CB14 Blood From A Stone (2005) (16 page)

‘Together, I think,’ Claudio said.

Formalities disposed of, Claudio asked, ‘What is it you wanted to see me about?’ From force of habit, he wasted no time, even though
life had slowed for him in the last few years, and he found himself with so much time that he would like to be able to waste some.

‘I’ve found some stones,’ Brunetti said. ‘And I’d like you to tell me whatever you can about them.’

‘What kind of stones?’ Claudio asked.

‘Let me show you,’ Brunetti said and reached for his briefcase. He opened it, pulled out the plastic bag that contained Vianello’s two mittens, and set it on the desk. Then he removed his handkerchief and placed it next to the bag. He glanced across at Claudio and saw both confusion and interest.

He started with the handkerchief, pulling at the first knot with his fingernails and then, when that was untied, the second. He let the corners fall to the surface of the desk and pushed the handkerchief closer to Claudio. Then he opened the plastic bag, removed the mittens and poured their contents on to the pile at the centre of the handkerchief. A few wayward stones rolled free across the surface of the desk; Brunetti picked them up and placed them on the pile, saying, ‘I’d like you to tell me about these.’

Claudio, who had probably seen more precious stones in his life than anyone else in the city, looked at them soberly, making no motion towards them. After more than a minute had passed, he licked the tip of his forefinger and placed it on one of the small pieces, picked it up and licked it. ‘Why are they mixed with salt?’ he asked.

‘They were hidden in a box of it,’ Brunetti explained.

Claudio nodded, approving of the idea.

‘Do you need them?’ he asked Brunetti.

‘Need them how? As evidence?’

‘No. Need them now, to keep with you, to take back with you.’

‘No,’ Brunetti, who had not thought of this, answered. ‘I don’t think so. Why? What do you want to do with them?’

‘First, I have to put them in hot water for half an hour or so and get rid of the salt,’ Claudio said. ‘That will make it easier to see how many there are and how much they weigh.’

‘Weigh?’ Brunetti asked, ‘as in grams and kilos?’

Returning his attention to the stones, Claudio said, ‘They’re not measured in kilos: you should know at least that much, Guido.’ There was no reproach in his voice, nor disappointment.

‘When you do that,’ Brunetti said, ‘will you be able to tell me what they’re worth? Or where they come from?’

Claudio pulled his own handkerchief from the breast pocket of his jacket and wiped his forefinger clean with it. Then, using the same finger, he poked and prodded at the pile, smoothing out the hill Brunetti had created and moving the stones around until there was one level surface. He switched on a segmented desk lamp and angled the head until the light fell on the area directly in front of him. He opened the centre drawer in his desk and took out a pair of
jeweller’s tweezers. With them, he selected three of the bigger stones, each slightly smaller than a pea, and set them on the desk in front of him. Idly, not bothering to look at Brunetti, he said, ‘The first thing I can tell you is that someone has selected these stones carefully.’ To Brunetti, they still looked like pebbles, but he said nothing.

From the same drawer Claudio took a jeweller’s loupe and a set of balance scales, then pulled out a small box. When he opened it, Brunetti saw a series of tiny cylindrical brass weights. Claudio looked down at the things on his desk, shook his head, and smiled at Brunetti, saying, ‘Force of habit, these scales.’ He opened a side drawer and pulled out a small electronic scale and switched it on. As the light flashed, revealing a window in which a large zero could be seen, he said, ‘This is faster and more accurate.’

Using the tweezers, he picked up one of the stones he had set aside. He placed the stone on the scale, turned it so that he could read the weight, added the second stone, and then the third. He reached into the drawer again and pulled out a black velvet pad about half the size of a magazine, which he placed to the left of the scale. With the tweezers, he set the three stones on the pad. He picked up the loupe and, as Brunetti watched the crown of his head move from left to right, examined the three stones in turn.

He set the loupe on the desk and looked across at Brunetti. ‘Are they African?’ Claudio asked.

‘I think so.’

The older man nodded in evident satisfaction. He picked up the tweezers and gently poked at the pile, pushing stones to one side or another until three more, each larger than the first three, lay in the middle of the small circles he had created. Claudio picked them up with the tweezers and set them on the velvet cloth, to the left of the others; with the loupe, he examined each of them thoroughly.

