Butterfly Tattoo (2 page)

Then I’m unclasping my ponytail, hurrying before he
does
somehow see the horrible scars on my face. Or that strangely twisted half-smile of mine, because the problem is, I
can’t
stop smiling at absolutely everything he says. Next, I shake my hair out, so that it cascades loose along my shoulders and then comb it forward with my fingers. Not only does my hair provide good camouflage, but it’s also my most attractive feature these days. Golden, honey-colored and long, with natural highlights. Thick and wavy, too. At least there’s still one good thing that Ben McAllister didn’t manage to steal from me.

His outline is highlighted by thin shafts of light that filter through the blinds, and I can tell he’s maybe even six foot three or so. “I’ve gotta go get something from next door,” he announces, brushing off his hands as he rises to his feet. “I’ll be back.”

I nod nonchalantly—as if he can see anyway—and remain calm despite the way my heart is dancing some kind of wild jig inside my chest. He vanishes into the dark hallway, then a moment later there’s the sound of the main door opening and shutting to the parking lot outside. Only then do I realize that I’ve been holding my breath.

***

“Look, sweetie, he’s not the one,” Trevor advises me in the dark. We’re sitting in my office—darker than the others in this bungalow because it was once a screening room for daily rushes. In fact, Ed still uses it for that purpose which is why my wooden blinds are drawn closed today, just as they are most of the time.

“Why not?” I ask in an arch tone. After all, Trevor’s the one always pushing me to date someone. Anyone at all.

“Because he plays for my team. Gay-dar Central, I assure you, my dear.” He taps his fingertips on the window for emphasis. “Ding, ding.”

“That guy is not queer.”

“Why not? Because he’s macho and
manly
?” He laughs, drawing out the last word for emphasis.

“No, because he…” Flirted with me? I’m not about to tell Trevor my interpretation of events.

“I just thought he seemed straight, that’s all.”

Trevor places a comforting arm around me. “Sweetie, sometimes we gay men can read a moment, all right? There’s kind of a current that passes, a look, if you will. Subtext.”

“
That
happened?” I ask, feeling small and defeated. “You heard subtext? It was dark!”

“But our eyes met at the front door of the bungalow.” Crap, that’s right. With the power off, Trevor had to let him in manually.

“Was he cute?” I ask, even though my hope is fading fast.

“Ah, yes,” he nearly growls. “Quite the sexy lad, but taken for sure. It’s in the vibe. Clearly off the market, so it’s a no-go for me, as well.”

So much for my own ability to read a moment, I think, stumbling through the blackness toward my desk chair. That’s the last time I decide I’m experiencing an emotional connection with a stranger in the dark. No, that stuff’s just reserved for stupid sixties songs, not for me or my bungalow.

I drop into my seat and feel inexplicably tired. Beyond exhausted, really, as I wonder if there’s someplace else where I can go until our development meeting, somewhere I can hide before the gay electrician returns.

But I don’t leave. My cell phone rings, and it’s the New York agent phoning me back about the bestseller, suggesting something of a compromise. Next thing I know we’re discussing an offer, and then the strapping electrician lumbers right past me again before I can begin to plot my escape.

Once I’m done with the call, I fold the phone shut and begin straightening the manuscript on my desk into a neat pile. I’m ignoring the shadowy flirt, determined to tune him out as I stand to leave, when he says, “Sounds promising.” Why do I immediately think he’s talking about far more than the deal he just heard me negotiating?

“What?” I ask, rising to my feet. I have to get out of here before this guy weakens my steely resolve.

“Sounds like you’re shutting down the competition, Ms. O’Neill.”

I clutch the manuscript against my chest, feeling the need to protect myself.

“I like that killer instinct.” He’s got a throaty voice that I find very arousing.

Then I nearly snort with laughter because Trevor’s just plain wrong. He has to be. This guy keeps striking up conversation with me, expressing interest. I may have been off the market for a long time, but I still know when someone’s a kick-ass flirt. And he’s flirting, big time.

“Killer instinct, right.” I laugh, and it comes out sounding self-deprecating and dismissive. If the lights were on, I’d wave my hand, swatting the notion away with an easy flick of my wrist.

“Well, what would you call it?” he asks genuinely, half-groaning as he maneuvers low on his belly again. He’s got the flashlight balanced against his shoulder, and I can see it’s a tough juggling act.

