Backstab
Authors: Elaine Viets
I much prefer the three-day ordeal of a St. Louis funeral. It lets you get used to the idea the person is dead. By the time you finally get to the burial, you're happy to shovel the dear one into the ground and go on living. After the funeral, everyone comes back to your house and there's baked ham or roast beef and hearty heavy food like casseroles and mostaccioli, potato salad and chips, and lots of beer and wine. Then you sit around and talk about the dead person and all the funny things and kind things she did, and for an hour or two she lives again, and you know that she will live in everyone's memories.
Also by Elaine Viets
How to Commit Monogamy
Published by
Dell Publishing
a division of
Bantam Doubleday Dell Publishing Group, Inc.
This book is a work of fiction. Names, characters, places, and incidents are either products of the author's imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
Copyright © 1997 by Elaine Viets
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without the written permission of the Publisher, except where permitted by law.
The trademark Dell
®
is registered in the U.S. Patent and Trademark Office.
ISBNâ9780440224310
Ebook ISBNâ9781101969212
v4.1
a
To my husband Don and his
enormousâ¦gray cat.
CKNOWLEDGMENTS
Many thanks to my agent, David Hendin, and my editor, Jacquie Miller. This book wouldn't be possible without them.
I also want to thank Father Patrick S. McDonnell, pastor of St. Sebastian Church, Fort Lauderdale. St. Louis Police Officer Barry Lalumandier. Anne Watts and the staff of the St. Louis Public Library. Richard Buthod of The BookSource. Susan Carlson, Karen Grace, Jinny Gender, Debbie Henson, Marilyn Koehr, Cindy Lane, Robert Levine, Betty and Paul Mattli, Sharon Morgan, Dick Richmond, Kathy Rethemeyer of the Fortune Teller bar, and Janet Smith. Finally, thanks to all those helpful folks who must remain anonymous, including my favorite pathologist.
N
ewspapers have always used the language of death and violence. We kill a story. We spike it. Or bury it. We keep old stories in the morgue. Reporters complain that editors slash and cut their copy. Now, with the new computers, we've added more deadly words. We can abort and execute. For us, the pen really is mightier than the sword. But we writers are mostly mild types, content to take out our fury in back-stabbing.
That's why, when the killing started, I knew no real newspaper person was behind it. They would never take those words literally. They wouldn't kill my readers. When I look back now, I blame myself. I should have paid attention to what the two women told me that cold gray February day. Maybe those people would still be alive. Or maybe not. I didn't take the time to find out. I was struggling with the most violent newspaper word of all.
A deadline.
Let me introduce myself: Francesca Vierling, columnist for the
St. Louis City Gazette.
Six feet tall. Dark hair. Smart mouth. Dumb enough to write for a newspaper when anyone with any sense was getting out of the business.
It was three o'clock in the afternoon on February eighth, three hours from my final deadline, and I still didn't have a column. Instead I was sitting in a dark bar in South St. Louis, and a woman was holding my hand. Gina had long silver earrings, a nice set of laugh lines, and a purple fringed top. She had the courage not to dye her reddish-brown hair, now that it was going gray. I liked that. Not that I
like
women. Don't get me wrong. Gina was holding my hand because she was a palm reader. She was also the owner and bartender at a joint in my South Side neighborhood called the Crystal Ball Bar. Like most neighborhood bars, Gina's had hot dog nights, baseball nights, and two-for-one happy hours. But her place had a little something extra. Free palm readings one day a week. Gina read the palms herself, just like she barbecued the dogs on Hot Dog Night.
The Crystal Ball Bar had been designed back when saloons were the working folks' social clubs in this old German neighborhood on the city's South Side. For a quarter, the customers bought a beer and sat in the most luxurious surroundings they would probably ever see. The Crystal Ball had a twenty-foot oak bar, a mirrored back bar, and cozy dark booths lit by the
golden glow of tulip-shaded art-glass lamps. The luxury was long vanished. The bar was covered with cardboard racks selling aspirin and Alka-Seltzer and beef jerky. Even in the dim light, you could see that most of the customers were retirees who could barely afford the price of a draft, or worn-out hookers and run-down vice cops. The place smelled of Pine Sol and stale cigar smoke and the booths were harder than a bill collector's heart.
