Brontës (37 page)

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Authors: Juliet Barker

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The activities of the real world were not always reflected in the children's writing, even when they were unusual. A major concert of sacred music in Haworth Church on 20 July 1829 left no impression, even though there was an orchestra of eighty, conducted by Mr White, and performances from some of the most famous professional singers in Yorkshire, including Thomas Parker, the tenor from Haworth itself, and Master Wilde, from York.
114
Similarly, a visit away from home, with all the excitement of its new experiences, passed unnoticed. Accompanied by Aunt Branwell, the four children spent a few days in September at the parsonage at Cross Stone with the recently widowed John Fennell.
115
The weather was poor so they were not able to explore the dramatic hills and valleys between Hebden Bridge and Todmorden but, from the tiny parsonage perched on the hillside, the young Brontës looked straight across the valley to Stoodley Pike, a huge stone obelisk built as a memorial to the Allies' seizure of Paris and the victory of Waterloo: a visible symbol of the Duke of Wellington's success. Charlotte wrote a letter to her father, which he lovingly endorsed ‘Charlotte's First Letter' and carefully preserved, describing how they had spent their time:

very pleasantly, between reading, working, and learning our lessons, which Uncle Fenell has been so kind as to teach us every day. Branwell has taken two sketches
from nature, & Emily, Anne & myself have likewise each of us drawn a piece from some views of the lakes which Mr Fenell brought with him from Westmoreland.
116

The day she returned home, in some sort of bizarre ritual, Charlotte recorded on a tiny scrap of folded paper, ‘on September the 25 I put in the Life of the Duke of W a piece of paper burnt at one end and on it was inscribed – Charles & Arthur Charlotte Bront
ē
Sept 25 1829'. The act perhaps symbolized her return to the imaginary world.
117

Patrick, too, was busy, campaigning for reform at home and abroad. In November he returned to his attack on the criminal code, writing yet again to the
Leeds Mercury
and calling on all men to work for the abolition of the death penalty except for murder, so that ‘the scales of justice and mercy are poised with even hand, and cruelty and oppression can nowhere be found'.
118
Disappointingly, there was no response, but with characteristic persistence, Patrick did not give up. The following April, in common with Evangelicals all over the country, he organized petitions for the abolition of slavery to both Houses of Parliament. Unlike any of his fellow ministers, he also took the opportunity to raise petitions for the revision and mitigation of the criminal code.
119
Having got nowhere with the supposedly reforming
Leeds Mercury
he wrote to the
Leeds Intelligencer
, pointing out that

all the Dissenting and Methodist ministers in the parish gave their consent and assistance with a cheerful alacrity that did credit alike to their piety, good sense, and humanity; and out of a population of more than four thousand, not one objected to – but all approved of, those measures of mercy and justice which we had in contemplation.
120

Once again, Patrick's clarion call for liberalization of the criminal law fell on deaf ears. Worn out by his campaigning efforts, by an unpleasant contested election for the post of parish overseer and the relentless round of parish duties,
121
he fell seriously ill for the first time in his career. An inflammation of the lungs, neglected at first, reduced him to such a state that for three weeks in June and July he was too ill to get out of bed and his life was held to be in imminent danger. The duties that he was so reluctant to neglect were taken by Thomas Plummer, headmaster of the grammar school at Keighley.
122
The children were alarmed by their father's sudden weakness.
One incident impressed itself so deeply on Charlotte that she broke off from her Glasstown imaginings to record it.

The following strange occurrence happened on the 22 of June 1830. at that time papa was very ill confined to his bed & so weak that he could not rise without assistance. Taby & I were alone in the Kitchen, about half past 9 anti-meridian. suddenly we heard a knock at the door, Taby rose & opened it, an old man appeared standing without, who accosted her thus,

OM does the parson live here?

T yes,

OM I wish to see him,

T he is poorly in bed.

OM indeed I have [a] message for him.

T who from?

OM from the LORD.

T who?

OM, the LORD, he desires me to say that the bridegroom is coming & that he must prepare to meet him; that the cords are about to be loosed & the golden Bowl broken, the Pitcher broken at the fountain & the wheel stopped at the cistern.

here he concluded his discourse & abruptly went away. as Taby closed the door I asked her if she knew him, her reply was that she had never seen him before nor any one like him. Though I am fully persuaded that he was some fanatical enthusiast well-meaning perhaps but utterly ignorant of true piety, yet I could not forbear weeping at his words spoken so unexpectedly at that particular period.

Charlotte Bront
ē

June the 22 1830

6 o'clock pm.

Haworth near Bradford
123

Charlotte, obsessed with tales of supernatural apparitions and omens, was particularly vulnerable to the implicit threat in the visitor's prophecy, but Patrick's illness must have shaken the whole household out of its ordinary routine. Though the immediate danger passed, Patrick remained physically weak and consequently very depressed in spirits for six months, finding his return to his duties a constant struggle.
124
He was fifty-three years old and he could not live for ever. On his death his children would lose everything,
even the roof over their heads. Aunt Branwell, though now permanently established with the Brontës at Haworth, was in no position to support them financially. The problem of providing for the future of his children loomed large again, no doubt adding to Patrick's depression. The eldest, Charlotte, was already fourteen and in a few years' time would be capable of earning her own living. As yet she had had only one year's schooling, which could hardly equip her to find a good post as a teacher or governess. Whatever the advantages of the wide-ranging education she had had at home, any future employer would expect at least some formal qualifications. It was time for her to go to school again.

