Armadale (100 page)

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Authors: Wilkie Collins

BOOK: Armadale
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‘I know that I have been working too hard lately,' he went on, ‘and that my nerves are sadly shaken. It is possible, in the state I am in now, that I may have unconsciously misinterpreted, or distorted, the circumstances that really took place. You will do me a favour if you will test my recollection of what has happened by your own. If my fancy has exaggerated anything, if my memory is playing me false anywhere, I entreat you to stop me, and tell me of it.'
2

I commanded myself sufficiently to ask what the circumstances were to which he referred, and in what way I was personally concerned in them.

‘You were personally concerned in them, in this way,' he answered. ‘The circumstances to which I refer, began with your speaking to Allan about Miss Milroy, in what I thought, a very inconsiderate and very impatient manner. I am afraid I spoke just as petulantly on my side – and I beg your pardon for what I said to you in the irritation of the moment. You left the room. After a short absence, you came back again, and made a perfectly proper apology to Allan, which he received with his usual kindness, and sweetness of temper. While this went on, you and he were both standing by the supper-table; and Allan resumed some conversation which had already passed between you about the Neapolitan wine. He said he thought he should learn to like it in time, and he asked leave to take another glass of the wine we had on the table. Am I right so far?'

The words almost died on my lips; but I forced them out, and answered him that he was right so far.

‘You took the flask out of Allan's hand,' he proceeded. ‘You said to him, good-humouredly, “You know you don't really like the wine, Mr Armadale. Let me make you something which may be more to your taste. I have a receipt of my own for lemonade. Will you favour me by trying it?” In those words, you made your proposal to him, and he accepted it. Did he also ask leave to look on, and learn how the lemonade was made? and did you tell him that he would only confuse
you, and that you would give him the receipt in writing, if he wanted it?'

This time, the words did really die on my lips. I could only bow my head, and answer ‘Yes' mutely in that way. Midwinter went on.

‘Allan laughed, and went to the window to look out at the Bay, and I went with him. After a while, Allan remarked, jocosely, that the mere sound of the liquids you were pouring out, made him thirsty. When he said this, I turned round from the window. I approached you, and said the lemonade took a long time to make. You touched me, as I was walking away again, and handed me the tumbler filled to the brim. At the same time, Allan turned round from the window; and I, in my turn, handed the tumbler to
him
.– Is there any mistake so far?'

The quick throbbing of my heart almost choked me. I could just shake my head – I could do no more.

‘I saw Allan raise the tumbler to his lips. – Did
you
see it? I saw his face turn white, in an instant. –
Did you
? I saw the glass fall from his hand on the floor. I saw him stagger, and caught him before he fell. Are these things true? For God's sake, search your memory, and tell me – are these things true?'

The throbbing at my heart seemed, for one breathless instant, to stop. The next moment something fiery, something maddening, flew through me. I started to my feet, with my temper in a flame, reckless of all consequences, desperate enough to say anything.

‘Your questions are an insult! Your looks are an insult!' I burst out. ‘
Do you think I tried to poison him
?'

The words rushed out of my lips in spite of me. They were the last words under heaven that any woman, in such a situation as mine, ought to have spoken. And yet I spoke them!

He rose in alarm, and gave me my smelling-bottle. ‘Hush! hush!' he said. ‘You, too, are overwrought – you, too, are over-excited by all that has happened to-night. You are talking wildly and shockingly. Good God! how can you have so utterly misunderstood me? Compose yourself – pray, compose yourself.'

He might as well have told a wild animal to compose herself. Having been mad enough to say the words, I was mad enough next, to return to the subject of the lemonade, in spite of his entreaties to me to be silent.

‘I told you what I had put in the glass, the moment Mr Armadale fainted,' I went on; insisting furiously on defending myself, when no attack was made on me. ‘I told you I had taken the flask of brandy which you keep at your bedside, and mixed some of it with the lemonade. How could I know that he had a nervous horror of the smell and taste
of brandy? Didn't he say to me himself, when he came to his senses, It's my fault; I ought to have warned you to put no brandy in it? Didn't he remind you, afterwards, of the time when you and he were in the Isle of Man together, and when the Doctor there innocently made the same mistake with him that I made to-night?'

