B0041VYHGW EBOK (219 page)

Walk the Line,
352

The Wall,
152
,
153

Wallace & Grommit
movies,
32
,
384

Walt Disney Studios,
385

Waltz with Bashir,
382
,
382

Wang, Wayne

Chan Is Missing,
479

The Joy Luck Club,
481
,
481

Smoke,
479

War of the Worlds,
329

War Requiem,
284

Warhol, Andy

Eat,
223
,
366

Empire,
223

My Hustler,
213
–214,
214

Sleep,
223

Warm, Hermann,
33
,
462

Warner Bros. Studios,
386
–388

Watching for the Queen,
151
,
151

Wavelength,
177
,
314

mobile framing in,
211
–212,
211
–212

narrative form in,
211

zoom lens in,
211
–212

Wayne’s World,
479

Webber, Melville,
The Fall of the House of Usher,
368

web-of-life plot,
417

websites,
37
–38

A Wedding,
479

The Wedding Crashers,
337

Weir, Peter

The Truman Show,
140
,
334

Witness,
27
,
91
,
274

Welles, Orson,
112
.
see also Citizen Kane
;
The Magnificent Ambersons

Citizen Kane,
20
,
28
,
84
,
114

The Magnificent Ambersons,
191
,
191
,
284
,
292

Mr. Arkadin,
194

Touch of Evil,
132
,
133

Wenders, Wim.
see also Wings of Desire

American Friend,
296

Wings of Desire,
122
,
123
,
291

Wendy and Lucy,
121
,
121
,
255

Werker, Alfred L.,
472

The Western,
338
–339

Ford and,
338
–339

iconography in,
338

Leone and,
338

The Western (genre),
331

“what if” plots,
88

What’s Up, Doc?,
478

What’s Up, Tiger Lily?,
294

whip pan,
325

White Heat,
139
,
139

White Ship,
473

white-telephone films,
473

Whitney, James,
Lapis,
384
–385,
385

Who Framed Roger Rabbit,
385
,
479

matte work in,
181
,
182

Whoopee!,
334
–335,
345

Wiazemsky, Anna,
144

wide release,
36
–37

wide-angle lenses,
173
–174

widescreen aspect ratio,
187
,
189

widescreen frame,
46

Wiest, Diane,
143

Wild and Woolly,
460

The Wild Bunch,
339

Wild Strawberries,
168
,
168

Wilder, Billy,
431

Wile E. Coyote,
382
,
382

“Wilhelm scream,”275

Williamson, James,
457

Fire!,
459

Winchester
73
,
142
,
144

Window Water Baby Moving,
30

windowboxing,
47

Wings,
133

Wings of Desire,
122
,
123
,
291

internal diegetic sound in,
290
–291

Wintonick, Peter,
Manufacturing Consent: Noam Chomsky and the Media,
32

wipe,
223
–224

Witness,
27
,
91

sound in,
274

The Wizard of Oz,
59
,
71
–73,
91
,
140

conventions in,
60
–61

development in form of,
72

evaluation of,
66

expectations in,
59
–60

explicit meaning in,
63

feeling in,
61

implicit meaning in,
63
–64

motifs in,
68
,
70

motivation in,
68

mystery pattern in,
72

narrative form in,
57

plot segmentation of,
72
–73

referential meaning in,
62
–63

symptomatic meaning in,
64
–65

unity/disunity in,
74

Wölffin, Heinrich,
454

Women in Love,
128
,
129

Women on the Verge of a Nervous Breakdown,
98

Woo, John

A Better Tomorrow,
483
,
483
–484

The Killer,
84
,
333
,
483
,
484

on lenses,
176

Wood, Robert,
425

Wood, Sam,
472

Wo-ping, Yuen,
482
–483

work prints,
10
,
24

wrangler (animal),
20

The Wrath of the Gods,
169
,
170

wuxia pian,
482

XXX,
22

Yeelen,
190

Yentl,
335

Yes, Madam!,
483
,
485

Yojimbo,
336

You Ought to Be in Pictures,
386

The Young Girls of Rochefort,
343
,
343

Young Mr. Lincoln,
151
,
152

You’ve Got Mail,
336

Yuen, Corey,
Legend of Fong Sai-Yuk,
232
,
232

Yun-fat, Chow,
483

Zelig,
91

Zellwegger, Renee,
141
,
141

Zemeckis, Robert

Back to the Future,
88
,
91
,
204
,
479

Cast Away,
274

Forrest Gump,
479

Who Framed Roger Rabbit,
385
,
479

Zéro de Conduite,
467

Zinnemann, Fred,
168

Zodiac,
285

The Zoetrope machine,
9
,
9

zoom lens,
176
–177

Wavelength
using,
211
–212

Zorns Lemma,
60

Zu: Warriors of Magic Mountain,
483

Zwigoff, Terry,
Crumb,
351