David Golder, The Ball, Snow in Autumn & The Courilof Affair (2008) (46 page)

BOOK: David Golder, The Ball, Snow in Autumn & The Courilof Affair (2008)
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“I don’t give a damn,” I replied.

Nothing had ever seemed as ridiculous to me as their false precautions. When he asked me: “What? If Courilof were in a carriage with his wife and children, you’d throw the bomb?” I said yes, and I thought I actually could have done it. What difference would it make? But I could see he didn’t believe me.

“Well, comrade,” he finally said, “that won’t happen. He’ll be alone with his servants.”

They, apparently, didn’t count.

“Well, good-bye then!” he said.

He left.

It happened the next evening. Fanny came with me. We were carrying bombs covered in shawls and wrapped in parcel paper. We didn’t speak. We went and sat down in a brightly lit little square opposite the Marie Theatre. A long line of policemen and carriages waited in the street.

The square was empty. The sky was low and dark; a fine, light snow fluttered through the air, turning to rain as soon as it touched the ground. Tiny needles of icy rain that stung your face.

Fanny pointed to the parked carriages. “The court, the diplomatic corps, the German Embassy delegation, the ministers,” she whispered with a kind of exultation.

The night was deadly long, terrible. Around eleven o’clock, the wind changed and a thick snow began to fall. We moved to another spot; we were frozen. Twice we walked around the little square.

Suddenly we found ourselves face to face with someone who’d emerged from the shadows to look at us. Fanny pressed herself against me and I kissed her. Thinking we were lovers, the policeman was reassured and disappeared. I held Fanny in my arms; she looked up at me, and I remember that, for the first time, I saw a tear in those cruel eyes.

I let go of her. We continued to walk in silence. I was coughing. Blood kept rushing into my mouth. I spat it out, then coughed again; blood trickled on to my hands. I wanted to lie down right there in the snow and die.

The carriages began to move forward. You could hear the sound of doors opening and banging shut inside the theatre, and the shrill whistles of the policemen.

I crossed the street. I was holding a bomb in my hand as if it were a flower. It was grotesque. I don’t understand how no one noticed and arrested me. Fanny followed behind. We stopped close to the entrance, beneath the columns heavy with snow, between the rows of people.

The doors opened. Everyone came out. The Emperor, the Imperial Family, William II and his entourage had already left. I saw women in furs walk by, jewellery gleaming beneath their delicate mantillas dotted with snowflakes. There were generals whose spurs clattered against the frozen ground, and others as well, people I didn’t know, the doddery old fools of the diplomatic corps, and still others… Courilof. He turned towards me; his face was old and pale; or was it just the light from the street-lamps that made his features seem so furrowed? He looked weary and defeated, with big dark circles under his eyes. I turned towards Fanny.

“I can’t kill him,” I said.

I felt her grab the bomb from me. She took two steps forward and threw it.

I remember a jumble of faces, hands, eyes, that swam around in front of me, then disappeared in explosion with the noise and
light of hell itself. We weren’t hurt, but our faces were cut, our clothes burnt, our hands covered in blood. I took Fanny’s hand and we ran through the dark streets, ran like hunted animals. People were bumping into us, rushing in all directions. Several of them had ripped clothes and bloody hands, like us. An injured horse whinnied so horribly from pain that shivers ran down my spine. When we finally stopped, we were in the middle of a square, surrounded by an angry crowd. I knew we were finished. I felt relieved. It was there we were arrested.

Afterwards, Fanny and I found ourselves in a room next to the one where the dead bodies were piled up. We had guards, but amidst the confusion and horror, it hadn’t occurred to them to separate us.

Fanny suddenly burst into tears. I felt sorry for her. I’d already said that I was the one who’d thrown the bomb, as that was only fair: if she hadn’t grabbed it from my hands, I would have ended up throwing it. That… that was the easy part… And anyway, as I’ve already said, I was coughing up so much blood that I felt there was none left in my lungs; I was certain that if they just let me close my eyes and sit still, I would die; and I painfully, eagerly longed for that moment.

I went over to Fanny, put a cigarette in her hand and whispered: “You have nothing to worry about.”

She shook her head. “It’s not that, it’s not that… Dead! He’s dead! Dead!”

“Who’s dead?” I asked, confused.

“Courilof! He’s dead! Dead! And I’m the one who killed him!”

Nevertheless, her instinct for survival remained strong within her.

When the policeman came closer, attracted by her cries, he heard her say again: “He’s dead! And we’re the ones who killed him!”

And so she was condemned to life in prison and I to be hanged.

But you should never count on death any more than you count on life. I’m still here … The devil alone knows why. Later on, Fanny escaped and took part in a second assassination. She was
the one who killed P. in 1907 or 1908. She was caught, and this time, she hanged herself in her cell. As for me … Well, I’ve told my story. Life is absurd. Fortunately for me, at least, the show will soon be over.

ABOUT THE INTRODUCER

GLAIRE MESSUD
is the award-winning author of four works of fiction:
When the World Was Steady; The Hunters; The Last Life;
and, most recently,
The Emperor’s Children.

20TH-CENTURY CLASSICS

CHINUA ACHEBE

Things Fall Apart

ISABEL ALLENDE

The House of the Spirits

GIORGIO BASSANI

The Garden of the Finzi-Continis

SIMONE DE BEAUVOIR

The Second Sex

SAMUEL BECKETT

Molloy, Malone Dies, The Unnamable

(US only)

SAUL BELLOW

The Adventures of Augie March

JORGE LUIS BORGES

Ficciones

MIKHAIL BULGAKOV

The Master and Margarita

JAMES M. CAIN

The Postman Always Rings Twice

Double Indemnity

Mildred Pierce

Selected Stories

(
I
vol. US only)

ITALO CALVINO

If on a winter’s night a traveler

ALBERT CAMUS

The Outsider (UK)

The Stranger (US)

The Plague, The Fall, Exile and the Kingdom, and Selected Essays

(in
i
vol.)

