Authors: Paul M. Johnson
Creators (41 page)
7.
R. A. Kibbey,
Picasso: A Comprehensive Bibliography
(London, 1977); there is a good bibliographical section at the end of Melissa McQuillan’s article on Picasso in
Grove’s Dictionary of Art
(London, 1996), 24, pp. 728–730.
8.
London, 1988.
9.
See M. Richet,
Musée Picasso: Catalogue Sommaire des Collections
(Paris, 1987);
Museu Picasso,
Catalog de Pintura i Dibiux
(Barcelona, 1984); J. L. Sicart,
Museu Picasso, Catalogo
(Barcelona, 1971).
10.
For the blue period, see Richardson, I, 1991, pp. 211–307.
11.
Ibid., pp. 334–349.
12.
Les Demoiselles d’Avignon
, 2 vols. (Musée Picasso, Paris, 1988).
13.
See the excellent article on cubism by Christopher Green,
Grove’s Dictionary of Art
, vol. 8, pp. 239–247;
Picasso and Braque: Pioneering Cubism
(Museum of Modern Art, New York, 1989).
14.
C. Poggi,
In Defiance of Painting: Cubism, Futurism, and the Invention of Collage
(New Haven, Connecticut, 1992).
15.
E. Opler (ed.),
Picasso Guernica
(New York, 1988); H. Chipp,
Picasso’s Guernica: History, Transformation, Meanings
(London, 1989).
16.
For this period, see, in general, Richardson,
A Life of Picasso,
Vol. 2,
1907–1917
(London, 1996).
17.
For Picasso’s early patrons, see A. S. Huffington,
Picasso: Creator and Destroyer
(London, 1988), pp. 74–131.
18.
Huffington, 1988, pp. 83 (Stein), 98 (Braque).
19.
For Picasso and Matisse, see
Matisse Picasso
, exhibition catalog (Tate Gallery, London, 2002).
20.
Huffington, 1988, pp. 127, 134, 172, 190.
21.
See F. Gilot and C. Lake,
Life with Picasso
(London, 1965).
22.
Huffington, 1988, pp. 64, 194, 203.
23.
Ibid., pp. 233–234.
24.
Ibid., pp. 251, 424.
25.
F. Thomas and O. Johnston,
Disney Animation: The Illusion of Life
(New York, 1981).
26.
Michael Barrier,
Hollywood Cartoons: American Animation in Its Golden Age
(Oxford, 2003), pp. 35–48.
27.
Diane Disney Miller,
Walt Disney: An Intimate Biography by His Daughter
(London, 1958), pp. 53–74.
28.
Ibid., pp. 75ff.
29.
Barrier, 2003, pp. 38ff.
30.
Christopher Finch,
The Art of Walt Disney
(New York, 1999), pp. 20ff.
31.
Barrier, 2003, pp. 63ff.
32.
For Disney and sound, see Miller, 1958, pp. 93ff.
33.
For
Steamboat Willie
, see Barrier, 2003, pp. 51–57.
34.
Finch, 1999, pp. 28–31.
35.
For still from
Flowers and Trees
, see ibid., p. 29.
36.
Barrier, 2003, pp. 124–129, 193–233.
37.
B. Thomas,
The Art of Animation: The Story of the Disney Studio Contribution to a New Art
(New York, 1966).
38.
D. Atwell,
Cathedrals of the Movies
(London, 1980); D. Sharp,
The Picture Palace
(London, 1969).
39.
Finch, 1999, p. 108.
40.
R. B. Beard,
Walt Disney’s EPCOT: Creating the New World of Tomorrow
(New York, 1982).
41.
For an account of Disney’s involvement with the unions, the FBI, and politics, see Marc Eliot,
Walt Disney: Hollywood’s Dark Prince
(London, 1994).
42.
P. Andreu,
Vie et Mort de Max Jacob
(Paris, 1982).
43.
