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Authors: Clive Barker

Tags: #English, #Short Stories (single author), #Horror Tales, #Horror & Ghost Stories, #Short Stories, #Fiction, #Horror

Books of Blood (3 page)

BOOK: Books of Blood
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and the dead worlds, passed between them. There was compassion in that look, and love. The fictions fell away, the lies were dust. In place of the boy’s manipulative smiles was a true sweetness — answered in her face.

      And the dead, fearful of this look, turned their heads away. Their faces tightened, as though the skin was being stretched over the bone, their flesh darkening to a bruise, their voices becoming wistful with the anticipation of defeat. She reached to touch him, no longer having to fight against the hordes of the dead; they were falling away from their quarry on every side, like dying flies dropping from a window.

      She touched him, lightly, on the face. The touch was a benediction. Tears filled his eyes, and ran down his scarified cheek, mingling with the blood.

      The dead had no voices now, nor even mouths. They were lost along the highway, their malice dammed.

      Plane by plane the room began to re-establish itself. The floor-boards became visible under his sobbing body, every nail, every stained plank. The windows came clearly into view — and outside the twilight street was echoing with the clamour of children. The highway had disappeared from living human sight entirely. Its travellers had turned their faces to the dark and gone away into oblivion, leaving only their signs and their talismans in the concrete world.

      On the middle landing of Number 65 the smoking, blistered body of Reg Fuller was casually trodden by the travellers’ feet as they passed over the intersection. At length Fuller’s own soul came by in the throng and glanced down at the flesh he had once occupied, before the crowd pressed him on towards his judgement.

Upstairs, in the darkening room, Mary Florescu knelt beside the McNeal boy and stroked his blood-plastered head. She didn’t want to leave the house for assistance until she was certain his tormentors would not come back.

There was no sound now but the whine of a jet finding its way through the stratosphere to morning. Even the boy’s breathing was hushed and regular. No nimbus of light surrounded him. Every sense was in place. Sight. Sound. Touch.

      Touch.

She touched him now as she had never previously dared, brushing her fingertips, oh so lightly, over his body, running her fingers across the raised skin like a blind woman reading braille. There were minute words on every millimetre of his body, written in a multitude of hands. Even through the blood she could discern the meticulous way that the words had harrowed into him. She could even read, by the dimming light, an occasional phrase. It was proof beyond any doubt, and she wished, oh God how she wished, that she had not come by it. And yet, after a lifetime of waiting, here it was: the revelation of life beyond flesh, written in flesh itself.

      The boy would survive, that was clear. Already the blood was drying, and the myriad wounds healing. He was healthy and strong, after all: there would be no fundamental physical damage. His beauty was gone forever, of course. From now on he would be an object of curiosity at best, and at worst of repugnance and horror. But she would protect him, and he would learn, in time, how to know and trust her. Their hearts were inextricably tied together.

      And after a time, when the words on his body were scabs and scars, she would read him. She would trace, with infinite love and patience, the stories the dead had told on him.

The tale on his abdomen, written in a fine, cursive style.The testimony in exquisite, elegant print that covered his face and scalp. The story on his back, and on his shin, on his hands.

     
She would read them all, report them all, every last syllable that glistened and seeped beneath her adoring fingers, so that the world would know the stories that the dead tell.

      He was a Book of Blood, and she his sole translator.

      As darkness fell, she left off her vigil and led him, naked, into the balmy night.

Here then are the stories written on the Book of Blood. Read, if it pleases you, and learn.

      They are a map of that dark highway that leads out of life towards unknown destinations. Few will have to take it. Most will go peacefully along lamplit streets, ushered out of living with prayers and caresses. But for a few, a chosen few, the horrors will come, skipping to fetch them off to the highway of the damned.

      So read. Read and learn.

      It’s best to be prepared for the worst, after all, and wise to learn to walk before breath runs out.

THE MIDNIGHT

MEAT TRAIN

LEON KAUFMAN WAS no longer new to the city. The Palace of Delights, he’d always called it, in the days of his innocence. But that was when he’d lived in Atlanta, and New York was still a kind of promised land, where anything and everything was possible.

