Read Chinese Whispers: Poems Online
Authors: John Ashbery
III
Everything from soup to nuts is OK with me. Her bust came
buckled to Dad’s breeches, someone in trouble.
Halving and having a new thing are the same.
I always preferred him, he was a wreck, superior to the common man,
but oh so separate. If he had dimples,
everybody had to have them. If he went to bed with someone
everybody else had to too. It was his summer of fun.
The fashions “dictated” a lot of things just then, we were cool
with that. Some of you might think of life as some kind of upper berth
on a honeymoon. Marriage on stilts. The absolute truth is,
no one’s going to look at you once it’s done.
We may as well refresh ourselves—the chase soon comes to a head,
though not for long, as Galileo’s orange teaches.
The truth is always a bit further on, and sits there.
No one can read the expression
on its supplanted face.
The third monster seemed to think it was his turn to say something. “Well ...”
“Folks I can’t go on like this, that is, you can’t.
Whoever suffers fate’s naughty cudgel ought to come clean.
Otherwise there’s no explanation, and that cannot be,
as we know. In some other life siphoned out of this one with a tube we can all
kiss our masters, for that day anything is play.
The raddled cowslips of diverted energy have a vested interest in us.
The team partly owns a share of each one of us. Go figure. Ask Neptune.
And insofar as I count, I’m lowering the iron shutter
on today’s wares. God help us if he comes along. But if he doesn’t
we shall be sisters all the same, tame in embroidery, yet resistant
where least expected. My dog speaks proof. I can ladle surf too,
I used to be a bathhouse attendant. I got good grades in math.
Didn’t get into the college of my choosing. Oh well. It’s triste,
the drain choked with tumbleweed, mascara on the clouds, the wooden false fronts
of our little downtown, only we hadn’t left it this way, and ought not to foregather
as darkness falls and the real fur flies. You get caught out at night.”
The girl in the drawing said it and made it happen to me,
then turned over.
The nexus of the star is a superbrain
that can take in you and me and not be mottled or disturbed,
while we lead quiet, shadowed lives. Insignificance is all we have.
The colors, dark ocean maroon, we belong to in the sense that earth belongs to us,
more reassurance, and when day collapses it’s the same—a plight
that is a solution. That’s why I can never go back to philosophy—
its halls and chambers are a paradigm of emptiness, not the real thing,
for only under stones is the knowledge
of underneath, and my desire is mammoth.
So it’s decided. I’ll pack my suitcase
or something, we have the tickets.
Someday I’ll get you there, I know this, the flaming artery obstructs
but not that much, chestnuts still bask in the fire.
But when it came time to sample other essences
she had absconded, wasn’t behind the goalpost.
In this way, rhizome-like, life gets added to life until there is no backing down,
and again tackles its dull awareness of today’s
not remembering our names, only faces.
But there’s no mistaking their intent.
The missile had locked on its prey, houses are swept
for weddings, they cry and can’t alter anything.
We each had an appetizer, the pupils left.
My tetrahedron is open to the night.
(“But was it hinted that brains slant otherwise?
That a draft of cunning will get you into the fair,
where, as long as you keep quiet, you can own great, quivering beasts?
That one’s breath on the moat ignores the shoulders of pike,
and once more the canon desires what it devours,
made to come round again? That we were cousins once in Duluth?
That there is scrimping out there where buzzards plow
the greenery and bellboys interrupt? I’ll be my own vast placebo.
Twilight comes with a rush and wet plumbing.
There is more to our story, more to the telling of it—”)
The unbuilt demands added attention. We got swept along,
and you never learned Jay’s last name. Perhaps it was Jay.
Evening ebbed on the hour.
The newspaper arrived by pigeon post,
as might be. We loved hot food. There is something else
for you and me. Sighed the voyante. And they wonder why it didn’t
taste just right. With dead milk. But surely that
was an inning, it had to be. We had all worked so hard. It comes over me,
all this loss, and then the time. Added to your hours. For a few thrilling minutes
she came and sat by us. “For now, it’s all right. The children would have wanted
you to be this way, happy. But the older I get the harder
it is for me to climb the giant root,
beyond which is an extension of everything, see? You do see.
I’ll leave you the latchkey, at last. Don’t hesitate to use it.
Don’t call me. Or see anything wrong with this.” Like a charming
serpent, she took her leave, with one half of us in suspense,
the other clotured. But it was turning out this way. I knew it all
along, in the hallway of your dwelling. You shouldn’t make such noises
and not mean them. There’ll come a day when we’ll live off noise,
but for now the square forecourt is overgrown. I’ve loved some things in my time,
cast others aside, let others fall by the wayside. The feast such
as we now reap it is heavy, indistinct. Their voices blur. They could croon.