When he was finished, he removed the loupe and set it beside the handkerchief, then lined up the long tweezers parallel to the border of the smoothed-out cloth. ‘I won’t know for sure until tomorrow, when I can count them and weigh them, but I’d say you’ve somehow managed to acquire a fortune, Guido.’

Ignoring the verb and the question implicit in it, Brunetti asked, ‘How much of a fortune?’

‘It will depend on how much salt there is and whether the smaller ones are as good as I think those ones are,’ the jeweller said, pointing at the six stones he had examined.

‘If they aren’t cut, how can you tell what they’re worth?’ Brunetti asked. ‘They don’t have any – what do you call them? – facets.’

‘The facets come later, Guido. You can’t add them to a stone that isn’t perfect. Or, that is, you can add them, but only a perfect stone is going to give you the right lustre when you add the facets.’ He waved his hand at the pile of stones. ‘I’ve looked at only six of them. You saw that. But those look to me as though they might be
perfect; well, at the very least of excellent quality. I can’t be sure, of course, that they’re perfect in nature or that they’ll be perfect when they’re cut and polished, but I think they might be.’ He glanced at the wall behind Brunetti for a second, then looked back at him and pointed at the stones. ‘It will be in the hands of the cutter. To bring out what’s there.’

As if suddenly eager to examine them again, Claudio picked up the loupe and screwed it back in place. He leaned over and again studied all six stones, working from left to right. At one point he took the tweezers and turned one of the stones over, then looked at it from this new angle. When he was done, he removed the loupe and placed it back exactly where it had been. He nodded, as if assenting to a question from Brunetti. ‘I don’t know when I’ve last seen such things.’ With the tweezers he touched a few of the stones lying in the pile, though there was nothing at all special about them, so far as Brunetti could see.

‘Could you give me some idea of what they’d be worth, no matter how vague?’ Brunetti asked.

‘Just look at them,’ Claudio said, his eyes aglow with what Brunetti recognized as passion. Then, sensing the urgency in his friend’s voice, the old man brought himself back to the world where diamonds had value, not just beauty. ‘When the big ones are cut and polished, each one could be worth thirty, perhaps forty, thousand Euros, but the price will depend on how much is lost when they’re cut.’ Claudio
picked up one of the raw stones and held it towards Brunetti. ‘If there are perfect stones to be had from these, they’re worth a fortune.’

Then what had they been doing, Brunetti wondered, in a room with no heat, no water, and no insulation? And what were they doing in the possession of a man who earned his living by selling counterfeit bags and wallets on the street?

‘How can you tell they’re African?’ Brunetti asked.

‘I can’t,’ Claudio admitted. ‘That is, not for sure. But they look as though they might be.’

‘What tells you that?’ Brunetti wanted to know.

Claudio considered the question, no doubt one he had heard before. ‘Something about the colour and light in them or off them. And the absence of the flecks and imperfections that you find in diamonds from other places.’ Claudio looked at Brunetti, then back at the stones. ‘To tell the truth,’ he finally said, ‘I probably can’t tell you why, at least not fully. After you’ve looked at thousands of stones, hundreds of thousands of stones, you just know – or at least you think you know – where they’re from.’

‘Is that how many you’ve looked at, Claudio?’

The old man sat up straighter, though the action made him no taller in his chair. He folded his hands in that professorial gesture and said, ‘I’ve never thought about that, Guido – it was just a phrase – but I suppose I have. Tiny sixteenth of a carat stones filled with imperfections,
and some glorious ones that weighed more than thirty, forty carats, so perfect it was like looking at new suns.’ He paused, as though listening to what he had just said. Then he smiled and added, ‘I suppose it’s like women. It doesn’t matter what they look like, not really: there’s always something beautiful about them.’

Brunetti, in full agreement, grinned at the simile. ‘Is there any way you could be sure where they’re from?’ he asked.

Claudio considered this and finally said, ‘The best I can do is show a few of them to friends of mine and see what they think. If we all agree . . . well, then either they’re from Africa or else we’re all wrong.’

‘Can you tell where, specifically? That is, what country?’