For an illuminating but uncritical account of Picasso’s communism, see Gertje R. Utley,
Picasso: The Communist Years
(Yale, 2001); see also a review of it by James Lord,
Times Literary Supplement
, 30 March 2001; see also J. S. Boggs, “Picasso and Communism,”
Artscanada
(1980).
Chapter 15: Metaphors in a Laboratory
1.
For Coleridge and Davy, see Richard Holmes,
Coleridge: Early Visions
(London, 1989), pp. 245, 259, 303.
2.
Wordsworth to Sir John Stoddart, 1831, quoted in Anne Treneer,
The Mercurial Chemist: A Life of Sir Humphry Davy
(London, 1963), p. 214.
3.
For Telford, see Alastair Penfold (ed.),
Thomas Telford, Engineer
(London, 1980).
4.
For Edison, see Robert Silverberg,
Light for the World: Edison and the Power Industry
(New York, 1967).
5.
See Jeffrey V. Osowki, “Ensembles of Metaphor in the Psychology of William James,” in D. B. Wallace and H. E. Gruber (eds.),
Creative People at Work
(New York, 1989).
acting career, Shakespeare’s
Adventures of Huckleberry Finn, The
(Twain)
alcohol
Chaucer and
T. S. Eliot and
Alice in Cartoonland
(Disney)
alliterations, Chaucer’s
American literature, Twain and,
animation.
See
Disney, Walt
Archimedes,
architecture
Imhotep’s,
movie houses
Pugin’s (
see
Pugin, A. W. N.)
Telford’s
Viollet-le-Duc’s
art.
See
Dürer, Albrecht; Hokusai Katsushika; Picasso, Pablo; Turner, Joseph Mallord William
art nouveau
Art of Fugue, The
(Bach)
arts and crafts movement
Austen, Jane
Madame de Staël and
George Eliot and
family of
productivity and methods of
George Sand and
women creators, families, and,
awards
See also
fame; financial status
Ayer, A. J. (“Freddie”)
Bach, Johann Sebastian
career of
Christian religion of
creativity of
death of
family of
financial status of
keyboard music of
orchestral music of
organs and
productivity of
Balenciaga, Cristóbal
Dior and
fame and decline of
family and early life of
fashion design as vocation of,
fashion design history and,
first Paris business of
principles of
banking career, T. S. Eliot’s
bawdry, Chaucer’s
See also
humor
begging letters
book illustrations.
See also
literature
Dürer’s
Hokusai’s
Pugin’s
Viollet-le-Duc’s
Book of the Duchess, The
(Chaucer),
Brandenburg Concertos (Bach)
Briggs, Joseph
Brontë sisters
Canterbury Tales, The
(Chaucer)
Caravaggio, Michelangelo
careers
Bach’s
Chaucer’s
creativity and
T. S. Eliot’s
Shakespeare’s
Twain’s
cartoons.
See
Disney, Walt
Casas i Carbo, Ramon
Cassatt, Mary
cathedrals, Pugin’s
“Celebrated Jumping Frog of Calaveras County, The” (Twain),
censorship, Hokusai and
chamber music, Bach’s
characters
Chaucer’s
Disney’s
Hokusai’s
Shakespeare’s
Chaucer, Geoffrey
The Canterbury Tales
of
early poetry of
English literature and
family and career of
Christianity.
See also
God
Bach and
Pugin and
churches, Pugin’s
civil engineering, Telford’s
classical architecture, Pugin and
Clemens, Samuel Langhorne.
See
Twain, Mark
clothing
fashion design (
see
Balenciaga, Cristóbal; Dior, Christian)
Pugin’s
Twain’s
Wagner’s
coinage, word.
See
English language
collective creativity
Disney’s
Dürer and German
Edison’s
Pugin’s
Tiffany’s
color
Disney and
Tiffany’s colored window glass,
Turner and
comedy.
See
humor
commercial success.
See
financial status
communism, Picasso and
concertos, Bach’s
counterpoint, Shakespeare’s
courage, creativity and
craftmanship.
See
Pugin, A. W. N.; Morris, William; Viollet-le-Duc, Eugène)
creativity.
