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Authors: Shirley Rousseau Murphy

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BOOK: Cat Raise the Dead
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Up in the hills above Molena Point the Martinez family was gathered at the pool, Juan and Doris Martinez sitting at their umbrella table wrapped in thick terry-cloth robes, their hair streaming from their swim, the two children still doing laps, skimming through wisps of chlorine-scented steam. The harsh light of afternoon had softened, and the shadows stretched long. Though the wind was chilly, the spring day was bright and the pool was comfortably heated—the water was kept all year at an even seventy-eight degrees. The couple sipped their coffee, which Doris had poured from a thermos, and watched ten-year-old Ramon and seven-year-old Juanita swim back and forth the length of the long pool as effortlessly as healthy young animals. The adults had already completed their comfortable limit for laps. Doris's limit most days was about twenty, Juan's twice that. The kids would swim until hunger drove them out.

With careful attention to the changing times even here in Molena Point, to the increase in household burglaries even in the village, they had left only the patio door unlocked, and it was in plain view behind them. They were discussing an impending trucker's strike, which would delay deliveries of window and wall components for Juan's prefab sunroom company. This, in turn, would delay scheduled construction and throw the
small firm behind in its work for the next year or more, depending on how long the strike lasted.

While the adult Martinezes were thus engaged discussing alternate sources of income to tide them through the coming months, a woman entered the yard behind them, making no sound, and slid open the glass door, timing its soft sliding hush to the noisy rumble of a passing UPS truck.

Slipping inside, she found herself in the large, comfortably appointed family room, all leather and soft-toned pecan woods. Crossing the thick, soft carpet, she headed for the front hall and moved quickly up the stairs; she liked to do the upstairs first. Usually, when people were in the pool or the yard, there would be a billfold left on the dresser, perhaps a handbag. Or she would find the handbag in the kitchen when she went down. Climbing the stairs, she thought about making a trip soon up to the city. She didn't like keeping such a large stash of stolen items. She liked to move the goods on, dump the take—all but those few pieces that were so charming she couldn't bear to part with them.

She thought of these as keepsakes. She was not without her sentimental side. She enjoyed the houses she entered, liked looking at the furnishings and getting to know the families, if only superficially, by the way they lived. Each new house, while offering fine treasures, offered also a little story about the residents. And though she knew it was foolish to hang on to keepsakes, she did love the little reminders she had saved, the lovely Limoges teapot from the McKenzie house, the five porcelain bird figurines carefully packed, and the little Swiss clock with a white cloisonné face that she couldn't bear to part with. She had yet to determine the value of the clock, but she thought it would be considerable. She needed more specific information on these miniature clocks; she was finding quite a few. The cloisonné clocks, imported from Europe, were big in California just now. She'd take care of the research up in the city at the main
branch of San Francisco Public, not here in Molena Point, where someone might recognize her; she felt particularly wary of that ex-parole officer in the library's reference department.

She'd like to drive up to the city early, spend several hours with Solander; Solander's Antiques was the most reliable fence, and she didn't have to hobnob with little greasy shoplifters. No, Solander was strictly first-class. Then a stop at several banks to get rid of the cash, and a nice lunch, maybe at the St. Francis. Then the remainder of the day in the art reference room of San Francisco Public. The trips made a really nice change from her everyday routine. Maybe she'd stay over, catch a play, do a little shopping.

Though before she left, she did want to get her map of Molena Point in better order. She'd nearly made a bad mistake yesterday, had really scared herself when she realized she was in the Dorriss house. And she had forgotten, if she'd ever known, that the upstairs was a separate apartment.

But no matter, she hadn't gotten that far. Though not until she saw Bonnie Dorriss's car pull into the drive, saw her getting out with that big brown dog, that poodle, did she realize where she was. Luckily the young woman had taken the dog around to the backyard, and she had slipped out the front. She hadn't time to lift anything, and the experience had left her unsettled.

Upstairs, in the Martinez master bedroom, she found a billfold containing something over two hundred in small bills. She didn't find a purse, but she did find a jewelry box and picked up a nice pearl choker and a lovely antique emerald necklace. This last could be a real find—it must be well over a hundred years old and was probably Austrian by the looks of it. If those tiny emeralds were real, she had a fortune in her hands. But even if the emeralds were only chips, or even paste, the finely made antique piece would still be worth a nice sum.

She found a few gold and silver coins in a cuff-link box, none of them in protective envelopes, but found nothing else of value. She was checking the other bedrooms when, in what appeared to be the guest room, she came on a glass case containing five big dolls.

These were not children's toys, but replicas of adult women, works of art so lifelike that at first sight they shocked her. As if, peering into the case, she was looking into a tiny alternate world, spying on live miniature people. The doors of the case were locked.

