Catch a Falling Clown: A Toby Peters Mystery (Book Seven) (10 page)

“I don’t know where he is,” said Elder evenly.

“You are lying,” Nelson went on, letting his tongue go over his lower lip.

Elder laughed, a nice deep laugh. “Sheriff, how am I supposed to answer that? Say I’m not lying? Admit that I am, which I am not? Feel free to look around here as much as you want. My guess is that Peters got his car and is back in Los Angeles by now.”

Alex wandered over to me slowly, suspiciously. I kept twirling madly. I could feel him behind me, but I didn’t look.

“I have taken the precaution of doing just that,” sighed Nelson, removing his sweat-stained hat and wiping the band with his dirty handkerchief. I could see Nelson’s gray-stubbled chin announcing that he was losing his grip on his minimal appearance and the case.

“Hey,” said Alex behind me. Kelly, who was applying the end of his makeup, looked up, hesitated, and went back to finishing his mouth.

“Hey, you,” Alex repeated, touching my shoulder.

I turned to him, still twirling, and pointed to myself with my free hand. His eyes were looking into mine.

“How do you do that?” he said, pointing to the twirling rope. I stopped twirling and held out the hoop to him. I could see the black-and-blue mark on his neck, and his voice sounded more than a little raspy. He took the rope and held it up.

“When you are through fooling around like a damn baby,” Nelson called to him, “we can get on with catching a killer and, maybe, this time holding onto him.”

Alex stiffened at the public dressing-down, and I took the rope from his fingers. Maybe something about the way I took the rope attracted Nelson, who moved two steps toward us away from Elder, cocked his head to one side like a constipated stork, and looked at me.

Kelly stood up and looked at me, but of course he wasn’t Kelly as I knew him. He was a sad-faced tramp clown, as sad a face as could be painted on a human. His hands were plunged in his grungy pockets, and he winked at me as Nelson decided to take another step forward.

Before Nelson could challenge me, Kelly reached behind him and picked up a sledgehammer. Nelson hesitated, stopped, and put his hand on his gun. Suspicion had started to turn to more than that.

Kelly put the hammer in my hand and reached into his shaggy pocket to pull out a peanut, which he held up mournfully for us all to see. The other clowns in the tent, six of them, stopped what they were doing and watched. Kelly’s tramp went through a weary effort to crush the peanut with his fingers, under his arms, against his head, and by sitting on it. Finally, he dropped it on the ground, reached for the sledgehammer in my hands, and lifted it over his head. Nelson began to draw his gun, and Alex pushed me out of the way to make a plunge at Kelly if he attacked. Kelly brought the hammer down quickly on the peanut on the ground, dropped the hammer, looked down, knelt, and held up the crushed pieces of peanut in his hand.

Behind me I could hear laughter. Alex let out a small chuckle, and Nelson looked relieved. As frightened as I was at the prospect of being carted back for torture in the Mirador jail while wearing a clown suit, even I found Kelly’s act funny.

“We are wasting our damn time here,” said Nelson in exasperation. “Let’s look.” Alex followed him out of the tent, with Elder behind them to keep an eye on the Mirador duo.

“Thanks,” I said to Kelly.

“Thank Willie,” he said. “Willie took over.”

“Took over?” I said, trying to sit in a wooden chair in front of the line of mirrors in the tent. I couldn’t sit. The costume wouldn’t let me.

“When I’m Willie, he takes over. I mean, I always know I’m me, nothing like that, but Willie is a funny man. I’m not funny. I don’t even know what makes Willie funny. Most of my act just happened when I made it up while walking around the tent during a show. That bit with the peanut. Willie made it up in England a year ago. People ask me what makes it funny. I don’t know. I just do it, and people find it funny. I do another bit with pretending to saw wood. Audiences fall apart. I’m not sure why. Actually, the peanut thing builds up better than that. If you watch the show tonight, you’ll see what I mean.”

It was nearly time for the show and there wasn’t much time to talk, but I asked Kelly a few questions about himself and found out that he was married but not with his wife, that he had two sons, and that he had grown up in Huston, Missouri. He hadn’t run away to the circus. He had gone to the big city to get work, the big city being Kansas City, and had tried everything including cleaning milk bottles before getting a job with a company that did advertising films. He created the Willie cartoon. Later, when he was with the circus, he painted circus wagons before he became a performer. For a while, between seasons, he had done a nightclub act with his cartoons. He’d also done a little Broadway, working a few nights in Olsen and Johnson’s
Hellzapoppin
and then a comedy called
Keep Off the Grass.

