Complete Works of Rudyard Kipling (Illustrated) (278 page)

‘I ran out into the dhark, my head in a stew an’ my heart sick, but I had sinse enough to see that I’d brought ut all on mysilf. “It’s this to pass the time av day to a panjandhrum av hell-cats,” sez I. “What I’ve said, an’ what I’ve not said do not matther. Judy an’ her dam will hould me for a promust man, an’ Dinah will give me the go, an’ I desarve ut. I will go an’ get dhrunk,” sez I, “an’ forget about ut, for ‘tis plain I’m not a marrin’ man.”

‘On my way to canteen I ran against Lascelles, colour-sergint that was av E Comp’ny, a hard, hard man, wid a torment av a wife. “You’ve the head av a drowned man on your shoulders,” sez he; “an’ you’re goin’ where you’ll get a worse wan. Come back,” sez he. “Let me go,” sez I. “I’ve thrown my luck over the wall wid my own hand!” — ”Then that’s not the way to get ut back again,” sez he. “Have out wid your throuble, ye fool-bhoy.” An’ I tould him how the matther was.

‘He sucked in his lower lip. “You’ve been thrapped,” sez he. “Ju Sheehy wud be the betther for a man’s name to hers as soon as can. An’ we thought ye’d put the comether on her, — that’s the natural vanity of the baste, Terence, you’re a big born fool, but you’re not bad enough to marry into that comp’ny. If you said anythin’, an’ for all your protestations I’m sure ye did — or did not, which is worse, — eat ut all — lie like the father of all lies, but come out av ut free av Judy. Do I not know what ut is to marry a woman that was the very spit an’ image av Judy whin she was young? I’m gettin’ old an’ I’ve larnt patience, but you, Terence, you’d raise hand on Judy an’ kill her in a year. Never mind if Dinah gives you the go, you’ve desarved ut; never mind if the whole reg’mint laughs you all day. Get shut av Judy an’ her mother. They can’t dhrag you to church, but if they do, they’ll dhrag you to hell. Go back to your quarters and lie down,” sez he. Thin over his shoulder, “You MUST ha’ done with thim.”

‘Next day I wint to see Dinah, but there was no tucker in me as I walked. I knew the throuble wud come soon enough widout any handlin’ av mine, an’ I dreaded ut sore.

‘I heard Judy callin’ me, but I hild straight on to the Shadds’ quarthers, an’ Dinah wud ha’ kissed me but I put her back.

‘“Whin all’s said, darlin’,” sez I, “you can give ut me if ye will, tho’
I misdoubt ‘twill be so easy to come by then.”

‘I had scarce begun to put the explanation into shape before Judy an’ her mother came to the door. I think there was a verandah, but I’m forgettin’.

‘“Will ye not step in?” sez Dinah, pretty and polite, though the Shadds had no dealin’s with the Sheehys. Ould Mother Shadd looked up quick, an’ she was the fust to see the throuble; for Dinah was her daughter.

‘“I’m pressed for time to-day,” sez Judy as bould as brass; “an’ I’ve only come for Terence, — my promust man. ‘Tis strange to find him here the day afther the day.”

‘Dinah looked at me as though I had hit her, an’ I answered straight.

‘“There was some nonsinse last night at the Sheehys’ quarthers, an’
Judy’s carryin’ on the joke, darlin’,” sez I.

‘“At the Sheehys’ quarthers?” sez Dinah very slow, an’ Judy cut in wid: “He was there from nine till ten, Dinah Shadd, an’ the betther half av that time I was sittin’ on his knee, Dinah Shadd. Ye may look and ye may look an’ ye may look me up an’ down, but ye won’t look away that Terence is my promust man. Terence, darlin’, ‘tis time for us to be comin’ home.”

‘Dinah Shadd niver said word to Judy. “Ye left me at half-past eight,” she sez to me, “an I niver thought that ye’d leave me for Judy, — promises or no promises. Go back wid her, you that have to be fetched by a girl! I’m done with you,” sez she, and she ran into her own room, her mother followin’. So I was alone wid those two women and at liberty to spake my sentiments.

‘“Judy Sheehy,” sez I, “if you made a fool av me betune the lights you shall not do ut in the day. I niver promised you words or lines.”

‘“You lie,” sez ould Mother Sheehy, “an’ may ut choke you where you stand!” She was far gone in dhrink.

‘“An’ tho’ ut choked me where I stud I’d not change,” sez I. “Go home, Judy. I take shame for a decent girl like you dhraggin’ your mother out bare-headed on this errand. Hear now, and have ut for an answer. I gave my word to Dinah Shadd yesterday, an’, more blame to me, I was wid you last night talkin’ nonsinse but nothin’ more. You’ve chosen to thry to hould me on ut. I will not be held thereby for anythin’ in the world. Is that enough?”

