Darker Than Night (30 page)

Rain had begun to fall, or rather hang in the air, a heavy mist that made umbrellas useless and found its way beneath exposed cuffs and down the backs of collars. At least the heat had broken, Quinn thought as he struggled out of a cab and stepped into a puddle, which made his right sock wet.

A woman wearing rubber boots sloshed through the water and claimed his place in the back of the cab even before he had a chance to shut the door. He barely got out of the way and avoided being splashed as the vehicle rejoined start-and-stop traffic on Park Avenue.

While Pearl and Fedderman were continuing their interviews with interior decorators who'd been employed by Night Prowler victims, Quinn had cabbed here to meet Harley Renz at a psychiatrist's office. Renz had requested the meeting but hadn't told Quinn the reason for it. As he crossed the wide street toward the sedate, prewar building, Quinn thought it was way past time for Renz to find his way to a psychiatrist's office.

The lobby was gold-veined gray marble and soft oak paneling, understated and elegant. It was unattended. Quinn paused on a large rubber mat and stamped water from his shoes, noticing a security camera mounted in a corner and aimed his way. He found a directory near the elevators and quickly located his destination.

The office, on the ninth floor, was at the end of a wide hall. Its door was open about six inches in coy and silent invitation.

He pushed the door open all the way and stepped inside. Something about the subtle, chemical scent of the place alerted him. Then he noticed smudges on various objects, like someone had gone through with a greasy feather duster, from when prints had been lifted. Now he recognized the scent; more obscure prints had been made visible with the Super Glue method.

Crime scene.

Quinn was in a receptionist's outer office and waiting room. There was a desk with a computer on it, a bank of tan file cabinets, softly painted earth-tone walls, restful prints of water lilies. Current magazines were spread out on a coffee table before a long beige sofa, a
Forbes
, a
New Yorker,
an
Architectural Digest
. A Mr. Coffee sat on a small table in a corner, a stack of white Styrofoam cups next to it along with packaged cream and sugar. Mr. Coffee's burner light wasn't glowing, but the glass pot was half filled.

Quinn saw that a closet door on his left was hanging open. A man's worn blue windbreaker on a wire hanger was the only garment. There was an X of masking tape on the floor, no doubt to indicate where a body had been stuffed into the narrow closet. The tape was smeared with blood and curled where it lay over a dark stain on the carpeted floor. Quinn noted that the carpet had absorbed a lot of blood, so when the door was closed, it wouldn't be visible to anyone coming in from the hall.
A killer thinking ahead?

He went to another half-opened door alongside the reception desk and used the back of a knuckle, so as not to disturb or leave a print, to push it open all the way. Not necessary, since the scene had obviously been gone over by the crime scene unit and the body removed, but habits formed in the presence of death died harder than some homicide victims.

There was Harley Renz, lying on his back on a brown leather sofa, his legs crossed at the ankles, his fingers laced behind his head. He looked over and smiled when Quinn entered the room. “Welcome to the confessional.”

“Sorry I missed it. I bet you had some doozies.”

“I was too late myself.” Renz motioned lazily to where an outline of a human body had been marked out crudely with tape on the carpet near the desk.

“Was that the Dr. Rita Maxwell whose name was on the building directory,” Quinn asked, “or was she the one in the closet?”

“This one was Dr. Maxwell.” Renz sat up but remained slumped and relaxed on a corner of the comfortable-looking sofa. “The vic in the outer-office closet was her receptionist, one Hannah Best. This Dr. Maxwell”—he pointed to a wall displaying photographs and framed diplomas and certificates—“was some impressive babe.”

“I read about the case in the papers,” Quinn said. “The doctor and her assistant were stabbed to death. The pattern didn't fit the Night Prowler, so I didn't pay too much attention.”

“I don't think it fits, either,” Renz said, “but I thought you might wanna take a look at the scene. You never know what might trigger an errant thought, wandered somehow into an infertile brain.”

“True enough. Any leads?”

“One. Like I said, there's probably no connection, but sometimes New York can be a small town. Both these women were stabbed only a few times each, as if more to send them on their way without a lot of time, trouble, or passion than for any sadistic enjoyment. Not like what your guy does to them. Still, we got women stabbed to death here. The media's taken note. And a Park Avenue analyst murdered in her office—lots of people will be disturbed by that.”

