Complicated Shadows (64 page)

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Authors: Graham Thomson

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Bono
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‘Boogie Oogie Oogie’ (Taste Of Honey)
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Booker T and the MGs
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Boomtown Rats
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Born to Run
(Springsteen)
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Boston, Mass.
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,
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,
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,
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Boston Globe
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Boston Phoenix
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Bournemouth
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Bowie, David
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Boxcar Willie
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Boxes, The
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‘Boy With A Problem’
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,
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‘Boys From The County Hell’
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Brahms, Johannes
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Bramlett, Bonnie
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,
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,
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,
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,
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Breakfast Time
(BBC1)
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Bremner, Billy
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Brennan, Rose
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,
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‘Bridge I Burned, The’
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,
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‘Bright Blue Times’
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Brighton, Grand Hotel at
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‘Brilliant Disguise’ (Springsteen)
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‘Brilliant Mistake’
ref1
,
ref2
,
ref3
,
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‘Bring It On Home To Me’ (Cooke)
ref1
,
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Brinsley Schwarz
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,
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,
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,
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,
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,
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,
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,
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Bristol
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,
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,
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,
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Britten, Benjamin
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Brixton, Rock Against Racism concert
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Brixton Academy
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Brodsky, Rudolf
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Brodsky Quartet
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,
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,
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,
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,
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,
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,
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,
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‘Broken Bicycles’ (Waits)
ref1

Brooklyn Philharmonic Orchestra
ref1

Brookside
(Channel Four)
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Brown, Alan
ref1
,
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Brown, Charles
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Brown, Clifford
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Brown, Des
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Brown, James
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,
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,
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,
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,
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Brown, Ray
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Browne, Jackson
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,
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Browning, Boo
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Brutal Youth
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,
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,
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,
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,
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,
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,
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,
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,
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,
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,
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Bubbles, Barney
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Buckley, Jeff
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,
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Buell, Bebe
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,
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,
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,
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,
ref5
,
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,
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,
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,
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,
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,
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Buffalo Springfield
ref1

Bullock Smithy Folk Group
ref1

Burgess, Marianne
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Burgoyne, Mary Martina
ref1
,
ref2
,
ref3
,
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fiery temper
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marriage to Declan
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Burgoyne, Patrick Victor ‘Vic’
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Burke, Brian
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Burke, Kathy
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,
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Burke, Solomon
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Burnett, John Henry (‘T-Bone’)
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,
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,
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,
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,
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,
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,
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,
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,
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,
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,
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‘Burnt Sugar Is So Bitter’
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,
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Burton, James
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,
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,
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,
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‘Busy Bodies’
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‘Button My Lip’
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Buxton, Derbyshire
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By Eleven (management company)
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Bye, Antony
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Byrd, William
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Byrds, The
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,
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C

Cahill, Ciaran
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,
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,
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Cahn, Sammy
ref1

‘Call On Me’
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,
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n

Callahan, Paddy
ref1

‘Can I Have My Money Back?’ (Rafferty)
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‘Can She Excuse Me Wrongs?’ (Dowland)
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Canada
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,
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,
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,
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,
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,
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,
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Canning, Tom
ref1

Cap de Ferrat
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‘Captains And The Kings, The’ (Chevron/Costello)
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Caravan
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Cardiff
ref1

Career Review, A
(BBC TV)
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Carmichael, Hoagy
ref1
,
ref2
,
ref3

‘Caroline’ (Wyatt)
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Carr, James
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Carr, Roy
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Carrack, Paul
ref1

Carter, Carlene
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Caruso, Enrico
ref1

Case For Song, A
(Costello provisional album title/BBC TV video)
ref1
,
ref2
,
ref3

Cash, Johnny
ref1
,
ref2
,
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Cassidy, Paul
ref1
,
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,
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,
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,
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,
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,
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,
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,
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,
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CBS (Columbia Broadcasting

System)
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,
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,
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,
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,
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,
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,
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,
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,
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,
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CD Review
ref1

Chamberlain, Matt
ref1

Chance, Michael
ref1

‘Change Is Gonna Come, A’ (Cooke)
ref1

Channel Four TV (UK)
ref1
,
ref2
,
ref3

Channel Islands
ref1

Chaplin, Charlie
ref1

Charles, Bobby
ref1
,
ref2

Charles, Prince of Wales
ref1

Charles, Ray
ref1
,
ref2
,
ref3n
,
ref4
,
ref5

‘Charm School’
ref1
,
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‘Cheap Reward’
ref1
,
ref2

Cheech & Chong
ref1

Chelmsford Festival
ref1

‘Chemistry Class’
ref1
,
ref2
,
ref3
, 9114

Chess Records
ref1

Chevron, Philip
ref1
,
ref2
,
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,
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,
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,
ref6
,
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‘Chewing Gum’
ref1
,
ref2
,
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Chic
ref1

