Blind Assassin (78 page)

Adelia declined to travel without him, to Europe or anywhere else. It might have been too tempting—not to come back. To drift away, shedding money gradually like a deflating blimp, a prey to cads and delectable bounders, sinking down into the unmentionable. With a neckline like hers, she would have been susceptible.

Among other things, Adelia went in for sculpture. There were two stone sphinxes flanking the conservatory—Laura and I used to climb up on their backs—and a capering faun leering from behind a stone bench, with pointed ears and a huge grape leaf scrolled across his private parts like a badge of office; and seated beside the lily pond there was a nymph, a modest girl with small adolescent breasts and a rope of marble hair over one shoulder, one foot dipping tentatively into the water. We used to eat apples beside her, and watch the goldfish nibbling at her toes.

(These pieces of statuary were said to be “authentic,” but authentic what? And how had Adelia come by them? I suspect a chain of pilfering—some shady European go-between picking them up for a song, forging their provenance, then fobbing them off long-distance on Adelia and pocketing the difference, judging correctly that a rich American—for so he would have tagged her—wouldn’t cotton on.)

Adelia designed the family graveyard monument as well, with its two angels. She wanted my grandfather to dig up his forbears and have them relocated there, in order to give the impression of a dynasty, but he never got around to it. As it turned out, she herself was the first to be buried there.

Did Grandfather Benjamin breathe a sigh of relief when Adelia was gone? He may have grown tired of knowing he could never measure up to her exacting standards, though it’s clear he admired her to the point of awe. Nothing about Avilion was to be changed, for instance: no picture in it moved, none of its furniture replaced. Perhaps he considered the house itself her true monument.

And so Laura and I were brought up by her. We grew up inside her house; that is to say, inside her conception of herself. And inside her conception of who we ought to be, but weren’t. As she was dead by then, we couldn’t argue.

My father was the eldest of three sons, each of whom was given Adelia’s idea of a high-toned name: Norval and Edgar and Percival, Arthurian revival with a hint of Wagner. I suppose they should have been thankful they weren’t called Uther or Sigmund or Ulric. Grandfather Benjamin doted on his sons, and wanted them to learn the button business, but Adelia had loftier aims. She packed them off to Trinity College School in Port Hope, where Benjamin and his machinery couldn’t coarsen them. She appreciated the uses of Benjamin’s wealth, but preferred to gloss over the sources of it.

The sons came home for the summer holidays. At boarding school and then at university they’d learned a genial contempt for their father, who couldn’t read Latin, not even badly, as they did. They would talk about people he didn’t know, sing songs he’d never heard of, tell jokes he couldn’t understand. They’d go sailing by moonlight in his little yacht, the
Water Nixie,
named by Adelia—another of her wistful Gothicisms. They’d play the mandolin (Edgar) and banjo (Percival), and furtively drink beer, and foul up the tackle, and leave it for him to unscramble. They’d drive around in one of his two new motor cars, even though the roads around town were so bad half the year—snow, then mud, then dust—that there wasn’t much of anywhere to drive. There were rumours of loose girls, at least for the two younger boys, and of money changing hands—well, it was only decent to pay these ladies off so they could get themselves fixed up, and who wanted a lot of unauthorized Chase babies crawling around?—but they were not girls from our town, and so it was not held against the sons; rather the reverse, among men at least. People laughed at them a little, but not too much: they were said to be solid enough, and to have the common touch. Edgar and Percival were known as Eddie and Percy, though my father, being shyer and more dignified, was always Norval. They were pleasant-looking boys, a little wild, as boys were expected to be. What did “wild” mean, exactly?

“They were rascals,” Reenie told me, “but they were never scoundrels.”

“What’s the difference?” I asked.

She sighed. “I only hope you’ll never find out,” she said.

Adelia died in 1913, of cancer—an unnamed and therefore most likely gynecological variety. During the last month of Adelia’s illness, Reenie’s mother was brought in as extra help in the kitchen, and Reenie along with her; she was thirteen by then, and the whole thing made a deep impression on her. “The pain was so bad they’d have to give her morphine, every four hours, they had the nurses around the clock. But she wouldn’t stay in bed, she’d bite the bullet, she was always up and beautifully dressed as usual, even though you could tell she was half out of her mind. I used to see her walking around the grounds, in her pale colours and a big hat with a veil. She had lovely posture and more backbone than most men, that one. At the end they had to tie her into her bed, for her own good. Your grandfather was heartbroken, you could see it took the starch right out of him.” As time went on and I became harder to impress, Reenie added stifled screams and moans and deathbed vows to this story, though I was never sure of her intent. Was she telling me that I too should display such fortitude—such defiance of pain, such bullet-biting—or was she merely revelling in the harrowing details? Both, no doubt.