Each to the other thinks: It’s gone. But rotten. Days will
go on turning themselves inside out for us, and trees warble for us,
but not often and not very well.
Last Sunday morning at six o’clock in the evening as I was sailing
over the tops of the mountains in my little boat a crew-cut stranger
saluted me, so I asked him, could he tell me whether the little old
woman was dead yet who
was hanged last Saturday week for drowning herself in a shower of feathers?
“Ask Monk Lewis what he thinks ‘been there done that’ means in the so-called
evening of life. Chances are he’ll regale you with chess moves. All I
want is my damn prescription.” “And you shall have it,
sir
,” he answered
in a level voice. So he gave me a slice of beer and a cup of cold veal
and there was this little dog.
I see no reason to be more polite when the sun has passed its zenith,
yet ham radio operators infest every cove, defacing walls with their palaver.
And when two swans come to that, one swoons and is soothed.
The other lost inside a wall.
He seemed to think I knew some secret or other pertaining to the botched
logs in the fireplace. This caused him to avoid me I think
for a twelvemonth.
After which we got down to business and actually signed the contract.
He was inconsolable. The brat had cost him. With two wives and another
on the way wouldn’t commit himself to a used Chevy. Which is
understandable I think I said it’s understandable. The man
was in no mood to entertain these distinctions. At least I thought he said
bring on the heavy artillery the dream is now or
it won’t happen, not in my diary. Well why that’s just what
I think too, I blessed him. Cells in the wind. The sucker’ll be all
over our new templates, smearing them with grape honey, I’ll
challenge you for the right to beleaguer. To which he assented
abstractedly and it was over in a thrush. Not to ... well excuse me
too. Curses I’d already signed on,
there was no need to jump for it, put a good face on it. Mild eyes
expressing a child’s dignity. OK for it to rot, it
was pompous to begin with.
“No, don’t hang him,” says he, for he killed a hare yesterday. And if you
don’t believe me I’ll show you the hare alive in a basket.
So they built a pontoon bridge, and when they had crossed over the fish applauded.
I was aghast, lost forty pounds at the gaming tables of the
Channel Islands, ’sblood I said. So I set fire to my bow, poised my arrow,
and shot amongst them. I broke seventeen ribs on one side,
and twenty-one and a half on the other; but my arrow passed clean through
without ever touching it, and the worst was I lost my arrow;
however I found it again in the hollow of a tree. I felt it; it felt
clammy. I smelt it; it smelt honey.
John Ashbery was born in 1927 in Rochester, New York, and grew up on a farm near Lake Ontario. He studied English at Harvard and at Columbia, and along with his friends Frank O’Hara and Kenneth Koch, he became a leading voice in what came to be called the New York School of poets. Ashbery’s poetry collection
Some Trees
was selected by W. H. Auden as the winner of the Yale Series of Younger Poets prize in 1955—the first of over twenty-five critically admired works Ashbery has published in a career spanning more than six decades. His book
Self-Portrait in a Convex Mirror
(1975) received the Pulitzer Prize for Poetry, the National Book Critics Circle Award, and the National Book Award, and since then Ashbery has been the recipient of a MacArthur Fellowship, a National Humanities Medal, the Ruth Lilly Poetry Prize, and a Gold Medal for Poetry from the American Academy of Arts and Letters, among other honors.
For years, Ashbery taught creative writing at Brooklyn College and Bard College in New York, working with students and codirecting MFA programs while continuing to write and publish award-winning collections of poetry—all marked by his signature philosophical wit, ardent honesty, and polyphonic explorations of modern language. His most recent book of poems is
Quick Question
, published in 2012. He lives in New York.
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The author gratefully acknowledges the following publications in which poems in
Chinese Whispers
first appeared, sometimes in slightly different form:
The American Poetry Review, Bard Papers, Conjunctions, The Germ, Green Mountains Review, The Harvard Advocate, Harvard Review, Hotel Amerika, jubilat, The London Review of Books, Nest, The New Yorker, The New York Review of Books, L’Oeil de Boeuf, The Paris Review, PN Review, Poetry, Poetry Review
(UK),
Raritan, Shiny,
and
The Times Literary Supplement;
also
Carcanet 2000: A Commonplace Book
and The Drawing Center’s
Line Reading: An Anthology 2000–2001
.
“The American” was first published as a broadside by the Dia Center for the Arts on the occasion of John Ashbery and Robert Creeley’s reading, 13 January 2001.
A number of these poems were included in the collection
As Umbrellas Follow Rain
, published in a limited edition by Qua Books, 2001.
Copyright © 2002 by John Ashbery
Cover design by Mimi Bark
978-1-4804-5903-8
This edition published in 2014 by Open Road Integrated Media, Inc.
345 Hudson Street
New York, NY 10014
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