Collected Fiction Volume 2 (1926-1930): A Variorum Edition (32 page)

“Cool vales in Concord, cobbled lanes in Portsmouth, twilight bends of rustic New-Hampshire
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roads where giant elms half hide white farmhouse walls and creaking well-sweeps. Gloucester’s salt wharves and Truro’s windy willows. Vistas of distant steepled towns and hills beyond hills along the North Shore, hushed stony slopes and low ivied cottages in the lee of huge boulders in Rhode-Island’s
^[535]
back country. Scent of the sea and fragrance of the fields; spell of the dark woods and joy of the orchards and gardens at dawn. These, Randolph Carter, are your city; for they are yourself. New-England
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bore you, and into your soul she poured a liquid loveliness which cannot die. This loveliness, moulded, crystallised, and polished by years of memory and dreaming, is your terraced wonder of elusive sunsets; and to find that marble parapet with curious urns and carven rail, and descend at last those
^[537]
endless balustraded steps to the city of broad squares and prismatic fountains, you need only to turn back to the thoughts and visions of your wistful boyhood.

“Look! through that window shine the stars of eternal night. Even now they are shining above the scenes you have known and cherished, drinking of their charm that they may shine more lovely over the gardens of dream. There is Antares—he is winking at this moment over the roofs of Tremont Street, and you could see him from your window on Beacon Hill. Out beyond those stars yawn the gulfs from whence my mindless masters have sent me. Some day you too may traverse them, but if you are wise you will beware such folly; for of those mortals who have been and returned, only one preserves a mind unshattered by the pounding, clawing horrors of the void. Terrors and blasphemies gnaw at one another for space, and there is more evil in the lesser ones than in the greater; even as you know from the deeds of those who sought to deliver you into my hands, whilst I myself harboured no wish to shatter you, and would indeed have helped you hither long ago had I not been elsewhere busy, and certain that you would yourself find the way. Shun,
^[538]
then, the outer hells, and stick to the calm, lovely things of your youth. Seek out your marvellous city and drive thence the recreant Great Ones, sending them back gently to those scenes which are of their own youth, and which wait uneasy for their return.

“Easier even than
^[539]
the way of dim memory is the way I will prepare for you. See! There comes hither a monstrous shantak, led by a slave who for your peace of mind had best keep invisible. Mount and be ready—there! Yogash the black will help you on the scaly horror. Steer for that brightest star just south of the zenith—it is Vega, and in two hours will be just above the terrace of your sunset city. Steer for it only till you hear a far-off singing in the high aether. Higher than that lurks madness, so rein your shantak
^[540]
when the first note lures. Look then back to earth, and you will see shining the deathless altar-flame of Ired-Naa from the sacred roof of a temple. That temple is in your desiderate sunset city, so steer for it before you heed the singing and are lost.

“When you draw nigh the city steer for the same high parapet whence of old you scanned the outspread glory, prodding the shantak
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till he cry aloud. That cry the Great Ones will hear and know as they sit on their perfumed terraces, and there will come upon them such a homesickness that all of your city’s wonders will not console them for the absence of Kadath’s grim castle and the pshent of eternal stars that crowns it.

“Then must you land amongst them with the shantak,
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and let them see and touch that noisome and hippocephalic bird; meanwhile discoursing to them of unknown Kadath, which you will so lately have left, and telling them how its boundless halls are lonely
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and unlighted, where of old they used to leap and revel in supernal radiance. And the shantak
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will talk to them in the manner of shantaks,
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but it will have no powers of persuasion beyond the recalling of elder days.

“Over and over must you speak to the wandering Great Ones of their home and youth, till at last they will weep and ask to be shewn the returning path they have forgotten. Thereat can you loose the waiting shantak,
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sending him skyward with the homing cry of his kind; hearing which the Great Ones will prance and jump with antique mirth, and forthwith stride after the loathly bird in the fashion of gods, through the deep gulfs of heaven to Kadath’s familiar towers and domes.

“Then will the marvellous sunset city be yours to cherish and inhabit for ever, and once more will earth’s gods rule the dreams of men from their accustomed seat. Go now—the casement is open and the stars await outside. Already your shantak
^[547]
wheezes and titters with impatience. Steer for Vega through the night, but turn when the singing sounds. Forget not this warning, lest horrors unthinkable suck you into the gulf of shrieking and ululant madness. Remember the Other Gods; they are great and mindless and terrible, and lurk in the outer voids. They are good gods to shun.