[I laid a great stress on my innocence – and with some reason too. Whatever else I may be, I pride myself on not being a hypocrite. I
was
innocent – so far as the brandy was concerned. I had put it into the lemonade, in pure ignorance of Armadale's nervous peculiarity, to disguise the taste of – never mind what!
3
Another of the things I pride myself on is, that I never wander from my subject. What Midwinter said next, is what I ought to be writing about now.]

He looked at me for a moment, as if he thought I had taken leave of my senses. Then he came round to my side of the table, and stood over me again.

‘If nothing else will satisfy you that you are entirely misinterpreting my motives,' he said, ‘and that I haven't an idea of blaming
you
in the matter – read this.'

He took a paper from the breast-pocket of his coat, and spread it open under my eyes. It was the Narrative of Armadale's Dream.

In an instant the whole weight on my mind was lifted off it. I felt mistress of myself again – I understood him at last.

‘Do you know what this is?' he asked. ‘Do you remember what I said to you at Thorpe-Ambrose, about Allan's Dream? I told you, then, that two out of the three Visions had already come true. I tell you now, that the third Vision has been fulfilled in this house to-night.'

He turned over the leaves of the manuscript, and pointed to the lines that he wished me to read.
4

I read these, or nearly these words, from the Narrative of the Dream, as Midwinter had taken it down from Armadale's own lips:

The darkness opened for the third time, and showed me the Shadow of the Man, and the Shadow of the Woman together. The Man-Shadow was the nearest; the Woman-Shadow stood back. From where she stood, I heard a sound like the pouring out of a liquid softly. I saw her touch the Shadow of the Man with one hand, and give him a glass with the other. He took the glass, and handed it to me. At the moment when I put it to my lips, a deadly faintness overcame me. When I recovered my senses again, the Shadows had vanished, and the Vision was at an end.

For the moment, I was as completely staggered by this extraordinary coincidence as Midwinter himself.

He put one hand on the open Narrative, and laid the other heavily on my arm.

‘
Now
do you understand my motive in coming here?' he asked. ‘
Now
do you see that the last hope I had to cling to, was the hope that your memory of the night's events might prove my memory to be wrong?
Now
do you know why I won't help Allan? Why I won't sail with him? Why I am plotting and lying, and making you plot and lie too, to keep my best and dearest friend out of the house?'

‘Have you forgotten Mr Brock's letter?' I asked.

He struck his hand passionately on the open manuscript. ‘If Mr Brock had lived to see what we have seen to-night, he would have felt what I feel, he would have said what I say!' His voice sank mysteriously, and his great black eyes glittered at me as he made that answer. ‘Thrice the Shadows of the Vision warned Allan in his sleep,' he went on; ‘and thrice those Shadows have been embodied in the aftertime by You, and by Me! You, and no other, stood in the Woman's place at the pool. I, and no other, stood in the Man's place at the window. And you and I together, when the last Vision showed the Shadows together, stand in the Man's place and the Woman's place still! For
this
, the miserable day dawned when you and I first met. For
this
, your influence drew me to you, when my better angel warned me to fly the sight of your face. There is a curse on our lives! there is a fatality in our footsteps! Allan's future depends on his separation from us at once and for ever. Drive him from the place we live in, and the air we breathe. Force him among strangers – the worst and wickedest of them will be more harmless to him than we are! Let his yacht sail, though he goes on his knees to ask us, without You and without Me – and let him know how I loved him in another world than this, where the wicked cease from troubling and the weary are at rest!'

His grief conquered him – his voice broke into a sob when he spoke those last words. He took the Narrative of the Dream from the table, and left me as abruptly as he had come in.