“You mean people who were disturbed to begin with and had motive and opportunity to kill Dr. Maxwell.”

“Among others. Just think of all the secrets passed in confidence in this quiet, restful room.” Renz grinned. “But we know there's really no such thing as secrets in confidence.”

“They exist,” Quinn said, “but briefly.”

“Like true love.”

“I noticed a security camera in the lobby. Did it show anything?”

“You mean like a shot of the killer on his way in or out? No. It had recycled and was on its next loop by the time we knew it was there. Everybody coming or going on the tape was here well after the murders.”

“What about the doctor's files?”

“They don't appear to have been disturbed. It seems the killer entered the outer office, killed ‘Hard Luck Hannah' the receptionist, and hid her body in the closet. Then he came in here and did the doctor.”

“Maybe a patient thought twice after revealing something during analysis and wanted to take it back.”

“Always that possibility, with a victim like this.”

“It wasn't done on a whim,” Quinn said. “The only blood from the receptionist is in the closet. Looks like she was knocked out and stuffed in there before she got knifed.”

“That's how I figure it. The killer just wanted her out of the way. Dr. Maxwell was the primary target.”

“Have you searched her files?”

“That'd be a touchy matter legally,” Renz said. “We're working on a warrant right now.”

“Have you searched her files?” Quinn repeated in the same tone.

“Yeah. And found about what you'd expect. But there are some interesting names in there.”

“Potentially useful to a shameless climber like you,” Quinn said.

“They might prove useful to our side.”

He was right.
Our side. Our team.
It made Quinn wince.

“And aren't you just the one to talk about shame?”

Quinn felt his anger rise but pushed it back. “You mentioned you had a lead.”

“Sort of a lead. The receptionist kept a patient schedule on a software program in her computer, but she was old-fashioned and distrustful of technology. Like us. So she also kept names and appointment times in a book. One of the names in the book is missing in the computer and file cabinet. A patient named David Blank.”

“So, you think Blank did the killings, then deleted his appointment from the computer calendar and removed his file, but he didn't know about the book.”

“So I surmise. He was the last appointment the afternoon of the murder. The first appointment the next morning discovered the bodies and called the police. We're pretty sure Blank had previous appointments, because the records show gaps in the doctor's schedule. Several of them. Damned computers. Global search and delete. Handy for felons.”

“Bits and bytes have no moral compass.”

“If you say so. There's a recorder over there on the desk. Some of the other patients said it was how Dr. Maxwell worked. She listened to her patients and recorded the sessions so she could review them later, then placed the tapes in the files. There's no cassette in the recorder.”

“So, David Blank wanted to remove all evidence of his having been a patient.”

“Sure looks that way. And turns out he's proving difficult to locate. The few David Blanks we can find have been eliminated as suspects, so all we have is a name. The David Blank in Hannah Best's appointment book didn't and doesn't exist. Only he's real, because he probably murdered these two women.”

Quinn walked over and stared down at the taped outline on the floor, trying to imagine a human being lying there. A woman Renz had called a babe, with friends, family, and a medical degree. Looks, brains, she'd had it all, but
had
was the operative word.
Don't get sentimental. Maybe she didn't have a family. But even I have a family. Some remnants of a family. The soon-to-be Franzine family.
“If Blank did the deed after taking pains to create a false identity, he planned to kill the doctor from the beginning of his visits.”

“Why would anybody do something like that?” Renz asked, sounding deeply perplexed. “Go to a shrink knowing you were setting up to kill her?”

“I have no idea,” Quinn said. “But then, I don't think I need one. Like you said, this doesn't fit the pattern.”

“Still, it'd be nice to solve it. Throw some meat to the media wolves and take some heat off you.”

And you.
“I'll point out one thing. There might have been someone else who deleted and removed files. Somebody more successful than David Blank at covering his tracks.”

Renz looked at him with a kind of growing anger. “A killer who might have been a patient we never heard of and never will?”

“It's possible. Somebody who knew about or never made it into Hannah's appointment book. Who wants you looking for David Blank instead of him.” Quinn motioned with an arm toward the file cabinets in the office, then toward the reception area on the other side of the wall. “How can we know what else might be missing?”

