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Authors: Julia Golding

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‘What!' I felt as if he had just tipped a kettle of scalding water on me.

‘I know that is very soon, but I didn't want to make a premature announcement. I couldn't get a builder for the job until I'd put the money on the table. Apparently, my reputation for not being prompt about settling my account had preceded me.' He chuckled and smoothed his white silk cravat fixed in place with a diamond-headed pin.

This was serious.

‘What, Cat? You don't look pleased.'

‘How long will the theatre be closed?'

‘Oh, I don't know – a couple of seasons perhaps. We're not talking about a refit here – this is a complete rebuild.'

‘A couple of seasons! But that's years!'

He darted a look at me out of the corner of his eye. ‘I know it's going to mean a lot of changes for everyone. We'll have to camp out at the King's Theatre for a while, but I'm sure the company will all pull together when they understand what we stand to gain.'

‘I see.' I said no more. My home was about to be destroyed: the Sparrow's Nest, my foothold in the world for as long as I could remember was to be turned into rubble; the playground backstage that I'd shared with Pedro was about to be reduced to dust. Where would we go? At least Pedro had his master, the musical director – as an apprentice, he would be looked after. But I, as an orphan under the protection of the theatre, I'd been allowed a corner no one else wanted. In a new theatre, where no one knew
me, would I be so fortunate again?

Mr Sheridan must have been following some of my thoughts from the expressions on my face.

‘When this is all over, Cat, I think you'll recognize it was for the best. You can't bed down in the costume store any more like some stray kitten. You're a young lady now. You need to find proper lodgings for yourself – start to make your own way.'

With what? I wondered. I worked in exchange for bed and board. I'd never had any money to call my own.

‘I have every confidence that you'll fall on your feet as normal. You're not called Cat for nothing,' he continued cheerfully, ruffling my ginger hair and dislodging my cap.

I knew that for my own good I had to be practical. I couldn't indulge myself and let out the wail of grief that welled up inside me. ‘Can I move with the company?' I asked. ‘Will you start paying me wages?'

Mr Sheridan began tidying away the plans.
‘We'll see. Money's a bit tight at the moment, what with the cost of the new building and the removal. Have a word with Mrs Reid – she might be able to squeeze something out of the wardrobe budget for you. Though I must admit I rather thought that you were going to make your fortune by your pen. I understood that the Duke of Avon was helping you find a publisher.'

He'd hit upon a sore spot.

‘His grace has tried, but the booksellers find my stuff too shocking. They've told me to write about love and female duty – not boxing and battles.'

Mr Sheridan laughed. ‘Don't you listen to them, Cat. You have to put up with your fair share of rejection as a writer if you want to succeed. Keep trying – you'll find your audience one day.'

‘Yes, when I'm six feet under and women are equals to men – that means never,' I muttered sullenly.

‘I wouldn't be so sure of that,' said Mr
Sheridan, toying with the watch chain that looped across his broad expanse of waistcoat. ‘It may happen sooner than you think. Events in France are transforming things that, when I was your age, were thought to be untouchable. Maybe your sex will be the next to share in the benefits of the wind of change that is sweeping across Europe.'

Mr Sheridan was talking politics now. The theatre was only really a hobby to him: his real career lay in parliament so it didn't take much to jog him on to this track. I'd be getting a full-blown speech about progress and revolution if I didn't watch out.

‘We'll see, sir,' I said humbly, bobbing a curtsey. ‘May I go now?'

‘Yes, yes, off you go, child. And don't worry: we'll make sure you are all right one way or another,' he said, leafing through the plans once more.

I picked up the tray of wigs and retreated from the office, full of doom. I knew my patron
better than to trust to his vague promises. Many a shopkeeper had spent hours besieging him for payment only to be fobbed off with hints of money in the future.

‘Cat, where's my wig?' screeched Miss Stageldoir as I pushed my way into the bustling dressing room. Half-clothed dancers clustered around the mirrors, elbowing each other out of the way to plaster their faces with make-up, gossiping to each other in quick-fire French.

Well, if I was going to persuade everyone I was an indispensable part of the backstage crew, I could afford to make no enemies by rudeness – even Miss Stageldoir, a middling order actress of indifferent talent.

‘Sorry, miss. I was delayed by Mr Sheridan,' I replied meekly, battling through the ballerinas to reach her.

Miss Stageldoir curled her pretty lips sceptically. She had a patch on her cheek like a squashed fly, hiding a pox mark that spoiled her alabaster skin (this too came out of a bottle – she
was really as red-faced as a laundry woman when seen in daylight). ‘Put it on me then, girl.'