“
Hei! Aa-shanta ’nygh!
You are off! Send back earth’s gods to their haunts on unknown Kadath, and pray to all space that you may never meet me in my thousand other forms. Farewell, Randolph Carter, and beware;
for I am Nyarlathotep, the Crawling Chaos!”
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And Randolph Carter, gasping and dizzy on his hideous shantak,
^[549]
shot screamingly into space toward the cold blue glare of boreal Vega; looking but once behind him at the clustered and chaotic turrets of the onyx nightmare wherein still glowed the lone lurid light of that window above the air and the clouds of earth’s dreamland. Great polypous horrors slid darkly past, and unseen bat-wings
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beat multitudinous around him, but still he clung to the unwholesome mane of that loathly and hippocephalic scaled bird. The stars danced mockingly, almost shifting now and then to form pale signs of doom that one might wonder one had not seen and feared before; and ever the winds of aether
^[551]
howled of vague blackness and loneliness beyond the cosmos.

Then through the glittering vault ahead there fell a hush of portent, and all the winds and horrors slunk away as night things slink away before the dawn. Trembling in waves that golden wisps of nebula made weirdly visible, there rose a timid hint of far-off melody, droning in faint chords that our own universe of stars knows not. And as that music grew, the shantak
^[552]
raised its ears and plunged ahead, and Carter likewise bent to catch each lovely strain. It was a song, but not the song of any voice. Night and the spheres sang it, and it was old when space and Nyarlathotep and the Other Gods were born.

Faster flew the shantak,
^[553]
and lower bent the rider, drunk with the marvels of strange gulfs, and whirling in the crystal coils of outer magic. Then came too late the warning of the evil one, the sardonic caution of the daemon legate who had bidden the seeker beware the madness of that song. Only to taunt had Nyarlathotep marked out the way to safety and the marvellous sunset city; only to mock had that black messenger revealed the secret of those
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truant gods whose steps he could so easily lead back at will. For madness and the void’s wild vengeance are Nyarlathotep’s only gifts to the presumptuous; and frantick though the rider strove to turn his disgusting steed, that leering, tittering shantak
^[555]
coursed on impetuous and relentless, flapping its great slippery wings in malignant joy, and headed for those unhallowed pits whither no dreams reach; that last amorphous blight of nethermost
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confusion where bubbles and blasphemes at infinity’s centre the mindless daemon-sultan Azathoth, whose name no lips dare speak aloud.

Unswerving and obedient to the foul legate’s orders, that hellish bird plunged onward through shoals of shapeless lurkers and caperers in darkness, and vacuous herds of drifting entities that pawed and groped and groped and pawed; the nameless larvae of the Other Gods, that are like them blind and without mind, and possessed of singular hungers and thirsts.

Onward unswerving and relentless, and tittering hilariously to watch the chuckling and hysterics into which the siren
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song of night and the spheres had turned, that eldritch scaly monster bore its helpless rider; hurtling and shooting, cleaving the uttermost rim and spanning the outermost abysses; leaving behind the stars and the realms of matter, and darting meteor-like through stark formlessness toward those inconceivable, unlighted chambers beyond Time
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wherein black
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Azathoth gnaws shapeless and ravenous amidst the muffled, maddening beat of vile drums and the thin, monotonous whine of accursed flutes.
^[560]

Onward—onward—through the screaming, cackling, and blackly populous gulfs—and then from some dim blessed distance there came an image and a thought to Randolph Carter the doomed. Too well had Nyarlathotep planned his mocking and his tantalising, for he had brought up that which no gusts of icy terror could quite efface. Home—New England—Beacon Hill—the waking world.

“For know you, that your gold and marble city of wonder is only the sum of what you have seen and loved in youth . . . the glory of Boston’s hillside roofs and western windows aflame with sunset; of the flower-fragrant Common and the great dome on the hill and the tangle of gables and chimneys in the violet valley where the many-bridged Charles flows drowsily . . . this loveliness, moulded, crystallised, and polished by years of memory and dreaming, is your terraced wonder of elusive sunsets; and to find that marble parapet with curious urns and carven rail, and descend at last those endless balustraded steps to the city of broad squares and prismatic fountains, you need only to turn back to the thoughts and visions of your wistful boyhood.”

