Authors: Kerry Greenwood
is the author of seventeen novels and the editor of two collections. Previous novels in the Phryne Fisher series are
Flying too High
Murder on the
Death at Victoria Dock
Green Mill Murder
Blood and Circuses
Raisins and Almonds
Death Before Wicket.
She is also the author of several books for young adults and the Delphic Women series.
When she is not writing she is an advocate in Magistrates’ Courts for the Legal Aid Commission. She is not married, has no children and lives with a registered Wizard.
A Phryne Fisher
ALLEN & UNWIN
First published in 2001
Copyright © Kerry Greenwood 2001
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the publisher.
The Australian Copyright Act
1968 (the Act) allows a maximum of one chapter or 10% of this book, whichever is the greater, to be photocopied by any educational institution for its educational purposes provided that the educational institution (or body that administers it) has given a remuneration notice to Copyright Agency Limited (CAL) under the Act.
National Library of Australia
Away with the fairies: a Phryne Fisher mystery.
ISBN 1 86508 489 1.
Set in 11.5pt Adobe Garamond by Midland Typesetters
Printed by Australian Print Group, Maryborough, Victoria
10 9 8 7 6 5 4 3 2 1
This book is dedicated to my dearest twin, Jenny Pausacker.
With thanks as always to A.W.G., J.S.L.G., A.D.P., D.L.J.G., J.P. and S.T. They know who they are … And to Jenny Darling, proprietor of Wee Nooke.
The strong subject, nonwithstanding the
efforts against him, survives and acquires
fresh vigour. The people again cherish their
sovereign, and the plotters have wrought
their own overthrow.
Hexagram 23: Po
The I Ching Book of Changes
In concealment of illumination, it is beneficial to
be upright in difficulty.
Hexagram 36: Ming I
The I Ching Book of Changes
‘Drat,’ said Mercy Porter, balancing the tray on a concrete cherub as she tugged at the latch on the Garden Apartment gate. ‘Damn,’ she said aloud as her fingernail snagged and broke. She nudged the gate open with her knee, marking her white apron—clean on that morning, and she had to do her own washing—with moss. As there were really no other expletives she could use aloud without imminent danger of the sack, she bit her lip and steadied the tray.
There had to be something else she could do for a living in this modern year of 1928, she thought, stepping carefully along the paved path through a forest of brightly painted stone figures. I hate all this useless rubbish. Why fill up a garden with statues instead of plants? That gnome with the fishing rod is always out to ladder my stockings.
She avoided the fishing gnome, ascended three stone steps and knocked at the pink door of the Garden Apartment. That Miss Lavender always went crook if her tea was cold, and the delay in the kitchen while the cook had been telling the grocer’s boy about her hay fever had made Mercy ten minutes late. The tea would be stewed if she didn’t get it on the table quick smart, and then there’d be hell to pay.
The door remained shut. Mercy put the tray down on a convenient bird table and plied the fancy brass knocker in the shape of the Lincoln Imp hard enough to jar that demonic person’s teeth out. The garden was silent and soggy on this wet, sullen morning. The blows of the knocker seemed to echo through the house.
The pink door swung open. Not like Miss Lavender not to lock her door. Mercy went in, tray first, kicking the door shut behind her, and turned sharp left into the sitting room of Wee Nooke. Miss Lavender had caused this name to be painted up over the door in letters of a pink which blushed for its presumption. The apartment, which had once been a gardener’s shed before being extensively rebuilt, was overwhelmingly decorated and smelt, as always, of a potpourri of perfumes. Lavender, rose, almond blossom, talcum powder and a slight under-hint of gin. Mercy sneezed and wondered if hay fever was catching. Where was the old chook, anyway?
The tenant of the house was sitting at the table with her back to the maid.
‘Miss Lavender?’ asked Mercy. ‘I’ve brought your breakfast. Nice hot tea,’ she added encouragingly, pushing a music box with a fairy doll dressed in bright red gauze on top across the table and setting the tray down with a thump.
Miss Lavender did not move. She sat alarmingly still with her head bowed into her clasped hands as though she was praying. When Mercy, who had seven breakfasts still to distribute, touched Miss Lavender’s shoulder, she slid sideways with a peculiarly boneless wriggle and fell to the floor. Her face was perfectly blue (which clashed dreadfully with her pink garments) and she was, Mercy was sure, extremely dead.
Mercy made it to the door and screamed for help before she fainted.
Phryne Fisher had dined the night before with Jane and Ruth, her thirteen-year-old adoptive daughters, a couple of wharfies called Bert and Cec, a policeman called Hugh Collins, her maid and companion Dorothy (Dot) Williams, a small humble dog called Molly because she looked like one, and the cat, Ember. This had constituted a reasonably merry party. A huge and delicious dinner had been cooked by Mrs Butler and served by Mr Butler. Much champagne had been consumed and the matter of the robbery from the Dean’s safe thoroughly thrashed out. Other stories from her trip to Sydney had not been told except in a severely edited form. She had distributed the presents—a wristwatch each for Hugh, Bert and Cec, a crocodile handbag for Dot, a book on anatomy for Jane and, for the sensible Ruth,
by the celebrated chef M Paul Reboux, which might have the double benefit of tickling Ruth’s palate and improving her French. Phryne hoped that she would not find his disrespectful comments on champagne too inflammatory. Phryne had never meant to acquire daughters. But, since the rescue of Jane from a nasty destination and the removal of Ruth from domestic slavery, they had adorned her household. Though they had also introduced Molly. Her dependants and friends were all well and gratifyingly delighted that she had returned from Sydney and still loved them. And she did.
