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At times he spoke, some evenings more than others. Said things out loud that many of them literally did not dare to think, lest some secret police sorcerer divine their blasphemies. Antipin was fearless. What were dark and secret passions to them seemed to him merely words that required saying. Thus it was he who spoke of their lifelong agonies: landlords, moneylenders, the men who bought their fish and squeezed them on the price. It seemed he was willing to challenge the gods, quite openly, without looking over his shoulder for the inevitable lightning bolt.

“To them you are animals,” he said. “When you are fat, your time has come.”
“But we are men,” a fisherman answered, “not animals. Equal in the eyes of God.” He was an old man with a yellowed mustache.

Antipin waited. The silence in the smoky room was broken only by the steady drip of water from the eaves above the window. The café was in the house of one of the fishermen’s widows. After her husband drowned, people stopped by for a fruit brandy or a
mastica
at the kitchen table. Somehow, the condolence visits never quite ceased, and in time the widow’s house became a place where men gathered in the evenings for a drink and a conversation.

Finally, the fisherman spoke again: “We have our pride, which all the world knows, and no one can take it from us.”

Antipin nodded agreement slowly, a witness who saw the truth in what others said. “All people must have pride,” he answered after a time, “but it is a lean meal.” He looked up from the plank table. “And they can take it from you. They can put you on your knees when it is to their purpose to do so. Your house belongs to the landowner. The fish you catch belongs to the men who buy it from you. The little coins buried in your dooryard belong to the tax collectors. And if they take them from you, you will get nothing back. These people do with you as they wish. They always have, and it will continue in this way until you stop it.”

“So you say,” the fisherman answered. “But you are not from here.”

“No,” Antipin said, “I am not from this town. But where I come from they fucked us no less.”

“We are taught,” the fisherman said after a while, “that such things—such things as have been done elsewhere—are against our Lord Jesus Christ.”

“Perhaps they are right.” Antipin’s face was that of a man who acceded to superior logic. “When they come to take you away, you must remember to call for the priest.”

At this, a few people chuckled. Someone at the back of the room called out dramatically, “Father Stepan, come quick and help us!” A hoot of laughter answered him.

“A grand day,” another man said, “when the capon runs to save the cock!”

Antipin smiled. When it grew quiet again, the fisherman said, “You may laugh while you can. When you are older, perhaps you will see things in a different light.”

The man sitting next to Antipin bristled. “I’ll go to meet God on my own two feet, not on my knees,” he said. “Besides,” he added, slightly conciliatory, “there can be nothing wrong with a little laughter.”

“There can be.”

It was said plainly, from where Khristo sat on the edge of a table facing Antipin’s end of the room.

“It is a step,” Antipin said, “to laugh at them. The holy fathers in their expensive robes, the king, the officers. But it is only the first step. We have a proverb …”

But they were not to hear the proverb. What stopped Antipin in midsentence was a series of loud bangs against the wood of the door frame on the exterior of the house. A puzzling sort of sound—a pistol shot would have had them all up and moving—everyone just looked up and sat still. A moment later they were on their feet. Glass shattered out of the room’s single window—a glittering shower followed by an iron bar, which swung back and forth to finish the job, hammering against the interior of the frame. The men in the café stood transfixed, every eye on the window. The iron bar withdrew. There was a shout outside, something angry but indecipherable, then a glass jug was thrown into the room. It was filled with a brownish-yellow liquid that plumed into the air as the jug rotated in flight. It broke in three when it landed and the liquid flowed slowly across the floorboards in a small river. Stove oil—the reek of it filled the room. The men found their voices, angry, tense, but subdued, as though to conceal their presence. From without, a cry of triumph, and a blazing torch of pitch-coated rope hurled through the window. The fire caught in two stages. First, small flames flickered at the edges of the oily river. Then an orange ball of flame roared into the air with a sigh like a puff of wind.

The earlier banging sound now began to make sense, as several men thrust their weight against the door but could not open it. It had been nailed and boarded shut from outside. The intention was to burn them to death inside the widow’s café.