Renz ran a hand down his face, stretching the flesh beneath his eyes so he looked mournful. “Jesus H. Christ! Leave it to you to make everything complicated.”

“It's what you get for leaving it to me, Harley. And almost everything
is
complicated, if you're really trying to get at the truth.”

“I'm not interested in the truth, Quinn. I'm interested in evidence. That's all that counts in court.”

Quinn thought Renz might have something there.

He thanked Renz for calling him to the scene, then filled him in on what Pearl and Fedderman were doing and left.

He didn't try pointing out that evidence was supposed to lead to truth, no matter how it played in court. There were only so many links in Renz's chains of logic.

Enough to reach where he wanted to go, but no further.

As Quinn closed the door on the bloodied office, he wondered if the law would ever catch up with David Blank.

But then, it wasn't his concern.

Successful decorators were a flighty bunch, flitting all over the city as if in a panic, difficult to catch up to. They were late there, in the wrong place here, ahead of schedule there. Apparently, they could arrange anything but time.

Pearl finally located Victory Wallace at a crumbly red-brick building just off Christopher Street in the Village. It was obvious that the building was being refurbished. A tubular slide ran from a second-floor window down to a rusty Dumpster. The front shop window was covered with graffiti-marred plywood featuring
BOOK 'EM ALL
in large black letters. The first three letters looked somewhat suspicious, and Pearl could interpret the original message. Sometimes she shared the thought.

Two vans and a pickup truck overloaded with debris—rotted lumber, broken wallboard, splintered lathing, an old door—were parked near the entrance. The building's front door was not only open but off its hinges. Pearl wondered if it was the door in the truck.

She heard hammering as she stepped inside. Daylight streamed narrowly in through the few unboarded windows, completely missing areas that were illuminated by flood-lights. A fine dust hung in the air. Plaster dust, Pearl assumed. A burly man in jeans and a sleeveless shirt was on a ladder, using a trowel to spread drywall mud over seams in newly applied wallboard. A skinny, shirtless teenage boy, his upper body covered with tattoos, was sanding dried applications of the putty-colored substance—the cause of so much dust. His dark hair had a film of gray over it, making him look prematurely aged. At the far end of the area, whose interior walls had been removed, a man in baggy overalls was using a circular saw on boards laid over a pair of sawhorses. To Pearl's left, another workman was on a stepladder, wielding a red-handled hammer.

In the middle of all this heavy-duty, purely practical activity stood an improbable figure in tight black leather pants, boots with built-up heels, and a sky blue shirt with puffy sleeves. Pearl wished she had the guy's waist, not to mention his ass.

“Are you Mr. Wallace?” she asked between passes with the power saw.

He turned toward her, quite a handsome man, with a firm chin and dark lashes, and held up his middle and forefinger in a V gesture. “Victory, my sweet. I'm Victory.” He looked her up and down without being bashful about it. “And you are Detective Kasner. The one who called.”

“Unless there's another Detective Kasner,” Pearl said.
Keeeeeeeyow!
went the power saw.
B-bam, b-bam!
went the hammer. “Can we please talk someplace quiet?”

“The walls!” shouted Victory.

If they have ears, they are surely deaf.
“What about the walls?”

“What do you think of a subtle flesh color for the walls?”

Pearl glanced around. “I don't know. What kind of place is—”
keeeeeyow!—
“this gonna be?”

“An erotic Internet dessert cafe.”

Pearl cupped a hand to her ear. “Exotic desserts?”

“Erotic!”

B-bam, b-bam!

“Ah,” said Pearl. She pointed to her right ear and shrugged. “Someplace quiet, okay?”

Victory nodded and led her to a back entrance, then through a door to a small, shaded courtyard with dead flowers surrounding a maple tree. The hammering and sawing were barely audible out here.

“Better,” Pearl said. “Now, how do I get a job at an erotic Internet café?”

Victory gave her a dubious look and smiled. He said nothing, still trying to figure out the game. After all, cops, murder, it was all more than unsettling.

“And what
is
an erotic Internet café?” Pearl asked.

“Like any other Internet café, dear, only we subscribe to the most amazing Web sites, and the confections are of different shapes. Dough can be worked into many forms other than bagels and doughnuts, some of them quite suggestive if not titillating.”