I lifted the wig from the tray, trying to blow off some of the soot before she noticed, and lowered it on to her head like the Archbishop of Canterbury crowning the king. She stared at her reflection.

‘What have you done, you slattern!' She wheeled round and slapped my face hard. ‘You've ruined it!'

Mrs Reid bustled forward to break up the commotion. ‘What's the matter, Miss Stageldoir?' she said soothingly. I rubbed my cheek, boiling with resentment, but bit my tongue.

‘The dirty little beggar's spoiled my wig! How can I go on stage looking like a chimney sweep?'

‘I can mend that in a trice with some powder. Just sit tight.' Mrs Reid clucked and fussed over Miss Stageldoir's head. She enveloped the actress in a cloud of white dust as she repaired the damage. ‘Look! As good as new.'

‘Hmm.' Miss Stageldoir turned her face this way and that. ‘I suppose it'll do, but make sure you punish the girl: it could have ruined my performance.'

As if it needed me to spoil it – she did that well enough herself.

‘I will, you can be certain of that.' Mrs Reid glared at me.

This was so unfair!

‘But it wasn't me, Mrs Reid. Mr Sheridan dropped the tray when he took me into his office.'

Mrs Reid raised her eyebrows, taking in my crooked cap. ‘What was he doing with you in his office on your own?'

Two of the dancers giggled as they brushed past. I blushed and tugged my cap back into place. ‘He wanted to show me his plans.'

‘Oh yes?'

‘Yes, plans for the new theatre,' I continued loudly, savouring the moment when I would fire my broadside. ‘He's closing Drury Lane and
knocking it down. On 4th June to be precise. We've all got to move.'

You could have heard a pin drop. In fact, several did tumble from Miss Stageldoir's head as she jerked back in her chair to stare at me in disbelief.

‘What did you say?' she hissed.

‘It's the end. Drury Lane is doomed. The curtain falls. Can I put it any clearer for you . . . miss?'

She missed my rudeness in her surprise. ‘But where are we going? Will we lose our positions?' she exclaimed.

An excited babble broke out in all quarters as the cast began to discuss their fate. Sooty wigs forgotten, the news spread as dancers darted off to whisper it to their boyfriends among the stage-hands. Soon there was no corner of the theatre that did not know what was afoot, no doubt as Mr Sheridan had intended when he chose to tell me first.

‘Five minutes to curtain up! Beginners,
please,' called the stage manager as he tried to hush the hubbub behind the scenes.

Miss Stageldoir swept past me without a word, her velvet train leaving a trail in the powder. With a sigh, I picked up a broom to sweep the floor.

The orchestra began the overture as I made my exit from an empty dressing room. There was no one to see me go as all eyes were now on the stage.

With leaden feet, I climbed the stairs to my lonely corner of the Sparrow's Nest, and huddled on my couch counting the days until I had to fly away.

Only twelve left.

Reader,
Over time we have shared enough confidences for me to feel quite safe entrusting you with the story of how I came to be published. You may remember that I had an awful experience with a certain Mr Tweadle who stole my manuscripts and sensationalised them
*
.
From that day on I determined that my literary career was not going to be ruined by another such scandal, and fortune later favoured me when my stories were discovered by a lady scholar, Dr Julia Golding.
Julia (she has given me permission to be on first name terms) was once a diplomat in Poland and I feel that she is a kindred spirit, as I was once an envoy to a foreign country - France - myself. You cannot imagine how delighted I was when Julia, acting on my behalf, accepted awards for my first book, T
HE
D
IAMOND OF
D
RURY
L
ANE
. It won both the Waterstone's Children's Book Prize and the Nestlé Children's Book Prize. Julia, being something of a bluestocking, has also penned her own prose:
R
INGMASTER, THE
C
OMPANIONS
Q
UARTET
, T
HE
S
HIP
B
ETWEEN THE
W
ORLDS
and D
RAGONFLY
.
If ever perchance I visit Oxford, she has assured me that she, her husband and children will always welcome me into their home.
*
For full details of his wicked exploits see D
EN OF
T
HIEVES
A
LSO BY
J
ULIA
G
OLDING
T
HE
C
AT
R
OYAL
B
OOKS
The Diamond of Drury Lane
Den of Thieves
Cat O'Nine Tails
Black Heart of Jamaica
Cat's Cradle
T
HE
D
ARCIE
L
OCK
N
OVELS
Ringmaster
T
HE
C
OMPANIONS
Q
UARTET
Secret of the Sirens
The Gorgon's Gaze
Mines of the Minotaur
The Chimera's Curse
The Ship Between the Worlds
Dragonfly

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