See also
productivity
animation (
see
Disney, Walt)
architecture (
see
Pugin, A. W. N.; Viollet-le-Duc, Eugène)
art (
see
Dürer, Albrecht; Hokusai Katsushika; Picasso, Pablo; Turner, Joseph Mallord William)
author’s, and this book about
collective (
see
collective creativity)
courage and
difficulty of
fashion design (
see
Balenciaga, Cristóbal; Dior, Christian)
financial status and (
see also
financial status)
glassware (
see
Tiffany, Louis Comfort)
God and (
see also
God)
heredity, families, and (
see
families)
humor and (
see also
humor)
Imhotep and history of
literature (
see
Austen, Jane; Chaucer, Geoffrey; Eliot, T. S.; Hugo, Victor; Shakespeare, William; Twain, Mark)
music (
see
Bach, Johann Sebastian)
science, metaphors, and
women, families, and (
see also
women)
creator facilitators
See also
collective creativity
cubism, Picasso’s
da Vinci, Leonardo
Davy, Sir Humphry
deaths
Austen
Bach
Balenciaga
Dior
Disney
Dürer
T. S. Eliot
Pugin
Tiffany
Demoiselles d’Avignon, Les
(Picasso),
demotic vs. hieratic language
de Staël, Madame (Germaine Necker)
dialects
Chaucer’s
Shakespeare’s
Twain’s
dialogue
Austen’s
Chaucer’s
T. S. Eliot’s
Dickens, Charles
Dickinson, Emily
difficulty, creativity and
Dior, Christian
Balenciaga and (
see also
Balenciaga, Cristóbal)
career of
death of
family of
direct experience
Disney, Walt
first animations of
methods of
Mickey Mouse character, sound effects, and color animation of
movie houses and
nature and
Picasso vs.
theme parks of
drawings
Balenciaga’s and Dior’s
Dürer’s
Hokusai’s
Pugin’s
Turner’s
Viollet-le-Duc’s
dressmaking.
See
Balenciaga, Cristóbal; Dior, Christian
Dupin, Aurore (George Sand)
Dürer, Albrecht
death and legacy of
drawings and watercolors of
engraving technique of
fame and financial status of
individualism of
instructional writings of
productivity of
travels of
woodcuts
economics.
See
financial status
Edison, Thomas
Einstein, Albert
Eliot, George (Mary Ann Evans)
Eliot, T. S.
alcohol and
banking career of
fame and awards of
family and early life of
Four Quartets
of
intellectuality of
marriages of
poetry of
Ezra Pound and
sexuality of
travels and education of
The Waste Land
of
Emma
(Austen)
English language
Chaucer and
lewd vs. learned language
Shakespeare and
Twain and
engravings, Dürer’s
EPCOT (Experimental Prototype Communities of Tomorrow),
erotica, Hokusai’s and Turner’s
essays, Hugo’s
etchings, Dürer’s
Evans, Mary Ann (George Eliot)
evil, Picasso and
experience
Falstaff character, Shakespeare’s,
fame
Bach’s
Dürer’s
George Eliot’s
Hugo’s
Picasso’s
Tiffany’s
Turner’s
families
Austen’s
Bach’s
Balenciaga’s
Chaucer’s
de Staël’s
Dior’s
Disney’s
Dürer’s
George Eliot’s
T. S. Eliot’s
Hokusai’s
Hugo’s
Picasso’s
Pugin’s
Sand’s
Shakespeare’s
Turner’s
Wagner’s
women creators and
Fantasia
(Disney)
Faraday, Michael
fashion design.
See
Balenciaga, Cristóbal; Dior, Christian
favrile glass, Tiffany’s
Fawkes family
fear, creativity and
Feast of the Rose Garland, The
(Dürer)
Fighting Téméraire, The
(Turner)
films, Disney’s
financial status
Bach’s
creativity, begging letters, and,
Dior’s
Dürer’s
Hokusai’s
Picasso’s
Pugin’s
Turner’s
Flowers and Trees
(Disney)
Four Quartets
(T. S. Eliot)
Four Seasons
(Tiffany)
Frankenstein
(Shelley)
French culture
Chaucer and
Hugo (
see
Hugo, Victor)
fugues, Bach’s
functionalism, Pugin’s
funerals.