“And you've been hired to decorate the place?”

“Indeed I have.”

Good choice.
“Flesh-colored walls seem right, then,” Pearl said, “but without a trace of blush.”

“Consider your vote cast.” Victory waved an arm for emphasis. Pearl saw that his shirt had French cuffs with gold-coin cuff links—probably real gold. There was profit in bullshit. “If this is about poor Marcy Graham and her husband, I already talked to one of your fellow officers. To what do I owe this second tête-à-tête? Am I perchance a suspect?”

“Nope. You're in the clear. So far,” she added, trying to wipe the smarmy smile off his face.

The smile didn't waver. “I watch
Law and Order
, dear detective. I know that truth always rises to the top.”

“In real life it takes someone like me to push it up there.”

“And where might we find real life?”

Pearl laughed. “It'd take a better detective than me to tell you that. But Marcy Graham and her husband found real death just months after you decorated their apartment. It says in the file you were given a key by Marcy.”

“Indeed. That isn't unusual. Most of my clients don't mind me letting myself in, and they prefer not to be home during remodeling.”

“Did you give the Graham key to any of your subcontractors? The tradesmen who do the physical part of your work.”

“A few times. But I always got it back from them before nightfall. I am not unmindful of security. I mean, these days…” He waved a hand as if to gesture toward particular days all around them.
These
days.

“Did any of the people you hired have the opportunity to have the key duplicated?”

Victory looked nonplussed, and that was the only word for it. “Oh, my!”

“That a yes?”

“I'm afraid it is. But all the people I use are old acquaintances, each and every one of them totally trustworthy.”

“We both know it's impossible to be sure of that.”

“True. But this isn't love or war, dear, it's interior decorating.” He raised a ringed forefinger. “Strike that. It can be like war sometimes. When the client thinks something doesn't
tie in
. Or when it comes time to pay the cost of art, instead of simply talking about it.”

“I'd like a list of all the tradesmen you employ,” Pearl said.

“I hate to cause them a problem.”

“Do I look like a problem?”

Victory grinned lewdly. “Oh, do you ever!”

“That would be a yes on the list?”

Victory shrugged. “I suppose.”

Pearl gave him her pen and notepad.

When he was finished writing, she said, “What are they using for bedroom ceiling fixtures these days?”

“Retro crystal chandeliers, stained-glass Japanese lanterns, brushed aluminum—”

“What about one of those ceiling fans with a light kit?”

“Oh, my God!”

Brushed aluminum, Pearl thought.

As she was leaving, the guy working the power saw glanced over at her and managed a kind of come-hither motion with his tongue. Pearl tried to ignore him but had to admire his dexterity.

Keeeeeeeyow!

Pearl hoped he was cutting off a finger.

Victory watched Pearl through the bright rectangle of the front doorway as she crossed the street to her parked car.

I wish I had her ass.

He liked the lady cop; she had balls. But he certainly didn't want to see her again. It was unnerving, being so close to an actual murder case. A homicide was déclassé, but nothing compared to an arraignment and trial, not to mention prison, not to overlook…. Well, it could prove squalid and mortifying. Judges, juries, could be so unpredictable in these times. Victory knew innocent people were convicted of murder with alarming regularity. What was that movie…?

It had gotten four stars—he remembered that. It would come to him.

He went over in his mind the names he'd written on the detective's pad. He needed to be thorough so as not to invite suspicion of some kind, or suggest complicity with a monster.

He'd listed everyone, he was positive. The detective with the delectable derriere had the names of all the tradesmen he'd employed in the past two years.

Satisfied that he could put the entire dreary business out of his mind, Victory returned to contemplating the walls-to-be. It wasn't only the color that concerned him; he had to coordinate other elements with the carnal and crust motif. The walls were background; something now needed to be on them to pop and provide contrast. Perhaps clear-laquered, risqué lingerie, framed as art. And surely there were baking utensils that suggested erotic usage.

Yes! But possibly he was approaching this backward. First the lingerie and utensil wall hangings, then the color? There was still time to decide. And he knew someone who might perfectly match color with context to combine sex and food, two of the basic human imperatives.