The man near Antipin who, moments earlier, had made clever remarks, leaped into the air and screamed as the fire exploded. Seeing the mob of men shoving and cursing at the door, he rushed to the window and started to clamber through, without heed to the long shards of glass hanging from the frame. The iron bar, swung at full force, hit him across the forehead, and he collapsed over the sill like a dropped puppet.

Khristo Stoianev stood quietly, resisting the panic inside him. His eyes swept about the room, to the door and the press of bodies in front of it, to the smashed window, trying to choose. Before he could move in either direction, a hand took him above the elbow, a hard grip that hurt. It was Antipin, face completely without expression. “A cold cellar. There must be one,” he said softly.

“Where she cooks.” Khristo nodded toward the kitchen area, separated from the main room by a sagging drape on a cord.

“Come then,” Antipin said.

They brushed the drape aside. There was an old black wood stove, a rickety table, a bent-twig crucifix on the wall. A bin where potatoes and onions were stored through the winter. In order to circulate the air and keep the food from rotting, a square had been cut in the wall, then covered with a metal screen to keep the rats out. In winter, a piece of cardboard was hung over it on a nail to keep out the worst of the cold.

The widow, on hands and knees, was in the act of crawling through the broken-out screen of the narrow square. She disappeared suddenly, with a little cry, and they could see the night outside.

Antipin stopped him with a hand on the chest. “Let us see if there is a surprise planned. Wait for me to go through, then shout for the others.”

He was a square block of a man, but he moved like a monkey. Grabbing the upper edge of the frame with both hands, he swung out feet first. A few moments later, his face appeared.

“It’s safe,” he said.

Khristo moved toward the window, grasped the frame as Antipin had. Antipin raised a palm. “The others,” he said. Khristo shouted, heard a thunder of footsteps behind him, then went through. He
landed on the side of the house facing the river, away from the dirt road.

Antipin peered cautiously around the side of the house, then waved for Khristo to follow him. Up by the road, a group of silhouettes stood beside a farmer’s open-bed truck. The shapes were silent, moving restlessly, pacing, turning to one another. In the darkness, Khristo could not see details—faces or clothing. One man detached himself from the crowd and walked slowly down the hill, toward the house.

Antipin, meanwhile, pulled the board away from the door and a group of coughing men came out in swirls of smoke and cinders. It was not difficult to jerk the nails from the wood, a kick from within would have done it, but the board had been cleverly positioned, across the knob, so that kicks against the door were ineffectual, and no one had thought to kick at the knob, an awkward target.

Khristo watched as the board was worked free of the door. It took him a moment to understand the device, it was too simple. But, when he did understand, something in the knowledge turned his stomach. Somebody, somewhere, in appearance a man like himself, had thought this method through. Had studied the problem: how to obstruct a door when setting fire to a house full of people so that those within could not escape, and had found a solution, and applied it. That there were those in the world who would study such things Khristo Stoianev had never understood. Now he did.

The man coming down the hill was Khosov the Policeman, brother of Khosov the Postman who kept the rhythm for the National Union parades. He was a policeman because no one had known what else to do with him. He was a man whose mouth never closed, who stared dreamily around him, seemingly amazed at a world full of ordinary things. He was slow. Everything had to be figured out. But when he did figure it out—and eventually he always did, especially if there was somebody around to help him—he could be swept away by a blind, insentient rage. At one time he had been much persecuted by children, until he beat one little boy very nearly to death with a broom handle.

The men stood around and watched the house burn. There was
nothing to be done about it. A few buckets of water were tossed on neighboring roofs, to protect the dry reeds from embers floating through the night air. The widow knotted her hands in the binding of her apron and held it in her mouth while she wept, her wet cheeks shining in the firelight. The men around her were silent. They had brought a disaster down on her, and there was nothing to be done about that either.