      Now Kaufman had lived three and a half months in his dream-city, and the Palace of Delights seemed less than delightful.

      Was it really only a season since he stepped out of Port Authority Bus Station and looked up 42nd Street towards the Broadway intersection? So short a time to lose so many treasured illusions.

      He was embarrassed now even to think of his naivety. It made him wince to remember how he had stood and announced aloud:

       ‘New York, I love you.’

      Love? Never.

      It had been at best an infatuation.

      And now, after only three months living with his object of adoration, spending his days and nights in her presence, she had lost her aura of perfection.

     
New York was just a city.

      He had seen her wake in the morning like a slut, and pick murdered men from between her teeth, and suicides from the tangles of her hair. He had seen her late at night, her dirty back streets shamelessly courting depravity. He had watched her in the hot afternoon, sluggish and ugly, indifferent to the atrocities that were being committed every hour in her throttled passages.

      It was no Palace of Delights.

      It bred death, not pleasure.

      Everyone he met had brushed with violence; it was a fact of life. It was almost chic to have known someone who had died a violent death. It was proof of living in that city.

      But Kaufman had loved New York from afar for almost twenty years. He’d planned his love affair for most of his adult life. It was not easy, therefore, to shake the passion off, as though he had never felt it. There were still times, very early, before the cop-sirens began, or at twilight, when Manhattan was still a miracle.

      For those moments, and for the sake of his dreams, he still gave her the benefit of the doubt, even when her behaviour was less than ladylike.

      She didn’t make such forgiveness easy. In the few months that Kaufman had lived in New York her streets had been awash with spilt blood.

      In fact, it was not so much the streets themselves, but the tunnels beneath those streets.

      ‘Subway Slaughter’ was the catch-phrase of the month. Only the previous week another three killings had been reported. The bodies had been discovered in one of the subway cars on the AVENUE OF THE AMERICAS, hacked open and partially disembowelled, as though an efficient abattoir operative had been interrupted in his work. The killings were so thoroughly professional that the police

were interviewing every man on their records who had some past connection with the butchery trade. The meat-packaging plants on the water-front were being watched, the slaughter-houses scoured for clues. A swift arrest was promised, though none was made.

      This recent trio of corpses was not the first to be discovered in such a state; the very day that Kaufman had arrived a story had broken in The Times that was still the talk of every morbid secretary in the office.

      The story went that a German visitor, lost in the subway system late at night, had come across a body in a train. The victim was a well-built, attractive thirty-year-old woman from Brooklyn. She had been completely stripped. Every shred of clothing, every article of jewellery. Even the studs in her ears.

      More bizarre than the stripping was the neat and systematic way in which the clothes had been folded and placed in individual plastic bags on the seat beside the corpse.

      This was no irrational slasher at work. This was a highly-organized mind: a lunatic with a strong sense of tidiness.

      Further, and yet more bizarre than the careful stripping of the corpse, was the outrage that had then been perpetrated upon it. The reports claimed, though the Police Department failed to confirm this, that the body had been meticulously shaved. Every hair had been removed: from the head, from the groin, from beneath the arms; all cut and scorched back to the flesh. Even the eyebrows and eyelashes had been plucked out.

      Finally, this all too naked slab had been hung by the feet from one of the holding handles set in the roof of the car, and a black plastic bucket, lined with a black plastic bag, had been placed beneath the corpse to catch the steady fall of blood from its wounds.

      In that state, stripped, shaved, suspended and practically

bled white, the body of Loretta Dyer had been found.

      It was disgusting, it was meticulous, and it was deeply confusing.

      There had been no rape, nor any sign of torture. The woman had been swiftly and efficiently dispatched as though she was a piece of meat. And the butcher was still loose.