‘Judy wint pink all over. “An’ I wish you joy av the perjury,” sez she, duckin’ a curtsey. “You’ve lost a woman that would ha’ wore her hand to the bone for your pleasure; an’ ‘deed, Terence, ye were not thrapped…” Lascelles must ha’ spoken plain to her. “I am such as Dinah is — ’deed I am! Ye’ve lost a fool av a girl that’ll niver look at you again, an’ ye’ve lost what he niver had, — your common honesty. If you manage your men as you manage your love-makin’, small wondher they call you the worst corp’ril in the comp’ny. Come away, mother,” sez she.

‘But divil a fut would the ould woman budge! “D’you hould by that?” sez she, peerin’ up under her thick gray eyebrows.

‘“Ay, an’ wud,” sez I, “tho’ Dinah give me the go twinty times. I’ll have no thruck with you or yours,” sez I. “Take your child away, ye shameless woman.”

“‘An’ am I shameless?” sez she, bringin’ her hands up above her head. “Thin what are you, ye lyin’, schamin’, weak-kneed, dhirty-souled son av a sutler? Am
I
shameless? Who put the open shame on me an’ my child that we shud go beggin’ through the lines in the broad daylight for the broken word of a man? Double portion of my shame be on you, Terence Mulvaney, that think yourself so strong! By Mary and the saints, by blood and water an’ by ivry sorrow that came into the world since the beginnin’, the black blight fall on you and yours, so that you may niver be free from pain for another when ut’s not your own! May your heart bleed in your breast drop by drop wid all your friends laughin’ at the bleedin’! Strong you think yourself? May your strength be a curse to you to dhrive you into the divil’s hands against your own will! Clear-eyed you are? May your eyes see clear ivry step av the dark path you take till the hot cindhers av hell put thim out! May the ragin’ dry thirst in my own ould bones go to you that you shall niver pass bottle full nor glass empty. God preserve the light av your onderstandin’ to you, my jewel av a bhoy, that ye may niver forget what you mint to be an’ do, whin you’re wallowin’ in the muck! May ye see the betther and follow the worse as long as there’s breath in your body; an’ may ye die quick in a strange land, watchin’ your death before ut takes you, an’ enable to stir hand or foot!”

‘I heard a scufflin’ in the room behind, and thin Dinah Shadd’s hand dhropped into mine like a rose-leaf into a muddy road.

‘“The half av that I’ll take,” sez she, “an’ more too if I can. Go home, ye silly talkin’ woman, — go home an’ confess.”

‘“Come away! Come away!” sez Judy, pullin’ her mother by the shawl.
“‘Twas none av Terence’s fault. For the love av Mary stop the talkin’!”

“‘An’ you!” said ould Mother Sheehy, spinnin’ round forninst Dinah. “Will ye take the half av that man’s load? Stand off from him, Dinah Shadd, before he takes you down too — you that look to be a quarther- master-sergeant’s wife in five years. You look too high, child. You shall WASH for the quarther-master-sergeant, whin he plases to give you the job out av charity; but a privit’s wife you shall be to the end, an’ ivry sorrow of a privit’s wife you shall know and niver a joy but wan, that shall go from you like the running tide from a rock. The pain av bearin’ you shall know but niver the pleasure av giving the breast; an’ you shall put away a man-child into the common ground wid niver a priest to say a prayer over him, an’ on that man-child ye shall think ivry day av your life. Think long, Dinah Shadd, for you’ll niver have another tho’ you pray till your knees are bleedin’. The mothers av childher shall mock you behind your back when you’re wringing over the wash-tub. You shall know what ut is to help a dhrunken husband home an’ see him go to the gyard-room. Will that plase you, Dinah Shadd, that won’t be seen talkin’ to my daughter? You shall talk to worse than Judy before all’s over. The sergints’ wives shall look down on you contemptuous, daughter av a sergint, an’ you shall cover ut all up wid a smiling face when your heart’s burstin’. Stand off av him, Dinah Shadd, for I’ve put the Black Curse of Shielygh upon him an’ his own mouth shall make ut good.”

‘She pitched forward on her head an’ began foamin’ at the mouth. Dinah Shadd ran out wid water, an’ Judy dhragged the ould woman into the verandah till she sat up.

‘“I’m old an’ forlore,” she sez, thremblin’ an’ cryin’, “and ‘tis like I say a dale more than I mane.”

‘“When you’re able to walk, — go,” says ould Mother Shadd. “This house has no place for the likes av you that have cursed my daughter.”

‘“Eyah!” said the ould woman. “Hard words break no bones, an’ Dinah Shadd’ll kape the love av her husband till my bones are green corn. Judy darlin’, I misremember what I came here for. Can you lend us the bottom av a taycup av tay, Mrs. Shadd?”

‘But Judy dhragged her off cryin’ as tho’ her heart wud break. An’ Dinah
Shadd an’ I, in ten minutes we had forgot ut all.’

‘Then why do you remember it now?’ said I.