Policeman Khosov came down the hill and stopped ten feet from Antipin. His eyes searched the crowd carefully; one had better not make a mistake here, as one’s fellows watched from the road above. They were counting on him, trusted him to go it alone; he wasn’t going to—not if he had to stand here all night—let them down.

One to another, each in turn, he peered at them, his face knotted with concentration, sweat standing on his brow with the effort of it, mouth open as always. Even though it might be you he sought, the sheer agony of the process made you want to help him.

Finally, he discovered Antipin, his eyes widening with the amazement of having gotten it right. He pointed with his arm fully extended, like an orator.

“You,” he said. “You, communist, come with me now.” His other hand rested on the butt of a large revolver in a holster.

Antipin made no move. There was a long silence, the fire crackling and popping as the dry roof timbers caught.

“Did you hear me?”

Antipin took a step forward, inclined his head toward Khosov and said, “What did you say?”

“I said come with me. No trouble, now.”

Antipin took another step. The fire played shadows on his back. He spoke very slowly, as to a child. “Go back up this hill, you braying ass, and tell your friends up there that their mouths will be full of dirt. Can you remember that?” The “mouths full of dirt” referred to events in the grave.

They watched Khosov’s face. Watched the slow painful process as the information was worked at, disassembled, examined. When comprehension arrived, his hand tightened on the butt of the pistol but it was much too late.

Antipin flowed easily through the space between them and punched Khosov in the heart, a downward motion, as though his balled fist were a hammer. It blew the breath from Khosov’s mouth and made him sit down and wrap his arms around his chest. Anti-pin leaned over and took the revolver from the holster and smashed it to pieces on a rock. Khosov groaned, then hunched over, struggling to breathe. Antipin reached down and put two fingers inside his nostrils and jerked his head upright. Khosov gave a shrill little cry like a hurt animal.

“Now you go up there and tell them what I said. That they shall eat the dirt.”

Antipin let him go and he managed to stand up, still gasping for air. Blood ran freely from his nose and he tried to stop it with his hand. He gave Antipin one terrified glance—this is a thing that makes pain, stay away from it always—then turned and scrabbled up the hill, holding his nose, head turtled down between his shoulders like a child running away from a beating.

Khristo watched him go, then turned to look at the men around him, illuminated by the light of the burning house. They coughed and spit, trying to get the smoke out of themselves. Someone had dragged the man from the windowsill where he had fallen and laid his smoking body on the ground. He had been burned black in the fire, but those who had heard the sound of the iron bar knew he had been beyond feeling anything at all. Up on the road, the group of silhouettes shifted nervously as Khosov the Policeman scurried toward them.

Khristo sensed clearly that this was not the end of it, that it would go on, that each act would become a debt to be repaid with interest. Nikko’s death had seemed to him, to his family, a tragedy of bad fate—like a drowning, or a mother taken at childbirth. You had to live with death, God gave you no choice. Today it was your turn, tomorrow it would touch your neighbor; thus people gathered around you, held you up with their spirit, tried to fill the empty place. He now understood that Nikko’s death was a tragedy of a different kind. It was part of something else; there was a connection, a design, at first faint, now much clearer. The unknown intelligence
that conceived a method of blocking doors could also see a purpose in the murder of a fifteen-year-old for laughing at a parade.

As Khosov climbed toward the road, a man near Khristo said, “We had better stand together here.”

The old fisherman took a step back. “I am no part of this.”

“Go home then,” someone said. “They know where you live.”

“I do not oppose them. I will tell them that.”

“Then there will be no problem,” the man said, a sour irony in his voice.

On the road, Khosov and the others climbed onto the back of the truck, which stuttered to life and bounced away down the dirt road.

Khristo found Antipin at his shoulder. “Come with me,” the Russian said. “Let us take a little walk together.”

They walked down to the river, past the sagging pole docks, to the sand beach below the walls of the old fort, called Baba Vida—Grandma Vida—built by the Turks three hundred years earlier, though some of the inner walls had blocks set by Greek and Roman hands.