As I heard his door locked between us, my mind went back to what he had said to me, about myself. In remembering ‘the miserable day' when we first saw each other, and ‘the better angel' that had warned him to ‘fly the sight of my face', I forgot all else. It doesn't matter what I felt. I wouldn't own it, even if I had a friend to speak to. Who cares for the misery of such a woman as I am? who believes in it? Besides, he spoke under the influence of the mad superstition that has got possession of him again. There is every excuse for
him
– there is no excuse for
me
. If I can't help being fond of him, through it all, I must take the consequences
and suffer. I deserve to suffer; I deserve neither love nor pity from anybody. – Good heavens, what a fool I am! And how unnatural all this would be, if it was written in a book!

It has struck one. I can hear Midwinter still, pacing to and fro in his room.

He is thinking, I suppose? Well! I can think too. What am I to do next? I shall wait and see. Events take odd turns, sometimes – and events may justify the fatalism of the amiable man in the next room, who curses the day when he first saw my face. He may live to curse it for other reasons than he has now. If I
am
the Woman pointed at in the Dream, there will be another temptation put in my way before long – and there will be no brandy in Armadale's lemonade if I mix it for him a second time.

October 24th
– Barely twelve hours have passed since I wrote my yesterday's entry – and that other temptation has come, tried, and conquered me already!

This time there was no alternative. Instant exposure and ruin stared me in the face – I had no choice but to yield in my own defence. In plainer words still, it was no accidental resemblance that startled me at the theatre last night. The chorus-singer at the opera was Manuel himself!

Not ten minutes after Midwinter had left the sitting-room for his study, the woman of the house came in with a dirty little three-cornered note in her hand. One look at the writing on the address was enough. He had recognized me in the box; and the ballet between the acts of the opera had given him time to trace me home. I drew that plain conclusion in the moment that elapsed before I opened the letter. It informed me, in two lines, that he was waiting in a by-street, leading to the beach; and that, if I failed to make my appearance in ten minutes, he should interpret my absence as an invitation to him to call at the house.

What I went through yesterday, must have hardened me, I suppose. At any rate, after reading the letter, I felt more like the woman I once was than I have felt for months past. I put on my bonnet, and went downstairs, and left the house as if nothing had happened.

He was waiting for me at the entrance to the street.

In the instant when we stood face to face, all my wretched life with him came back to me. I thought of my trust that he had betrayed; I thought of the cruel mockery of a marriage that he had practised on me, when he knew that he had a wife living; I thought of the time when
I had felt despair enough at his desertion of me to attempt my own life. When I recalled all this, and when the comparison between Midwinter and the mean, miserable villain whom I had once believed in, forced itself into my mind, I knew, for the first time, what a woman feels when every atom of respect for herself has left her. If he had personally insulted me, at that moment, I believe I should have submitted to it.

But he had no idea of insulting me, in the more brutal meaning of the word. He had me at his mercy, and his way of making me feel it was to behave with an elaborate mockery of penitence and respect. I let him speak as he pleased, without interrupting him, without looking at him a second time, without even allowing my dress to touch him, as we walked together towards the quieter part of the beach. I had noticed the wretched state of his clothes, and the greedy glitter in his eyes, in my first look at him. And I knew it would end – as it did end – in a demand on me for money.

Yes! After taking from me the last farthing I possessed of my own, and the last farthing I could extort for him from my old mistress, he turned on me as we stood by the margin of the sea, and asked if I could reconcile it to my conscience to let him be wearing such a coat as he then had on his back, and earning his miserable living as a chorus-singer at the opera!

My disgust, rather than my indignation, roused me into speaking to him at last.

‘You want money,' I said. ‘suppose I am too poor to give it to you?'

‘In that case,' he replied, ‘I shall be forced to remember that you are a treasure in yourself. And I shall be under the painful necessity of pressing my claim to you on the attention of one of those two gentlemen whom I saw with you at the opera – the gentleman, of course, who is now honoured by your preference, and who lives provisionally in the light of your smiles.'

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