Body Language (4 page)

Stowing his cleaning paraphernalia in a cupboard, Neil asked, “When you talked to him, what did he sound like? I mean, cute?”

We both knew that his question was ridiculous, but I had to admit that I, too, had been wondering what Parker Trent would look like. He had enclosed no photo with his résumé, forcing me to ponder whether this signaled political correctness, true professionalism—or a wizened old mug. I answered Neil, “He sounded… nice enough. You’ll have to judge for yourself whether he’s ‘cute.’ But remember, he’s fifty-one.”

This speculation was ended by the sound of the door buzzer. Glancing at my watch, I told Neil, “He’s on the dot—I like that.” Then I buzzed him up.

Neil followed me to the door, where we waited the half-minute that it took Parker Trent to come up from the lobby. When he rapped on the door, I opened it.

“Well, hello,” he said, smiling, surprised to find two of us waiting for him. He looked from my face, to Neil’s, then back at me.

“Hello, Parker,” I told him, extending my hand. Though we’d talked at length on the phone, I recited the ritual of introducing myself.

“It’s a pleasure, Mark, an honor,” he told me, shaking hands; in his left hand he carried a portfolio, which undoubtedly contained samples of his work. “I’ve long wanted to meet you.”

I turned. “This is Neil Waite, my lover.” As they shook hands, I explained, “Neil is an architect, and all of
this
”—I gestured toward the expansive interior of the loft—“is the product of his talents.”

Parker gazed into the apartment, telling us, “It’s sensational. Congratulations to both of you. Your success and, I presume, happiness is a rousing model for the gay community.”

Neil chuckled. “That’s a bit thick, Parker, but thanks. Hey—come on in.” And he ushered Parker into the room, closing the door behind him.

I suggested that we move to the sofa and chairs that were grouped by the big window, and as Parker walked toward the center of the room, I had the chance to get a good look at him.

He stood about my height (not quite six feet), with a lean, trim body. His hair thinned a bit at the crown, but otherwise it was thick and wavy with handsome dashes of silver. A neat, short beard framed the features of his face, giving him an ageless air. He looked believably fifty and fit, or believably thirty, like an actor playing a role. His clothes made no particular fashion statement—khaki slacks, oxford shirt, a nice vest—but they were right for the weather, right for this casual meeting at home, and exactly right for the man who wore them. Most striking, though, his style of movement was youthful, loping, and self-assured, a body language that was uniquely his and unforgettable.

Equally unforgettable (and there is no genteel way to relate this), he strutted a simply fabulous ass. As he leaned in front of the sofa to place his portfolio on the coffee table, I was treated to a full, unobstructed view of his muscular, khaki-clad butt, a sight that actually made me gasp. Parker didn’t hear me—he was saying something at that moment, God knows what—but Neil picked up on my reaction, and, in fact, he shared it, mouthing an exaggerated, silent
Wow!

My mind was in a momentary spin, caused not only by the unexpected, delightful display of Parker Trent’s posterior, but also by a memory that it triggered. Many years earlier, when I was a mere boy, at the very onset of my sexual awakening, I had experienced a similar rush upon viewing a similar sight. In a boy of nine, these new feelings were confusing and a bit frightening, but, most of all, thrilling. It had happened at Christmastime, during my first visit to Dumont. In the Chicago loft with Parker and Neil on that Saturday afternoon last fall, Dumont was very much in the back of my mind. I was planning the career move that would take me there. Clearly, it was my subliminal preoccupation with Dumont that fired my powerful response to Parker’s physique.

Parker said, “I’ve brought along some tear sheets of my better work—editorials, extended series, special features. Ultimately, the work itself will tell you more about my background than a resume can.” He unzipped the portfolio, flopped its cover open, and began sorting through a pile of full-page newspaper samples, handing them to Neil and me.

Sitting in a cluster around the coffee table, we began a quiet discourse of the various samples, Parker explaining the background of each project, Neil and I voicing our approval. While Neil was more interested in the design of the pages, I focused on their content and the solid research that backed each story. We both agreed that all of it was first-rate, and I grew steadily more convinced that Parker would make an outstanding managing editor for the
Dumont Daily Register.

When Parker finished with one stack of pages and prepared to make room for another, Neil rose, offering to get us drinks. Parker asked for juice or tea, and I had no taste for alcohol yet—it was still before five—so Neil stepped away to the kitchen, promising to concoct some sort of herbal infusion that he felt would suit the autumn afternoon.