Each female figure was a very individual little being, her skin so real one wanted to feel its warmth, her tiny fingers perfect. And each lady was totally different from the others, each face different, registering very different human emotions. She could not resist the Victorian woman's aloof smile. Each tiny woman was so alive that even their individual ways of standing and looking at her were unique. In their lovely period lace and satins, these lively ladies were surely handmade. She wondered if they were one of a kind; certainly they were collector's dolls.

Thinking back, she could remember glancing at magazine articles about doll shows, and at ads for dolls, but obviously she hadn't paid sufficient attention. She had missed a whole movement here.

Well she would pay attention from now on, close attention. Her fingers shook as she fished out her lock-picks.

The operation took forever, and she was growing nervous that some member of the family would come slipping in from the pool and up the stairs before she had the glass case open. Her hands were trembling so badly that when she did get the lock open she almost dropped the first doll. The little lady's full silk skirts rustled, and her direct, imperious gaze was disconcerting.

Each doll was over twelve inches tall. They were going to make a huge bulge under her coat. But at last she got
them tucked away in the deep pockets that lined the garment, and, still in the guest room, she checked herself before the full-length mirror.

Not too bad, if she stood with her shoulders hunched forward to make the coat fall away from her. She could hardly wait to research these beauties and get them up to the city.

She would take these to Harden Mark; he was the best with the real art objects. And, of course, before she saw him she needed to educate herself. There wasn't a fence in the world who wouldn't rip you off if he could.

She had finished upstairs, was downstairs in the kitchen going through Mrs. Martinez's purse, when she heard the sliding door open. She stuffed the bills in her coat and closed the purse. On her way out the back door she snatched up a handful of chocolate chip cookies.

Silently closing the door, she let her body sag as if with fatigue and discouragement, shrugging deeper down into the lumpy coat, and slowly made her way along the side of the house ambling heavy and stiff, peering into the bushes, calling softly, “Kitty? Here, kitty. Here, Snowy. Puss? Puss? Come on, Snowy. Come to Mama, Snowy.” Her old voice trembled with concern, her expression was drawn with worry. She did not let down her guard until she had left the Martinez residence unchallenged—really, this was a great waste of talent—and had ambled the three blocks to her car.

Driving home along Cypress, up along the crest of the hills heading for Valley Road, passing high above the sprawling wings of Casa Capri Retirement Villa, she slowed her car, pulled onto the shoulder of the narrow road for a moment. Sat looking down with interest at the red-tile rooftops softened by the limbs of the huge old oaks and at the tangle of cottages climbing up the hill; even those small individual houses gave one a sense of confinement.

From this vantage she could look almost directly down into the patio. Though the garden was charming,
shadowed now, and the lemons and the yellow lilies shining almost like gold, the high walls made her shiver. Casa Capri was beautiful, but it was still an institution, sucking dry your freedom. As the poem said, she could wear red rubber boots to dance in, she could drink wine on street corners if she chose and laugh with the bums, and who was to stop her?

Parked above Casa Capri, she eased off her heavy coat, folded it carefully with the five dolls protected inside, and laid it on the seat. Studying the sprawling complex, she laughed because she did not belong there, then headed away thinking of supper and a hot bath.

The patio doors were securely closed and partly obscured by the drawn draperies. Dillon could feel her heart pounding as she pressed her face against the glass, cupping her hands—and ramming the cat's face against the doorframe. Growling, he backed away as if to jump, but she grabbed the nape of his neck. “I'm sorry, Joe Cat, you have to stay here.” She stroked him and hugged him, and he settled down again. He was really a good cat. She rubbed his ears, then cupped her hands once more to peer in.

The room showed no sign of life, no lamp burned, no TV picture flickering, no figure moving about or seated in a chair reading. She could see a dresser and a chair, and a bed neatly made up with a white spread, its corners tucked at exact angles. There were no clothes lying around, nothing personal, no glasses or book or newspaper, not a stray shoe, not even a wadded tissue. The surfaces of the dresser and nightstand were bare. The room was definitely empty.

Mama said they charged a bundle to stay here at Casa Capri. So why would they keep a room empty, even for the reason Eula gave? She was so intent on the room that when Joe turned to nibble a flea, jerking around to bite his shoulder, she grabbed at him again, startled.

Pressing him against her cheek, she looked behind her, glancing toward the social room. Making sure no one was watching, she tried the door, testing the latch
while pretending to smell the blooms on the lemon tree.

It was locked. Well she'd known it would be. She tugged and jerked to be sure, then turned away.

Moving on down the brick walk close to the row of glass doors, she paused to look in through each, searching for a familiar face, for Jane's tall straight figure, and knowing she wouldn't find her.