“Doing my job. And it’s Rebecca, by the way.” I step closer and get my first partial look at his face. He’s got short spiky hair, dark with a little curl and attitude to it.

“Nice to meet you, Rebecca.” As he looks up at me, I find myself staring into an arresting pair of brown eyes. Not that I can see them all that well, mind you, but enough that I’m sure I won’t forget them anytime soon. Just gorgeous, with long, fluttery lashes. Eyes like that can melt you on the spot, especially when accompanied by a smoky-toned southern accent, so I vow to proceed with caution.

“Can I hold that for you?” I gesture at his flashlight with a quick toss of my hair, ensuring that my scars are concealed from his line of sight.

“Yeah, that’d be great. Thanks.” He smiles as I reach for the light, glancing up at me again, and Lord, it’s a beautiful thing.

His fingertips brush against mine, rough, obviously calloused from long-term physical labor. They’re large and something about their generous size makes me think of whoever it is he loves. Hands like that can protect you when you need it most; keep harm at a safe distance. Can hold you tight when the nights get long and the devouring nightmares won’t keep away.

Now
this
is subtext: the simple brushing of his hand against mine, the resulting cascade of uninvited fantasies. I’m about to ask his name when a soft voice pierces the pregnant silence threading between us.

“Michael, can I have some money for the commissary?” Startled, I turn to find the outline of a young girl standing behind us, right beside my desk. She’s about seven or eight years old, nine at most.

“I can’t take you there right now, sweetheart.” Michael. So he’s no longer a stranger or the ponderous specter. He has a name.

“But I can walk over there on my own,” she suggests, stepping closer. “I know the way.”

“Not by yourself, you can’t.” Michael’s voice has shifted from its semi-charming timbre, and become the authoritarian vise of a parent.

“I can’t just sit around and watch the guys wire things,” she huffs into the dark. Her voice is early-morning innocent, the kind that smells like dreams and comforters tucked around your face.

“Andrea, I’ve got to work,” he says, kneeling there on the floor. “You know that.”

“Are you gonna help me get on the
Evermore
set?”

“Maybe, if I can get you a pass,” he explains. “But right now—”

“But you
said
!” she cries, and it’s not a harsh sound, just a plaintive, frustrated one.

“I said I’d try. Now, go. Back over to the electrical department.”

“So can I walk to the commissary then?”

Long, weary sigh, followed by an exasperated breath. “No. You just heard me say no.”

“But it’s only around the corner.”

“Not by yourself.”

“But you said—”

“No, not by yourself!” Only, it comes out more like “yoursailf,” as his voice kind of snaps, revealing a whole underbelly of tension in that soft twang of a word. Maybe they’ve been at this all morning, or maybe they don’t get along. It’s hard to be sure.

Poor man. He’s obviously quite familiar with the “wear ‘em down” negotiator tactic because this little kid knows it well. In fact, she belongs in my line of work. Just don’t let the agents around here find out about her—she’d make one lethal weapon in the hands of the wrong enemy.

“You know, I was thinking of heading over there,” I suggest helpfully. “To the commissary, I mean.” I’m not sure why I feel so eager to mediate their crisis, but I don’t question my motivation.

“Really?” The girl turns to me, her sweet voice breathy as a sigh.

“Yeah, you know, I was going to go for some breakfast. I could take you. That is, if your…” I hesitate because I’m not sure
what
to call Michael. After all, she’s called him by his first name, so he must not be her father.

“Michael,” she finally adds after a long, impenetrable silence.

“Well if
Michael
doesn’t mind, we could walk over together,” I say, still curious about their undefined relationship. Only then does it occur to me that if I were a parent, I’d be suspicious of someone like me, a stranger expressing unsolicited assistance like I am. I try searching Michael’s face to see if he’s uncomfortable, but the office is just so dark, so sheltered by shadow, even with his flashlight providing scanty illumination.

“You sure?” he asks, a husky-voiced sound of uncertainty, as he rubs a tired hand over his eyes. It’s not like he’s worried that I can’t be trusted, that’s not it. Instead, it’s almost as if he assumes Andrea’s an imposition.

“Of course. It’s all dark in here anyway,” I explain. “We’ll just go get some breakfast and then come back.”