Victory hadn't for a second considered including Romulus in his list of tradesmen. That was because Romulus wasn't a tradesman. He didn't merely glow in the galaxy of simple craft. Romulus was too complex and brilliant for that. He was unique. A bright star rather than a workaday drudge with a talent for hammer, saw, or paintbrush.

He was hardly a slayer of anything other than poor taste.

Romulus was an artist, like Victory himself, a spiritual brother and not part of the mundane world that so often tried to intrude on their own.

A genuine artist. And in this fucked-up, fucked-over city, what was more precious than that?

 

The Night Prowler watched Claire leave her apartment building and stride with her incredibly graceful walk on the opposite side of the street. How she could move—her hips, her arms, the kick of her legs—in time with some celestial music he could hear and see in elegant kaleidoscopic wonder. Was she also a dancer? So many Broadway stars could dance, as well as sing and act. Many had begun as chorus line dancers and had become actors. Or was it the other way around? He didn't know, actually, but to him Claire was a dancer.

She was walking with bold purpose.

On her way to meet someone? Someone who should be me?

She turned a corner and the Night Prowler had to jaywalk, jogging across a lane of slowly moving traffic to keep up. An annoyed driver screamed at him that he was an asshole. The Night Prowler ignored him instead of killing him and walked swiftly on.

Ah! There she is! In the shadow of the valley of—

Then she walked into the brilliant pale light cast downward by a theater marquee. She was going to see a movie? Alone?

But she didn't stop at the glassed-in booth to buy a ticket before entering the lobby.

The Night Prowler slowed and moved sideways to skirt the closed shops.

He watched through glass doors as Claire talked smilingly to the young man taking tickets. Finally he grinned back at her, charmed as he would be, and Claire brushed past him and across the carpeted inner lobby.

The Night Prowler pushed the door open and pretended to study movie posters in the outer lobby while actually keeping an eye on Claire. The theater was having a science fiction retrospect, and the poster was for
I Married a Monster from Outer Space.
He was pretty sure he'd seen that one years ago; he remembered the luscious brunette with the bangs, screaming on the poster.
Four stars.

Claire was at the concession counter, waiting patiently behind a bald man buying popcorn. The Night Prowler moved closer, standing before the poster nearest the main lobby entrance. It advertised the feature for tonight,
Creature from the Black Lagoon.
The Night Prowler recalled that one, too, and knew it was a classic. Richard Carlson spitting into his scuba mask and swimming around in Florida. Didn't Carlson also star in
I Led 3 Lives
? Of course that one was television.
Three lives? That was nothing!

After the bald man had sprinkled salt on his popcorn and finally walked away, Claire moved up a step and pointed at something in the display case. The woman behind the counter stooped, straightened, and handed her a large box of candy. The Night Prowler recognized the brand even from this distance—chocolate-covered mints in a green-and-white package. He recalled from an e-mail he'd read on Claire's computer that they were her favorite candy.

So, she was weaning herself away from the muffins, or suddenly they'd become repulsive to her. Women—

Coming this way!

He turned away so she wouldn't see his face, and in the reflection of the
Black Lagoon
poster glass, he watched her walk past, not glancing at him. The creature, some sort of amphibian with a permanent scowl, glowered at him. It knew what he was about.

The Night Prowler waited at least a minute before turning around. Then he went outside and bought a ticket, even though the woman in the booth warned him the movie was well under way.

Inside the theater he went to the concession stand and bought half a dozen boxes of mints before going into the darkened auditorium and finding a seat.

He got comfortable, opened one of the mint boxes, and began eating Claire's favorite candy. He let the chocolate melt on his tongue while he thought about her. On the screen an attractive scuba diver, with long, beautiful legs, was swimming in dark waters. She was obviously afraid even as she stroked deeper, propelled by the screenplay. Danger, death, could suddenly embrace her from any direction in the murky depths. It was much like life outside the movies.

Someone in the audience tittered. The Night Prowler pressed a fingertip against the back of the unoccupied seat in front of him and thought a sharply pointed knife would penetrate the material easily, then cut through the back of anyone seated there and reach the heart.
Bloodred, scarlet blue in the dark.
If he acted out what he was thinking, the person, the titterer, would die immediately and the few other patrons in the theater would assume he was simply asleep, while his killer got up and walked out.