At home, the minute she and her folks had gotten back from living in Dallas after their year away, the minute they pulled in the drive, with the car still loaded with suitcases, she had run up the street to Jane's house. They'd lived in Dallas while Dad did a special project at the university, and she'd really missed Jane, specially after Jane stopped writing to her, because at first they'd written every week. Four times while they were living in Texas she'd tried to call Jane, but there was never any answer. Mama tried twice, and then Jane's phone was disconnected, and she didn't know what had happened. By then it was time to come home, so Mama told her to wait, that she'd see Jane soon. But she hadn't seen her; when she got home, Jane was gone.

That afternoon, when they pulled into the drive and she ran down the block, there was the FOR SALE sign pounded into the lawn in Jane's yard. And all the curtains drawn. The neighbor said Jane was in Casa Capri with a stroke and that a trust officer was selling the house.

She had run home, gotten her bike, and come up here to Casa Capri, but they said Jane was too sick to see anyone. They said children weren't allowed in the Nursing wing because of germs. They weren't very nice about it.

As she moved down the patio beside the glass doors, Joe Cat began to wriggle. Though his whiskers tickled her ear, he was being really careful not to dig in his claws. The old people sitting in their rooms watching TV made her sad; they looked so lonely and dried up.
Jane wouldn't be watching TV—she'd be reading or doing exercises or out walking, shopping in the village, maybe buying some little trinket; she loved the antique stores. Jane might be wrinkled, but she'd never be old like these people. Moving along, peering in through the glass, she approached the end of the patio, where sunlight slanted in through the panes across the carpets and beds, across the unmoving old folks as though they were statues—virtual reality that didn't move, figures in stage sets, like the animal dioramas in the museum. Each old person looked back at her, but no one changed expression, no one smiled. One old man sat propped in a reclining chair, sound asleep, with his mouth open, under a bright reading lamp. She was never going to get old.

She knew that the Nursing rooms were directly behind this row of rooms. The second time she came up on her bike, she'd tried to get in there, had gone around to the little street in the back between the main building and the retirement cottages. She'd tried to go in that door directly to Nursing, but it was locked. She'd looked in the windows of the rooms, and they were like those in a hospital, with metal beds and IV stands and bedpans. And then today, when she went down the hall and tried to get into Nursing, that nurse made her go back. She didn't see why everything was so secret, and everyone so grumpy. Unless there was something to hide. And that was what she meant to find out.

Before she started back up the third side she sat down on a bench beneath an orange tree and pulled Joe Cat off her shoulder down into her lap, petted him until he lay down. She supposed it was hard for a cat to be so still. She'd like to let him loose, but she'd been told not to. She could imagine him scorching away up a tree and over the roof and gone, and it would be her fault.

That first time when she came to see Jane and she told Mama they wouldn't let her in, Mama called Jane's trust officer. He said Jane was too sick to have company,
and that was the policy here, that they allowed no visitors into Nursing, that only the family could come.

He said Mama could take his word that Jane was doing as well as could be expected, whatever that meant, and that he was in constant touch with the doctor who cared for Casa Capri's patients. And Mama believed him. With Mama going back to work, she didn't have time to go up to Casa Capri and raise a little hell, which Mama really could do when she wanted.

Mama's office, the real-estate office where she worked before she took leave of absence to go to Dallas, wanted her back right away. Three people were out sick, and the office was having a Major Panic. And after that, Mama hardly had time to pee. She did the laundry at midnight, or left it for Dillon and Dad, and they ate takeout most nights, or Dad made spaghetti. All you could hear around the house was “deeds” and “balloon loans” and “termite inspections” until even Dad was tired of it. Mama did talk to the doctor, though, and he said exactly the same thing, that Jane was too sick for visitors, and she was getting excellent care at Casa Capri.

Any sensible child, Mama said, would believe the combined word of several responsible grown-ups.

But she didn't. She didn't believe any of them.

Sliding Joe back onto her shoulder, she rose, catching her hair in a branch of the orange tree. Working it loose, she almost let Joe leap away, but then he settled down again, nosing at her hair, and began to purr. She hated her hair black. But if she'd come up here with red hair again, the nurses would have recognized her. Everyone remembered red hair.

Freeing her ugly black hair, petting Joe Cat, she moved toward the third wing of the building that would lead back to the social room. Moving along the row of mostly open glass doors, she tried the screens.

The third screen was unlocked, and the room empty. Dillon slipped inside.

“Just a little look around, Joe Cat. Who's to care?”

He purred louder, and seemed to be looking, too.