Chapter Seven

EMULATION REWARDED

Roe Head School was everything that the Clergy Daughters' School was not. It was based in a large house on the outskirts of Mirfield, about half a mile down the hill from Patrick's old church at Hartshead. A rather grand three-storey grey stone building, with an unusual double-bowed frontage, it had been built for the Marriott family in 1740. The original house still stands though it is now dwarfed by the more mundane buildings of the much larger school it has become.
1
It has retained some of its large and pleasant gardens, with lawns to the front and woods and shrubbery at the rear and side to screen it from the road into Mirfield and Dewsbury beyond. Though lower than Hartshead, its elevated site gives spectacular views over the wooded grounds of Kirklees Hall. The stark outlines of the surrounding hills are broken only by the hill villages lying between Huddersfield and Halifax. Down in the valley bottom to the left can be seen the mills of Mirfield, the nearest town, which like Brighouse and Rastrick to the right, has spilt out beyond its nineteenth-century limits.

Roe Head had been taken over from the Marriotts in 1830 by Miss Margaret Wooler and her sisters, Catherine, Susan, Marianne and Eliza. Unfortunately, there are almost no relevant records, so it is impossible to tell whether this represented the actual setting up of their school or whether they had moved from another house in the area. By 1831 it had established a reputation and attracted as pupils the daughters of some of the leading manufacturers in the area. Among them were families well known to Patrick: the Brookes, granddaughters of John Halliley of Dewsbury, for instance, and the Haighs, who were friends or relations of the Firths of Thornton.
2
The school had only a very small number of pupils, apparently between seven and ten at a time, and there was no great disparity in their ages. Most of the girls, like Charlotte, seem to have been in their early teens and there were no infants as there had been at Cowan Bridge. All appear to have been boarders, though most of them came from within a radius of a few miles of the school, Charlotte being the exception in that her home was some twenty miles from Roe Head.
3

The school was run as well as owned by Miss Margaret Wooler and her sisters. It says much for the character of Margaret Wooler that Patrick described her as a ‘clever, decent and motherly woman' and that she became Charlotte's lifelong friend. In appearance she was short and stout, but graceful in her movements; her voice was sweet and she was fluent in conversation. One of her pupils described her as being like a lady abbess, dressed in white robes, with her hair bound into a plaited coronet and falling in ringlets to her shoulders. Catherine Wooler, whose disposition Charlotte thought had been soured by her continuing spinsterhood, was equally cultivated and intellectual in her tastes.
4
The regime they had instituted at Roe Head was disciplined but kindly. With so few pupils it was possible to take into account each girl's foibles and capabilities and there is no doubt that Charlotte not only benefited from the education offered, but also actually enjoyed her time at the school.

The choice of Roe Head seems odd at first. There were many schools closer to Haworth: Keighley, for instance, had two ladies' boarding schools and there were plenty of others in Bradford and Halifax.
5
Although the scale of its fees is not known, there is no reason to suppose it was any cheaper than those, more convenient schools. The choice must have been dictated by Patrick's personal knowledge of the place. He had walked past the building many times on his parish rounds at Dewsbury and Hartshead, so he was aware that it was in a healthy and open position. He knew the parents of
some of the pupils and that they were men wealthy and powerful enough to pick and choose the education offered to their daughters, unlike the poor clergymen of Cowan Bridge. He knew that Charlotte's godparents, the Reverend Thomas Atkinson and his wife, the former Frances Walker, lived at Green House in Mirfield, less than a mile from the school, and that the Reverend James Clarke Franks and his wife, the former Elizabeth Firth, lived at the vicarage in Huddersfield a few miles further away. Both Mrs Atkinson and Mrs Franks were acquainted with the pupils, their families and also the Misses Wooler who ran the school.
6
It is possible that Frances Atkinson actually suggested Roe Head to Patrick, as her own niece Amelia Walker was already at the school. The story that she paid the fees for her goddaughter seems to be apocryphal,
7
but she did keep a watchful eye over Charlotte's progress there. This time Patrick would not be left in ignorance of his daughter's welfare.

On 17 January 1831 Charlotte Brontë began the new term at Roe Head School. Mary Taylor, who was to become a lifelong friend, described her arrival:

I first saw her coming out of a covered cart, in very old-fashioned clothes, and looking very cold and miserable. She was coming to school at Miss Wooler's. When she appeared in the schoolroom her dress was changed, but just as old. She looked a little, old woman, so short-sighted that she always appeared to be seeking something, and moving her head from side to side to catch a sight of it. She was very shy and nervous, and spoke with a strong Irish accent.
8

A week later, the strangeness of her surroundings had still not worn off. Charlotte was homesick and lonely, missing the closeness of her family life and finding it difficult to mix with her school-fellows, who found her eccentric and something of an object of fun. It was therefore opportune that eight days after her own arrival, another new girl arrived. Ellen Nussey was almost exactly a year younger than Charlotte, her birthday being the day after Charlotte's. A quiet and gentle girl herself, she was immediately drawn to the girl she found shrinking into the bay window of the schoolroom and weeping silently while the others played outside. A mutual sense of being new and out of place played its part in bringing them together, as did their shared homesickness.
9

Charlotte was immediately marked out as different from her fellow pupils, not just by her old-fashioned clothes and odd Irish accent, but also
by her appearance and mannerisms. Mary Taylor, never one to mince her words, told her directly that she was very ugly. Ellen Nussey's judgement was kinder.

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