“Got good reviews for that play,” he said. “Met some nice people, Ray Bolger, Jimmy Durante. Nice kid named Jackie Gleason. Durante didn’t care for me getting big laughs, though. The circus is harder, but better. Might like to do a movie someday.”

“Movie director named Hitchcock has been hanging around the circus today,” I said, looking at myself in the mirror and not believing it was me. I tried not to think what would happen if I needed a toilet.

“The circus?”

“Right,” I said. “Short, fat, wears neat suits. Looks like he’s pouting.”

“Oh,” said Kelly. “I’ve seen him. That’s Hitchcock the director? I saw the one with the poisoned milk. Liked it. Something about him I don’t like, though.”

“The milk wasn’t poisoned,” I said.

It was now ten minutes before showtime. We could hear the crowd coming in, vendors hawking candy and souvenirs, the lions and tigers catching the scent of the crowd, getting restless and growling into the night. I had an appointment with the one person in the tent this morning I had not talked to. Kelly told me how to get to him, and I walked past the other clowns, into the night and the crowds.

Some adults pretended I wasn’t at all unusual. Others nudged their children to look at me. I had a hell of a time making my way with my inner-tube stomach through the crowds shoveling cotton candy into their mouths.

I was just about to enter the sideshow tent which announced the presence of Gargantua when a hand grabbed my arm. I turned, expecting to face Nelson, and found instead a sober man in a faded suit, flannel shirt with no tie, and as sober a face as ever graced American Gothic.

“You a clown?” he asked.

I wondered what the hell else I could be taken for, Eleanor Roosevelt? Instead of answering, I nodded.

“Then do something funny for me and Sis,” he said soberly.

Sis was about six years old and came up to my kneecap. She wore a thick, gray-wool sweater a few sizes too big for her, obviously a hand-me-down. Her brown hair was in two braids, and her pale face was turned up at me with more fear than hope of joy. The crowd moved around us. I stuck my thumbs in my ears and wiggled my hands wildly. Sis still looked scared, and Pop was looking down blankly at her. I tried scratching my fake stomach, lifting it up and down, babbling like Bert Lahr. I even considered singing an Eddie Cantor song. It suddenly became very important to me to make this little girl smile. Maybe she was the little girl I would never have. I could imagine her next week on her farm with the unsmiling but probably loving Pop. I could imagine her looking out over the fields of whatever the hell Pop grew and petting her dog. Damn the circus.

I grabbed the man’s hand and guided it out in front of him. Then I pretended I was seeing the hand for the first time. I put one foot up on it as if to rest it, and then, ignoring truth and gravity, I raised my other foot as if to rest it also on his arm. Obviously, I fell on my rear in the dirt. I bounced on my inner tube and felt the pain in my back. Without the tube, I would have been bound for the hospital. With it, I felt like hell. I had seen Buster Keaton do the same gag onstage. I never knew how he could do it. I still didn’t.

Sis wasn’t laughing, but there was definitely a smile on her face when I looked up at her. Something touched the corners of Pop’s mouth too, but there wasn’t enough there to call it a smile. Some people in the crowd who had watched my act laughed. I picked myself up awkwardly and had a sense of why people wanted to be clowns. They had laughed at me when I wanted them to. Usually, people laugh at me when I don’t want them to. It was almost as good as being a private detective and just as bad on the back.

I was on my knees when Pop and Sis walked away to look for a new adventure. I got up and limped into the tent. A few people were blocking the front of a big cage, but the crowd wasn’t large. It was almost time for the circus to begin.

I looked around for Henry, the keeper, and saw him sitting on an upside-down bucket, apparently counting the bristles on a broom. I walked over to him as a few more people left the tent. I was aware of animals pacing in cages all around me and the acrid smell of creatures with bulk, fur, and toilet habits that weren’t those of humans.

“You Henry?” I said, standing over him.