By the time Adelia died, the three boys were mostly grown up. Did they miss their mother, did they mourn her? Of course they did. How could they fail to be grateful for her dedication to them? Still, she’d kept them on a tight leash, or as tight a one as she could manage. There must have been some loosening of the ties and collars after she’d been properly dug under.

None of the three sons wanted to go into buttons, for which they had inherited their mother’s disdain, though they had not also inherited her realism. They knew money didn’t grow on trees, but they had few bright ideas about where it did grow instead. Norval—my father—thought he might go into law and then eventually take up politics, as he had plans for improving the country. The other two wanted to travel: once Percy had finished college, they intended to make a prospecting expedition to South America, in search of gold. The open road beckoned.

Who then was to take charge of the Chase industries? Would there be no Chase and Sons? If not, why had Benjamin worked his fingers to the bone? By this time he’d convinced himself he’d done it for some reason apart from his own ambitions, his own desires—some noble end. He’d built up a legacy, he wanted to pass it on, from generation to generation.

This must have been the reproachful undertone of more than one discussion, around the dinner table, over the port. But the boys dug in their heels. You can’t force a young man to devote his life to button-making if he doesn’t want to. They did not set out to disappoint their father, not on purpose, but neither did they wish to shoulder the lumpy, enervating burden of the mundane.

The trousseau

The new fan has now been purchased. The parts of it came in a large cardboard box, and were assembled by Walter, who carted his toolbox over and screwed it all together. When he’d finished, he said, “That should fix her.”

Boats are female for Walter, as are busted car engines and broken lamps and radios—items of any kind that can be fiddled with by men adroit with gadgetry, and restored to a condition as good as new. Why do I find this reassuring? Perhaps I believe, in some childish, faith-filled corner of myself, that Walter might yet take out his pliers and his ratchet set and do the same for me.

The tall fan is installed in the bedroom. I’ve hauled the old one downstairs to the porch, where it’s aimed at the back of my neck. The sensation is pleasant but unnerving, as if a hand of cool air lies gently on my shoulder. Thus aerated, I sit at my wooden table, scratching away with my pen. No, not scratching—pens no longer scratch. The words roll smoothly and soundlessly enough across the page; it’s getting them to flow down the arm, it’s squeezing them out through the fingers, that is so difficult.

It’s almost dusk now. There’s no wind; the sound of the rapids washing up through the garden is like one long breath. The blue flowers blend into the air, the red ones are black, the white ones shine, phosphorescent. The tulips have shed their petals, leaving the pistils bare—black, snout-like, sexual. The peonies are almost finished, bedraggled and limp as damp tissue, but the lilies have come out; also the phlox. The last of the mock oranges have dropped their blossoms, leaving the grass strewn with white confetti.

In July of 1914, my mother married my father. This called for an explanation, I felt, considering everything.

My best hope was Reenie. When I was at the age to take an interest in such things—ten, eleven, twelve, thirteen—I used to sit at the kitchen table and pick her like a lock.

She’d been less than seventeen when she’d come to Avilion full-time, from a row house on the southeast bank of the Jogues, where the factory workers lived. She said she was Scotch and Irish, not the Catholic Irish, of course, meaning her grandmothers were. She’d started out as a nursemaid for me, but as a result of turnovers and attrition she was now our mainstay. How old was she?
None of your beeswax. Old enough to know better. And that’s enough of that.
If prodded about her own life, she would clam up.
I keep myself to myself,
she’d say. How prudent that seemed to me once. How miserly, now.

But she knew the family histories, or at least something about them. What she would tell me varied in relation to my age, and also in relation to how distracted she was at the time. Nevertheless, in this way I collected enough fragments of the past to make a reconstruction of it, which must have borne as much relation to the real thing as a mosaic portrait would to the original. I didn’t want realism anyway: I wanted things to be highly coloured, simple in outline, without ambiguity, which is what most children want when it comes to the stories of their parents. They want a postcard.