She loved them even more this morning because the girls were at school, Dot had gone for a bracing early walk, the animals were in the kitchen (the butcher’s boy had just called) and Hugh, Bert and Cec had gone home to their several virtuous couches. Therefore Phryne was breakfasting alone, which was the way she felt breakfast ought to be taken. Phryne had never woken up wondering who or where she was, though in her Apache French phase she had been a little in the dark about who was reposing beside her. She felt that the day should not be bounced in on with rude energy, but carefully and delicately seduced into being, and children and animals were sadly impervious to reason on this matter.
She sipped another sip of aromatic coffee, forked in her last mouthful of perfectly prepared
omelette aux fines herbes
, and prepared for the exquisite pleasure of lighting the first gasper of the day.
She had just fixed the cigarette in its long ivory holder and raised the lighter to ignite it when the doorbell rang.
‘Damn,’ said Phryne. She lit the cigarette anyway. But at least she was now properly awake, and the day, though soggy, appeared to have been aired. Who could be at the door? Too early for the post. A delivery? They usually went to the kitchen door. A visitor? No one knew that she was back as yet. An announcement would soon appear in social notes in
, of course, along the lines of ‘The Hon. Miss Phryne Fisher has returned from her sojourn in Sydney to the delight of all her many admirers’. Then, no doubt, she would have callers.
Phryne avoided the undesirables by warning Mr Butler in advance that she was never at home to bores. He seemed to have a remarkable ability to weed them out at the door. When taxed with this, he replied magisterially that years of work at a gentleman’s club had given him a certain facility. Phryne could only smile and approve.
Footsteps sounded in the hall. Mr Butler was admitting someone, taking their coat and umbrella and ushering them into the small parlour. Phryne blew a smoke ring and waited. Mr Butler appeared.
‘Detective Inspector Robinson, Miss Fisher,’ he announced, in tones more fitting to the breaking of news of the tragic death of a near relative.
‘I wonder how he knew I was back? Please clear away, Mr B, and bring me some more coffee and some tea for the Detective Inspector. I’ll ask him if he’d like some breakfast,’ she added. ‘You know how he likes Mrs B’s cuisine.’
‘Yes, Miss Fisher,’ said Mr Butler, bowing a little at this appreciation of Mrs Butler’s skill. He carried the detritus of the feast out to the kitchen while Phryne went to find her favourite policeman.
He was sitting on a cane chair, staring into the depths of a bowl of irises as though it might contain the answer to the question which was dragging his brows together. He was an unmemorable, subfusc man, with mid brown hair and mid brown eyes. Phryne had learned early in their acquaintance that if she looked away from Jack Robinson, she could not envisage his face. It was a very useful attribute for a policeman, and she supposed that his wife had some mnemonic which recalled him to mind. Or possibly he was tattooed with his name and address. Phryne tore her mind away from an indelicate speculation on where this information might be placed, and coughed to announce her presence. Robinson looked up from the irises. They had obviously not been informative. He looked stricken.
‘Jack, dear, how very nice to see you!’ she exclaimed, putting out both hands to draw him to his feet. ‘Do come in and have some tea. Or perhaps some breakfast?’
‘Just tea, thank you,’ he answered. Phryne was wearing a cherry red dressing gown and a Spanish shawl of far too many colours. Robinson had always admired her adamant refusal to wear pastels. The Spanish shawl, embroidered in red and blue and gold, dazzled his eye and provided a nice splotch of colour in the sea-green, sea-blue decor. Phryne herself looked well. Her holiday had agreed with her, it seemed. She looked even more like a Dutch doll than usual: pink cheeks, bright green eyes, shiny black hair cut in a cap.
‘You’re looking fine, Miss Fisher,’ he said with an effort. ‘Decided not to stay in the city by the bay, then?’
‘Too fast,’ said Phryne, fanning herself with a corner of the shawl. ‘Too busy and too, too hot. I have decided that I don’t like the tropics. Come along,’ she said, leading the detective out of the front room and into her own parlour, cool as the inside of a seashell. The table bore a fresh pot of coffee and a Chelsea teapot shaped like a thatched cottage with matching milk jug, sugar basin and cups and saucers. Phryne loved this set because the cups were big enough for a reasonable amount of coffee, and Mrs Butler doted on the design.
It seemed to affect Jack Robinson. He winced.
‘Whatever is the matter, Jack, dear?’ asked Phryne. ‘Rheumatism or aesthetic twinges?’
‘Probably the latter, Miss Fisher. Not that I’m saying anything against your teapot, though, if it’s got tea in it. I’m parched.’
‘It certainly has. But say the word and I’ll have it transferred into my new Art Moderne silver pot—perfectly bare, just a shape.’
‘No, no, please. It’s real pretty and that sugar basin in the shape of a haystack is nice. It’s just that I’ve been out to a suspicious death this morning and I’m a bit sensitive on … er …’
‘Porcelain which is just too, too cunning for words?’ asked Phryne, pouring.
‘Overdosed on what the Americans call “cute”?’