See also
deaths
Dior’s
Hugo’s
furniture design
Morris’s
Pugin’s
genetics.
See
families
German culture
Dürer and
Bach and
Giordano, Luca
glassmaking methods
See also
Tiffany, Louis Comfort
God
Bach and
Balenciaga and
creativity and
T. S. Eliot and
Picasso and
Pugin and
Goldberg Variations
(Bach)
“Golden Arm, The” (Twain)
goldsmithing
Dürer and
Pugin and
Gothic architecture.
See
Pugin, A. W.
N.; Viollet-le-Duc, Eugène
Guernica
(Picasso)
Gutenberg, Johann
Hals, Franz
Hamlet
(Shakespeare)
harpsichord music, Bach’s
haute couture.
See
Balenciaga, Cristóbal; Dior, Christian
Haydn, Franz Joseph and Michael
Hemingway, Ernest
Henry IV
(Shakespeare)
heredity.
See
families
Heroes
(Johnson)
hieratic vs. demotic language
Hobbes, Thomas
Hokusai Katsushika
House of Fame
(Chaucer)
Houses of Parliament (Pugin)
Howerd, Frankie
Hugo, Victor
architecture and
death and funeral of
Dickens vs.
family of
lack of intelligence of
music and
politics of
productivity of
women and sexuality of
humor
Austen’s
Chaucer’s
creativity and
Disney’s (
see
Disney, Mark)
T. S. Eliot’s
Shakespeare’s
Twain’s (
see
Twain, Mark)
hypotheses as metaphors
Ibsen, Henrik
illustrations.
See
book illustrations; drawings
Imhotep
individualism
creativity and
Dürer’s
Picasso, Disney, and
Innocents Abroad, The
(Twain)
instrumentation
Bach’s
Shakespeare’s
intellectuality
T. S. Eliot’s
Shakespeare’s lack of
Turner’s
Intellectuals
(Johnson)
intelligence, Hugo’s lack of
inventions
Italian culture
Chaucer and
Dürer and
Turner and
Iwerks, Ubbe
James, William
Japanese landscape painting
See also
Hokusai Katsushika
Jenkins, Roy
jewelry, Tiffany’s
jokes.
See
humor
Jonson, Ben
jubiliee poems
keyboard music, Bach’s
Knight, Death, and the Devil
(Dürer)
Kolberger, Anton
lamps
Davy’s
Tiffany’s
landscapes.
See
Hokusai Katsushika; Tiffany, Louis Comfort; Turner, Joseph Mallord William
language.
See
dialects; dialogue; English language
Laurelton Hall home, Tiffany’s
letters, begging
lewd vs. learned language
Liber Studiorum
(Turner)
light, Turner and
literature
See also
Austen, Jane; Chaucer, Geoffrey; Eliot, T. S.; Hugo, Victor; nonfiction; Shakespeare, William; Twain, Mark
Lorrain, Claude
luck, creativity and
luxury, Wagner and
Madonna with the Siskin, The
(Dürer)
Manga
(Hokusai)
Mansfield Park
(Austen)
Martin, Kingsley
Mass in B Minor (Bach)
material, Balenciaga’s
Melancholia
(Dürer)
Merry Wives of Windsor, The
(Shakespeare)
metallurgy
See also
goldsmithing
metaphors, hypotheses as
Mickey Mouse character, Disney’s
morality, Picasso’s
See also
God
Morris, William
movies, Disney’s
Mozart, Wolfgang Amadeus
music.
See also
operas
Bach’s (
see
Bach Johann Sebastian)
Disney and
Mozart’s
Shakespeare and
Wagner and
naturalism
Disney’s
Dürer’s
Picasso and
Nazis, Picasso and
Necker, Germaine (Madame de Staël
Nobel prizes
nonfiction
author’s