To me, it felt like home. I grew up in bars like these. My first words were “orange soda.” Writing any column about a bar was an easy out when I was under pressure. Two columns had gone dead on me in thirty minutes. One subject was out of town, so I couldn't check a vital fact by deadline time. Another column went belly-up when the guy who said his children were unjustly taken away from him turned out to have a conviction for assault and battery. He beat up his wife when she wouldn't let him take their son one weekend. So much for the story of a hardworking divorced dad denied his rights. I rushed down to the Crystal Ball on Palm Day.
Gina said she would read my palm, but she wouldn't take any money for it. She never did. She didn't think it was right to make money off something she said came naturally to her. I didn't feel that way about writing, but I admired Gina just the same.
“If conditions aren't right, I won't be able to do it,” she said. But she was a kind person who recognized a desperate womanâmeâand she
ushered me into the first booth by the door, where she could keep one eye on my future and another on her customers. She closed her eyes, and pulled her concentration into herself, the same way I'd seen athletes do. Then she turned my palm over and looked at the lines on it.
“You have a very old soul,” Gina said.
“I'm not surprised. The rest of me isn't getting any younger,” I said. I'd just turned thirty-seven. It was traumatic.
Gina ignored the wisecrack. She was taking this very seriously. Her long earrings swayed like chandeliers in an earthquake as she studied my palm. “You have a long lifeline,” she said.
That was probably true. The women in my family lived into their nineties. When my grandmother died at seventy-three, instead of the usual ninety-three, the family carried on like it was a crib death.
“But there will be an abrupt change soon,” Gina said. She pointed to a spot where my lifeline zigzagged. “I see much turmoil and crisis.”
“I work for a newspaper. There's always turmoil,” I said.
“This crisis could end your career,” she said.
I could feel my palm sweat, even though I didn't believe a word she said. I just needed a column.
“I see you in Washington.”
“D.C.?” I said, hopefully. Finally, after fifteen years, I was going to get some national recognition for my work.
“Missouri,” she said.
Oh. Washington, Missouri, is a town fifty miles outside of St. Louis, best known for a sausage shop and a bakery. I go there every October because Jim Hanks, a vet friend who lives there, has his annual nut fry. Doc Hanks is the Lorena Bobbitt of the bull world. Whenever he castrates a bull, he freezes the testicles, then in October dredges them in flour and fries them in deep fat. They taste like mushrooms. The best part is watching the guys at the fry. They drink a lot of beer and keep their legs crossed. After about four beers, they start downing nuts at a great rate, with silly smiles on their faces.
But no matter how late Doc Hanks's nut fry lasts at the local VFW hall, I never stay in Washington more than a weekend.
“What am I doing in Washington?” I asked.
“It will be your refuge when your world collapses. In your time of crisis,” Gina said. “I'm sorry I can't help you any more, except to tell you to be very careful in the next few months.”
I was always careful. I loved the city neighborhood where I lived, but I could get mugged walking to the supermarket.
I came away with the impression that Gina was a decent person who honestly believed in what she was doing, but I hadn't seen a bigger load of garbage this side of the city landfill. Take refuge in Washington? Ridiculous! St. Louis was my city, and I knew it better than she knew my palm. If I ever needed help, it would be right here in my hometown. Oh, well. At least I had a column.
I thanked Gina, grabbed my purse, felt around with my foot for my shoes (I'm one of those women who slip off their shoes the minute they settle in), and went outside to see if someone had ripped off or ticketed my beloved blue Jaguar. Most reporters drive a modest Honda or Toyota. Not me. Modesty is for those who need it. I loved my fifty-two hundred pounds of blue flash. A used Jag costs less than a new Buick, but god, it goes fast.
There is one drawback to owning a Jaguar. You have to listen to a lot of lectures. “Jaguar, huh?” they'll say. “You might as well own twoâone to drive while the other one's in the shop.” I bought one from the vintage years, '86 to '88, and it was the most reliable car I ever owned.
I stepped over some gray rags of last week's snow and slid into the Isis blue leather seats. The car started up with a low sexy growl. I turned up my FuzzBuster and poured on the gas. I had to get back downtown to the newspaper office.
