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Finian returned to the table and lined up bottles of Glenfiddich, Inish Turk Beg, Midleton, Lavagulin, Connemara and Talisker. Most of his choices for the evening were from his private stock. “No one over imbibed,” he said.

“I’m still not fit to drive.” Emma got to her feet and pulled on her raincoat, skipping buttons and just tying the belt loosely around her. “I can help carry stuff to your car.”

“I walked here from the rectory. I’ll come with the car to pick up everything in the morning.”

“I left mine at Colin’s house and walked down here, too. I made it before the rain started, but it looks as if it’s letting up. We can walk back together if you’d like.”

“That’d be good. Emma...” Finian touched her shoulder, none of his usual spark or humor in his eyes. “You must find Colin.”

She nodded. “I know, Fin.”

They headed out into the cool evening air, the fog breaking up, the breeze steady off the water, smelling of salt, sand and seaweed. She had enjoyed the evening, listening to Finian describe the different “expressions” of whiskey—or whisky, if it were Scotch—and how each was made, dispelling myths and preconceptions in his Irish brogue. She had enjoyed being with Mike, Andy and Kevin as they had teased Finian Bracken, her, each other.

Even so, ultimately, she knew, her presence had reminded Colin’s brothers and his Irish priest friend of what they were trying so hard not to think about—that Colin was an FBI agent who hadn’t been in touch in far too long, and was likely in trouble.

* * *

Emma entered Colin’s small Craftsman-style house through the back, using the key he had given her before his abrupt departure a month ago. He didn’t pop out of the shadows, and he wasn’t in his kitchen, drinking one of the bottles of Smithwick’s he had left in the stainless-steel refrigerator.

The house was quiet and cold, masculine with its dark woods and neutral colors.

His refuge, she thought, heading to the front room.

He wasn’t there, either, sitting by the fireplace in the dark with a glass of Bracken’s finest.

Not that she had expected him to be. Technically they worked on the same team. She would know if he were back in Maine.

As she went up the stairs, she noticed a light, undisturbed film of dust on the wood rail, a tangible reminder of his absence.

She made her way down a short hall to the back bedroom he had chosen for himself.

No Colin Donovan there, either.

Emma turned on a lamp on the nightstand. She remembered him sweeping her into his arms a few short weeks ago, as if she were a fairy princess. He’d carried her upstairs and laid her on the soft duvet atop his bed.

They had fallen for each other so fast, so hard.

Madness, really.

And perfect.

She stood at his oak dresser and ran her fingertips over the stack of books, sports watch and a few coins that Colin had left. She caught her reflection in the mirror and stared at herself, as if somehow it would help her see answers that so far had eluded her. She had moved to Boston in March to join a small, specialized team. Her area of expertise was art crimes and their intersection with other major crimes. In early June, she had discovered that Vladimir Bulgov, a wealthy Russian citizen and the kingpin of a transnational network of illegal arms traffickers, had a passion—a perfectly legal passion—for Picasso and would be in Los Angeles for an auction.

At the time, Emma had suspected a deep-cover operative was chasing Bulgov but had no idea who it was. When she met Colin in Maine in September, she thought he was a lobsterman.

Well, for a minute, anyway.

She had learned that his friend and former contact agent was Matt Yankowski, the same senior agent who had encouraged her to join the FBI as a young novice and then handpicked her for his new Boston-based team.

Colin had done the hard, dangerous, often solitary work to investigate and build the case against Vladimir Bulgov. The Los Angeles auction was a way to lure Bulgov onto U.S. soil and arrest him.

Emma had no illusions that Matt Yankowski—Yank—had recruited her solely because of her expertise in art and art crimes. She was also a Sharpe. Her grandfather was Wendell Sharpe, a renowned art detective who had started Sharpe Fine Art Recovery out of his home in Heron’s Cove. He had six decades of experience working with the FBI, Interpol, Scotland Yard and countless other law enforcement agencies, as well as embassies, insurance companies and individuals—celebrities, princes, heiresses, CEOs, new money, old money. Fifteen years ago, he had opened an office in his native Dublin and had worked there ever since. Now in his early eighties, he was semi-retired and Emma’s older brother, Lucas, was running the family business.

Yank had known from the moment he met her at the Sisters of the Joyful Heart convent and decided he wanted her in the FBI that as a Sharpe, she had her own sources, her own contacts.

Emma noticed her cheeks were pink from the wind and cold. As Finian Bracken had wished her a simple good-night, continuing on his way to St. Patrick’s rectory, she had felt his deep concern for his friend. She understood. She was worried about Colin, too.

She turned from the mirror and sat on the edge of the bed, tugged off her boots, her wool socks. She had come up to Rock Point several times during Colin’s absence but never stayed overnight at his house. She had always gone back to her apartment in Boston or the Sharpe house in Heron’s Cove.

She flopped back onto the soft duvet and gazed up at the ceiling, knowing it wasn’t just the whiskey that was keeping her in Rock Point. It was being here, in Colin’s house. In his bed.

“Colin, Colin. Where are you?”

Her whisper sounded hollow, even bewildered. She sat up straight, shivered in the chilly room. The sheets would be cold. And no Colin there to help warm them.

Her cell phone rang and she realized she still had on her raincoat and dug her phone out of the outer pocket.

A private number.

She answered without giving her name. “Hello, who is this?”

“Hello, Emma Sharpe. It’s good to hear your voice.”

Her breath caught in her throat at the Russian-accented voice of the man on the other end. He would never identify himself over the phone, and she would never ask, or guess, or say who she thought—knew—he was.

“And yours,” she said.

A half beat’s pause. “Your man is in danger.”

Colin.

Emma stood up from the bed, the floor cold on her bare feet. “Do you know where he is?”

“Yes.”

He gave her an address in Fort Lauderdale, and disconnected before she could thank him or ask any questions.

Another ghost,
she thought, and dialed Matt Yankowski.

ISBN: 9781460318034

Copyright © 2013 by Carla Neggers

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now known or hereinafter invented, without the express written permission of publisher, Harlequin Enterprises Limited, 225 Duncan Mill Road, Don Mills, Ontario, Canada M3B 3K9.

This is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events or locales is entirely coincidental. This edition published by arrangement with Harlequin Books S.A.

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