‘Is ut like I’d forget? Ivry word that wicked ould woman spoke fell thrue in my life aftherwards, an’ I cud ha’ stud ut all — stud ut all — excipt when my little Shadd was born. That was on the line av march three months afther the regiment was taken with cholera. We were betune Umballa an’ Kalka thin, an’ I was on picket. Whin I came off duty the women showed me the child, an’ ut turned on uts side an’ died as I looked. We buried him by the road, an’ Father Victor was a day’s march behind wid the heavy baggage, so the comp’ny captain read a prayer. An’ since then I’ve been a childless man, an’ all else that ould Mother Sheehy put upon me an’ Dinah Shadd. What do you think, sorr?’

I thought a good deal, but it seemed better then to reach out for Mulvaney’s hand. The demonstration nearly cost me the use of three fingers. Whatever he knows of his weaknesses, Mulvaney is entirely ignorant of his strength.

‘But what do you think?’ he repeated, as I was straightening out the crushed fingers.

My reply was drowned in yells and outcries from the next fire, where ten men were shouting for ‘Orth’ris,’ ‘Privit Orth’ris,’ ‘Mistah Or — ther — ris!’ ‘Deah boy,’ ‘Cap’n Orth’ris,’ ‘Field-Marshal Orth’ris,’ ‘Stanley, you pen’north o’ pop, come ‘ere to your own comp’ny!’ And the cockney, who had been delighting another audience with recondite and Rabelaisian yarns, was shot down among his admirers by the major force.

‘You’ve crumpled my dress-shirt ‘orrid,’ said he, ‘an’ I shan’t sing no more to this ‘ere bloomin’ drawin’-room.’

Learoyd, roused by the confusion, uncoiled himself, crept behind
Ortheris, and slung him aloft on his shoulders.

‘Sing, ye bloomin’ hummin’ bird!’ said he, and Ortheris, beating time on
Learoyd’s skull, delivered himself, in the raucous voice of the
Ratcliffe Highway, of this song: —

    My girl she give me the go onst,
      When I was a London lad,
    An’ I went on the drink for a fortnight,
      An’ then I went to the bad.
    The Queen she give me a shillin’
      To fight for ‘er over the seas;
    But Guv’ment built me a fever-trap,
      An’ Injia give me disease.

Chorus.

    Ho! don’t you ‘eed what a girl says,
      An’ don’t you go for the beer;
    But I was an ass when I was at grass,
      An’ that is why I’m ‘ere.

   I fired a shot at a Afghan,
      The beggar ‘e fired again,
    An’ I lay on my bed with a ‘ole in my ‘ed;
      An’ missed the next campaign!
    I up with my gun at a Burman
      Who carried a bloomin’ dah,
    But the cartridge stuck and the bay’nit bruk,
      An’ all I got was the scar.

Chorus.

    Ho! don’t you aim at a Afghan
       When you stand on the sky-line clear;
    An’ don’t you go for a Burman
      If none o’ your friends is near.

    I served my time for a corp’ral,
      An’ wetted my stripes with pop,
    For I went on the bend with a intimate friend,
      An’ finished the night in the ‘shop.’
    I served my time for a sergeant;
      The colonel ‘e sez ‘No!
    The most you’ll see is a full C. B.’[Footnote: Confined to barracks.]
      An’…very next night ‘twas so.

Chorus.

    Ho! don’t you go for a corp’ral
      Unless your ‘ed is clear;
    But I was an ass when I was at grass,
      An’ that is why I’m ‘ere.

    I’ve tasted the luck o’ the army
      In barrack an’ camp an’ clink,
    An’ I lost my tip through the bloomin’ trip
      Along o’ the women an’ drink.
    I’m down at the heel o’ my service
      An’ when I am laid on the shelf,
    My very wust friend from beginning to end
      By the blood of a mouse was myself!

Chorus.

    Ho! don’t you ‘eed what a girl says,
      An’ don’t you go for the beer;
    But I was an ass when I was at grass,
      An’ that is why I’m ‘ere.

‘Ay, listen to our little man now, singin’ an’ shoutin’ as tho’ trouble had niver touched him. D’you remember when he went mad with the home- sickness?’ said Mulvaney, recalling a never-to-be-forgotten season when Ortheris waded through the deep waters of affliction and behaved abominably. ‘But he’s talkin’ bitter truth, though. Eyah!

   ’My very worst frind from beginnin’ to ind
    By the blood av a mouse was mesilf!’

When I woke I saw Mulvaney, the night-dew gemming his moustache, leaning on his rifle at picket, lonely as Prometheus on his rock, with I know not what vultures tearing his liver.

ON GREENHOW HILL

 To Love’s low voice she lent a careless ear;
 Her hand within his rosy fingers lay,
 A chilling weight. She would not turn or hear;
 But with averted face went on her way.
 But when pale Death, all featureless and grim,
 Lifted his bony hand, and beckoning
 Held out his cypress-wreath, she followed him,
 And Love was left forlorn and wondering,
 That she who for his bidding would not stay,
 At Death’s first whisper rose and went away.
                                 RIVALS.