This was a man's room, a pair of boxer shorts tossed on the chair, a man's shoes under the dresser, and that made her sort of uncomfortable. Across the unmade bed lay a rough navy blue robe, and on the dresser beside a little radio, was a pile of paperback books with covers of tigers, grizzly bears, and half-naked women. When she opened the closet, his slacks and shirts hung loosely and smelled sour. Closing the closet again, she slipped on through the too-warm room and out into the hall, turning down toward Nursing.

The door at the end of the hall was locked. She pushed, and pushed harder, then turned away.

Moving back up the hall she inspected every room she could get into, slipping quickly from one side of the hall to the other. She and Jane used to read
Alice in Wonderland
, where Alice tried all the doors, like this, never sure what she would find inside.

But there was no magic mushroom here to make her a different size and maybe give her special powers.

The lady's clothes in one room were all purple, purple satin robe, purple slippers, a lavender nightie tangled on the floor. On the nightstand a stack of romance novels teetered beside a vase of purple artificial flowers, their faded petals icky with dust. She picked up a worn paperback and read a few lines where it flopped open. And dropped it, her face burning.

Did old people read this stuff?

She wanted to look again, but she didn't dare. Reading that stuff, even in front of a cat, made her feel too embarrassed. And strange; she could feel Joe Cat peering over her shoulder staring.

What was he staring at?

She put the book back on the pile and left the room quickly, before someone caught her here.

She thought the occupant of the next room must be moving in or out. At least all her possessions were in
boxes. Shoe boxes were neatly lined up on the dresser, and bigger boxes lined up on the floor, all stuffed with sweaters and books, with little packets of letters tied together with ribbon, with lace hankies and little china animals wrapped in tissue. This room faced the outside of the building, toward a narrow terrace.

At the outer edge of the terrace ran a tall wrought-iron fence, separating it from the lawn and garden beyond. Farther away rose the oak grove, and in the wood among the shadowed trees a figure moved swiftly, rolling along in a wheelchair, her short gray hair lifting in the breeze, her chair pulled by the big brown poodle. The dog trotted along happily, pulling her, the two of them looking so free, as if they never had to come back inside Casa Capri. She pretended that the woman was Jane. But of course that woman was Bonnie Dorriss's mother. Dillon turned away, feeling lonely.

Each patio was separated from the next by a low stucco wall, with an open space at the end so you could walk from one patio to the next. But when she tried the wrought-iron gates that led outside, they were all locked.

All our nurses are required to carry keys
, that's what Ms. Prior said. The wrought-iron fence ended just where Nursing began, turning at right angles to join the building. The Nursing wing went on beyond. Its wall had only high, tiny windows. There was one outer door, like the emergency exit door in a movie theater. From this, a line of muddy wheelchair tracks led away, cutting across the grass and across the concrete walk to the blacktop parking lot. The nine cars in the lot looked new and expensive.

She stroked the tomcat lightly. “I never told them my name. When I was here before, I told them my name was Kathy.

“Jane Hubble was my friend ever since I was seven. We read the Narnia books together, and she took me horseback riding my first time and talked Mama into letting me have riding lessons.

“Jane let me ride Bootsie, too.” She sighed. “That trust officer sold Bootsie. I hope he got a nice home. I wish my folks could have bought him, but no one told us, no one called us when Jane got sick.”

Joe yawned in her face and wiggled into a new position. She was sure he'd like to run and chase a bird. When he started squirming again, she gripped the nape of his neck. “I can't let you loose, I promised. Please, just stay quiet a little while longer, then we'll go back to Eula.” She gave him a sidelong look. “Eula will love holding you.”

She left the row of terraces, moving back inside to the hall, and wandered up the hall in the direction of the social room, stopping to check each open room. Hoping maybe she'd see something of Jane's in one of the rooms, a sweater, a book. But she knew she wouldn't.

“Somehow, Joe Cat, I have to get into Nursing. Find Jane for myself—if Jane is there.”

 

Joe was, he thought, maintaining a high level of patience considering that he hated being carried, particularly by a child, and that prowling these small cluttered rooms where lonely old folks waited out their last years, was infinitely depressing. He might tell himself that he took a realistic view of getting old, that getting old was just part of living, but this Casa Capri gig was more tedious than he cared to admit.

As for Dillon playing detective, whatever the kid was up to with her intense search for Jane Hubble, the project had begun to wear. He felt as nervous as fleas on a hot griddle. By the time they returned to the social room he was ready to pitch a fit, so strung out that he actually welcomed being dropped down into Eula Weems's lap. Maybe if he just lay still, he could get himself together.

It was not until late that night, as he and Dulcie
hunted across the moonlit hills, that he learned more about Dillon's missing friend. And that he began to wonder if Jane Hubble, and maybe those five other old folks, really had disappeared.

BOOK: Cat Raise the Dead
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