      The City Fathers, in their wisdom, declared a complete close-down on press reports of the slaughter. It was said that the man who had found the body was in protective custody in New Jersey, out of sight of enquiring journalists. But the cover-up had failed. Some greedy cop had leaked the salient details to a reporter from The Times. Everyone in New York now knew the horrible story of the slaughters. It was a topic of conversation in every Deli and bar; and, of course, on the subway.

      But Loretta Dyer was only the first.

      Now three more bodies had been found in identical circumstances; though the work had clearly been interrupted on this occasion. Not all the bodies had been shaved, and the jugulars had not been severed to bleed them. There was another, more significant difference in the discovery: it was not a tourist who had stumbled on the sight, it was a reporter from The New York Times.

      Kaufman surveyed the report that sprawled across the front page of the newspaper. He had no prurient interest in the story, unlike his elbow mate along the counter of the Deli. All he felt was a mild disgust, that made him push his plate of over-cooked eggs aside. It was simply further proof of his city’s decadence. He could take no pleasure in her sickness.

      Nevertheless, being human, he could not entirely ignore the gory details on the page in front of him. The article was unsensationally written, but the simple clarity of the style made the subject seem more appalling. He couldn’t help

wondering, too, about the man behind the atrocities. Was there one psychotic loose, or several, each inspired to copy the original murder? Perhaps this was only the beginning of the horror. Maybe more murders would follow, until at last the murderer, in his exhilaration or exhaustion, would step beyond caution and be taken. Until then the city, Kaufman’s adored city, would live in a state somewhere between hysteria and ecstasy.

      At his elbow a bearded man knocked over Kaufman’s coffee.

      ‘Shit!’ he said.

      Kaufman shifted on his stool to avoid the dribble of coffee running off the counter.

      ‘Shit,’ the man said again.

      No harm done,’ said Kaufman.

      He looked at the man with a slightly disdainful expression on his face. The clumsy bastard was attempting to soak up the coffee with a napkin, which was turning to mush as he did so.

      Kaufman found himself wondering if this oaf, with his florid cheeks and his uncultivated beard, was capable of murder. Was there any sign on that over-fed face, any clue in the shape of his head or the turn of his small eyes that gave his true nature away?

      The man spoke.

      ‘Wannanother?’

      Kaufman shook his head.

      ‘Coffee. Regular. Dark,’ the oaf said to the girl behind the counter. She looked up from cleaning the grill of cold fat.

      ‘Huh?’

      ‘Coffee. You deaf?’

      The man grinned at Kaufman.

      ‘Deaf,’ he said.

      Kaufman noticed he had three teeth missing from his

lower jaw.

      ‘Looks bad, huh?’ he said.

      What did he mean? The coffee? The absence of his teeth?

      ‘Three people like that. Carved up.’ Kaufman nodded.

      ‘Makes you think,’ he said. ‘Sure.’

      ‘I mean, it’s a cover-up isn’t it? They know who did it.’

      This conversation’s ridiculous, thought Kaufman. He took off his spectacles and pocketed them: the bearded face was no longer in focus. That was some improvement at least.

      ‘Bastards,’ he said. ‘Fucking bastards, all of them. I’ll lay you anything it’s a cover-up.’

      ‘Of what?’

      ‘They got the evidence: they’re just keeping us in the fucking dark. There’s something out there that’s not human.’

      Kaufman understood. It was a conspiracy theory the oaf was trotting out. He’d heard them so often; a panacea.

      ‘See, they do all this cloning stuff and it gets out of hand.

      They could be growing fucking monsters for all we know.

      There’s something down there they won’t tell us about.

      Cover-up, like I say. Lay you anything.’ Kaufman found the man’s certainty attractive. Monsters, on the prowl. Six heads: a dozen eyes. Why not?

      He knew why not. Because that excused his city: that let her off the hook. And Kaufman believed in his heart that the monsters to be found in the tunnels were perfectly human.

      The bearded man threw his money on the counter and got up, sliding his fat bottom off the stained plastic stool.

      ‘Probably a fucking cop,’ he said, as his parting shot. ‘Tried to make a fucking hero, made a fucking monster

BOOK: Books of Blood
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