“Andie, wait.” Michael digs in the pocket of his blue jeans, producing his wallet. “Let me give you some money.”

“Oh, no, I’ll take care of it,” I rush to say. “Don’t worry.”

“No, really, here.” Michael presses a ten-dollar bill into my hand. For a brief, incendiary moment, our fingers brush together, and without even meaning to, I step backwards, embarrassed by the unsought intimacy passing between us again.

I’m not sure if he even notices, because he turns to Andrea, reaching for her hand, but she pulls away sharply, so that he’s left just standing there. Grasping for her and something about that image makes me feel unspeakably sad.

“Andrea, please be good for Ms. O’Neill, okay?”

She nods, dutifully clutching a small backpack in her hands like a lifeline. It looks to be some kind of Barbie contraption, fluorescent pink vinyl covered with glittery pictures.

“Thank you,” Michael says to me in a fierce near-whisper. “I really appreciate this.” His gratitude for such an easy gesture unnerves me in a way I don’t fully understand, so I just nod, and without even meaning to, smile at him again. I swear, I can’t stop smiling at the man.

“Come on,” I say to Andrea, leading her down the hallway lined with countless awards and framed film posters. When we head out the front door, there’s an explosion of morning sunlight so startling that I feel like someone has lifted the creaky cover off my sarcophagus. Like dust motes and cobwebs are drifting away from me, toward the piercing light.

Maybe this is what Trevor’s been talking about, I think, squinting upward at the clear spring sky. For a fleeting moment, I even wonder if it isn’t all some fabulous omen. If maybe the darkness in my life isn’t about to finally end.

The little girl has about the most amazing red hair I’ve ever seen. It’s not the garish red of a carrot top, yet far more than a simple auburn. It’s like a deep burnished amber color mixed together with ruby jewels. As we walk across the asphalt parking lot, stepping onto the dew-soaked grass of Chaplin Park, sunlight catches bright strands of color in it, sparkling like fairy dust.

The shimmering red color is striking, especially contrasted with her creamy, translucent skin and blue eyes. The importance of skin like that is lost on little people. Not a blemish or a mark. Just purity dusted with golden freckles, like oranges in the snow, across her nose and cheeks. She shoves her hands in her denim overall pockets, tossing me a shy, reserved smile, and I can’t help thinking of a china doll. A fragile little thing that I need to protect; no wonder I ache to reach for her small hand and hold it tight within my own.

We come upon several long wardrobe and makeup trailers parked outside Stage 30, marked
Evermore
, and she stares intently.

“So you like that show?” I ask, interrupted when a loud buzzer blasts from within. “That means the camera’s rolling, so nobody can go inside.” I gesture at the flashing red warning light beside the door, and she nods, obviously familiar with the production process.

At my leading, we dart down a side alley and wind up right in the Bronx—only in Hollywood, I think with a faint smile. Though really, it’s only at this particular studio, which has the best re-creation of New York City streets outside of the Big Apple. We’re strolling down the deserted avenue when Andrea announces in a quiet voice, “
Evermore
’s my favorite show.”

“Here, go this way.” I tug lightly on her backpack, and then we’re heading back between more sound stages. “Really? Your favorite, huh?”

“Do you watch it?”

“No, I never have. Should I?”

She only shrugs, and it’s clear that I won’t get any further with her on the topic. I make a mental note to check with Trevor for the pertinent details. I know a little, like that the male lead is pretty hot. My good friend Cat Marin read for the show, but they wound up casting someone else—someone I don’t particularly like, as a matter of fact—and since we’re not in series development, I’ve always ignored it.

“Michael never gets me on the good shows,” she says as we walk toward the commissary. “He forgets stuff too much, so he can never get the passes. My daddy was better about stuff like that.”

I’m wondering again about the nature of their relationship when she blurts, “
Evermore
is critically acclaimed.” You can tell this child has been raised in the bosom of Hollywood.

I keep a straight face, although it’s tough. “Really?”

She nods. “It’s a ‘revelation’, that’s what the ads say.”

Andrea’s got me curious now, and I need to know the facts. After all, it’s my job to keep my finger on the pulse of America. You never know where you’ll find great stories—sometimes they’re right where you’re
not
looking. Maybe a lot of things are.