Parker and I thanked him; then Parker turned to ask me, “May I bore you with some more of my samples?”

“I’m not the least bit bored,” I assured him. “What else have you got?”

The coffee table was by now covered with the sheets of newsprint. “Let’s see,” he said, “somewhere here I’ve got a three-part series on a funding controversy at an upstate AIDS clinic. I didn’t do the actual reporting, but I dreamed it up, assigned it, and provided the hard research. I’m proud of it, Mark. I think you’ll agree that it’s good, solid journalism. Ah—here we are.”

He made a clearing on the table and spread the funding series before me. As I leaned forward to study it, he gathered together the various pages I had already reviewed and glanced about for somewhere to put them, mentioning, “Let me get these out of the way.” Vacantly, I told him, “Anywhere’s fine,” already engrossed in my reading. With one knee on the floor, he picked the stack of clippings off the table and reached away to place them on the carpet, bending away from me, his rump aimed squarely in my direction.

That
broke my train of thought. I found it difficult to continue reading—hell, I couldn’t even focus on the type. Instead, my eyes were again glued to Parker Trent’s beautiful khaki ass. The sight of him kneeling there, bending over, with those sharp creases running up the back of his thighs, reminded me of my boyhood visit to Dumont.

My mind spun back thirty-three years. It was several days before Christmas when my adventure began. I was nine and alone, bundled up and packed onto a northbound bus, laden with gifts for my as-yet-unmet extended family, including several pounds of margarine for Aunt Peggy, who had a heart condition. Mom had stuck some cheap self-adhesive bows on the waxy cartons, explaining, “They make so much butter in Wisconsin, margarine is actually
illegal
up there. You can be a real hero by smuggling these in for her.”

The bus ride took most of the day, as I traveled a few hundred miles from my Illinois home into Wisconsin, headed for a town called Dumont. Though the weather at home was cold, it hadn’t snowed yet, so I was anxious to set foot in the faraway land where I assumed all Christmases were white. As the long afternoon shadows grew darker around our bus, the driver announced that we had arrived, and I was disappointed to see that the ground was still green. I had presumed that Dumont was nestled somewhere in the great north woods, a mere clearing in the pines, but it turned out to be a substantial little city, larger than my own hometown. And though there were plenty of trees, they did not, even collectively, constitute a woods—certainly not the primeval forest that had rooted in my mind.

At the bus stop, I was the only child to get off the Greyhound, so my uncle easily spotted me in the crowd. “Mark,” he said, rushing forward and squatting to hug me, “I’m your uncle Edwin, your mother’s brother. Welcome to Dumont.”

In the car, he told me how anxious my aunt Peggy was to meet me. She was at home helping the housekeeper with dinner. (Mom had told me that her name was Hazel—right! The
real
Hazel wouldn’t need help fixing supper.) “The kids,” Suzanne and Joey Quatrain, were dying to show me around (I’ll bet). And the older son, Mark (same first name as mine), wouldn’t be home from college till tomorrow. Uncle Edwin did most of the talking, as if he could fill me in on a lifetime of missing details during the short ride from the bus station. He mentioned his printing business, “the new plant,” and I remembered Mom’s frequent comment that our family must have printer’s ink in its blood.

The car was a real beauty, imported, which was something of an oddity back then. I found the strange controls on the wood-inlaid dashboard far more engrossing than my uncle’s chatter. “Here we are,” he said at last, turning onto Prairie Street. And then I saw it.

Big and brick, square and stately, it looked more like a bank than a house, conspicuous among its fancy-gabled neighbors. Its clean, strong lines rose from the earth and shot three stories high, topping the giant elms that edged the street. The pitch of the roof was so shallow that it appeared flat, overhanging the walls with broad, shading eaves. Though the house was more than twice my age, its many windows gave it a modern airiness that belied its structural heft. The most prominent of these windows was a half-circle of glass on the third floor, like a mammoth eye peering out from under the eaves.

My uncle laughed at my awed reaction to the house, mentioning a famous architect who ran a school in Wisconsin. One of the students had designed this house, and everybody got all gushy once when the head architect paid a visit and said he “liked” it. (Big deal!)

We entered through the heavy front door, and I was met by the entire household, who fluttered around me with such excitement, you’d think they never had company. Aunt Peggy was nice, but a little stiff; I was expecting someone more like Mom. She thanked me for the margarine, saying, “That’s very thoughtful, dear,” then handed it to Hazel, who held the stuff as though it might explode. Hazel wasn’t anything like the maid on TV. She was not plump, she did not have red hair, she wore thick glasses, and she had a husband, Hank Healy, who was the handyman around the house (too bad he didn’t have any snow to shovel).

