
this
story?” Macri laughed. “You keep dreaming.”

Glick answered the phone in his best anchorman voice. “Gunther Glick, BBC, Live in Vatican City.”

The man on the line had a thick Arabic accent. “Listen carefully,” he said. “I am about to change your life.”

49

L angdon and Vittoria stood alone now outside the double doors that led to the inner sanctum of the Secret Archives. The decor in the colonnade was an incongruous mix of wall-to-wall carpets over marble floors and wireless security cameras gazing down from beside carved cherubs in the ceiling. Langdon dubbed it
Sterile Renaissance
. Beside the arched ingress hung a small bronze plaque.

Curatore, Padre Jaqui Tomaso

Father Jaqui Tomaso
. Langdon recognized the curator’s name from the rejection letters at home in his desk.
Dear Mr
.
Langdon, It is with regret that I am writing to deny
. . . Regret.
Bullshit
. Since Jaqui Tomaso’s reign had begun, Langdon had never met a single non-Catholic American scholar who had been given access to the Secret Vatican Archives.
Il gaurdiano,
historians called him. Jaqui Tomaso was the toughest librarian on earth.

As Langdon pushed the doors open and stepped through the vaulted portal into the inner sanctum, he half expected to see Father Jaqui in full military fatigues and helmet standing guard with a bazooka. The space, however, was deserted.

Silence. Soft lighting.

Archivio Vaticano
. One of his life dreams.

As Langdon’s eyes took in the sacred chamber, his first reaction was one of embarrassment. He realized what a callow romantic he was. The images he had held for so many years of this room could not have been more inaccurate. He had imagined dusty bookshelves piled high with tattered volumes, priests cataloging by the light of candles and stained-glass windows, monks poring over scrolls . . . Not even close.

At first glance the room appeared to be a darkened airline hangar in which someone had built a dozen freestanding racquetball courts. Langdon knew of course what the glass-walled enclosures were. He was not surprised to see them; humidity and heat eroded ancient vellums and parchments, and proper preservation required hermitic vaults like these—airtight cubicles that kept out humidity and natural acids in the air. Langdon had been inside hermetic vaults many times, but it was always an unsettling experience . . . something about entering an airtight container where the oxygen was regulated by a reference librarian. The vaults were dark, ghostly even, faintly outlined by tiny dome lights at the end of each stack. In the blackness of each cell, Langdon sensed the phantom giants, row upon row of towering stacks, laden with history. This was one hell of a collection.

Vittoria also seemed dazzled. She stood beside him staring mutely at the giant transparent cubes. Time was short, and Langdon wasted none of it scanning the dimly lit room for a book catalog—a bound encyclopedia that cataloged the library’s collection. All he saw was the glow of a handful of computer terminals dotting the room. “Looks like they’ve got a Biblion. Their index is computerized.”

Vittoria looked hopeful. “That should speed things up.”

Langdon wished he shared her enthusiasm, but he sensed this was bad news. He walked to a terminal and began typing. His fears were instantly confirmed. “The old-fashioned method would have been better.”

“Why?”

He stepped back from the monitor. “Because
real
books don’t have password protection. I don’t suppose physicists are natural born hackers?”

Vittoria shook her head. “I can open oysters, that’s about it.”

Langdon took a deep breath and turned to face the eerie collection of diaphanous vaults. He walked to the nearest one and squinted into the dim interior. Inside the glass were amorphous shapes Langdon recognized as the usual bookshelves, parchment bins, and examination tables. He looked up at the indicator tabs glowing at the end of each stack. As in all libraries, the tabs indicated the contents of that row. He read the headings as he moved down the transparent barrier.

PIETRO IL ERIMITO . . . LE CROCIATE . . . URBANO II . . . LEVANT . . .

“They’re labeled,” he said, still walking. “But it’s not alpha-author.” He wasn’t surprised. Ancient archives were almost never cataloged alphabetically because so many of the authors were unknown. Titles didn’t work either because many historical documents were untitled letters or parchment fragments. Most cataloging was done chronologically. Disconcertingly, however,
this
arrangement did not appear to be chronological.

Langdon felt precious time already slipping away. “Looks like the Vatican has its own system.”

“What a surprise.”

He examined the labels again. The documents spanned centuries, but all the keywords, he realized, were interrelated. “I think it’s a thematic classification.”

“Thematic?” Vittoria said, sounding like a disapproving scientist. “Sounds inefficient.”

Actually
. . . Langdon thought, considering it more closely.
This may be the shrewdest cataloging I’ve
ever seen
. He had always urged his students to understand the overall tones and motifs of an artistic period rather than getting lost in the minutia of dates and specific works. The Vatican Archives, it seemed, were cataloged on a similar philosophy.
Broad strokes
. . .

“Everything in this vault,” Langdon said, feeling more confident now, “centuries of material, has to do with the Crusades. That’s this vault’s theme.” It was all here, he realized.
Historical accounts, letters,
artwork, socio-political data, modern analyses
.
All in one place
. . .
encouraging a deeper understanding
of a topic
.
Brilliant
.