My father had proposed (said Reenie) at a skating party. There was an inlet—an old mill pond—upstream from the falls, where the water moved more slowly. When the winters were cold enough, a sheet of ice would form there that was thick enough to skate on. Here the young peoples’ church group would hold its skating parties, which were not called parties but outings.

My mother was a Methodist, but my father was Anglican: thus my mother was below my father’s level socially, as such things were accounted then. (If she’d lived, my Grandmother Adelia would never have allowed the marriage, or so I decided later. My mother would have been too far down the ladder for her—also too prudish, too earnest, too provincial. Adelia would have dragged my father off to Montreal—hooked him up to a debutante, at the very least. Someone with better clothes.)

My mother had been young, only eighteen, but she was not a silly, flighty girl, said Reenie. She’d been teaching school; you could be a teacher then when you were under twenty. She didn’t
have
to teach: her father was the senior lawyer for Chase Industries, and they were “comfortably off.” But, like her own mother, who’d died when she was nine, my mother took her religion seriously. She believed you should help those less fortunate than yourself. She’d taken up teaching the poor as a sort of missionary work, said Reenie admiringly. (Reenie often admired acts of my mother’s that she would have thought it stupid to perform herself. As for the poor, she’d grown up among them and considered them feckless. You could teach them till you were blue in the face, but with most you’d just be beating your head against a brick wall, she’d say.
But your mother, bless her good heart, she could never see it.
)

There’s a snapshot of my mother at the Normal School, in London, Ontario, taken with two other girls; all three are standing on the front steps of their boarding house, laughing, their arms entwined. The winter snow lies heaped to either side; icicles drip from the roof. My mother is wearing a sealskin coat; from underneath her hat the ends of her fine hair crackle. She must already have acquired the pince-nez that preceded the owlish glasses I remember—she was near-sighted early—but in this picture she doesn’t have them on. One of her feet in its fur-topped boot is visible, the ankle turned coquettishly. She looks courageous, dashing even, like a boyish buccaneer.

After graduating, she’d accepted a position at a one-room school, farther west and north, in what was then the back country. She’d been shocked by the experience—by the poverty, the ignorance, the lice. The children there had been sewn into their underwear in the fall and not unsewn until the spring, a detail that has remained in my mind as particularly squalid.
Of course,
said Reenie,
it was no place for a lady like your mother.

But my mother felt she was accomplishing something—
doing something
—for at least a few of those unfortunate children, or she hoped she was; and then she’d come home for the Christmas holidays. Her pallor and thinness were commented upon: roses were required in her cheeks. So there she was at the skating party, on the frozen mill pond, in company with my father. He’d laced up her skates for her first, kneeling on one knee.

They’d known each other for some time through their respective fathers. There had been previous, decorous encounters. They’d acted together, in the last of Adelia’s garden theatricals—he’d been Ferdinand, she Miranda, in a bowdlerized version of
The Tempest
in which both sex and Caliban had been minimized. In a dress of shell pink, said Reenie, with a wreath of roses; and she spoke the words out perfect, just like an angel.
O brave new world, that has such people in’t!
And the unfocused gaze of her dazzled, limpid, myopic eyes. You could see how it all came about.

My father could have looked elsewhere, for a wife with more money, but he must have wanted the tried and true: someone he could depend on. Despite his high spirits—he’d had high spirits once, apparently—he was a serious young man, said Reenie, implying that otherwise my mother would have rejected him. They were both in their own ways earnest; they both wanted to achieve some worthy end or other, change the world for the better. Such alluring, such perilous ideals!

After they had skated around the pond several times, my father asked my mother to marry him. I expect he did it awkwardly, but awkwardness in men was a sign of sincerity then. At this instant, although they must have been touching at shoulder and hip, neither one was looking at the other; they were side by side, right hands joined across the front, left hands joined at the back. (What was she wearing? Reenie knew this too. A blue knitted scarf, a tarn and knitted gloves to match. She’d knitted them herself. A winter coat of walking length, hunting green. A handkerchief tucked into her sleeve—an item she never forgot, according to Reenie, unlike some she could name.)

What did my mother do at this crucial moment? She studied the ice. She did not reply at once. This meant yes.

All around them were the snow-covered rocks and the white icicles—everything white. Under their feet was the ice, which was white also, and under that the river water, with its eddies and undertows, dark but unseen. This was how I pictured that time, the time before Laura and I were born—so blank, so innocent, so solid to all appearances, but thin ice all the same. Beneath the surfaces of things was the unsaid, boiling slowly.