As for “the kids,” Suzanne, an eighth grader, was pretty and friendly, but sort of stuck-up, the way girls get when they’re set for high school. I knew right away that we wouldn’t be spending much time together. Joey, on the other hand, was ready to be my new best friend, at least for a week. A fifth grader, he was a year older than I was, but shorter, which evened the score. From the way he darted around, snatched at gifts, and generally caused a commotion, he seemed
younger
than me. He would do as a companion for the length of my visit, but he really wasn’t my type. Not that he was dirty or anything, but he seemed, well… messy.

They all showed me through the house, which was so big that I often felt lost. Downstairs were all the rooms you’d expect—living room, dining room, kitchen, and kind of a den-place for Uncle Edwin. The furniture was woody and expensive, and the Christmas tree in the front hall looked department-store-perfect. A big open staircase led to the second floor, where there were mostly bedrooms, including my guest room, which was nice. There was a second stairway at the back of the house leading down to the kitchen and up to the third floor. No one offered to take me up there, so I assumed it wasn’t used much, like an attic. But then I remembered that big window and wondered if maybe it was a ballroom or something. As we began heading down the stairway to the kitchen, I turned and asked, “What’s upstairs?”

Everyone stopped in their tracks. Uncle Edwin cleared his throat and told me, “Just extra space. We don’t use it anymore. You can have a look sometime if you like.” Joey didn’t need any prompting: “
I’ll
show it to you. It’s
neat
up there.” Aunt Peggy said, “Tomorrow, dear.” Then we all went downstairs.

Next day, my oldest cousin, Mark, returned from college. A freshman, he had never really been away from home before, so it was a big deal when he arrived. Mark was very handsome, with wavy brown hair, and I could tell that Suzanne was jealous of all the attention he got. He wore tan pants, like soldiers wear, and I thought they looked really good on him. I liked his belt buckle, too, and his hands. Everyone else was hugging him; I wanted to, but thought I shouldn’t. I wanted to be friends with him, but didn’t think he’d care to hang around with a kid. Trying to think of something clever, I told him brightly, “We’ve got the same name.” He smiled and said, “How about that?” Then he mussed my hair with his hand, and I really liked the way his fingers felt on my head. I’m usually fussy about my hair—but I didn’t straighten it out for a while.

Later that afternoon, Mark was playing records in his room. Joey and I were horsing around, killing time before dinner, in Joey’s room. He had his own typewriter, a portable Smith-Corona. Its metal case was painted harvest gold, and its ribbon printed either black or red, which was really neat. But something was out of whack, and you couldn’t make it print all black or all red—no matter how you fiddled with the little lever, the letters always printed red on the bottom. Joey didn’t know how to type (he just punched at the keys, which is probably how the ribbon got messed up), but I had already learned, so he let me use the machine whenever I wanted. I thought of a little story that I tried to write, but Joey was too noisy and I gave up on the idea.

Bored with Joey’s clowning around, I strolled out into the hall. Hearing music from Mark’s room, I took a look inside, and there was my older cousin with his shirt off—he still had those nice tan pants on—unpacking a suitcase and sorting through his records. Seeing me standing there, he said, “It’s their new album. You like the Beatles?” I didn’t much care for them and didn’t know how to answer, so I shrugged my shoulders and told him, “Sure,” then went back to Joey’s room.

A while later, Joey was busy scribbling in a coloring book (he acted very babyish) when I noticed that the music coming from Mark’s room had changed, and this time I recognized it—Mozart, something about “night music”—Mom said it was a famous serenade. So I sneaked out of Joey’s room and walked down the hall again, figuring I’d impress Mark and make up for shrugging off the Beatles. When I got to his doorway, I was ready to say something, but, looking inside the room, I stopped short. There was Mark, kneeling on the floor, reaching for an album that had slipped behind the stereo table. His backside was toward me, and I felt a little embarrassed, but I couldn’t take my eyes off him—those tan pants looked so nice, somehow. And the hard creases of the cloth on the back of his legs made sort of an arrow, pointing right at his butt. I felt lost for a moment, like I didn’t know where I was. I wanted to walk over to him and just, well…
touch
him. Could I do that? Would that be wrong? Would he think I was weird?