Before They Were Giants (31 page)

Federman sat up straight and rested both palms on the desk. He looked at Liz seriously.

"The idea is that we may have missed something
basic
."

He stood up quickly, and instantly regretted it as his heart pounded to make up for the shift in blood pressure. For a moment, the room lost its focus.

Deliberately, to keep Liz from becoming concerned, he picked his way around the clutter of books and charts on the floor and rested his shoulder against the window frame.

Brisk, cool spring morning air flooded in, carrying away the stale odors of the night. There was the sweet, heavy smell of new-mown grass.

On its way to him the breeze toyed with the branches of aspen and oak trees and the waving wheatfields in the valley several miles away. A low pride of cumulus clouds drifted overhead, cleanly white.

In the distance he could see a gleaming Rapitrans pull into the station at the local industrial park. Tiny specks that were commuters wandered away from the train and slowly dispersed into the decorously concealed factories that blended into the hills and greenery.

It was, indeed, a beautiful day.

Birds were singing. A pair flew right past his window. He followed them with his eyes until he saw that they were building a nest in the skeleton of what was to have been the new hundred-meter radio telescope.

There was a rumbling in the sky. Above the high bank of clouds a formation of military transports made a brief glint of martial migration. The faint growling of their passage had become an almost daily occurrence.

Federman turned away from the window. Inside, except where the brilliant shaft of light fell, there appeared to be only dimness. He spoke in the general direction of his friend and student.

"I was only thinking that maybe we've been missing the forest for the trees. It might be something so simple… something another culture with a different perspective might…"

"Might what, Sam?" Liz's voice had an edge to it. "If there ever
were
peaceful cultures on Earth, they didn't have the other half of the solution—a way to keep from getting clobbered by the other guy who
isn't
peaceful! If they did have that answer too, where are they now?"

"Look at the world! Western, Asian, African, it makes no difference which culture you look at. They're all arming as fast as they can. Brushfire wars break out everywhere, and every month the Big Blow doesn't happen makes worse the day when it does!"

Federman shrugged and turned to look out the window again.

"Maybe you're right. I suppose I'm just wishing for a
deus ex machine
." His eyes lovingly coveted the abandoned, unfinished dish outside.

"Still, we've done so well otherwise," he went on. "The simple problems with obvious answers are all being solved. Look at how well we've managed to clean up the environment, since people found out about the cancer-causing effects of pollution in the seventies and eighties. Sure, there was inertia. But once the solution became obvious we went ahead and did the logical thing to save our lives."

"I can't escape the feeling, though, that there's a similar breakthrough to be made in the field of human conflict… that there's some
obvious
way to assure freedom and dignity and diversity of viewpoint without going to war. Sometimes I think it's just sitting there, waiting to be discovered, if only we had just a hint."

Liz was silent for a moment. When she spoke again it was from the other edge of the window. She too was looking out at the spring morning, and at the armed convoy in the sky.

"Yes," she said softly. "It would be nice. But to be serious, Sam, do you really think you could get any more funding than you've already got, to do your spare-time search for radio messages from space? And even if you were successful, do you think the Big Blow would wait long enough for us to decipher a message, then send one of our
own
, and eventually ask complex questions on sociology?"

She shook her head. "Would they be similar enough to us to understand what we'd be asking? Do you really think we're missing something so fundamentally simple that just a hint over the light-years would make that much difference?"

Federman shrugged. His gaze remained fixed on the skeleton in the yard.

~ * ~

The scientist with no nose looked out over his city. For a long time he had fretted and fumed beneath the great dish antenna; then he had gone for a walk around the edge of the research center compound.

Years ago these hills had been suburbs. Now factories belched smoke into the air on all sides. The sight cheered him slightly. He could never look at such an obvious sign of progress and prosperity for long and stay in a black mood.

There were so many other things to be proud of, too.

After the invention of atomic weapons, before he was born, his parents' generation had finally found the motivation to do the obvious and abolish war. The method had been there all along, but no one had been sufficiently motivated before. Now the fruits of peace were multiplying throughout the world.

Two automobiles for everyone! Fast, efficient stratospheric transport! Quick-foods easily dispensed from fluorocarbon-driven aerosol cans! The licentious luxury of lead-lined dinnerware!

All of this was good. Peace and prosperity.

But the Plague had then come among them, soon after the last war, and now affected almost everyone. Lung ailments, skin cancer… that horrible sickness that struck the mercury and bismuth mines… the death of the fisheries.

Huge sums were spent to find the microorganisms responsible for this rash of diseases. Some were found, but no germs yet that could account for the wide range of calamities. Some scientists were now suggesting a pathogen smaller than a virus.

Fetham looked up. Gathu. The government representative had followed him outside.