He looked up, a lanky creature with an open, unlined face and straw hair that fell in strands over his forehead. “Henry,” he acknowledged.

“I’m …”

“The police guy,” he finished. The clown costume had fooled Henry for not even an instant.

“Right,” I said. “Elder told you I have some questions.”

He nodded without speaking and went on looking for something among the bristles of the broom.

“What do you know about this morning?” I asked quietly, as a few more stragglers went out of the tent heading for the big top.

“Monkeys,” he said. “I know monkeys. Big ones mostly. I’m intense with monkeys.”

“Intense?”

“Mr. Ringling said I was once,” he explained.

“No,” I said, trying to readjust the hat on my head. It was small and cardboard, which didn’t bother me, but the rubber band holding it was cutting into my chin. “Tanucci and his wife, the younger Tanuccis, are dead, murdered,” I said. “Did you see anyone fooling with the harness and rigging this morning?”

“I am poor with cats, horses, and people,” answered Henry, examining one strand of straw that caught his eye. “Not intense with them. Just ain’t.”

“Few of us are,” I tried. “You didn’t see anything?”

Henry stopped looking at the broom and closed his eyes to think. I had the impression that he had learned to do this to convince others that he was doing what he really could not do, think. I watched politely while his eyes went tighter and tighter and then relaxed.

“Nope,” he said, getting up and holding the broom out ahead of him. I followed him toward the cage where the small crowd had gathered and could see that one person remained in front of it. His back was turned, but I recognized the form.

“Mr. Hitchcock,” I said. He turned and saw me, and so did the mass of darkness in the cage. His bellow shook me and probably the walls of the tent. Gargantua began to rattle the bars of his cage. He reached down, grabbed his tire, and began banging against the bars of his cage as he bared his teeth at me, and large yellow teeth they were.

“I think,” said Hitchcock evenly, “that he doesn’t like you.”

“An understatement,” I said, worrying about the bars of the cage.

“Chrome steel,” said Henry without emotion. “He can’t get out.”

“That’s what Carl Denham said about King Kong, and look what he did to New York,” I answered.

Henry gave Gargantua the broom. The gorilla took it, was about to throw it, and then became curious.

“Don’t like clowns,” said Henry. “Sometimes he don’t care much. Some clowns.”

The other animals were reacting to Gargantua, starting to growl and complain. I went for the tent flap with Hitchcock waddling beside me.

“Mr. Peters,” he panted. “You are Mr. Peters?”

“Right,” I said, stepping outside and trying to rub my back under the inner tube. Most of the crowd was in the big top now, and the band started up with a familiar circus song whose name I didn’t know.

“Why, may I inquire, are you wearing a costume?” he said with dignity.

“Simple. The police are after me for murder, murder I didn’t commit. They are also unhappy about my poking a policeman and running away. I’m trying to catch the real murderer and save my life.”

“That,” sighed Hitchcock, “is quite interesting.”

“There’s a difference between interesting and fun,” I said, looking around for Alex or Nelson.

“Not as far as I’m concerned,” he said.

“You haven’t remembered anything about this morning, have you?” I took a few steps away from the tent. The cats had brought their noise level down to a growl.

“Nothing whatsoever,” he said.

“I thought you were going back to Los Angeles today,” I said.

“I am,” he said. “Just as soon as I see tonight’s performance. A murder,” he went on, savoring the word and then backing away from it when he repeated it, “a murder.”

Maybe I would have thought of another question, maybe an important one that would have cracked the case, but I spotted Alex coming around a tent about forty feet away. He might wonder why a clown wasn’t with the other clowns. I lifted my hat to Hitchcock and went toward the big top as quickly as my costume and back would let me. I could feel the wet mud oozing under my shoes. I was afraid my costume might come apart. It reminded me of the time I was in kindergarten back in 1904 or 1905.1 was spending a few months with my aunt in Chicago. It was Halloween. I wore a paper devil’s costume she had made for me. It started to come apart on the way to school, and I was scared through the whole morning that it would all come off and I’d be in school in my underwear. Each movement had terrified me. Ever since then, I’ve hated the idea of wearing a costume. The clown suit was no exception. I was afraid Alex would chase me right into the light inside the tent I was heading for and into the middle of the ring, where I’d trip and my costume would come off.