The Crystal Ball was twenty minutes from the newspaper office. That's what I liked about St. Louis. It was convenient. Everything was twenty minutes from everything else. If it wasn't, we didn't go there. Another thing I liked was the city air. On the South Side, it had that sharp-sour smell of fresh-brewed beer. This part of the city was perfumed by the Anheuser-Busch brewery. If the stuff tasted as good as it smelled, I'd be in a detox ward.
My good fortune was holding. There was a
parking spot in front of the building. I found some quarters in the bottom of my purse, fed the meter, and ran into the lobby. It looked like someone had overturned a junior high. Young teens, with that wet, newly hatched look, were everywhere. They giggled and poked and picked at their zits and picked up everything on poor George's desk. George is the perpetually worried security guard.
George looked more worried than ever, with the students all over him. “Hi, George, how are you?” I yelled as I ran for the elevator. George managed a wave. He was signing in eighteen students for a newspaper tour, putting each kid's name on a pass. The
City Gazette
made visitors wear these awful sticky tags with a picture of the News Hound, the newspaper's doggy mascot who didn't look bright enough to bring in the paper off the lawn, much less dig up stories with his “nose for news.”
Adults who made the mistake of putting the passes on a silk blouse or briefcase would never get the sticky stuff off. But kid visitors delighted in sticking the tags on subversive places throughout the building. My favorite was the young vandal who made his pass into a bow tie and stuck it onto the painted bow tie on the oil painting of our managing editor, Hadley Harris the Third. Hadley had to call in an expert from the Art Museum to clean and remove it.
When I started at the
City Gazette
fifteen years ago, the newsroom was the most romantic place in the world. We had these army-green desks,
piled high with yellowing newspapers, and beat-up beige file cabinets, gray Royal typewriters, and, I swear, brass spittoons. Nobody used them for spitting. The staff poured their old coffee dregs and dropped their cigarette and cigar butts into the spittoons. The janitor had the awful job of emptying those brass slop jars. My worst day at the paper was when I tripped over one of those disgusting things.
They're all gone nowâthe spittoons, the gray typewriters, and the army-green desks. Now we sit in mauve-and-gray ergonomic pods and type on beige IBM computers. It's faster and more efficient, but it has all the romance of an Allstate insurance office. Not that I get too sentimental over the good old days. I'd still be writing fashion copy in that world. That's all “girls” could do at newspapers then.
The newsroom had that predeadline hum. It started about three in the afternoon. It was a blend of constantly ringing telephones, small staff meetings, and phone conversations that got more frantic as reporters tried to pin down people for statements before the six o'clock deadline. I could hear frenzied fragments of conversations:
“When do you expect him back? Would you tell him we need his reply for the first edition?”
“When does Detective Connor get in? Not till five o'clock? Will you tell him I'm looking for him? Can I leave a message on his voice mail?”
“Do you think she dyes her hair?”
“At her age, she has to. And speaking of dyeing, get a load of that black suit. Who died?”
I tuned in to those last two remarks, and I smiled. Two female reporters hidden behind a stack of phone books were talking about me. Forget
Front Page
and
All the President's Men.
The emotional age of a newsroom is freshman year in high school. By their comments, I could tell my short black Donna Karan suit had hit the mark. I must be looking good to make them talk so bad.
I waved to Tina, my friend who covered the city police beat, but all I saw was her dark brown curly head and her hunched-up shoulders. She was busy on the phone.
My own phone was ringing when I got to my desk. I found the phone under a pile of legal pads and old feature sections, removed the two yellow Post-it notes I'd stuck on the receiver to remind me to make some calls, and looked at the clock: four-fifteen
P.M
. It had to be Rita the Retiree, calling me to critique the newspaper. She called me at the same time every month.
Rita got her Social Security check, cashed it, and went down to the Peppermill bar for two draft beers. Then she went home and called me to complain about the paper. I liked Rita and I liked her comments, even if I couldn't publicly agree with her. One sixty-six-year-old woman had figured out what was wrong with the paper better than all the focus groups and survey takers. Of course, she had one up on the high-priced consultants: Rita actually read the newspaper.
I'd met Rita a couple of times. She was a good source of neighborhood information. She always looked the same. She wore a pink polyester pantsuit and had her gray hair sprayed into a helmet once a week at the Powder Box Beauty Salon. She preserved her hairdo for a full seven days by sleeping on a green satin pillowcase. She painted her nails red and smoked unfiltered cigarettes.