"I am sorry I shouted," Fetham said slowly. The other being-with-no-nose did the equivalent, for his species, of a forgiving nod. Fetham gave a handturn of thanks.

"It's just that I was hoping the Others might know something… something that would help us understand."

Gathu was sympathetic.

"I know, Academician. But honestly, what could they tell us about
our
problems—especially biological problems—even if you did succeed in making contact?"

"If they exist at all, they live on a completely different world, with different body chemistry. How could they give us knowledge that would help us defeat this Plague?"

Fetham performed a gesture that conveyed the meaning of a shrug. His large and very subtle ears filtered out the brash, ever-present noise of traffic, yet allowed him to hear the whistling of the wind through the silted, murky sky.

Suddenly he had a totally irrelevant thought.

I wonder where the birds are? They used to be all over this part of the city. I never noticed that they had gone, until now.

"
I
suppose," he sighed. "I suppose I was hoping for just a hint…"

~ * ~

David Brin

aving achieved a Ph.D. in physics and a postdoctoral fellowship at the California Space Institute and the Jet Propulsion Laboratory,
New York Times
best seller David Brin is uniquely qualified to write the hard science fiction for which he is best known. Since the 1980 publication of his first novel,
Sundiver,
Brin has gone on to win a host of accolades including multiple Hugo, Locus, and John W. Campbell Awards. In addition to the Uplift series, which began with
Sundiver
and remains his most popular work to date, Brin also gained notoriety with novels like 1989’s
Earth
(which accurately foreshadowed global warming, cyberwarfare, and the Internet as we know it today);
The Postman,
a critically acclaimed post-apocalyptic novel that spawned a major motion picture from Kevin Costner; and
Foundation’s Triumph,
in which he undertook the weighty responsibility of tying up all the loose ends in Isaac Asimov’s classic series.

In many ways, David Brin’s work emphasizes the speculative nature of SF, and often blurs the boundaries between fiction and prediction. As a result, he has written extensive nonfiction such as
The Transparent Society,
which won the American Library Association’s Freedom of Speech Award, and is a regular television commentator and consultant for organizations concerned with the future, from the U.S. Defense Department to corporations like Google. In “Just a Hint,” Brin gives us a look at those early attempts to extrapolate from current trends and human nature to catch a glimpse of the future.

Looking back, what do you think still works well in this story? Why?

It is about an irony that does not change. . . the fact that our preconceptions control what we are able to think about. Some of our current problems may have answers that we simply haven’t thought of. That’s why it is important to compare notes with other people. And, when it comes to
big
preconceptions, those “others” may live very far away.

If you were writing this today, what would you do differently? What are the story’s weaknesses, and how would you change them?

Today, I would probably mention the Fermi Paradox—the mystery of why we’ve not heard nor seen any signs of aliens—and that would be wrong in the case of this simple story. Which is just fine the way it is.

What inspired this story? How did it take shape? Where was it initially published?

It’s a little
“Analog-
style” think piece, more about the idea than the characters or plot or language. Hence, of course, it was first published in
Analog.

Where were you in your life when you published this piece, and what kind of impact did it have?

I was finishing graduate school at UCSD in astrophysics. I had already published
Sundiver.
After that, I received my first rejection slip for a story. So this sale came as welcome news. It meant I wasn’t just a one-sale wonder!

How has your writing changed over the years, both stylistically and in terms of your writing process?

One grows, learns a thousand tricks and how to avoid a zillion errors. Still, there’s nothing like that verve and thrill when you just start out down this long road.

What advice do you have for aspiring authors?

A vast topic! I’ve distilled a long litany of advice at
http://www.davidbrin.com/advice.htm
.

<>

~ * ~

A Sparkle For Homer

by R. A. Salvatore

oratio Hairfoot was a most respectable halfling. In fact, his friends and neighbors in Inspirit Downs, a village in the easy land most centered in The World, called him Homer, which is a fair compliment, I might tell you, implying all the lovely homely things associated with respectable halflings: plentiful meals (Horatio preferred eight a day, thank you, Breakfast, Brunch, Lunch, Late-afternoon-snack, Dinner, Supper, Before -bed-to-quiet-the-belly, and, of course, the inevitable Midnight-raid-the-larders); sitting by the hearth, toasting his toes; and sitting on the side of the hill, blowing smoke rings at the lazily passing clouds. Yes, most respectable villagers spent most days off their feet. They could watch their toes wiggle that way—that is, when their bellies hadn’t gotten too round for such enjoyable sights as wiggling toes!

Horatio rolled and stretched in his slumber, twisted about and worked his diminutive frame every which way in search of elusive comfort. Finally, he caught something sharp in the small of his back and that woke him with a start. He remembered at once where he was, and that awful thought sent him burrowing back under the shelter of his blanket, which simply could not cover both his head and toes at the same time.