Chicago
ref1
,
ref2
,
ref3

Climax at
ref1

Holsteins folk-bar
ref1

Metro Club
ref1

Chicago Tribune
ref1

Chieftains, The
ref1
,
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Chilli Willi
ref1
,
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,
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,
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Chuck Meets Bo
(Berry/Diddley)
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Ciambotti, John
ref1
,
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,
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,
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,
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,
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,
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Clarke, John Cooper
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Clarkston, Michigan
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Clash, The
ref1
,
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Cleese, John
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Cliff, Jimmy
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,
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,
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Cline, Patsy
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Clover
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,
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,
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,
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,
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,
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,
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,
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,
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‘Clown Strike’
ref1
,
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‘Clowntime Is Over’
ref1

‘Clubland’
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
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‘Coal Train Robberies’
ref1

Cockney Rebel
ref1

Cohen, Greg
ref1
,
ref2
,
ref3

Cold Mountain
(Antony Mingella film)
ref1

‘Colour Of The Blues’
ref1

Colson, Glen
ref1

Columbia Records
ref1
,
ref2
,
ref3
,
ref4
,
ref5

end of relationship with
ref1

Columbus

Agora Club
ref1

‘Incident’ at
ref1
,
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,
ref3
,
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,
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,
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‘Come Away, Death’ (Shakespeare/Costello)
ref1

Come Fly With Me
(Sinatra)
ref1

‘Comedians, The’
ref1
,
ref2

Commander Cody
ref1

Common Ground
(Lunny album)
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‘Complicated Shadows’
ref1
,
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,
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,
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,
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Composer’s Ensemble
ref1
,
ref2
,
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Concord Pavillion
ref1

Confederates, The
ref1
,
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,
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,
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,
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,
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‘Congratulations’ (Simon)
ref1

Connolly, Billy
ref1

Conservatives in UK
ref1
,
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,
ref3
,
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Cook, Richard
ref1

Cooke, Sam
ref1
,
ref2
,
ref3
,
ref4

Cooper, Alice
ref1

Copeland, Miles
ref1

Copenhagen
ref1
,
ref2

‘Corpus Christi Carol’ (Britten)
ref1

Corrs, The
ref1

Costello, Elvis

see also
The Attractions; MacManus, Declan Patrick

‘accidental Englishman’
ref1n

acting ability
ref1

affair with Bebe
ref1
,
ref2
,
ref3

America, fascinating enigma
ref1

America, first solo tour
ref1

anti-establishment jibes
ref1

appearance change, dramatic
ref1

arrested for impertinence
ref1

band formation (and bedding in)
ref1

band mode, return to
ref1

band virtuosity (without extravagance)
ref1

‘Barking Cabbage,’ The
ref1

Bebe, break up from
ref1

Bebe, spotted by Mary with
ref1

birth (at twenty-two)
ref1

caustic notices in America
ref1

classical music, attraction of
ref1

classical music, immersion in
ref1

‘Clocking Across America’ tour
ref1

collaborations
ref1

commercial rock, limitations of
ref1

creative impasse
ref1

criticism, reaction to
ref1

death threats against
ref1

Declan MacManus, legal swap back to
ref1
,
ref2

devourer of biographies
ref1

difference from Declan MacManus
ref1

disillusionment and personal low
ref1

diversification to left-field
ref1

divorce from Mary
ref1

drinking
ref1
,
ref2

drunken talk in Columbus
ref1
,
ref2

emotional cat-and-mouse game (Mary or Bebe)
ref1

epicurean tastes
ref1

European tour
ref1

exploring outer regions of fascinations
ref1

family responsibilities taken seriously
ref1

freedom from touring
ref1

hedonism at a price
ref1

Jake’s last stand with
ref1

legacy of
ref1

‘little black book’ of
ref1

live debut
ref1

Live Stiffs Tour
ref1

‘Lonely World’ tour
ref1
,
ref2
,
ref3

‘Male Artist of the Year 1989,’
ref1

marathon in New York (April Fool’s Day)
ref1
,
ref2

marketing job on
ref1

marriage to Diana
ref1

master (and maniac) of words
ref1

mind-numbing schedules (constant touring)
ref1

misogyny charges
ref1

musical obsessions, changes in
ref1

mystique of early days
ref1

outsider and anti-Elvis feeling
ref1

parting from The Attractions
ref1

populist promotion
ref1

press antagonism
ref1

Pyrrhic victory
ref1

reconciliation attempt with Mary
ref1

reference frame, immensity of
ref1

restlessness
ref1

seduction by rock ‘n’ roll excess
ref1
,
ref2

self-sabotage for artistic integrity
ref1

separation from Cait
ref1

‘spiritual wedding’ to Cait
ref1

studio industriousness
ref1

stymied in Nashville
ref1

thoughts of quitting
ref1

tiring of traditional rock
ref1

United States, first tour
ref1

US, touring in
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8

vegetarian
ref1

video promos
ref1

‘Wake Up Canada’ tour
ref1

wardrobe, Al Capone chic
ref1

wardrobe accident
ref1n

wider musical horizons
ref1

‘wound up’
ref1

writing music, complicated process
ref1

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