‘Diamonds don’t acknowledge countries, Guido. They come from pipes, and pipes don’t have passports.’

‘Pipes?’

‘In the ground. Deep craters that are more like thin, deep wells than anything else. The diamonds were formed down there – kilometres down – millions of years ago, and over the years, they gradually work their way up to the surface.’ Claudio relaxed into the graceful authority of the expert, and Brunetti listened, interested. ‘They come in clusters, some pipes, or they can be single ones. But it’s possible that the clusters can cross what are now national borders and fall into the territories of two countries.’

‘What happens then?’ Brunetti asked.

‘Then the stronger side tries to take them from the weaker.’

As he had learned from his reading of history, Brunetti knew this was the normal operating procedure for most international disputes. ‘Is this the case in Africa?’

‘Unfortunately, yes,’ Claudio said. ‘It gives those poor people another reason for violence.’

‘Hardly necessary, is it?’ Brunetti asked.

The sombre topic halted the flood of Claudio’s garrulity, and he said, ‘You can come and get them tomorrow.’ Then, as a joke, he added, ‘If you think I can be trusted with them, that is.’

Brunetti leaned forward and placed his hand on Claudio’s arm. ‘I’d like you to keep them, if you will,’ he said.

‘For how long?’

Brunetti shrugged. ‘I’ve no idea. Until I’ve decided what to do with them.’

‘Is this police evidence?’ Claudio asked, but he seemed interested in clarity, not security.

‘In a way,’ Brunetti said evasively.

‘Does someone else know you have them?’ Claudio asked.

‘Yes.’

‘Thank God,’ the old man said.

‘What difference would that make?’ Brunetti asked.

‘Then I’m less likely to steal them,’ Claudio said and got to his feet.

On his way back to the Questura, Brunetti pondered what Claudio had told him. Because it was all new to him, the older man’s talk of diamonds had seemed important, but the part that applied or might apply to the African, upon closer examination, was precious little: some vast amount of Euros and a probable African origin for the stones. It was certainly interesting to know these things, but Brunetti could not see how the knowledge brought him any closer to understanding the connection between the stones and the dead man or between the stones and the man’s death. Greed was one of the most reliable motives for crime, but if the man’s killers had known about the stones, why had they not gone and taken them after he was dead? And if
what they wanted was the stones, then why kill the man at all? It was hardly as though the police were likely to believe a
vu cumprà
who came into the Questura to report that he had been robbed of a fortune in diamonds.

As he walked back, Brunetti decided that the best strategy was to speak immediately to his superior, Vice-Questore Giuseppe Patta, and seek his permission to continue to lead the investigation, though in order to achieve this, he would somehow have to persuade Patta that he did not particularly want the job. He went directly to Patta’s office, outside which he found the man he sought in conversation with Signorina Elettra.

As if someone had whispered the word ‘diamonds’ into the ears of the staff of the Questura as they were dressing for work that morning, Patta wore a new and unusually garish tie-pin, a tiny gold panda with diamond eyes. Signorina Elettra, as though alerted by a sartorial advance warning system, wore a pair of tasteful diamond chip earrings which diminished, though they could not overcome, the impact of Patta’s panda.

With an air of studied casualness, Brunetti greeted them both and asked Signorina Elettra if she had succeeded in locating that
Gazzettino
article about the former director of the Casinò. Though this was a question Brunetti had invented on the spot to justify his arrival in the office, Signorina Elettra said she had and reached across her desk to hand him a folder.

‘What are you working on at the moment, Brunetti?’ Patta inquired.

Holding up the file, Brunetti said, ‘The Casinò investigation, sir,’ in much the same tone Hercules might have used had he been asked why he was spending so much time in the stables.

Patta turned towards his office. ‘Come with me,’ he said. The remark could have been addressed to either one of them, but the absence of ‘please’ indicated that it was directed at Brunetti.

An Iranian friend had once told Brunetti that underlings there acknowledged the commands of their superiors with a word that sounded like ‘
chasham
’, a Farsi word meaning ‘I shall put it on my eyes’, which conveyed that the person of lesser importance placed the command of his superior upon his eyes and would do – indeed, see – nothing until the command had been executed. Brunetti often regretted the absence of a similarly servile expression in Italian.