Onward—onward—dizzily onward to ultimate doom through the blackness where sightless feelers pawed and slimy snouts jostled and nameless things tittered and tittered and tittered. But the image and the thought had come, and Randolph Carter knew clearly that he was dreaming and only dreaming, and that somewhere in the background the world of waking and the city of his infancy still lay. Words came again—“You need only turn back to the thoughts and visions of your wistful boyhood.” Turn—turn—blackness on every side, but Randolph Carter could turn.

Thick though the rushing nightmare that clutched his senses, Randolph Carter could turn and move. He could move, and if he chose he could leap off the evil shantak
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that bore him hurtlingly doomward at the orders of Nyarlathotep. He could leap off and dare those depths of night that yawned interminably down, those depths of fear whose terrors yet could not exceed the nameless doom that lurked waiting at chaos’ core. He could turn and move and leap—he could—he would—he would—
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Off that vast hippocephalic abomination leaped the doomed and desperate dreamer, and down through endless voids of sentient blackness he fell. Aeons reeled, universes died and were born again, stars became nebulae and nebulae became stars, and still Randolph Carter fell through those endless voids of sentient blackness.

Then in the slow creeping course of eternity the utmost cycle of the cosmos churned itself into another futile completion, and all things became again as they were unreckoned kalpas before. Matter and light were born anew as space once had known them; and comets, suns,
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and worlds sprang flaming into life, though nothing survived to tell that they had been and gone, been and gone, always and always, back to no first beginning.

And there was a firmament again, and a wind, and a glare of purple light in the eyes of the falling dreamer. There were gods and presences and wills; beauty and evil, and the shrieking of noxious night robbed of its prey. For through the unknown ultimate cycle had lived a thought and a vision of a dreamer’s boyhood, and now there were re-made a waking world and an old cherished city to body and to justify these things. Out of the void S’ngac the violet gas had pointed the way, and archaic Nodens was bellowing his guidance from unhinted deeps.

Stars swelled to dawns, and dawns burst into fountains of gold, carmine, and purple, and still the dreamer fell. Cries rent the aether as ribbons of light beat back the fiends from outside. And hoary Nodens raised a howl of triumph when Nyarlathotep, close on his quarry, stopped baffled by a glare that seared his formless hunting-horrors to grey dust. Randolph Carter had indeed descended at last the wide marmoreal flights to his marvellous city, for he was come again to the fair New England world that had wrought him.

So to the organ chords of morning’s myriad whistles, and dawn’s blaze thrown dazzling through purple panes by the great gold dome of the State House on the hill, Randolph Carter leaped shoutingly awake within his Boston room. Birds sang in hidden gardens and the perfume of trellised vines came wistful from arbours his grandfather had reared. Beauty and light glowed from classic mantel and carven cornice and walls grotesquely figured, while a sleek black cat rose yawning from hearthside sleep that his master’s start and shriek had disturbed. And vast infinities away, past the Gate of Deeper Slumber and the enchanted wood and the garden lands and the Cerenerian
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Sea and the twilight reaches of Inganok,
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the crawling chaos Nyarlathotep strode brooding into the onyx castle atop unknown Kadath in the cold waste, and taunted insolently the mild gods of earth whom he had snatched abruptly from their scented revels in the marvellous sunset city.

Editor’s Note:
The surviving A.Ms. is HPL’s original draft; it is not as extensively revised and interlined as that of
The Case of Charles Dexter Ward,
indicating that less polishing was done on what HPL regarded as “practice in carrying plot threads for a considerable distance” (
SL
2.99). Barlow prepared a T.Ms. of just over half the text; it contains a few corrections by HPL, including the alteration of some names (e.g., “Thok” for “Throk”). HPL was, however, markedly inconsistent in the recording of species names of his imagined creatures; in my judgment these should be lower-cased (by analogy with the later use of “shoggoth” in
At the Mountains of Madness
), even when HPL has indicated on the T.Ms. that they should be capitalised. HPL is also inconsistent in other usages as well as in the spelling of some proper names. In the first published appearance (
Beyond the Wall of Sleep
[Arkham House, 1943]), the editors followed the T.Ms. until it left off, then worked from the A.Ms.