Then came the ring, and the announcement in the papers; and then—once Mother had returned from completing the teaching year, which it was her duty to do—there were formal teas. Beautifully set out they were, with rolled asparagus sandwiches and sandwiches with watercress in them, and three kinds of cake—a light, a dark, and a fruit—and the tea itself in silver services, with roses on the table, white or pink or perhaps a pale yellow, but not red. Red was not for engagement teas. Why not?
You’ll find out later,
said Reenie.

Then there was the trousseau. Reenie enjoyed reciting the details of this—the nightgowns, the peignoirs, the kinds of lace on them, the pillowcases embroidered with monograms, the sheets and petticoats. She spoke of cupboards and of bureau drawers and linen closets, and of what sorts of things should be kept in them, neatly folded. There was no mention of the bodies over which all these textiles would eventually be draped: weddings, for Reenie, were mostly a question of cloth, at least on the face of it.

Then there was the list of guests to be compiled, the invitations to be written, the flowers to be selected, and so on up to the wedding.

And then, after the wedding, there was the war. Love, then marriage, then catastrophe. In Reenie’s version, it seemed inevitable.

The war began in the August of 1914, shortly after my parents’ marriage. All three brothers enlisted at once, no question about it. Amazing to consider now, this lack of question. There’s a photo of them, a fine trio in their uniforms, with grave, naive foreheads and tender moustaches, their smiles nonchalant, their eyes resolute, posing as the soldiers they had not yet become. Father is the tallest. He always kept this photo on his desk.

They joined the Royal Canadian Regiment, the one you always joined if you were from Port Ticonderoga. Almost immediately they were posted to Bermuda to relieve the British regiment stationed there, and so, for the war’s first year, they spent their time going on parade and playing cricket. Also chafing at the bit, or so their letters claimed.

Grandfather Benjamin read these letters avidly. As time wore on without a victory for either side, he became more and more jittery and uncertain. This was not the way things ought to have gone. The irony was that his business was booming. He’d recently expanded into celluloid and rubber, for the buttons that is, which allowed for higher volumes; and due to the political contacts Adelia had helped him to make, his factories received a great many orders to supply the troops. He was as honest as he’d always been, he didn’t deliver shoddy goods, he was not a war profiteer in that sense. But it cannot be said that he did not profit.

War is good for the button trade. So many buttons are lost in a war, and have to be replaced—whole boxfuls, whole truckloads of buttons at a time. They’re blown to pieces, they sink into the ground, they go up in flames. The same can be said for undergarments. From a financial point of view, the war was a miraculous fire: a huge, alchemical conflagration, the rising smoke of which transformed itself into money. Or it did for my grandfather. But this fact no longer delighted his soul or propped up his sense of his own rectitude, as it might have done in earlier, more self-satisfied years. He wanted his sons back. Not that they’d gone anywhere dangerous yet: they were still in Bermuda, marching around in the sun.

Following their honeymoon (to the Finger Lakes, in New York State), my parents had been staying at Avilion until they could set up their own establishment, and Mother remained there to supervise my grandfather’s household. They were short-staffed, because all able hands were needed either for the factories or for the army, but also because it was felt that Avilion should set an example by reducing expenditures. Mother insisted on plain meals—pot roast on Wednesdays, baked beans on a Sunday evening—which suited my grandfather fine. He’d never really been comfortable with Adelia’s fancy menus.

In August of 1915, the Royal Canadian Regiment was ordered back to Halifax, to equip for France. It stayed in port for over a week, taking on supplies and new recruits and exchanging tropical uniforms for warmer clothing. The men were issued with Ross rifles, which would later jam in the mud, leaving them helpless.

My mother took the train to Halifax to see my father off. It was crammed with men en route to the Front; she could not get a sleeper, so she travelled sitting up. There were feet in the aisles, and bundles, and spittoons; coughing, snoring—drunken snoring, no doubt. As she looked at the boyish faces around her, the war became real to her, not as an idea but as a physical presence. Her young husband might be killed. His body might perish; it might be torn apart; it might become part of the sacrifice that—it was now clear—would have to be made. Along with this realization came desperation and a shrinking terror, but also—I’m sure—a measure of bleak pride.