Death Angels

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Authors: Ake Edwardson

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INTERNATIONAL PRAISE FOR
DEATH ANGELS
BY ÅKE EDWARDSON
“A crime novel with snappy dialogue, depth and—most important of all—suspense from beginning to end.”

Morala & Vadstena Tidning
(Sweden)
 
“Edwardson will not be hampered by the constraints of the crime genre . . . with his sharp dialogue . . . and a backdrop of darkness that recalls the early works of James Ellroy, one must proclaim Åke Edwardson a master of the Scandinavian detective novel.”

Le Monde des Livres
(France)
 
“A read which even on a really warm July day sends cold shivers down my spine . . . Edwardson’s language is vivid and full of nuance.”

Hufvudstadsbladet
(Finland)
 
“A fast, sleek, hard ballad.”

Die Welt
(Germany)
 
“Clever, exciting, atmospheric!”

Der Spiegel
(Germany)
ABOUT THE AUTHOR
ÅKE EDWARDSON has won three Swedish Academy of Crime Writers awards. His ten Erik Winter novels have been translated into more than twenty languages. He lives in Gothenburg, Sweden.
PENGUIN BOOKS
Published by the Penguin Group
Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A. • Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) • Penguin Books Ltd, 80 Strand, London WC2R 0RL, England • Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd) • Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) • Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi - 110 017, India • Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd) • Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa
 
Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England
 
First published in Penguin Books 2009
 
 
Copyright © Åke Edwardson, 1997
Translation copyright © Ken Schubert, 2009
All rights reserved
 
Originally published in Swedish as
Dans med en angel
by Norstedts Forlag, Stockholm.
 
Publisher’s Note
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
 
LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA
Edwardson, Åke,———.
[Dans med en angel. English]
Death angels : an Inspector Erik Winter novel / Åke Edwardson ; translated from the Swedish by Ken Schubert.
p. cm.
eISBN : 978-1-101-14497-8
1. Detectives—Sweden—Fiction. 2. Sweden—Fiction. I. Title.
PT9876.15.D93D3613 2009
839.73’74—dc22 2009027529
 
Set in Dante MT with Eras
 
 
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HE WAS NO LONGER ABLE TO MOVE. HE COULDN’T REMEMBER
how long it had been this way. Movement was like a shadow play now.
He knew what was happening to him. He tried to make his way toward the south wall of the room, but the gesture was mostly in his mind, and when he raised his head to see where the sound was coming from . . .
Once more he felt the coldness between his shoulders and down his back, followed by the heat. He slipped and struck his hip as he fell, then slid along the floor.
He heard a voice.
There’s a voice inside me, he thought, and it’s calling to me, and the voice is me. I know what’s happening to me. Now I’ll go over to the wall, and if I stay calm it’s going to be all right.
Mom! Mom!
He heard a whir like when time freezes and the world stops before your eyes. He couldn’t escape it, and he knew what it was.
Get away from me.
Go away.
I know what’s happening to me. I feel the coldness again. I’m looking down at my leg but I can’t tell which one it is. I see it in the bright light. That’s not the way it was at first. But when the coldness began, the light went on and everything turned to night outside the window.
I hear a car, but it’s going the other direction. Nothing stops out there.
Get away from me.
He could still take care of himself, and if he were just left alone, he would be able to move around the room and over to the door. The man had come in, gone back out and gotten his things, then returned, closed the door and made it night outside.
He still heard the music, but it might be coming from somewhere deep inside. They had played Morrissey, and he knew that the name of the album came from an area on this side of the river—not very far away. He knew a lot about that kind of thing. That was one of the reasons he had come here.
He heard the music again, louder now, but not the whir.
The light was as bright as ever. It ought to hurt, penetrate him.
I don’t feel like it’s hurting me, he thought. I’m not tired. I could leave if I were just able to stand up. I’m trying to say something. Time is slipping away. It’s like when you’re falling asleep, and suddenly you give a start, as if you’re climbing out of a deep pit, and that’s all that matters. When it’s over, you’re frightened and you lie there, incapable of moving.
He didn’t think so much after that. The wires and cables in his head had been clipped in two and his thoughts spilled out and careened around his brain and merged with the blood that was running down his back.
I know it’s blood and it’s mine. I know what’s happening to me. I don’t feel the coldness anymore. Maybe it’s over. What’s next?
I’m up on one knee now. I’m staring into the light, and that’s how I’ll drag myself toward the wall and into the shadows.
Something is coming at me from the side, and I’m turning away from it. Maybe I’m going to make it.
He tried to move toward the refuge that awaited him somewhere, and the music grew louder. There was activity all around him, coming from different angles. He fell and was caught, and he felt himself being lifted up and to the side. He made out the contours of the walls and ceiling as they closed in on him, and he couldn’t tell where one ended and the other began. Then there was no more music.
The last wires holding his thoughts together snapped, leaving him alone with dreams and fragments of memories that he took with him when it was over and silence had descended.
The sound of footsteps faded into the distance, and his thin body slumped against the chair.
JANUARY 1997
1
lT HAD BEEN THE KIND OF YEAR THAT REFUSES TO LET GO. IT
spun every which way and bit its own tail like a rabid dog. Weeks and months seemed to go on forever.
From where Erik Winter sat, the coffin appeared to hover in the air. Daylight poured through a window to his left and lifted it from the bier on the stone floor. Everything merged into a rectangle of sunshine.
He listened to the psalms of death, his lips unmoving. He was surrounded by a circle of silence. It wasn’t the unfamiliar atmosphere that made him feel isolated. Nor was it his grief, but another kind of feeling, akin to loneliness or the void that you stare into when you’re losing your grip.
The warmth of my blood is gone, he thought. It’s as if the path behind me is overgrown with weeds.
Rising with the others, Winter walked out into the light and followed the pallbearers to the grave. Once the farewell handfuls of soil had been thrown, there was nothing more to do. Only after he had stood quietly for a few minutes did he feel the January sun caress his face like a hand dipped in lukewarm water.
He walked slowly westward along the street to the ferry dock. The civil war within a man is over, he thought. An armistice has been signed. Now only the past remains, and my grief is just beginning. If only I could simply do nothing for a long time and then start weeding the paths to the future. He smiled wistfully at the low sky.
He climbed aboard and went up to the car deck. The vehicles on the ferry to Gothenburg were covered with dirty snow. They clattered like hell and he put his left hand over his ear. The sun was still out, lucid and impotent over the water. He had removed his leather gloves as the casket was being lowered into the grave, and now he put them on again. He couldn’t remember a time when it was ever this cold.
He stood alone on deck. The ferry chugged away from the island. As it passed a breakwater, he thought about death and the way life goes on long after it loses all meaning. The gestures still come from force of habit but leave nothing in their wake.

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