WILLA CATHER

Death Comes for the Archbishop My Antonia

(US only)

RAYMOND CHANDLER

Collected Stories

JOSEPH CONRAD

Heart of Darkness

Lord Jim

Nostromo

The Secret Agent

Typhoon and Other Stories

Under Western Eyes

Victory

WILLIAM FAULKNER

The Sound and the Fury

(UK only)

F. SCOTT FITZGERALD

The Great Gatsby

This Side of Paradise

(UK only)

PENELOPE FITZGERALD

The Bookshop

The Gate of Angels

The Blue Flower

(in
1
vol.)

Offshore

Human Voices

The Beginning of Spring

(in
1
vol.)

FORD MADOX FORD

The Good Soldier

Parade’s End

E. M. FORSTER

Howards End A Passage to India

KAHLIL GIBRAN

The Collected Works

GUNTER GRASS

The Tin Drum

GRAHAM GREENE

Brighton Rock The Human Factor

DASHIELL HAMMETT

The Maltese Falcon

The Thin Man

Red Harvest

(in
1
vol.)

The Dain Curse

The Glass Key

and Selected Stories

(in
1
vol.)

JAROSLAV HASEK

The Good Soldier svejk

JOSEPH HELLER

Catch-22

ERNEST HEMINGWAY

A Farewell to Arms

The Collected Stories

(UK only)

PATRICIA HIGHSMITH

The Talented Mr. Ripley

Ripley Under Ground

Ripley’s Game

(in
I
vol.)

JAMES JOYCE

Dubliners

A Portrait of the Artist as

a Young Man

Ulysses

FRANZ KAFKA

Collected Stories The Castle The Trial

MAXINE HONG KINGSTON

The Woman Warrior and

China Men

(US only)

RUDYARD KIPLING

Collected Stories Kim

GIUSEPPE TOMASI DI LAMPEDUSA

The Leopard

D. H. LAWRENCE

Collected Stories

The Rainbow Sons and Lovers Women in Love

PRIMO LEVI

If This is a Man and The Truce

(UK only)

The Periodic Table

NAGUIB MAHFOUZ

The Cairo Trilogy Three Novels of Ancient Egypt

THOMAS MANN

Buddenbrooks

Collected Stories (UK only)

Death in Venice and Other Stories

(US only)

Doctor Faustus

Joseph and His Brothers

The Magic Mountain

KATHERINE MANSFIELD

The Garden Party and Other Stories

GABRIEL GARCIA MARQUEZ

The General in His Labyrinth

Love in the Time of Cholera

One Hundred Years of Solitude

W. SOMERSET MAUGHAM

Collected Stories

CORMAC McCARTHY

The Border Trilogy (US only)

YUKIO MISHIMA

The Temple of the Golden Pavilion

TONI MORRISON

Song of Solomon

VLADIMIR NABOKOV

Lolita

Pale Fire

Pnin

Speak, Memory

V S. N AIPAUL A House for Mr Biswas

IRENE NEMIROVSKY

David Golder

The Ball

Snow in Autumn

The Courilof Affair

(in
I
vol.)

GEORGE ORWELL

Animal Farm

Nineteen Eighty-Four

Essays

BORIS PASTERNAK

Doctor Zhivago

SYLVIA PLATH

The Bell Jar (US only)

MARCEL PROUST

In Search of Lost Time (
4
vols, UK only)

JOSEPH ROTH

The Radetsky March

SALMAN RUSHDIE

Midnight’s Children

PAUL SCOTT

The Raj Quartet (
2
vols)

ALEXANDER SOLZHENITSYN

One Day in the Life of Ivan Denisovich

MURIEL SPARK

The Prime of Miss Jean Brodie

The Girls of Slender Means

The Driver’s Seat

The Only Problem

(in
1
vol.)

CHRISTINA STEAD

The Man Who Loved Children

JOHN STEINBECK

The Grapes of Wrath

ITALO SVEVO

Zeno’s Conscience

JUNICHIRO TANIZAKI

The Makioka Sisters

JOHN UPDIKE

The Complete Henry Bech

(US only)

Rabbit Angstrom

EVELYN WAUGH

The Complete Short Stories

Black Mischief, Scoop, The Loved

One, The Ordeal of Gilbert

Pinfold (in
1
vol.)

Brideshead Revisited

Decline and Fall (US)

Decline and Fall, Vile Bodies, Put Out More Flags (UK)

A Handful of Dust

The Sword of Honour Trilogy

Waugh Abroad: Collected Travel

Writing

EDITH WHARTON

The Age of Innocence

The Custom of the Country

The House of Mirth

The Reef

P. G. WODEHOUSE The Best of Wodehouse

VIRGINIA WOOLF

To the Lighthouse Mrs Dalloway

W. B. YEATS

The Poems (UK only)

This book is set in BEMBO which was cut
by the punch-cutter Francesco Griffo
for the Venetian printer-publisher
Aldus Manutius in early 1495
and first used in a pamphlet
by a young scholar
named Pietro
Bembo.

Introduction Copyright (c) 2008 by Claire Messud
Chronology Copyright (c) 2008 by Everyman’s Library
Typography by Peter B. Willberg

This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.

eISBN: 9781446402382

www.randomhouse.co.uk

A CIP catalogue reference for this book is available from the
British Library

v3.0

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