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Authors: James Herbert

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He reached to touch her hand, but she swiftly withdrew.

‘Please don’t, Joe. For your sake, don’t.’

‘Laura . . . you . . .?’

She nodded. ‘God knows why, but I had some feelings for you at the beginning, I really did want to help you. I’m afraid the human condition has always been one of my failings. I wanted you, but those desires changed to something more, an unholy kind of lust. I became something else, something basely carnal so that I could take full pleasure in you, and even that mutated to something more, something worse . . .’

‘But you saved me that day at . . .’ He stopped, thinking hard. ‘Liable and Co.’ He clucked his tongue. ‘I thought there was something about that name. A simple anagram of Belial, right? Not very smart, but then who would know, who would care? You did come and rescue me, though.’

‘The game had to go on. It was only your friends who saved you last night.’

‘My pals the paparazzi.’

‘How did they know Lily would be there?’

‘They didn’t, and neither did I. I just felt I was getting into something way over my head so I arranged a little insurance. I asked someone at my newspaper to put the word around that something big was going down at the Mountjoy Retreat last night. I figured there might be safety in numbers, and I wasn’t wrong. You didn’t see me hiding near the drive, did you? You just knew I’d be along at any time, that’s why you were waiting for me. That fat receptionist knew who I was when I spoke to her in the afternoon. You had me half-suckered, Cally, I’ll give you that.’

‘Will you tell everything, Joe?’

‘You mean will I sell the
whole
story to the highest bidder? I’d be crazy to. I’ve got enough without the demon stuff, anyway.’

‘You’ve no evidence of Nicholas Mallik’s existence. No photographs, no negatives. I’m glad of that.’

He shrugged. ‘It would have added a little spice. A child murderer and mutilator who supposedly was hanged back there in the ’thirties, assuming a new identity and still plying his old trade behind the harmless façade of a rest home for gentlefolk. Even after all these years his mug shots compared pretty well with the old newspaper copies.’ He sounded regretful.

She managed a weak smile. ‘You won’t change, Joe. Perhaps it was your low-life nature that ultimately got you through all this.’

‘I like to think so.’

The smile stayed and she lifted a hand towards him. ‘You’re not so different from us,’ she said.

A softness melted into his mind, a seductive and pleasing infiltration that slurred his thoughts. Cally was breathing deeply, watching him with hooded eyes. He remembered the changeling, the one who had called herself Laura, and he thought of her pale skin, the deepness between those albescent thighs . . .

Cally breathed him and he pressed forward to—

He froze. Her image had become less defined, had begun to waver.


Noooo
,’ he heard her moan.

But he was sinking into her, his senses aroused both through memory and the allure of Cally herself. The musky smell of her sexual desire was strong, intoxicating. He was close, so close, his lips an inch away from hers . . . from Cally’s . . . from Laura’s . . .


No!
’ This time it was a sharp cry and she pushed at his chest, sending him toppling to the floor.

And she was Cally again, her eyes clear, yet somehow distant. For a fleeting second she seemed to shrink within herself.

‘It’s over,’ she said, her voice dry and passionless.

Creed steadied himself. Yeah, it was over, he knew that, but for a moment there . . .

He stood up and went back to the window, blocking half its light. ‘You’d better go, Cally,’ he told her, unsure of himself.

She nodded, and did not move. Maybe she was getting control of herself. Finally she rose from the bed and she seemed smaller, somehow less vital, less forceful. She moved to the door.

‘Where will you go?’ he asked, not wanting her to leave, yet desperate for her to.

‘I’ll wait. And then I’ll find him again.’

‘D’you have to do that? Can’t you just live a normal life?’

Even her laughter was worn.

‘I’m his daughter,’ she said.

She pulled the dark red garment around herself and went through the door.

Creed followed, but not right away; the ‘impulse’ required a few seconds’ thought.

‘Cally!’ he called, but when he reached the landing only Grin was waiting for him there, the dead mouse in its mouth spoiling its smug expression somewhat.

‘Not now, you bloody fool,’ Creed muttered, stepping over the cat, who swished its crooked tail in exasperation.

The front door was open and Cally had gone. Creed ran downstairs and out into the cobbled mews. ‘
Cally!
’ he called again, but even when he reached the corner she was nowhere to be seen. He looked this way and that, wildly at first and then more moderately. ‘Cally.’ This time he spoke the name.

Creed shivered – with the cold, he thought – and took one last look towards the mews entrance. Was that it? Had she really gone for good? A part of him hoped so. A smaller part, tucked down somewhere on a level between the conscious and subconscious, the place where all kinds of perversities like to skulk, hoped not. He groped in his pocket for a cigarette.

Shit, he didn’t need her kind of aggravation.

He strolled back to his front door, pausing on the step to light the crumpled roll-up. It was going to be a heavy day. An hour or so of sleep, phone off the hook. Evelyn would be burning wire before very long and he wanted a good story ready for her when he finally took the call, something that would make him the hero. Hell, he
was
the hero; his son had been kidnapped and he had rescued him single-handedly. No knight in shining armour could have been bolder and no father more courageous. The media would be beating a path to his doorstep as soon as the first edition of the
Dispatch
hit the street, but they wouldn’t get much from him. The chequebook deal had already been struck with his own newspaper, God bless the wealthy proprietor and all his forefathers, so after a short rest it was back to the office to fill in some more of the story. But first, when the hour was a shade more civilized, a little detour to Fix Features where a contact sheet was waiting to be examined, the shots from the second roll of film he’d used in the cemetery on that fateful day. The roll that had a clear shot of Nicholas Mallik approaching Lily Neverless’ grave. Wouldn’t prove anything, might not amount to much; but it would just add that little extra spice.

Yeah.

Creed went into the house and closed the door behind him. This time he bolted it, top and bottom.

 

 
Creed
 

James Herbert
is not just Britain’s number one bestselling writer of chiller fiction, a position he has held ever since publication of his first novel, but is also one of our greatest popular novelists, whose books are sold in thirty-three foreign languages, including Russian and Chinese. Widely imitated and hugely influential, his twenty-three novels have sold more than forty-eight million copies worldwide.

 

Also by James Herbert

The Rats

The Fog

The Survivor

Fluke

The Spear

The Dark

Lair

The Jonah

Shrine

Domain

Moon

The Magic Cottage

Sepulchre

Haunted

Portent

The Ghosts of Sleath

’48

Others

Once

Nobody True

Graphic Novels

 

The City

(Illustrated by Ian Miller)

Non-fiction

 

By Horror Haunted

(Edited by Stephen Jones)

James Herbert’s Dark Places

(Photographs by Paul Barkshire)

 

First published in Great Britain 1990 by Hodder and Stoughton

This edition published 2001 by Pan Books

This electronic edition published 2011 by Pan Books
an imprint of Pan Macmillan, a division of Macmillan Publishers Limited
Pan Macmillan, 20 New Wharf Road, London N1 9RR
Basingstoke and Oxford
Associated companies throughout the world
www.panmacmillan.com

ISBN 978-1-447-20339-1 EPUB

Copyright © James Herbert 1990

The right of James Herbert to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.

You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

A CIP catalogue record for this book is available from the British Library.

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www.panmacmillan.com
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