Vittoria frowned. “But data can relate to
multiple
themes simultaneously.”

“Which is why they cross-reference with proxy markers.” Langdon pointed through the glass to the colorful plastic tabs inserted among the documents. “Those indicate secondary documents located elsewhere with their primary themes.”

“Sure,” she said, apparently letting it go. She put her hands on her hips and surveyed the enormous space. Then she looked at Langdon. “So, Professor, what’s the name of this Galileo thing we’re looking for?”

Langdon couldn’t help but smile. He still couldn’t fathom that he was standing in this room.
It’s in here,
he thought.
Somewhere in the dark, it’s waiting
.

“Follow me,” Langdon said. He started briskly down the first aisle, examining the indicator tabs of each vault. “Remember how I told you about the Path of Illumination? How the Illuminati recruited new members using an elaborate test?”

“The treasure hunt,” Vittoria said, following closely.

“The challenge the Illuminati had was that after they placed the markers, they needed some way to tell the scientific community the path existed.”

“Logical,” Vittoria said. “Otherwise nobody would know to look for it.”

“Yes, and even if they
knew
the path existed, scientists would have no way of knowing where the path began. Rome is huge.”

“Okay.”

Langdon proceeded down the next aisle, scanning the tabs as he talked. “About fifteen years ago, some historians at the Sorbonne and I uncovered a series of Illuminati letters filled with references to the
segno.”

“The sign. The announcement about the path and where it began.”

“Yes. And since then, plenty of Illuminati academics, myself included, have uncovered other references to the
segno
. It is accepted theory now that the clue exists and that Galileo mass distributed it to the scientific community without the Vatican ever knowing.”

“How?”

“We’re not sure, but most likely printed publications. He published many books and newsletters over the years.”

“That the Vatican no doubt saw. Sounds dangerous.”

“True. Nonetheless the
segno
was distributed.”

“But nobody has ever actually found it?”

“No. Oddly though, wherever allusions to the
segno
appear—Masonic diaries, ancient scientific journals, Illuminati letters—it is often referred to by a number.”

“666?”

Langdon smiled. “Actually it’s 503.”

“Meaning?”

“None of us could ever figure it out. I became fascinated with 503, trying everything to find meaning in the number—numerology, map references, latitudes.” Langdon reached the end of the aisle, turned the corner, and hurried to scan the next row of tabs as he spoke. “For many years the only clue seemed to be that 503 began with the number five . . . one of the sacred Illuminati digits.” He paused.

“Something tells me you recently figured it out, and that’s why we’re here.”

“Correct,” Langdon said, allowing himself a rare moment of pride in his work. “Are you familiar with a book by Galileo called
Diàlogo?”

“Of course. Famous among scientists as the ultimate scientific sellout.”

Sellout
wasn’t quite the word Langdon would have used, but he knew what Vittoria meant. In the early 1630s, Galileo had wanted to publish a book endorsing the Copernican heliocentric model of the solar system, but the Vatican would not permit the book’s release unless Galileo included equally persuasive evidence for the church’s
geo
centric model—a model Galileo knew to be dead wrong. Galileo had no choice but to acquiesce to the church’s demands and publish a book giving equal time to both the accurate and inaccurate models.

“As you probably know,” Langdon said, “despite Galileo’s compromise,
Diàlogo
was still seen as heretical, and the Vatican placed him under house arrest.”

“No good deed goes unpunished.”

Langdon smiled. “So true. And yet Galileo was persistent. While under house arrest, he secretly wrote a lesser-known manuscript that scholars often confuse with
Diàlogo
. That book is called
Discorsi.”

Vittoria nodded. “I’ve heard of it.
Discourses on the Tides.”

Langdon stopped short, amazed she had heard of the obscure publication about planetary motion and its effect on the tides.

“Hey,” she said, “you’re talking to an Italian marine physicist whose father worshiped Galileo.”

Langdon laughed.
Discorsi
however was not what they were looking for. Langdon explained that
Discorsi
had not been Galileo’s only work while under house arrest. Historians believed he had also written an obscure booklet called
Diagramma
.

“Diagramma della Verità,”
Langdon said.
“Diagram of Truth.”

“Never heard of it.”

“I’m not surprised.
Diagramma
was Galileo’s most secretive work—supposedly some sort of treatise on scientific facts he held to be true but was not allowed to share. Like some of Galileo’s previous manuscripts,
Diagramma
was smuggled out of Rome by a friend and quietly published in Holland. The booklet became wildly popular in the European scientific underground. Then the Vatican caught wind of it and went on a book-burning campaign.”

Vittoria now looked intrigued. “And you think
Diagramma
contained the clue? The
segno
. The information about the Path of Illumination.”

“Diagramma
is how Galileo got the word out. That I’m sure of.” Langdon entered the third row of vaults and continued surveying the indicator tabs. “Archivists have been looking for a copy of
Diagramma
for years. But between the Vatican burnings and the booklet’s low permanence rating, the booklet has disappeared off the face of the earth.”